Category: Fan Film Features

Last time, an Indiegogo crowd-funding campaign in early 2016 gave the STAR TREK CONTINUES team just under $200,000 to produce more episodes of their fan series.  But a new set of fan film guidelines released by CBS and Paramount threatened to stop the production in its tracks by limiting episode length to 15-minutes, blocking ongoing series, and forbidding the use of paid professionals and Star Trek alumni on any fan production.  STC‘s episodes had been regularly violating several of these new guidelines, and while the new rules were not retroactive, they would apply to anything produced by STC going forward.

But the STC team decided to forge ahead anyway, arguing that the guidelines were only that—guidelines—and not some kind of new “law.”  They only said that fan productions that followed these guidelines would not be sued by the studios, NOT that those who didn’t follow the guidelines would be sued.

So STC announced their intention to produce four new full-length episodes with professional actors and crew, release all four in 2017, and then shut down their fan series for good.  The hope was that their amicable relationship with CBS would convince the studios to allow them to finish up, shut down, and go out on the high note.  It wasn’t the most optimum solution, of course.  STC had initially wanted to produce 13 episodes, and now they would only go to 11.  However, considering the harsh constraints of the new guidelines on fan films, being able to produce four full-length episodes—assuming the studios would let them do so without a cease and desist letter or a lawsuit—seemed to be more of a victory than a defeat.

But would CBS and Paramount allow then to actually do it?

Continue reading “A history of STAR TREK CONTINUES (feature, part 6)”

Last time, as 2015 came to a close, STAR TREK CONTINUES was well on its way to a royal fizzbin.  They purchased the entirety of the sets in Kingsland, GA, and released their sixth episode, “Divided We Stand.” STC‘s second “Kirkstarter” at the beginning of 2015 had brought in nearly $215,000 to fund their next two episodes and build two new sets: Engineering and a planet set similar to what existed for TOS back in the 1960s on the Paramount lot.  And then 2016 brought the release of those next two episodes, “Come Not Between the Dragons“and “Embracing the Winds.”

With eight episodes completed and released, STC was now way past the mid-point of what was originally intended to be a 13-episode run.  Show-runner Vic Mignogna never envisioned STC going past that number of episodes, and joked that he, now well into his fifties, couldn’t play a 35-year-old James T. Kirk forever.  Indeed, episodes 7 and 8 already began introducing plot elements that would form into an ongoing story arc that would culminate in the series finale that would end Kirk’s five-year mission and lead into Star Trek: The Motion Picture.

But as 2015 drew to a close, no one suspected that 2016 would turn out to be an uncertain and controversial year, not just for STC, but for all Star Trek fan films.  And it all began just before New Years with the filing of a copyright infringement lawsuit by CBS and Paramount against another fan production…Axanar.

Continue reading “A history of STAR TREK CONTINUES (feature, part 5)”

WARNING!  SPOILERS AHEAD!

Last time: we took a look at the first three episodes of STAR TREK CONTINUES to be filmed with $126,000 in funds donated from their first “Kirkstarter” campaign in late 2013: “Lolani,” “Fairest of Them All,” and “The White Iris.”

The last of these three episodes was filmed in January of 2015, just as STC was launching its second Kickstarter campaign (Kirkstarter 2.0, as they called it) to fund their next episode….and possibly more.  But before we get to the crowd-funding campaign, something even more significant was about to happen in the Georgia Studio where STC shared space with Farragut Films.

Farragut Films wanted out, and was ready to let STC take over the studio completely (along with the $4,000/month rent!).  The only problem: Farragut Films wanted to take their bridge with them.  After all, they built it!  But how was STC going to make more episodes without the most important TOS set of them all???

Later on at the end of 2015, STC would file for 501(c)(3) tax-exempt status, and their submitted paperwork became public record.  As such, we now know all of the details of what happened behind-the-scenes when Farragut Films moved out of the studio…

Continue reading “A history of STAR TREK CONTINUES (feature, part 4)”

WARNING!  SPOILERS AHEAD!

Last time: Having released a very impressive debut episode, “Pilgrim of Eternity,” in May of 2013, STAR TREK CONTINUES was ready to bring fans even more episodes from what they imagined would have been the never-produced 4th and 5th seasons of TOS Star Trek.  They just needed one thing: money.

Vic Mignogna had funded their first episode himself as a way of telling fans, “Hey, this is what we can do.  Please donate so we can make more episodes like this.”  Some of the sets had already been built by the team at Starship Farragut, which agreed to share their studio with STC.  Other set pieces, like the briefing room and captain’s quarters, had been partially constructed in Oklahoma City for the never-made fan film Starship Ajax, and Vic purchased them from Ajax show-runner John Hughes to take to Georgia.

In 2012, Farragut Films moved to a larger studio in Kingsland, GA, with 10,000 square feet to expand into.  With their combined resources, the two productions were now able to have a TOS bridge, transporter, crew quarters, briefing room/mess hall, sickbay, and corridors.  New set construction—including improvements for the existing bridge—were overseen by local contractor William Smith, who became the de facto “custodian” of the entire set, as he lived close to the studio.

But a fan film needs more than just sets.  There was also rent for the sound stage, rent for the equipment, utilities, prop creation, costume production and rental, make-up supplies and equipment, and post-production costs for things like hard-drive storage.  Add to this costs for travel and lodging for out-of-town cast and crew plus food for everyone during the week and a half of filming.  And while most of the team were volunteers, some professionals were working at a discounted rate (about 10% of their normal fee).  It all added up!

Vic determined that if STC could raise $100,000 in a crowd-funder, they could afford to make three additional episodes.  The campaign was held in late 2013, and on November 6, the Kickstarter (or KIRKstarter, as they called it) finished with $126,028 from 2,981 backers.  That was more than enough for three new episodes!

Let’s take a closer look at each of them…

Continue reading “A history of STAR TREK CONTINUES (feature, part 3)”