Author: Jonathan Lane

A history of STAR TREK: RENEGADES – 2012-2014 (feature, part 2)

Last time, we took a look at the origins of the “mega” Trek fan film STAR TREK: RENEGADES, created by the same people who produced the first “mega” Trek fan film, STAR TREK: OF GODS AND MEN back in 2006-2008.  (You can read more about that earlier project in this blog entry.)

I say “mega” for a few reasons.  First, each production would wind up with a run-time of about 90-minutes, way longer than the vast majority of other Trek fan films.  Second, these were a professionally-produced “fan” films with industry veterans and a slew of Hollywood actors, some of whom were reprising their roles from various Paramount-produced Star Trek series and movies.  And finally, each had a budget in the six-figures.  At the time, most Trek fan films were low-budget or, at most, made it into the four-or-five-figure range.  But when you were spending more than a hundred thousand dollars (potentially a LOT more), well, that spells “mega” to me!

Of course, if you want to spend six figures, you need to first generate six figures…and back in 2012, no Star Trek crowd-funding campaign had managed to break above the low four-figure range.

But Star Trek: Renegades set out to change that reality in a BIG way.  In late September of that year, they launched a Kickstarter with a seemingly impossible goal: $200,000.  And if they didn’t reach it, they would get nothing…

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TERRY McINTOSH is officially warned by actor TONY TODD not to use his AXANAR blooper footage!

After yesterday’s blog about the troubling behavior of TERRY McINTOSH, I’d really hoped to get back to fan films today.  Yeah, I thought I was out, but Terry pulled me back in.  However, this WILL be my last Terry McIntosh blog for the foreseeable future.  I don’t want to keep giving him all this attention, even if it is completely negative.  But I felt it was necessary to follow-up on yesterday’s blog because of something that happened later on last evening.

Quick recap: Terry McIntosh, who worked with Axanar Productions for years before flying off in a huff has all the footage from Prelude to Axanar…including outtakes.  Even though Terry signed a non-disclosure agreement agreeing to keep all Axanar-related materials confidential, he already leaked an early version of the full Axanar script, and now he’s announced plans to release a Prelude to Axanar blooper reel…even though he doesn’t own the footage or have permission to do so.

Terry’s stated intention is to use the blooper reel to embarrass Alec Peters, who apparently worked through numerous bad takes to get his performance as Garth to a point where it would be strong enough to feature in the fan film alongside the professional actors (who obviously didn’t flub their lines as much as Alec did…since he’s not a trained actor).

Terry contacted the other actors (with the exception of the late Richard Hatch and his estate) to ask “permission” to use their blooper footage (failing to mention that he was no longer with Axanar Productions and was doing this “rogue” in an attempt to embarrass Alec Peters).  Although Kate Vernon said okay, Gary Graham and J.G. Hertzler said no.

Then Terry said this:

In other words, Terry asked for permission, was not given that permission, and is now considering ignoring this actor’s wishes and using the footage anyway.

What I wrote in yesterday’s blog was NOT pretty.  But at least, I thought, this can’t get any worse.  There’s no way for Terry to possibly sink any lower.

Man, was I wrong…

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TERRY McINTOSH should be ashamed! (editorial)

I’m kinda sick to my stomach right now—so disgusted that I am quite literally nauseous—and I really don’t know how to deal with it other than blogging to try to clear this out of my head.

You guys might remember a few weeks ago when TERRY McINTOSH, the former marketing director for Axanar Productions, released an old version of the original full script for the AXANAR movie.  Even though he had signed a non-disclosure agreement (N.D.A.), promising to keep all Axanar-related materials private and confidential, he decided he was pissed off enough at ALEC PETERS that he no longer gave a shat about signed agreements or breaking promises.  The script, Terry believed, was so bad that releasing it would embarrass Alec, who had called it the best Star Trek script ever (or something like that).

In the end, it was mostly a tempest in a teapot.  I’ve now read the old script, and it wasn’t all that bad.  And now that I’ve read the two new 15-minute segments script, the outdated version of the full script doesn’t really ruin much of anything.  A lot has changed (obviously).

Anyway, y’know when Khan says, “I’ve hurt you…and I intend to go right on hurting you.”  Well, that seems to be Terry when it comes to Alec Peters.  Terry will chase Alec round the moons of Nibia and round the Antares Maelstrom and round Perdition’s flames before Terry gives him up!

But all kidding aside, Terry really doesn’t know when to stop, and now he’s carrying the vendetta to a very dark and troubling place.  But I don’t simply mean troubling to me.  Any reasonable Trekkie or Trekker should feel very concerned, as well…

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DR. SEUSS/STAR TREK: What happens next? (Part 3)

Feel free to read Part 1 and Part 2 if you haven’t already.  This time, we’re going to look at is the state of the Dr. Seuss/Star Trek “mash-up” lawsuit as it stands right now.

Initially , there were three legal complaints filed by the plaintiffs, Dr. Seuss Enterprises:

  1. Copyright infringement
  2. Trademark infringement
  3. Unfair competition

Judge Janis L. Sammartino of the Ninth Circuit Federal Court dismissed the second and third complaints, leaving only the copyright infringement claim as the lawsuit…and that one was “nearly perfectly balanced” based on the “fair use” defense.

But the judge did give the plaintiff a “second chance” to get those two dismissed claims back.  She gave them two weeks to file an amended complaint that might change her mind about dismissing trademark infringement and unfair competition.

The plaintiff did, indeed, re-file an Amended Complaint.  Not surprisingly, the defendants then filed a new Motion to Dismiss.

The plaintiff wants their two dismissed claims back.  The defendant would like to keep those two claims dismissed and, if possible, dismiss the final copyright claim and end the lawsuit completely.

Will either side succeed?  Let’s take a closer look…

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DR. SEUSS/STAR TREK: A “near-perfect balancing” of FAIR USE factors! (Part 2)

Last time, we began looking at the intriguing case of the Dr. Seuss/Star Trek “mash-up” book Oh, the Places You’ll Boldly Go! by DAVID GERROLD and TY TEMPLETON.  Last November, they got sued by Dr. Seuss Enterprises for copyright infringement, trademark infringement, and unfair competition.  The defense quickly filed a motion to dismiss the case.  After a brief extension, the judge issued a ruling last month.  (For more details, read yesterday’s blog.)

The motion to dismiss centered around the “mash-up” being protected as “fair use.”  And while judges do not usually rule on fair use this early in a case, the Honorable Janis L. Sammartino of the 9th Circuit Federal Court did (again for reasons explained in yesterday’s blog).

So did the fair use defense work or not?  What did the judge say???

In short, it’s a tie.  She called it a “near-perfect balancing of the factors” of fair use.  And what does that mean?  Get comfy, folks, ’cause Jonny’s gonna do his best to break this down into layperson’s English for you all…

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DR. SEUSS/STAR TREK “Mash-Up” files new MOTION TO DISMISS! (Part 1)

Last week, I wrote a blog about what is rapidly becoming the second biggest copyright infringement lawsuit involving Star Trek in the last year.  But this time it isn’t CBS and Paramount doing the suing, it’s Dr. Seuss Enterprises.  And the target isn’t a fan film but rather a “mash-up” book that takes the characters, settings, and concepts of Star Trek and presents them in a style inspired by (the plaintiffs say “slavishly copied from”) the classics of Dr. Seuss.

The authors of the mash-up, entitled Oh, the Places You’ll Boldly Go!, include Star Trek “The Trouble with Tribbles” writer DAVID GERROLD and award-winning comic book artist TY TEMPLETON.  Together with their publisher, ComicMix, they were sued last November for both copyright and trademark infringement, along with unfair competition, by Dr. Seuss Enterprises, the owners of all the works of Dr. Seuss.  This lawsuit is seeking $150,000 in damages per infringement (of which there were multiple instances provided in the filing), for a potential judgment in the MILLIONS!  And all of this for a small, grass-roots book project that took in only $30,000 in a Kickstarter last September (pledged money that is now being held by Kickstarter pending the outcome of this case) and has never been published.

(If you’re wondering how the non-publication of a book could cost the copyright owners millions of dollars in damages, well, sit tight.  We’ll get to that in part 2.)

Anyway, last month, the judge in the case, the Honorable Janis L. Sammartino of the 9th Circuit Federal Court (yeah, the same court where the Axanar case was filed—but a totally different judge), made a series of significant pre-trial rulings.  Among these were the dismissal of the trademark infringement and unfair competition portions of the complaint and declaring that the fair use defense was valid but still “too close to call” (my words, not hers) due to a lack of evidence of financial harm.

Many thought the case was pretty much over, but it wasn’t.  So what happens now?

If you’re thinking this is gonna be another one of Jonathan’s long legal blogs, you’re probably right.  But I’ll be walking you through it in helpful layperson’s English…and I guarantee you’ll come out of it much better informed.  Ready?

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I just had an AWESOME fan film week! (personal)

My life isn’t usually all that interesting or exciting…at least, not all in one week.  But what a week it was!

(Actually, it was only really exciting if you happen to be a Trekkie interested in fan films.  If you’re my wife, it’s more like, “That’s nice, honey.  I’m glad you had such a good time.  Did you remember to empty the dishwasher?”

And that’s why I’m writing this blog—because I have now emptied the dishwasher, and I really want to tell you guys about the fan film filled week I just had…because you care, right?  (Aw don’t answer that; it’ll just kill my buzz.)

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A history of STAR TREK: RENEGADES – 2006-2012 (feature, part 1)

RENEGADES: THE SERIES just hosted a movie theater premiere in North Hollywood, California for their first full one-hour episode, “The Requiem.”  But before there was Renegades: The Series, there was STAR TREK: RENEGADES, one of the largest, most ambitious fan film projects ever attempted.

Nearly four hundred thousand dollars in crowd-funding, multiple Star Trek veteran actors reprising their roles from the various TV series, paid industry professionals on both sides of the camera, two years in the making, enthusiastic plans to present this to CBS as a potential pilot for a new Star Trek TV series, and even a gala Los Angeles red carpet premiere at the historic Crest Theater in Westwood.

Looked at through the hindsight lens of the constraining limitations of the post-guidelines reality we now live in, it’s hard to imagine that something like STAR TREK: RENEGADES could even have been attempted, let alone successfully completed and released with such fanfare.  How on earth (or in space) did they manage it?

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RENEGADES hosts a North Hollywood THEATER PREMIERE of “THE REQUIEM”!

Over a half million dollars.  Multiple crowd-funding campaigns.  Walter Koenig.  Nichelle Nichols.  Tim Russ.  Elaborately constructed sets.  Props.  Art design.  Lighting.  Make-up.  Broken air-conditioning in the studios.  Countless aliens in hot rubber masks.  A year in post-production.  Amazing visual FX.  Incredible music.  And those damn guidelines from CBS and Paramount that forced Star Trek: Renegades to evolve into RENEGADES: THE SERIES.

And then last night, at 7:30 in the Laemlee Theater in North Hollywood, CA, the moment we’d all been waiting for.  “The Requiem” was shown for the first time as a full-hour fan film on the big screen in front of an audience of hundreds of fans, actors, production crew, family, friends, and donors…and at least one blogger who crawled through L.A. rush hour traffic for 75 minutes to get there!

The inside of the theater looked like this…

Before the screening, actors posed for photos with fans who’d donated a little extra…

Aron Eisenberg, Tim Russ, Nichelle Nichols, Jason Quinell (donor), Walter Koenig, and Manu Intiraymi

And then it was time to start the film.  Things were running a little late, so producer SKY CONWAY’s opening introduction was simply, “Let’s start this thing!”

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Star Trek/Dr. Seuss “Mash-Up” creators received a CEASE & DESIST letter from CBS!

Is CBS switching back from copyright infringement lawsuits to cease & desist letters?  It’s hard to read the tea leaves when it comes to a multi-billion dollar corporation, but we may have just gotten a clue.

The year 2016 was a turbulent and uncertain time for the world of Star Trek fan films.  It began with a copyright infringement lawsuit against Alec Peters and AXANAR, and then by the summer, fans were presented with a series of fan film guidelines listing the things fans were and were not allowed to do if they wanted to avoid legal action on the part of CBS and Paramount.

But were lawsuits now the “new normal”?  Would fan films that violated the guidelines find themselves dragged into court for expensive litigation?  The studios weren’t saying.  For many years, most fan film producers had (perhaps naively) assumed that the worst that would happen would be they’d get a call (or letter or e-mail) from the studios saying, “Stop what you’re doing.”  Even Alec Peters himself figured he’d probably get a call long before ever being served with a multi-million dollar lawsuit.  Man, was he wrong!

Ironically, had the studios simply sent Alec a cease & desist letter instead of suing, they could have saved themselves nearly a million dollars in attorneys fees and 12 months of polarizing publicity with likely a similar result of a scaled-down Axanar.  But that’s a “what if” scenario that we’ll never see played out in this universe.

But here’s a question: did CBS’s and Paramount’s experience with the year-long Axanar lawsuit leave a bad enough taste in the studio execs’ mouths that they’ve decided to dial things back from battlestations to just yellow alert?  Are the studios ready to return to good ol’ fashioned cease & desist letters to get the job done?

The answer to this question might come from another copyright infringement lawsuit going on right now involving Star Trek…and Dr. Seuss!

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