News – Page 16 – Fan Film Factor

With two and a half weeks remaining, the FARRAGUT FORWARD Indiegogo passes $15,000!

On the one hand, $15K is only halfway to the $30K goal of the current Indiegogo campaign for FARRAGUT FORWARD, the movie-era sequel to the long-running fan series STARSHIP FARRAGUT. And with only 17 days left, that means they’ve got just about 25% of the time left to get the remaining half.

On the other hand, few Star Trek fan films have managed to get even as far as $15K since the publication of the fan film guidelines back in June of 2016. And they also spent their first four weeks struggling to get over $3K. So really, they’ve taken in nearly $12K in donations in just the past three and a half weeks…and that is VERY impressive!

One of their donors gave $5K, and three others threw in $1K each…which certainly helps! They’ve also had three $500 donors and eight $200 donors. So that’s $11K right there from just 15 donors. The other 70-or-so backers have given at levels ranging from $5 or $10 up to $150.

So how are they managing to generate so much enthusiasm and support so quickly? Things started rolling after they had a table at the annual FARPOINT Convention near Baltimore, MD at the end of February. And since then, showrunner (and lead actor) JOHN BROUGHTON and director JOHNNY K. have been on a tear releasing engaging behind the scenes content! One of their most exciting offerings so far has been this new video released last week:

But there have been a dozen other, almost daily (sometimes twice daily!) updates posted to this page on their Indiegogo campaign in the last twelve days…some of them rather elaborate and filled with images from pre-production like in-depth looks into building the practical ship models that will be used for the visual FX…

Sneak peeks at the Klingon make-up and costuming…

Updates on early set construction and those awesome monster maroon uniforms…

Plus there are cast spotlights, links to podcast interviews (they’ve been doing a lot of those), and the announcement that the Grand Chieftain of CGI, SAMUEL COCKINGS, has joined the team to provide digital VFX to augment their practical model effects.

And of course, this is the point in the blog where I provide a link to the Indiegogo campaign and ask you to please help support this project if you can because it looks so amazing. Also, it would be totally awesome if a fan film could once again raise $30K—almost like the good ol’ days!

Here’s the link…

https://www.indiegogo.com/projects/farragut-forward-a-star-trek-fan-production#

At the halfway point, FARRAGUT FORWARD Indiegogo is 40% of the way to its $30K goal!

Since the announcement of the guidelines back in 2016, few Star Trek fan films have managed to crowd-fund into the five-figures. Of those, only INTERLUDE, THE ROMULAN WAR (Part 1 and Part 2 combined), and the still-not-completed TEARS OF J’KAH have managed to exceed $25K. Interlude just barely made it, although the last couple of thousand were a late add-on to replace PAUL JENKINS’ damaged green screen. The Romulan War probably shouldn’t count because it was actually TWO fan films, although they combined to reach just under $30K. And finally, Tears of J’Kah was funded to $49K, but that was from only 13 backers, most of them wealthy Hollywood connections that showrunner BENNY HALL asked for donations from.

And then there’s FARRAGUT FORWARD.

Last month when they launched their Indiegogo campaign, showrunners JOHN BROUGHTON and JOHNNY K. explained in a video interview why their goal was set at $30K. They’re planning on building screen-accurate Star Trek movie-era sets, based on those that became the U.S.S. Reliant in Star Trek II: The Wrath of Khan. Considering that Farragut Films had built most of the meticulously-crafted TOS sets that were used for STARSHIP FARRAGUT, STAR TREK CONTINUES, and now are NEUTRAL ZONE STUDIOS in Kingsland, GA, one expects the Farragut Forward sets to also look amazing.

And speaking of looking amazing, their “monster maroon” uniforms are studio quality (maybe even better!), as are their Klingon uniforms, and can cost up to one thousand dollars apiece…and the Farragut folks are planning to make about two dozen of them! And that’s how you get to $30K (not to mention make-up, props, food…and other production expenses).

Even so, $30K is a LOT of money to generate in a post-guidelines world with global inflation and rising fuel prices also becoming an issue of late. And of course, back in 2015, there was no new Star Trek on television, so fan films were all we had. Nowadays, fan films are “competing” with five different weekly TV series from CBS/Paramount. And even before the guidelines, Starship Farragut‘s last campaign back in late 2015 reached its goal $15K but didn’t get much further ($15,787). Can they really DOUBLE that in today’s crowd-funding environment?

To be certain, they started off frustratingly slowly, languishing in the low four-figure range for the first four weeks. But that all changed this past weekend. John B. and Johnny K. had a table at the long-running FARPOINT convention in Hunt Valley, MD along with a presentation of their “PROLOGUE” vignette, which is a must-see…

The above video along with the promised return of Farragut got folks at the con VERY excited, and thousands of dollars in on-site donations came in by Sunday evening. And then on Wednesday, they received their first donation at the $5K level. Other smaller donations have followed, and they are over $12K…which is 40% of the way to their goal!

John Broughton remains extremely optimistic. In a Facebook post earlier today, he said the following…

New trailer announces YORKTOWN: A TIME TO HEAL will premiere on APRIL 5th…really!

It’s been a loooooooooooong road, getting from there to (almost) here. And when I say long (with all those o’s), I mean from 1985 to 2022…THIRTTY-SEVEN YEARS! Seriously, if you think AXANAR is taking a long time to finish, that’s just peanuts compared to YORKTOWN: A TIME TO HEAL…starring GEORGE TAKEI as Lt. Commander Hikaru Sulu (yep!) and the late JAMES SHIGETA as Admiral Nogura.

Every so often, like a dad taking his kids on a long road trip, I get a fan asking me the “Are we there yet?” question: Do you know when Yorktown is supposed to be coming out? And it’s a totally reasonable question. There seem to have been countless announcements of premiere dates over the past several years that never seemed to pan out. Most recently, a trailer promised a release date of Christmas 2020, and then a slightly pushed-back release date of December was announced instead. Then early 2021. Then, well, nothing specific after that.

It’s now a year later, and we FINALLY have a hard, locked-in, carved-in-stone, cross-my-heart-and-hope-kiss-a-salt-vampire date for the anticipated debut of this fan film that saw its first raw footage shot in the Angeles National Forest just three weeks after the introduction of New Coke!

So what has taken so long to finish this fan film? For the answer explaining the first 35 years of production, I invite you read this 6-part (hey, it covers three and a half decades, people!) blog series filled with quotes from show-runners STAN WOO and JOHN AKTIN. As for the most recent year delay, that’s another story that includes, sadly, a personal tragedy.

Initially, the delay from late 2020 into 2021 came because of continuing issues with sound-mixing for the film. There were still significant challenges to overcome, and they were simply taking longer to address and correct than John Atkin had originally anticipated.

But then, on October 2, 2021, MIRANDA GERMANI, John’s wife and mother of their three-year-old son, passed away unexpectedly from complications caused by Crohn’s disease. The impact on John was devastating, and it is totally understandable that John would step back from working on Yorktown for a bit.

Miranda Germani as Dr. Amanda Cruz in the upcoming YORKTOWN: A TIME TO HEAL

After that, I stopped checking in with John to ask about progress on Yorktown and instead simply offered him the hand of friendship and support (and tossed a few dollars into the GoFundMe to pay expenses for their son’s post-secondary eduction).

But John has finally completed work on the film, and we now have a firm date for the premiere of Yorktown: A Time to Heal—APRIL 5, 2022…First Contact Day!

Fan Film DIRECTORS CHOICE Awards submission deadline is THIS TUESDAY!

Three weeks ago, I announced that submissions were now open for the first annual Fan Film DIRECTORS CHOICE Awards, organized by GLEN WOLFE and DAN REYNOLDS of WARP 66 STUDIOS. Any fan film (not just Star Trek) released onto the Internet during calendar year 2021 is eligible for submission. Glen Wolfe reports that participation, so far, has been encouragingly strong so far.

The deadline to enter is this Tuesday, February 22, and if you want to submit your fan film, you can do so here:

CLICK HERE TO APPLY FOR THE FAN FILM DIRECTORS CHOICE AWARDS

Voting is done exclusively by the directors of the submitted films, and directors cannot vote their own films—otherwise, there would likely be massive ties with each fan film getting one vote! Ballots are due back no later than March 15, and any director who does not return their ballot by that deadline will have their fan film disqualified from winning anything.

When entering, the submitter can choose up to five categories for which that fan film can be considered for an award:

Best Actor
Best Actress
Best Director
Best Original Costuming
Best Make-up/Hairstyling
Best Cinematography
Best Original Music
Best F/X Make-up
Best Audio Mixing
Best Lighting
Best CGI FX
Best Green Screen
Best Screenplay
Best Parody
Best Foreign Fan Film
Best Animated Fan Film
Best Editing
Most Canon Award
Best Ensemble
Most Valuable Crew Member

After all of the ballots have been tabulated, a “Best In Fest” winner will be determined as the fan film that receives the most votes overall in all of the categories combined (so it’s advantageous to submit your film for the maximum of five categories).

Winners will be announced on April 5, and each winner will be e-mailed an award certificate. If you’ve entered or are planning to (before the end of Tuesday!), I wish you the best of luck!

STARSHIP WEBSTER production crew discusses their latest “OPPORTUNITY”… (interview with a bunch of folks)

And then there were six…six fan films from the STARSHIP WEBSTER Creative Group that’s a part of POTEMKIN PICTURES, that is. And considering that this relatively new production team only launched 16 months ago, that’s going at a pretty decent clip…especially when one considers there was a pandemic lockdown for a decent potion of that time.

Webster got its start when show-runner RANDY LANDERS and his wife moved from Pelham, Alabama two states north to Lexington, Kentucky and reached out to local Trekkers and fans in the area to be a part of what turned into Potemkin‘s NINTH creative group (you can access all of the fans films from the various teams here). While other states in the vicinity like Tennessee, Ohio, Virginia, Georgia, Alabama, and Arkansas have supported fan films and series for many years, as far as I’ve been able to research, Webster was the first ongoing Star Trek fan production to be based in the state of Kentucky.

And the group has done some impressive work so far. Most recently, their latest release, “OPPORTUNITY,” has a run-time of 19 minutes and a cast of 18 actors with scenes on multiple homemade sets (in addition to a couple of composited green screen backgrounds). There are more than a dozen VFX shots.

While some fans criticized the “unpolished” nature of many of the Potemkin Pictures releases over the years, if you’re watching these fan films solely to be dazzled by top-tier production quality rivaling the major Hollywood studios, then you may have gotten off at the wrong exit. But if you go into viewing these productions with a mind open to seeing what fans with little money but lots of heart can manage to do, then you’re sure to come away satisfied.

And if you know what to look for, a fan film like “Opportunity” accomplishes quite a lot. Take a look…

This time out, I decided to have a free-form chat with four of the folks behind this film:

BILLY SWANSON – a producer and actor who portrays Commander Robert “Hawk” Hawkins, Executive Officer and Security Chief of the U.S.S. Webster.

LAURA JOHNSON – one of the three writers of “Opportunity,” also a producer and actress who portrays Lieutenant Commander T’Varik, the Vulcan Science Officer of the U.S.S. Webster.

ROSS TROWBRIDGE – visual FX producer and artist.

And of course, it’s not a proper Potemkin Pictures interview without show-runner and executive producer Randy Landers, who also directed this film.

Let’s dive in…

FARRAGUT FORWARD finally funding ferociously formidable fan film! (video interview with JOHN BROUGHTON and JOHNNY K.)

Back in 2016, after a decade of producing an impressive parade of both live-action and animated Star Trek fan films, the team at STARSHIP FARRAGUT began production on the series finale “Homecoming.” But the bittersweet ending to this celebrated fan series was much more sweet than bitter because, at the same time, they announced plans to begin production on a new project that would take the crew forward into the Star Trek movie era…complete with monster maroon uniforms and brand new sets! (You can read the full history of Starship Farragut starting here.)

Farragut Films had already distinguished itself as capable of building jaw-dropping TOS set recreations, having constructed most of the Constitution-class heavy cruiser sets that are currently housed in Kingsland, GA, sets that have also been used for the fan series STAR TREK CONTINUES, DREADNOUGHT DOMINION, AVALON UNIVERSE, TALES FROM THE NEUTRAL ZONE, CONSTAR CHRONICLES, and many others. Imagine what these guys could do with movie-era sets!

But then, shortly after the announcement of the fan film guidelines in June of 2016, Farragut showrunner and lead actor JOHN BROUGHTON all but disappeared from the fan film community, and the series finale remained uncompleted and unreleased. As for Farragut Forward, an announcement was made that the planned series was being tabled.

Then everything changed on a dime. In the span of just two months last year, an announcement came in August that Farragut Forward was now officially in pre-production, and in October “Homecoming” was finally released! Fans were really excited at both developments but especially that the new movie-era fan film would be produced…and not just by any ol’ director. John Broughton had teamed with KAOTICA STUDIOS in the Washington, DC area, and specifically with director JOHNNY K. (he likes to use just his last initial professionally), whose camera and lighting skills are truly impressive. In fact, his debut independent film, The Killer of Grassy Ridge, has since earned a dozen different awards in film festivals around the world.

Johnny K. has brought that same finesse to the new Farragut Forward project, and John B. has brought along props, a couple of new Klingon bird-of-prey sets, and the spiffiest monster maroon uniform you will ever see in a fan film (and probably even in studio-produced Star Trek!). Don’t believe me? Well, you can see for yourself, as they have already released the opening three minutes of the project in a vignette titled PROLOGUE…

Of course, there’s a LOT more sets to build and costumes to craft (by hand!)—plus all of the other costs of production like equipment, studio space, food, make-up supplies, etc. And all that stuff doesn’t exactly come free. So Farragut Forward has launched a brand new, 60-day Indiegogo campaign trying to reach an ambitious goal of $30K!

Submissions now OPEN until Feb. 22 for the Fan Film DIRECTORS CHOICE Awards!

Last month, I announced TWO new annual award shows for fan films debuting this year. Up util now, Star Trek fan films were honored annually by the BJO AWARDS. However, now the Bjos will be joined by the Fan Film DIRECTORS CHOICE Awards and (later this year) the Star Trek Fan Film SHOWRUNNER AWARDS.

The two new competitions will be different in several logistical ways, with many details of the Showrunner Awards still needing to be worked out (by me and my team). In the meantime, however, coordinators GLEN L. WOLFE and DAN REYNOLDS of WARP 66 STUDIOS are launching the Directors Choice Awards today (February 1), with submissions being accepted for any fan film (not just Star Trek) publicly released in calendar year 2021. The YouTube/Vimeo publication date stamp will be used to verify eligibility.

Submissions are open from February 1 through February 22, 2022. Anyone can enter any fan film with a submission fee of $10 by filling out the form on this web page, but only a maximum of three films by the same director can be entered.

Voting is done exclusively by the directors of the submitted films. (So for INTERLUDE, for example, even though I am the one submitting and paying the entry fee, I won’t be the one voting since I wasn’t the director.) Directors cannot vote for their own films—otherwise, there would likely be massive ties with each fan film getting one vote! Ballots are due back no later than March 15, and any director who does not return their ballot by that deadline will have their fan film disqualified from winning anything.

When entering, the submitter can choose up to five categories for which that fan film can considered for an award:

Best Actor
Best Actress
Best Director
Best Original Costuming
Best Make-up/Hairstyling
Best Cinematography
Best Original Music
Best F/X Make-up
Best Audio Mixing
Best Lighting
Best CGI FX
Best Green Screen
Best Screenplay
Best Parody
Best Foreign Fan Film
Best Animated Fan Film
Best Editing
Most Canon Award
Best Ensemble
Most Valuable Crew Member

Winners will be announced on April 5, and each winner will be e-mailed an award certificate. To all the fan filmmakers who choose to enter (and hopefully, there will be many), I wish you the best of luck!

Click here to enter your fan film.

INTERLUDE wins the GRAND PRIZE in the 5th annual IndieBOOM! Awards!

For the third time in the last five years, a Star Trek fan film has won the Grand Prize in the annual IndieBOOM! Film+Music Festival…and this year, the winner was my AXANAR Universe fan film INTERLUDE! The previous two winners were (in 2019) “The Equinox Effect” and (in 2020) “Mask“—both from THE FEDERATION FILES anthology series.

Actually, when I say “my” fan film, I really mean OUR fan film…because this was a labor of love and dedication from more than 50 people. And the two most important individuals in that group were my directors, VICTORIA FOX and JOSHUA IRWIN. Technically, Victoria was listed in the credits as “director” and Josh as “director of photography.” But as far as I’m concerned, they EACH deserve the highest accolades, which is why I submitted the film with both of their names listed—and here’s the official certificate that was just e-mailed to me yesterday…

Although entered in the Fan Film category, Interlude received more views and viewing hours than any other selection in any category. I was told by IndieBOOM! festival co-founder ANTHONY DEVITO that Interlude was viewed more than 2,600 times for a total of 488 viewed hours! As such, it was elevated to Grand Prize winner, allowing another fan film, Stegosaurus: A Jurassic Park Fan Film (directed by BARRY WILKINSON from the UK) to win the Fan Film category.

Another notable winner was the the music video STAR TREK IS REAL, written and performed by ILIA “PIXI NEREID” McNEAL, star and producer of the AVALON UNIVERSE fan series, which took the title of Winning Original Song and scored Pixi a $250 prize…yay, Pixi!

Continuing the Star Trek strength in the festival, Trek anthology series The Federation Files took the award for Best Series.

And finally, my composer for Interlude, KEVIN CROXTON, won in the category for Best Musical with his James Bond-inspired fan film starring the 4th and 5th graders whom he teaches: IN THE BLINK OF AN EYE (which is an amazing film in its own right and something you should definitely take ten minutes out of your day to watch).

You can see all of this year’s winners here.

Now, some folks on Facebook have complained that choosing winners based on views and viewing hours turns IndieBOOM! into little more than a competition to see who has the most followers on social media and who can “turn out the vote” most effectively. Maybe so, but those are the rules. Other film festivals work differently, but IndieBOOM! has decided that this is the best way to let the viewers make their choices known. And so those of us who submit our films do what we can to reach out to friends, family, donors, fans, etc. and ask them to vote for us by viewing. In that way, it’s kind of like crowd-funding: the more interest and support you can generate from people, the more successful you’ll be.

And speaking of crowd-funding, the Grand Prize Winner for the IndieBOOM! festival receives $500. As soon as it arrives, I am going to donate it directly to the Avalon Universe crowd-funder!

Three positive COVID-19 tests among AVALON UNIVERSE cast and crew delay film shoot!

In a video interview that we did during the end of December, JOSHUA IRWIN of the AVALON UNIVERSE fan series was excited for a film shoot they had scheduled for early January. That shoot was supposed to be this weekend, but three significant members of the cast and crew have each, separately, been diagnosed with COVID-19 this past week, necessitating the delay of the shoot at least until February.

This was a major shoot for their next fan project, “The Needs of the One.” The story deals with a Vulcan crew member going through pon farr, similar to the beginning of the TOS episode episode “Amok Time.” But the similarities end there, as this crew member doesn’t simply accept the ancient traditions of the Vulcan culture where Vulcan females are “promised” to males as children. This episode turns all of that on its ear…or so I’m told.

This isn’t the first time a fan film has needed to delay a shoot due to COVID. Indeed, an earlier release from Avalon, AIR AND DARKNESS, had a COVID delay in late 2020, just as the pandemic seemed to potentially be receding a little (yeah, that didn’t happen).

Interestingly, it isn’t just Avalon that had to cancel a Star Trek-related film shoot this week. On Thursday, production on STAR TREK: PICARD season three had to be suspended when more than 50 members of the production crew (out of a total of 450) returned from the holiday break testing positive for COVID. SIR PATRICK STEWART was, thankfully, not among those reported to be sick. Filming restarted on Friday with COVID-negative replacements.

And it’s not just here in America where COVID is interfering with production. British Earl of CGI, SAMUEL COCKINGS, has already lost three shooting days for TREK SHORTS due to last-minute COVID infections. Sam has tried to make lemons from lemonade, though. During shoots when a single actor has had to cancel because of a positive COVID test or exposure to someone with COVID, Sam used the opportunity to either shoot scenes for alternate films or else write entirely new shorts with the actor or actors who did show up. You can read about one of those incidents in this blog about the origin of the bonus fan film HOURS AT WARP.

Three additional shooting days for Sam were affected by non-COVID illnesses (bloke can’t catch a break!) But because of costs to bring the actors in, travel and lodging, plus having to set up new shoots to replace the impacted ones, Sam no longer has the funds remaining to complete everything he promised donors. So Sam plans to launch an additional crowd-funding campaign. “There will be a LOT of new stuff to show,” Sam told me, “both to reveal what we actually did in 2021 but also all the new things we need help with finishing in 2022 and 2023!”

Announcing TWO new FAN FILM AWARD SHOWS coming in 2022!

File this under: “Great minds think alike…” or perhaps under, “This is what you get for missing staff meetings, Doctor.” Either way, GLEN WOLFE and DAN REYNOLDS of THE FEDERATION FILES and I had the same idea at the same time, and now there are going to be TWO new fan film awards shows coming your way in 2022!

In my case, the idea of hosting an annual awards show for Star Trek fan films has been percolating in the back of my mind for a few years…not as a way of competing with the annual BJO AWARDS but as simply an additional opportunity for Star Trek fan filmmakers and their productions to shine.

As the new year dawned a few days ago, I was able to finally enjoy a break from the blogging “sprint” that took up much of my December. And I decided that, if I was really serious about creating some Fan Film Factor awards show, now might be a good time to do some thinkin’…

At first, I tried to come up with a name—and you know how much I like things that abbreviate to “FFF.” The Fan Film Festival Awards? Nah. Fan Film Faves? Cheesy. Fan Film Friends? Family? Flamingos? Jeez, I had nothing decent!

Okay, time to try a different approach vector…

So I shifted to thinking about judging. I mean, I suppose it could just be me deciding the winners and losers, but no one fan should possess such power! And, sheesh, what a way to completely piss off almost all of my friends, right? Nope, I needed a panel, but whom? When I finally answered that question, the name for the awards show fell easily into place: THE SHOWRUNNER AWARDS.

I’ve always felt there should be a fan film awards competition where members of the community judge each other’s work…and who knows more about what it takes to make a fan film than a showrunner? But I didn’t want too many judges, so I decided to limit my invitations to showrunners who had successfully released at least four or five completed Star Trek fan films.

Of course, the next concern was making sure there weren’t too many entries. Goodness knows that VANCE MAJOR alone (one of the judges) could enter dozens—maybe hundreds!—of fan films all by himself! So I decided that, unlike the Bjo Awards, the Showrunner Awards will feature a nominal entry fee (maybe $10) plus an additional $1 for each special category like Best VFX, Best Music, Best Film Editing, etc. As I’m learning from entering my fan film INTERLUDE in various film festivals, this is how most of them work with application fees.

Speaking of Vance, or any of the judges, how do we make certain that all of them don’t simply vote for their own fan film, and we wind up with a 6-way or 10-way tie each year? Glad you asked…