News – Page 17 – Fan Film Factor

STARSHIP DEIMOS’ three-minute CHRISTMAS CARD to fans: “Together in the Night” (interview)

If you strip away the opening and closing credits, the 18th fan film from the STARSHIP DEIMOS Creative Group has a runtime of barely more than three minutes. But really, if you think about it, how long does it take to say “Merry Christmas”?

Interestingly, Christmas is rarely seen in Star Trek fan films, despite having been established in Star Trek Generations as still a part of 24th century culture, at least on Earth. So why not do a Christmas-themed fan film? Oh, they’re not unheard of, to be sure. In fact, one year ago, the cosplayers over at STAR TREK FAN PRODUCTIONS INTERNATIONAL released their holiday-themed “fandemic” film (recorded by each actor remotely) titled PEACE AND GOODWILL.

This year, it was Starship Deimos‘ turn. Let’s take a look at their Christmas card…

I reached out to showrunner RANDY LANDERS with some questions. He, in turn, reached out to episode writer and lead actress VICTORIA AVALON as well as producer LEE DREW. So let’s dive into a good ol’ fashioned yuletide fan film fireside chat (on the Internet)…

JONATHAN – What inspired you folks to create a Christmas-themed episode for Deimos?

VICTORIA – Deimos’ viewership is fairly small, and most seem to be very traditional Trek fans. I write largely from TOS and TNG inspiration, and that appeals to them. I’ve had feedback very positive for spiritual references in other stories. Similar to my character of Siân Gabriel, I’m Episcopalian in upbringing, and I often draw on Anglican Christian mythology in writing. My husband and I co-wrote and self-published a high fantasy novel in 2009 that explicitly drew on those themes.

I originally intended an old fashioned Christmas message that would have included shots from all the crews in our various productions. During the holiday season, you see those sorts of things all over local television; I suppose it comes with having grown up in the southern U.S. It’s traditional in the Southern culture I grew up in.

RANDY – I saw it as a chance to send a Christmas card out to the POTEMKIN PICTURES fans. But not all the casts and crews wanted to do it. We respected that, so I made the decision that this would be Deimos‘ Christmas card. And I think it works, especially in the light of IDIC (Infinite Diversity in Infinite Combinations).

JONATHAN – It looks like “Together in the Night” was pretty quick to shoot. In a recent interview for DREADNOUGHT DOMINION (another fan series that Victoria appears in), she mentioned that she drives 15 hours from central Florida to Kentucky for Deimos shoots. I’m assuming Victoria didn’t drive all that way just to record 3 minutes of dialog. Did “Together in the Night” piggyback on any other shoots?

VICTORIA – The vignette was shot at the same time we shot “Leviathan,” and it also was motivated by our desire to do more with RENDA CARR’s character of Maura Drake, who didn’t have a significant part in “Leviathan.” It also brought in more character backstory both for Gabriel and Drake, and our viewership have suggested repeatedly in comments I’ve seen that they enjoy those personal references and building characters.

RANDY – I had just finished directing and running camera for “Leviathan.” It was a six-hour shoot, and my blood sugar was all out of whack. I excused myself, went upstairs, took my 4pm shot of Victoza, and sat down for an hour. I left the directing and camera in Victoria and Lee’s capable hands. I think they did a good job with it.

JONATHAN – That they did! Now, I know you were searching for somebody new to help out with your CGI. The last two episodes have VFX credited to DAN REYNOLDS of THE FEDERATION FILES. Is he your new ongoing VFX guy?

RANDY – We have three VFX folks. Dan stepped up to the plate with “Leviathan,” and we’re delighted with his work. He also did the VFX work for “Together in the Night,” and I intend to ask him to do the VFX work for our upcoming fan film “Prime Directive.”

JONATHAN – Well, that’s a perfect segue to my final question: what’s coming next from Deimos and from Potemkin Pictures?

LEE – As Randy just mentioned, Deimos has another new script from Victoria called “Prime Directive.” We have already shot principal scenes with the Deimos crew, and now we are waiting for additional scenes to be shot with our Klingon crew to finish the shoot. I think that this will be our best production ever thanks to a wonderful story from Victoria.

RANDY – As to what’s in the works for Potemkin Pictures, we’ve got “Opportunity” in late post-production (music from TONY LUNN and sound from RICK FOXX) from STARSHIP WEBSTER coming soon. We also worked a lot with pickup shots and edits for PROJECT: POTEMKIN‘s “Castaway.” I’m also continuing to work on Webster‘s “Snowbound” with special effects from RICHARD SVENNSSON.

Beyond that, we’re filming with a new creative group, STARSHIP CALIBORN, coming up in January. It will be unlike anything we’ve done before, and BILLY SWANSON is its showrunner.

We also will have a number of KLINGON SCOUT SHIP QAB’ELTH (created by Victoria Avalon) films coming in 2022. We have scheduled a Klingon shoot in February with LAWRENCE “Larry” FLEMING reprising his role from “The Solomon Gambit” as Klingon captain Le-Kat, in fact. It won’t take long to edit, and we should have it out sometime in the Spring of 2022.

JONATHAN – As always, lots of exciting things on the horizon from Potemkin Pictures! Thanks, everybody, and have a very Merry Christmas.

INTERLUDE Confidential #23: VERSION v3.0 is a hit with 25K VIEWS…time for FILM FESTIVALS!

It’s been a week since we debuted the newest release of INTERLUDE, our third version, and the response has been phenomenal. Already, there are more than 25K views on YouTube, 1.7K likes, and more than 200 comments. Here’s a small sample:

Real Star Trek again! Love it!
This is how you make a pre-Kirk Prequel. I rest my case.
So amazing. Great music too
this is incredible
MORE, MORE, MORE!!!
Outstanding!
This is real STAR TREK , Bless You All !
Ok, that rocked!! Nice appetizer as we await the main course.
Awsome! Your deflector shields are better than the TV shows.
I think Roddenberry would be proud!
This is terrible

Oops, that last one just kinda snuck in there. Actually, I included it because, for the first six days, it was literally the ONLY negative comment out of the hundreds we’ve received so far. We’re now up to two negative comments.

What JOSHUA IRWIN and I have found most shocking is how quickly the views have gone up considering that the previous versions already have over 200K views between the releases to the AVALON UNIVERSE YouTube Channel plus the releases to the AXANAR YouTube Channel. Obviously, 25K views in the first week would be understandable on the Axanar channel, as they have 108K subscribers. But version 3.0 is only up on the Avalon channel at the moment…and that one has only 13.7K subscribers.

So right now, Interlude v3.0 has TWICE as many views as Avalon has subscribers!

One of those views came from an Interlude donor who posted the following comment: “I just watched Interlude for the first time. Terrific work all around! It’ll definitely be something that I come back for repeat viewing.”

Wait, for the FIRST time??? But he donated! I asked why he hadn’t watched Interlude when it first came out back in April. Turns out he just never got around to it, and when I sent an e-mail update to my donors about the release of v3.0, he decided to watch it on his lunch break right then and there.

Anyway, I just wanted to share a few bits of news with you all. The first is that I’ve finally started entering Interlude into film festivals. I just made the cut-off deadline for the annual IndieBOOM! festival, which was one of the first and only competitions to include a category exclusively for Fan Films. And as of yesterday, Interlude is an OFFICIAL SELECTION for IndieBOOM! (More on that news in January!) And then I decided to take a crack at the L.A. Sci-Fi and Horror Festival because they also have a Fan Film category.

Wish us luck!

DREADNOUGHT DOMINION’s “The More Things Change” is their best fan film yet! (video interview with GARY DAVIS, RANDY WRENN, and VICTORIA AVALON)

The folks at DREADNOUGHT DOMINION are still going strong after more than eight years making fan films. They’ve given us long episodes, short vignettes, whimsical stories, serious plots, action, adventure, emotional drama…all delivered with that most important of ingredients: a deep love of Star Trek.

Although I didn’t have a chance to cover the May 1, 2021 release of “The Passenger with Baggage,” their tenth fan film (not counting the three crossover/alternate universe episodes: CHAIN OF COMMAND, COMMAND AND CONQUER, and the more recent CALM, COOL, AND COLLECTED), I did discuss “Passenger” briefly in a November video interview with FRANK PARKER, JR., the original show-runner of Dreadnought Dominion.

The last time I covered this fan series was over the summer when they were successfully crowd-funding an Indiegogo campaign that raised $6,250 by offering—among other exciting perks—personalized Star Trek action figures in the likenesses of donors. Seriously, you can read about it here!

That campaign funded a number of things, including the CGI for their next release, which came out on November 6 and was titled “The More Things Change.” I always get excited when a new Dominion episode comes out, not just because I love that starship design and they use the gorgeous TOS sets at NEUTRAL ZONE STUDIOS in Kingsland, GA, but because they have fun, interesting characters, great stories, and honestly, you never know what you’re going to get with these guys!

That was particularly true with their eleventh episode, which gave us a really engaging story with good acting along with great VFX and a solid selection of TOS background music that made it feel very much like a classic Star Trek episode. Yeah, Dominion is still noticeably a fan production, but at its heart, it’s Star Trek to me. And honestly, I thought this was their best episode yet! Take a look and see if you agree…

One of the things that I find to be most enjoyable about this series is that actors who aren’t the captain or first officer get their chances to shine in episodes that feature their character. This was one such episode, as VICTORIA AVALON, who plays Dr. Farrell, was given many dramatic scenes with generous amounts of dialog allowing her to really perform and stand out.

And speaking of Victoria, I’ve long admired her efforts in a number of different Star Trek fan series, including STARSHIP FARRAGUT (where she started her fan film career) and STARSHIP DEIMOS from POTEMKIN PICTURES (where she writes many of the episodes and stars as Captain Gabriel). Indeed, I’d been wanting to interview her for quite a while…and with this release from Dominion featuring Dr. Farrell is such a prominent role, I had the perfect opportunity.

I also invited sh0w-runners GARY DAVIS and RANDY WRENN to join in on the Zoom chat, as they are both also essential to the series. So sit back and enjoy as we get to know these three prominent fan filmmakers a bit better…

Why are some people attacking JOSHUA IRWIN???

There are certain people in fan films that almost no one complains about. These are nice people with good hearts, dedicated fans always happy to go that extra mile—sometimes even hundreds or thousands of miles!—to help other people out.

JOSHUA IRWIN is one of these people.

He is a consummate professional, skilled at his craft of filmmaking, and never too proud to lend a hand to others. He never, ever criticizes another fan film publicly. Like me, Josh believes in encouraging others, just as he himself was encouraged when he started out. Look though Facebook and try to find an example of Josh saying anything negative about another Star Trek fan film. If you can find me something, I will personally send you $5 on Paypal. Seriously. Go look.

In addition to making his many, many AVALON fan films (he’s released FIVE this year alone!), Josh helps out on other fan productions, as well. Josh has already lent his talents to VANCE MAJOR for CONSTAR (both past and upcoming) and also to GLEN WOLFE and DAN REYNOLDS for THE FEDERATION FILES. Last month, Josh drove 11 hours each way to supervise behind-the-scenes interviews, videos, and photos for the one-day green screen shoot for the upcoming AXANAR sequels. And already scheduled for next year, Josh will be assisting SAM COCKINGS with shooting footage for one of his many TREK SHORTS fan films and helping JIM VON DOLTEREN write a script for an upcoming Star Trek fan film. And all of this while working crazy hours in the professional filmmaking industry in northwest Arkansas AND raising three great kids in partnership with his wonderful wife!

Oh, let’s not forget that Josh was my director of photography and film editor for INTERLUDE and recently spent an additional four months making tweaks for the successful launch of a new release (version 3.0) that has been met with solid praise and accolades. Let’s also not forget that Josh drove 11 hours from Arkansas to Georgia and back over the course of two days to reshoot portions of Interlude so that we could quickly replace the footage of PAUL JENKINS that he demanded be removed from the film.

In short, there’s a lot of fan film folks who love and appreciate Josh and all he does for our community. And that’s why so many of us were shocked and disgusted at what was posted this past Thursday…

And this, my friends, is how hurtful, malicious rumors are created out of thin air.

For the record, MATTHEW MILLER has never worked with Josh Irwin on any project. So it’s not entirely clear when he says, “I can’t share what I know…” exactly what it is he allegedly “knows.”

INTERLUDE Confidential #22: Presenting INTERLUDE version 3.0!!!

Geez, Lane! How many times are you going to re-do your frickin’ fan film???

Back in April, we premiered a version of my AXANAR Universe fan film INTERLUDE with PAUL JENKINS playing the chief engineer of the ill-fated U.S.S. Artemis. At the time we shot those engineering scenes, Paul was still directing the Axanar sequels and had been a great help behind-the-scenes advising my directors JOSHUA IRWIN and VICTORIA FOX along with myself on ways to work collaboratively on finishing up the production. Giving Paul a small role in Interlude seemed like a fun way to acknowledge his generous help, and Paul was happy to appear in our film.

Then things soured between Paul and Axanar producer ALEC PETERS—Paul was no longer director, lawsuits were filed, fire and brimstone came down from the skies, rivers and seas began boiling, forty years of darkness, earthquakes, volcanoes, the dead rising from the grave, human sacrifice, dogs and cats living together, mass hysteria. (Wait, that was Ghostbusters…who here loved Afterlife?)

Anyway, just as we were about to release our just-completed Interlude fan production on April 5, Paul informed us that he no longer wished to appear in the film and demanded we remove his footage. There wasn’t time to replace his scenes before the big premiere (he contacted us just a couple of days prior), but thanks to some scrambling and about 22 hours of round-trip driving from Arkansas to Georgia and back by Josh and his good friend TYLER DUNIVAN, we were able to get Interlude version 2.0 out just two weeks later, with Tyler replacing Paul as the engineer. You can watch that release here…

A couple of months later, while I was making a video about the editing process of Interlude, Josh asked me if I’d be okay if he created a special version of Interlude just for himself using a different transition between the first portion of the film (the battle sequence) and the epilogue documentary. You can watch the transition that we used at the 6:37 mark in the above video.

But Josh had always wanted to do a different transition using an alternate take of Garth where the camera slowly zooms out from a close-up. Victoria, as director, wanted to go a different way, but now that Interlude had been released, Josh was curious how the other transition would have turned out.

And so was I!

Truth to tell, I was never all that crazy about the transition that we ended up with and never even knew that we had an alternate take available. Josh said the new transition would be closer to what I’d initially had in the original comic book version of Interlude…a direct cut from the younger Garth to the older Garth as though he were emerging from a recollection of a haunting memory.

“Make it so!” I told him. A few hours later, I watched the new alternate transition for the first time.

My friends, it looked amazing! Such a small change, and yet it felt so much more impactful. And then I had a thought…

2020 BJO AWARD winners!

Up until the world turned upside down and we started sheltering in place, the annual BJO AWARDS were awarded live at the TREKLANTA convention in Atlanta, GA. Last year, however, Treklanta was virtual, and the Bjo Awards didn’t happen. This left the 2020 Bjo Awards for eligible Star Trek fan films released in 2019 in a kind of limbo.

But Treklanta Chairman ERIC L. WATTS made the decision to still have the 2020 Bjo Awards…even if they happened a year late. And so, in the latter half of this year, eleven judges watched a total of 27 qualifying Star Trek fan films with a total run-time for all the films combined of 9 hours, 54 minutes, and 19 seconds. That’s a LOT of fan film binge-watching!

Although Treklanta was virtual once again this year (back in August), the winners were still announced live, but this time it was on the evening of December 11 at NEUTRAL ZONE STUDIOS (home to the amazing STARSHIP FARRAGUT/STAR TREK CONTINUES TOS sets) during their fan appreciation weekend.

Although I typically don’t review Star Trek fan films, I do rate them here on a scale from DECENT EFFORT to PRETTY GOOD to HIGHLY RECOMMENDED to MUST SEE. This year, of the many, many Bjo Awards finalists, five fan films from 2019 made it to my highest MUST SEE level. Of those, three pretty much swept every category in this year’s Bjos—so the judges weren’t crazy (unless I’m crazy, too…a possibility that can’t be completely ruled out, of course).

As it happened, three individual fan filmmakers—British CGI Sensei SAMUEL COCKINGS, the fan film Wonder from Down Under AARON VANDERKLEY, and Arkansas Avalon Admin JOSH IRWIN were all “in attendance” to accept awards either on behalf of themselves or members of their team who weren’t there. In the case of the latter, Josh had driven down with Team Avalon members NEAL BILBE and PIXI NEREID (the latter co-hosting the awards with Eric Watts—see photo above). Sam and Aaron joined in via Zoom from their respective continents.

STARSHIP FARRAGUT finally releases series finale “HOMECOMING” (interview with JOHN BROUGHTON, PAUL R. SIEBER, and STEVE SEMMEL – part 2)

Last time in Part 1, we celebrated the highly-anticipated release of “Homecoming,” the finale of the long-running Trek fan series STARSHIP FARRAGUT, by interviewing show-runner JOHN BROUGHTON, writer PAUL R. SIEBER, and post-production supervisor and composer STEVE SEMMEL. We found out which elements delayed the completion of the film, what it was like shooting scenes with the legendary STAN LEE, and a whole bunch of other stuff that I’m not going to bother to recap because we’ve still got so much great interview left!

But before we dive into the conclusion, I’d like to recommend (if you’re interested in Starship Farragut) that you check out this 3-part blog covering the fascinating history of this venerated fan series from 2004 – 2016. And definitely watch the finale “Homecoming” if you haven’t already…

For anyone interested in the new sequel series, FARRAGUT FORWARD, I’ll be covering that soon with John and his director in an upcoming blog. But for now, let’s continue to celebrate this wonderful fan series with a question that goes back to the very beginning…

JONATHAN – I’ve always wondered: what made you choose the U.S.S. Farragut rather than one of the other major starships like Potemkin or Lexington or Republic?

JOHN – When I first started working on this project, it was going to be called Starship Excalibur. But then I learned that JOE KEREZMAN was doing his own fan film called STAR TREK: EXCALIBUR. And he reached out and said, “If you change your name to any of the other ships, I’ll make you—gratis for life—all the chest patches that you need.” And I said okay. I wasn’t that married to it.

So I looked at all of the patch designs that Joe had created, and the Farragut, which has an oval patch design—I thought that will be easy to sew, since I was making all the costumes myself—coupled with the Navy tie-in because I’m a veteran of the U.S. Navy, opted with the Farragut. Joe supplied me with one batch of patches, and that was it. But it was enough for what we needed, until we had our own embroiderer doing the patches for our project. All in all, I’m glad we went with the Farragut.

JONATHAN – So once you’d decided that you wanted to make a fan film, what did you do next?

JOHN – Initially when I started, I pulled in my dad, JOHN BROUGHTON, SR., and other friends, and then it just kinda grew as time went on. We were able to get professionals involved in the project, then we got our first studio in St. Marys, GA…which was much smaller than the Kingsland, GA space that the sets are now in. A lot of the initial sets were built by my father, then we had other volunteers that came on board and helped out.

STARSHIP FARRAGUT finally releases series finale “HOMECOMING” (interview with JOHN BROUGHTON, PAUL R. SIEBER, and STEVE SEMMEL – part 1)

The history of the fan series STARSHIP FARRAGUT stretches all the way back to 2004 and spans a total of 6 full-length fan films, 3 shorter vignettes, and 2 animated-style fan films (one of them featuring the voices of TIM “Tuvok” RUSS and CHASE “Leeta” MASTERSON). Farragut Films was responsible for the majority of the construction of amazing TOS sets that were also utilized for STAR TREK CONTINUES and DREADNOUGHT DOMINION and are still available for use by fan filmmakers at NEUTRAL ZONE STUDIOS in Kingsland, GA. Farragut also spawned a short-lived spinoff series called TREK ISOLATION that released three vignettes. And coming in 2022, a sequel series titled FARRAGUT FORWARD will move some of the Starship Farragut characters into the Wrath of Khan movie era Trek.

Since we have so much material for today’s interview, I’ll keep the background introduction fairly brief. But if you’d like to read the full backstory of this proud fan series, here’s Part 1 of a 3-part deep-dive into the full history of Starship Farrugut. Well, ALMOST full. The final part of that blog feature came out in early 2016, a month before the release of their penultimate episode, “The Crossing,” and a few months before reshoots wrapped on their announced series finale, “Homecoming.” Crowd-funded with about $15K in late 2015, fans expected to see a completed fan film later in 2016 or maybe 2017. That didn’t happen.

Instead, it wasn’t until mid-2020 that STEVE SEMMEL announced that he was taking over as post-production supervisor, having started off simply doing the music for the episode. I interviewed Steve in June of last year, and he promised a delivery date in the second half of 2021 “most definitely.” And indeed, that’s exactly what happened, as “Homecoming” was released on October 1. Take a look…

I reached out to three people to discuss “Homecoming”: show-runner and lead actor JOHN BROUGHTON and writer PAUL R. SIEBER (both of whom have been with Starship Farragut since the very beginning), and of course, Steve Semmel (who came on board in 2018). We covered so much great behind-the-scenes information about both the finale episode and also going back to the earliest days of the series back in 2004.

I received so many awesome answers that I’ve decided to divide this interview into two parts. Let’s get started…

R.I.P. JACK “TOWAWAY” EATON — 1962-2021

My friend JACK “TOWAWAY” EATON has just passed away. He was 59, and yes, that is TOO goddamn soon!

If you’re part of the fan film community, it’s likely you’ve never heard of Jack…although he did attend Farragut Fest back in 2012 is friendly with a number of the folks who have been involved with the TOS sets at what is now called NEUTRAL ZONE STUDIOS in Kingsland, GA.

If you’re a member of STARFLEE T : The International Star Trek Fan Association, Inc. then you probably known him as Vice Admiral Jack Eaton, former Region 2 Coordinator.

And if you’re GEORGE “Sulu” TAKEI, you know him simply as “Towaway” because you gave him that nickname.

I met Jack back in the late 1980s when I was going to school at Cornell and was heavily involved in STARFLEET International‘s Region 7, which at the time included nearly all the Mid-Atlantic and New England states. I was XO on the U.S.S. Avenger chapter based in New York and New Jersey, and Jack was with the U.S.S. Christa McAuliffe, based in Massachusetts and Rhode Island, where he lived before moving south to the eastern central coast of Florida.

The McAuliffe crew never took themselves very seriously. They would show up at regional and international conferences all wearing bathrobes, slippers, and fedora hats…saying that was their official uniform. Their club meetings consisted of bowling drunk on Friday nights in Providence, RI. They were funny and fun-loving, totally open and inclusive, the kind of people you were just happy to know existed in Star Trek fandom.

And Jack was one of their ringleaders…and proudly so.

Like an assassin who knows 1,000 ways to kill a person, Jack knew 1,000 ways to make a person laugh…including the aforementioned assassin. He had a good and generous heart. And despite his natural ability to play hard and relax even harder, Jack could get things done and accomplished when they needed to be and was an effective leader for Starfleet’s Region 2 when he moved down there.

Jack broke any mold you could possibly imagine. He loved all sci-fi the way he loved a good cigar and a smooth bottle of scotch. And yeah, enjoying that kind of lifestyle doesn’t usually help in living a long life. I can still be sad about it, though.

Jack and I weren’t buddy-buddy close, but we were a few steps up from just casual Facebook friends and kept in touch semi-regularly over the years. It was just good to know that, somewhere on the surface of this planet, Jack Eaton was breathing air (or cigar smoke) and probably making someone laugh.

Now, neither of those things are happening anymore, and the world is lessened because of it.

‘Tis the season for GIVING…to FAN FILMS!

When folks come to me for advice on crowd-funding their fan projects, I always tell them the same thing: DON’T LAUNCH YOUR CAMPAIGN DURING THE HOLIDAY SEASON!!! Ever since 2015, I’ve noticed that fan film crowd-funders that try to raise donations in November and December often struggle to reach their goals or even fail outright. The holiday season seems to be a “donation desert” for fan films.

It makes total sense. Nearly everyone is buying Christmas (or Hanukkah or Kwanza or Festivus) gifts for friends and family. And before COVID, people used to take expensive vacations during the holidays to visit family or just get away—remember when that used to happen? Charities, of course, usually choose this time to appeal to that ol’ spirit of giving and approach (hopefully) generous donors to give a little sumthin’. And soon Christmas bonus checks are spent before they even get cashed, and bank account balances do their impression of the Titanic.

I get that…not the time for fan films to ask for money.

But this past Monday, I received a bunch of e-mails from various places informing me that “Giving Tuesday” was here. So now we apparently have Black Friday, Cyber Monday, and…Giving Tuesday? When did that become a thing? Actually it started in 2012 at New York City’s famous 92rd Street Y (where I went to summer camp back in 1981) and has grown into an international movement to encourage a little healthy philanthropy among the manic bargain-hunting.

I wasn’t able to write a blog in time for this year’s Giving Tuesday because I just had cataract surgery early this week, and it took away my ability to see the text on my computer screen for a couple of days. Today is the first day I’ve got reliable sight back enough to compose a blog.

I’d actually been meaning to post something reminding folks about the ongoing Fan Film Factor Patreon to cover my annual expenses for keeping this blog site running. Currently, I’m taking in enough in monthly donations to cover the costs of domain registration and hosting, technical support, and security services.

But last month, I added a new annual expense: a $160/year Pro Account for Zoom. You might have noticed that I’ve been doing more video interviews with fan filmmakers lately. Zoom is an easy way to reach multiple people and record the interview calls. And Zoom is free as long as your call is less than 45 minutes or has only one other person on it. But my interviews go 60-90 minutes, and I often have multiple people on at the same time.

So with “Giving Tuesday” happening, even though we’re in the middle of the “fan film donation desert,” as I call it, I thought this might be a good time to post a little reminder about my Patreon…

I’m looking for monthly contributions of $1, $2, whatever folks can spare to help cover the annual expenses of Fan Film Factor…

PATREON link: https://www.patreon.com/fan_film_factor