Yesterday, I reported that the new Deep Space Nine documentary WHAT WE LEFT BEHIND had just crossed the $400,000 milestone on their Indiegogo campaign (with 9 days left). This amount is well more than double their original goal of $150,000 and has allowed them to reach certain stretch goals. Among these are a longer running length (from 60 to 90+ minutes), an extended writers room feature, original music performed by an orchestra, and new 3D graphics and animations.
Their next goal is $425,000 (allowing for more interviews), but there was also a $500,000 stretch goal that was left a mystery…at least when I wrote yesterday’s blog entry. Now the veil has been lifted and the mysterious half-million-dollar stretch goal revealed:
When Star Trek: The Next Generation was remastered into high-definition (HD), it took several years and cost millions of dollars. Original film negatives were meticulously re-edited while entirely new VFX sequences were modeled and rendered by computer. But in the end, sales of the remastered ST:TNG Blu-rays were disappointing (to say the least), leaving CBS and Paramount quite hesitant about ever trying to remaster DS9.
Now, before anyone starts drooling about this Indiegogo campaign resulting in a complete HD-remastered Blu-ray collection of all seven seasons of Star Trek: Deep Space Nine, that’s not going to happen…and certainly not for a measly $75,000. But their next stretch goal level will potentially allow the producers to remaster the DS9 clips that they’ll be showing during the documentary. This involves getting access to the original archival masters and original film elements from the Deep Space Nine series. The documentary team announced yesterday that they have, in fact, officially been in talks with CBS Television Studios to do just that.
And if they manage to hit or surpass $500,000 in the next 8 days (right now, they stand at $413, 374–so it’s certainly within reach!–click HERE to donate), they will be able to use that footage along with CGI effects rendered by DS9 VFX alum Doug Drexler to give fans a taste of what DS9 could look like if it were ever to be remastered.
And it might look something like this video (created by Trekcore.com):
When last we checked in on the new Deep Space Nine documentary WHAT WE LEFT BEHIND, their Indiegogo campaign had kicked off with an initial goal of $150,000 and zoomed past that in less than 24 hours to $170,000 with 29 days still to go!
Well, now there’s just 9 days left to go, and the project has just crossed the $400,000 milestone!!! This has allowed them to reach a couple of exciting stretch goals…
CROSSING $250,000 –
Allowed them to extend the length from 60 to 90+ minutes and add in a whole bunch of new, cool 3D graphics and animations.
Crossing $350,000 –
Allowed them to now have an original score and hire a live orchestra to perform it. It will also allow them to extend their “Writer’s Room” feature where the original DS9 writers will reunite to brainstorm a story-arc and episode ideas for what a hypothetical season eight would have looked like.
And if they cross $425,000 (almost a certainty at this point!) –
They will be able to film additional round-table interviews with DS9 crew members and fans. Oh, and it will unlock an additional bonus item for donors, as well.
And if they reach a half million dollars??? Well, we don’t know yet, but the milestone is there on the Stretch Goal graphic above. (Just click to enlarge it.)
You’ve still got 10 days to make a donation of your own (or increase the one you’ve already made) to show CBS that DS9 is truly loved by us fans:
If you read Part 1, you know that I want to keep fighting for a change to the fan film guidelines issued last June by CBS and Paramount. I’m not ready to give up.
You might remember that when those guidelines were first announced, they were met with cries of panic that the world of Star Trek fan films was doomed. These guidelines would eliminate, destroy, even obliterate fan films. (Yep, I used all of those words.)
And you know what? I was wrong.
Rather than killing the medium of Star Trek fan films, the guidelines didn’t seem to have had much of a curtailing effect at all. In fact, do you know how many Star Trek fan films have been released in the eight months SINCE the guidelines were announced last June?
It’s been quite a while since fans and donors got an update fromSTAR TREK CONTINUES. Despite many, many new posts (sometimes more than one a day!) on their Facebook page, there has been precious little news on the plans for Star Trek Continues now that the fan film guidelines are in place. After all, with guidelines saying that a Star Trek fan film can’t contain the words “Star Trek” in the title, must be less than 15 minutes in length and a maximum of a 2-parter (for 30 minutes total), and cannot be a continuing series, it seemed like Star Trek Continues couldn’t…well…continue without running afoul of multiple guidelines.
As I reported here last August, STC writer/director/co-producer JAMES KERWIN had told me at Creation’s 50th Anniversary Star Trek convention in Las Vegas that what CBS and Paramount have said is if you follow all of these guidelines, then they will not sue you. But they do NOT say that if you don’t follow these guidelines, then they will sue you. There is a big distinction there.
James also told me during our talk that STC wanted to spend the remainder of their crowd-funding resources to film their final four episodes to wrap up the series. They hoped that their good relationship with CBS might result in the studio allowing the fan series to complete its run. The plan for STC had always been to do a limited number of episodes (originally planned for 12 or 13–now the total will be 11)…as star and show-runner VIC MIGNOGNA himself said that he won’t be able to play a 37-year-old Captain Kirk forever. (The Internet reports Vic’s current age as 54.)
But since last August, updates have been scarce from STC…until now, that is. They just published a MAJOR announcement confirming their intention to release the last four episodes of the series (already filmed and in post-production) and providing a premiere date for their eighth episode, “Still Treads the Shadow.”
Now, this is intriguing! If you look about half-way down the fan film guidelines to the second-to-last point under #6, you find the following:
No unlicensed Star Trek-related or fan production-related merchandise or services can be offered for sale or given away as premiums, perks or rewards or in connection with the fan production fundraising.
That seems pretty straightforward. If you want to give away any perks, they have to be licensed Star Trek merchandise. You can’t give any patches or T-shirts or signed scripts or posters or anything related to your fan production in exchange for donations…at least if you want to make sure you aren’t sued or sent a cease and desist letter by CBS and Paramount.
So how was it that STARSHIP REPUBLIC, the newest fan film to launch a crowd-funding campaign (and the first to do so since the Axanar settlement), was offering a whole set of perks? Sure, most perks were digital, but there were also physical posters in the mix (like the two images shown above).
Well, it turns out that they simply asked CBS for permission–and they got it! Well, kinda…
When CBS and Paramount jointly announced their new fan film guidelines last June, most of us in the fan production community (both filmmakers and viewers) were horrified, furious, indignant, grief-stricken, and depressingly convinced that these ten Draconian rules would spell the end of world for Star Trek fan films as we knew them.
And few out there felt more strongly about this than yours truly! I used words like “carnage,” “eliminate,” and “destroy.” I proclaimed in a blog I posted on June 23, 2016:
In short, these new guidelines would obliterate the majority of fan films…
And I quickly moved to set up a new protest campaign, Project: SMALL ACCESS, endeavoring to use the threat of fewer subscriptions to CBS’s new All Access paid video streaming service to try to encourage the studio(s) to revise and revisit these overly-restrictive guidelines.
SMALL ACCESS quickly grew to over a thousand members in a group on Facebook, and we examined the guidelines one-by-one. Through polling and discussions, we determined that about half of the guidelines were actually just fine as they were and didn’t cause much angst. Another quarter of them could benefit from a little tweaking of the phrasing to explain them better. And the final quarter of them, well, they pretty much pissed most of us off completely.
Eventually, we created a 38-page Focus Group Report, and members mailed 115 copies to various executives at both studios. Yes, it was a stunt, and no, it didn’t work. Eight months later, the guidelines are still in place, and the studios don’t seem to be inclined to make any changes.
So what in the name of James Tiberius Kirk do we do now?
On September 23, 1999, the Mars Surveyor Orbiter crashed into the red planet because of a very simple (some say “stupid”) error. According to the NASA.gov website:
…one team used English units (e.g., inches, feet and pounds) while the other used metric units for a key spacecraft operation.
One little mistake…
The result was the loss of a $125 million satellite.
In early February 2017, I was IM’ing with one of my local producer friends, asking how much it costs to rent a decent studio/sound stage here in Los Angeles. He IM’d me back: “About $15-$30K per day.”
That number intrigued and excited me. It wasn’t long before I’d done the math and determined that–lordy lordy!–it was actually CHEAPER for Alec Peters to have built out Ares/Industry studios than to have RENTED an existing sound stage! And the savings difference was in the six-figures!!!!
The fan series that started out as STARSHIP TRISTAN(and is now no longer a fan series but rather a collection of individually-titled fan films) has released its latest, um, well, “episode” is now no longer an appropriate word either, come to think of it. How about “offering”?
“DEPARTURES” is the latest adventure of the USS Tristan and her crew, produced by RANDY LANDERS for Potemkin Pictures, and filmed in Pelham, Alabama. You can watch all of the offerings from the various productions teams at the Potemkin Pictures on their website: http://www.potemkinpictures.com/productions.html
NOTICE: THERE IS AN IMPORTANT PIECE OF INCORRECT INFORMATION CONTAINED IN THIS EDITORIAL. SOUND STAGE RENTAL IS NOT $15K-$30K/DAY BUT RATHER PER MONTH.
A FOLLOW-UP BLOG CORRECTING THIS ERROR APPEARS HERE.
One of the most controversial decisions made during the three-year saga (so far) of AXANAR was the choice to build Ares Studios (now Industry Studios) rather than to just rent a local sound stage in Los Angeles.
In a recent Fan Film Factor interview, ALEC PETERS said that the original plan was NOT to shoot Axanar in Los Angeles but rather to film in upstate New York on James Cawley’s Star Trek: New Voyages sets:
I certainly wish we had done what I had originally planned on and shot Axanar at the Star Trek: New Voyages sets. Instead, Christian Gossett–our former director–felt he couldn’t shoot at those sets because of the limited space and the volunteer crew. Ironically, Rob Burnett did a beautiful job when we shot the “Heroes” vignette there. You’ll see his work as an “extra” when we release Axanar.
If we’d done that, we would be finished with Axanar by now and probably avoided the lawsuit.
Now, I don’t claim to know the details of whether the decision not to film on the New Voyages sets was made solely by Christian Gossett or solely by Alec Peters based on Christian’s reservations or as a team decision. But I do know that it changed everything about Axanar and immediately turned it from a fan film that could be made for potentially a couple of a hundred thousand dollars into a fan film that would cost between a half million and a million dollars (or more)…
…even if they’d rented a sound stage. In fact, BUILDING a studio instead of RENTING one actually saved them money! Let me ‘splain…
Last week, I told you about the new crowd-funded independent Deep Space Nine documentary WHAT WE LEFT BEHIND, which set a goal of $150K and is about to cross the $300K threshold in less than a week…and that’s fantastic! But there’s another VERY deserving crowd-funded fan project whose donation total isn’t climbing nearly as quickly…and that’s a shame.
PACIFIC 201 promises to be one of the most original, most intriguing, and (dare I say it?) most ENGAGING Star Trek fan films to come along in quite a while. The first fan film (or any Star Trek film, for that matter) to cover the period smack dab in the middle between the end of Enterprise and the beginning of TOS, the time period of Pacific 201 is the turn of the 23rd century, 40 years after the founding of the United Federation of Planets. It’s a critical period for Earth, still reeling from the horrors of the Romulan War but just beginning to emerge from fear and paranoia with a tentative first step back into the exploring of strange new worlds.
With physical sets and well-designed costumes, real actors, and some awesome visual effects, Pacific 201 looks like it could easily justify the $50K crowd-funding limit set forth the in new guidelines. So far, their Indiegogo campaign stands at “only” $27,327. They can raise another $23K, people…and we can all help them get there! I just now put another $25 into the project, doubling my previous donation from last November. Can you match me?
If everyone who reads this blog will match my $25 donation, show-runner Eric Henry will easily make his $50K goal to keep his studio open and finish production. But hey, even $10 from each reader translate to $10K.