Fan Film Factor – Page 64 – Exploring the world of Star Trek fan films.

Why I am NOT “neutral” about NEUTRAL ZONE STUDIOS…

I need to clear the air regarding myself and NEUTRAL ZONE STUDIOS, the TOS sets in Kingsland, GA that were originally used for STARSHIP FARRAGUT, later used for STAR TREK CONTINUES, and were recently purchased by RAY TESI and opened up to any fan filmmaker who wanted to use them, was able to pay $300/day, and was willing to follow the fan film guidelines.

I want to state for the record that I wholeheartedly SUPPORT Neutral Zone Studios and encourage anyone who is a fan of Star Trek fan films to support them, as well, through their Patreon campaign:

https://www.patreon.com/neutralzonestudios

As many of you know, I was originally scheduled to film two of my scenes for my fan film INTERLUDE there. Ray Tesi was 100% on board. In fact, when I was considering bringing my son Jayden to Georgia watch the shoots, Ray told me that he’d make sure the entire studio was lit up (all the lights and buttons) before we arrived so that when Jayden walked in, the first thing he’d see would be the USS Enterprise in all of its glory. Ray was even going to see if he could manage to drive up for the day from Florida to finally meet me in person and watch the shoot.

But over Memorial Day weekend at Neutral Zone Studios‘ Fan Appreciation Weekend 2, Ray informed my directors, JOSHUA IRWIN and VICTORIA FOX (who were there shooting interviews with VIC MIGNOGNA, MICHELLE SPECHT, and CHRIS DOOHAN to help promote the studio’s Patreon campaign) that Interlude was no longer welcome to use the sets.

Although ALEC PETERS, who was similarly banned, accused Vic of being the reason for Ray’s sudden change of heart, Star Trek Continues make-up artist, LISA HANSELL, posted this comment on Facebook the Monday after the event…

Now, all things considered, I should probably feel angry, hurt, insulted, frustrated…and to be honest, I did feel those emotions quite deeply for a short time. But I moved past it.

However, something happened this past weekend that has left me wondering if others haven’t let this go as I have. And I now feel that it’s important to state publicly that I have forgiven Ray and Lisa and (if he was involved in the decision) Vic…and anyone else who pressured Ray Tesi into changing his mind about letting my production film at NZS.

So what happened this past weekend?

The 3rd STARSHIP TRITON release “CONFRONTATIONS” led to an interesting question for RANDY LANDERS…

Lately, whenever POTEMKIN PICTURES releases a new fan film from one of their (currently) SIX different creative teams, I try to ask show-runner RANDY LANDERS a question or two about the latest episode.

With two different releases from Potemkin Pictures coming out on the exact same day (May 25), I tried to spread out the coverage a little by spotlighting one last month (STARSHIP DEIMOS “Children of Eberus“) and one this month. The joke’s on me, though, because Randy just released a third new fan film on June 22, but I’ll get to that one at some point soon!

Anyway, this blog focuses on the newest offering from the STARSHIP TRITON creative team: “Confrontations.” The series features as a main character Janice Rand (now a Commander, as this is movie-era, and also the first officer) along with, as of this latest episode, Dr. Christine Chapel. So far, Triton is the only Potemkin Pictures fan series to include canonical Star Trek characters as members of the crew.

“Confrontations” is this series’ third episode, having just re-cast the role of Rand with a new actress, PAM SHURETT, who gets some dramatic scenes with with the second officer, played by LEZLIE SAWYER (who seems to be popping up in fan films all over the place these days!). You can watch it here…

When I reached out to Randy to ask about this episode, I found myself wondering about something. Triton was the sixth different fan series to premiere from Potemkin Pictures. (You can see all the episodes from all seven series on their website.) PROJECT: POTEMKIN was their first series and wrapped up a couple years ago with three dozen episodes. That was followed by STARSHIP TRISTAN, STARSHIP DEIMOS, BATTLECRUISER KUPOK, and STARSHIP ENDEAVOUR…then TRITON and finally HOSPITAL SHIP MARIE CURIE.

So my question for Randy was: what happens to justify Potemkin Pictures launching a whole new series/creative team? Why not just put some of these characters and actors (like Rand and Chapel) onto a starship in an existing series?

I also wondered what had happened to necessitate re-casting the role of Janice Rand? Previously, for the various Potemkin series, when an actor moved away or was no longer available, the character was written off the series. I suppose, however, when the character is a major one, like Rand, recasting makes more sense. But nevertheless, I was curious.

Here’s Randy’s very informative answer…

Just posted: PAGE 3 of the INTERLUDE comic “STARDATE 2245.1”!

First, a quick check on the GoFundMe campaign: another three days, another $320 for a total of $8,651 from 111 donors. There’s also another $50 from Paypal donations, bringing us 44.6% of the way to our $19,5000 goal after three weeks. It’s all good, folks.

To donate or if you’d just like to help spread the word, here’s the link:

https://www.gofundme.com/interlude

And now, the blog…

SPOILER ALERT!

Once again, a friendly reminder that this 7-page (plus cover) comic book story is nearly identical to what you will see when INTERLUDE is completed and released. So if you don’t want to know anything about my fan film—and that’s fine!—please stop reading now and don’t look at the page artwork below…’cause that wouldn’t be quite as fine.

Let’s talk briefly about the captain of the USS Artemis: Imari Jakande. When I first wrote up my “alternate” script for the two Axanar sequels, I’d named the captain of the Artemis “Kyle Donovan,” and I didn’t really think about his race or background. I just needed a person in the center seat of that starship. Kyle could just as easily have been Kylie, as well. Race, gender, ethnicity…they just weren’t as important to me at that moment as getting my thoughts down on paper (well, keyboard) before they faded from my mind. Initially, I don’t even think the original three or four pages of the scene with the Artemis and Ares took me more than 15 minutes to write.

So when I first expanded that sequence into a seven-page comic book script, I left the character’s name as Kyle Donovan. My illustrator, DANIEL FU, suggested making him a black man, and I had no problem with that. Good idea! And when the page artwork came in, I loved what I saw.

A few weeks later was when I first showed the artwork to ALEC PETERS. I had already gotten his thumbs-up to do the comic, but I wanted him to be able to review the progress. After all, it was important to me that this story be acceptable “head canon” for the Axanar “universe.”

Alec liked the artwork, but suggested that, since the captain of the Artemis was black, perhaps he should have an African name. By this, Alec didn’t mean African American but rather from the African continent—like Uhura—with an authentic African name.

As Alec did with the Axanar character of Sam Travis, who was named after a famous military leader, I wanted my character to have an African name with some historical significance.

Turns out that was much easier said than done!

INTERLUDE intro: “getting from there to here” – Previs and VFX!

First, a quick update on the GoFundMe campaign for the INTERLUDE fan film. Since Monday’s blog, we’ve gained over $400 (2% closer to our goal of $19,500) for a current total of $8,331. We’ve also crossed the 100 backer threshold (currently at 109). So steady as she goes…!

As I say each time, if you haven’t donated yet, or if you’d just be willing to help spread the word, here’s the link:

https://www.gofundme.com/interlude

This is the first in a series of three weekly blogs I’ll be posting about the opening VFX sequence for my fan film Interlude and how it went from an idea in my head to looking like this…

When I first set out to raise money to make Interlude, I knew I needed to show something. Obviously, without costumes or a cast, we couldn’t shoot any actual footage. Of course I’d feature the creative people involved, but doesn’t typically create high excitement unless some of those people are Star Trek celebrities (which fan filmmakers can no longer use). So what’s left? Well, VFX, of course!

I spoke to my CGI guy, LEWIS ANDERSON (a pseudonym my friend is using) and asked if he’d be willing to churn out a quick visual effects sequence from my script to show what Interlude might look like. “Sure,” he said. “Shoot me over the script, and let me take a look at what you’re thinking.”

Easy-peasy. I sent him the full script, but highlighted the opening scene…

After receiving it, Lewis messaged me back: “Shouldn’t be a problem, Jon. Do you have anything storyboarded?”

As a matter of fact, I did! I actually had FOUR different storyboards!!!

The first wasn’t actually a storyboard so much as a more detailed description of the sequence that I had written up for my comic book artist, DANIEL FU, when I decided (a year earlier) to turn this script into a one-shot AXANAR comic book called “Stardate 2245.1” . The description I wrote up for Daniel was divided into three comic book panels and looked like this…

VANCE MAJOR releases binge-watching dates for THE CONSTAR CHRONICLES!

VANCE MAJOR has become a legend of sorts in the fan film community. He has unapologetically released over thirty different Star Trek fan films…all on his terms. And while I wouldn’t go so far as to say he chooses quantity over quality—he and his teams work very hard on each individual project—it’s fair to say that Vance’s films aren’t the most “polished” you will find out there.

So why watch them…and for that matter, why make them?

The answer lies at the very heart of what fan films are. And “heart” is the reason Vance continues to play in this small corner of the Star Trek sandbox. He LOVES making fan films. And he loves the people who love making fan films with him. He loves writing the stories and bringing his actors and production crews together. He loves visiting fan-made TOS sets or going out on location wearing Starfleet tunics. And he loves seeing the ideas that start in his head slowly take form and materialize into complete fan films that he can share with others.

Who cares if there’s a cord in the door…or the uniforms don’t fit right…or you can see where the bridge set ends and the wooden wall panel starts? Who cares if the wind is blowing too loud into the microphone or a scene is filmed in Vance’s living room? If you want $8 million episodes, watch Discovery. If you want $50,000 episodes, watch Star Trek Continues. But if you want to see what a Star Trek fan can create with the cash in his wallet, the loose change he finds in the sofa, a handful of fan donations, and sheer optimism and willpower, then Vance is your man!

As I said, Vance has already completed thirty-something separate Trek fan films in what I’ve chosen to call the Minard Saga. They all feature his character, Erick Minard, who—thanks to the mysterious Valhalla Stone—has lived from the pre-TOS era to the DS9-era of Star Trek. And not only has Minard appeared in Vance’s fan films, but he’s also appeared in cameos in many other fan series. You can see every appearance of Minard in this dedicated YouTube playlist!)

You might think that after writing, directing, producing, and appearing in so many Star Trek fan films that Vance would choose to take a break for a while. And he almost did. But the siren call was too much for him, and Vance returned for one or two more films.

Oh, heck…who am I kidding??? He’s planning to release another THREE DOZEN fan films!!!

Just posted: PAGE 2 of the INTERLUDE comic “STARDATE 2245.1”!

A quick check of the GoFundMe campaign before we begin. After two weeks, we’re already on the cusp of 100 BACKERS(!!!) with a total of $7,901—more than 40% of the way to $19,500. That’s FANtastic progress! If you haven’t donated yet, or if you’d just be willing to help spread the word, here’s the link:

https://www.gofundme.com/interlude

And now, today’s blog…

SPOILER ALERT!

If you do NOT want to know what my Axanar Universe fan film INTERLUDE will be about, if you want to want to go in completely cold with no idea what happen, then stop…

reading…

NOW.

Seriously. This far. No farther. Go to a different website or read another blog. Final warning.

Okay, for those brave/curious/impatient souls who are left, what IS Interlude about anyway? So far, I’ve kept things pretty vague. Here’s what it says on my GoFundMe page:

INTERLUDE is an exciting vignette story that shows fans whom those D7s were shooting at, and why those targets were so important.  The story is about honor an sacrifice, bravery and duty in the face of a surprise sneak attack that leaves no time to plan or react with anything other than one's true self.

I’ve mentioned previously that the reason for the story was to explain the absence of Admiral Marcus Ramirez from the Axanar sequels. The real reason, of course, is that actor TONY TODD no longer wished to be a part of the production going forward. So there’s a point in my script where Ramirez gets severely wounded, but beyond that, I’ve given few details.

The reason for the vagueness is that Interlude is actually a pretty fast-paced story. It starts in the middle of a space battle and spends most of its (estimated) ten minutes in that same tense situation. While there’s drama and action, the majority of the dialog happens between just two characters…one of whom is Captain Kelvar Garth of the USS Ares.

I always thought of this story as a small but important part of the tapestry of Garth’s life…a tapestry that includes PRELUDE TO AXANAR, my short story “Why We Fight,” another short story I haven’t written yet called “Why We Explore,” the two upcoming Axanar sequels, and perhaps even the TOS episode “Whom Gods Destroy.”

Combined, all of these stories help to piece together the puzzle that is Kelvar Garth, the victor at Axanar and the personal hero of Captain James T. Kirk. Who is Garth? We only saw a fleeting glimpse of the true man at the end of “Whom Gods Destroy,” and I for one want to learn more.

So here’s Page 2—along with the cover and Page 1—of another piece of the Garth puzzle (click to enlarge the images)…

Read mor

Just hours left to donate to SPACE COMMAND…as a NEW EDIT of the first hour is released!

One of my favorite things about MARC SCOTT ZICREE’s fan-funded sci-fi epic SPACE COMMAND is watching it “evolve.” Last summer, Marc released the first half-hour of the 2-hour pilot “Redemption.” It was impressive, to be sure, but it needed a bit more “polish.” A number of things didn’t look quite right, including the infamous driving scene where a father and son in a convertible roadster are speeding down the highway, and neither actor’s hair is moving at all. (The original footage was shot in front of a green screen.)

In February of this year, Marc released the full first hour of the pilot. But in addition to simply adding a half hour of new, just-completed scenes and visual FX, Marc also re-edited, color-corrected, sound-corrected, and updated a fair amount of the first half hour. Finally, the hair of those two actors was actually blowing in the wind! It was fascinating to me to watch those first two releases side-by-side, comparing them. It really allowed me to appreciate the craft of filmmaking.

Now, with less than 24 hours left in their latest Kickstarter, Marc has released an updated version of the first hour, and it’s worth taking a look at because it’s getting even better. This version is edited to be a few minutes shorter with improved VFX and some other intriguing changes (including having not only the previous mini-trailer for the second episode “Forgiveness” but also a new short trailer for the third episode “The Great Solar War”)…

And speaking of the second episode, “Forgiveness,” as I mentioned, the month-long campaign is in its final hours, ending at midnight Saturday Pacific Time. Although the stated goal of $35K was surpassed almost immediately and the current total stands (as I type this) at just under $80K, Marc would love to see $100K.

It’s not clear whether they can reach that stretch goal, but if you haven’t donated yet and still wanted to, this is your last chance—at least for this Kickstarter!

Here’s the link to find out more and donate…

https://www.kickstarter.com/projects/58936338/space-command-forgiveness

Set Cancellations, Scheduling Conflicts, Costume Conundrums, Stray Dogs, Trapped Woodpeckers, and Acts of God…what I DIDN’T expect when I decided to make a fan film!

Before we begin, quick crowd-funding update! After ten days, 88 backers have already donated $7,621 to INTERLUDE (nearly 40% of the way to $19,500!). That’s amazing! If you haven’t donated yet, or if you’d just be willing to help spread the word, here’s the link:

https://www.gofundme.com/interlude

And now, today’s blog…

“Whatever can go wrong, will go wrong.” Man, am I learning that lesson with Interlude!

Over the years, I’ve interviewed countless fan filmmakers, and the one thing that nearly all of them have in common are stories of unexpected crises that pop up out of nowhere…demanding to be dealt with quickly lest the project get partially or completely derailed.

I never truly appreciated what these show-runners go through until I became an executive producer myself. My fan film hasn’t even started shooting yet, and already I’ve had to deal with some of the weirdest occurrences that I could have ever imagined—including emergency dog rescues, woodpeckers in chimneys, and an honest-to-goodness flood—all of which have conspired to try to delay the launch of my crowd-funder!

The dog actually DID delay it. You all probably remember how a stray canine in Alabama crossed the highway in front of ALEC PETERS and CRYSSTAL HUBBARD, and how they spent the next two hours trying to keep the dog safe (keep it from trying to cross back) until help could arrive. And those two hours ate up the window for livecasting Axanar Confidential that Monday night, forcing us to delay the roll-out of the GoFundMe campaign for INTERLUDE until the following night.

But wait till you hear about some of the other Murphy’s Law moments I’ve had over the past month and a half…

AXANAR locks in START DATE for filming: October 4-6, 2019!

Yes, my friends, AXANAR is really (finally!) happening. And before some of you say, “Ha! I’ll believe it when I see it!” ALEC PETERS has now put out a call for volunteers the weekend of October 4-6, 2019. J.G. HERTZLER is confirmed to be in Lawrenceville, GA for that weekend, the bridge set is 99% complete, costumes are being made, and actors and extras are being cast. This is for real, folks.

The last time that Axanar was scheduled to start filming with actors and crew and volunteers confirmed, it was supposed to be the first week of February, 2016. I had blocked off time to be at the Valencia, CA studio the morning of the second day of shooting. Unfortunately, a few “minor” snags came up (like a hundred and fifty million dollar lawsuit!), and no footage for Axanar beyond “The Vulcan Scene” was ever shot.

Well, it’s been a long road…getting from there to here. The studio moved across country from California to Georgia in 2017; Axacon happened last November; Ares Digital 1, 2, and 3 were all started (and version 3.0 is about to launch…finally!); and most recently, the first fan film of a fan film, my Axanar Universe project INTERLUDE, was announced and began crowd-funding (donate here…we’re nearly 38% of the way to our goal!).

But now, shooting on Axanar is officially set to begin in just 15 more weeks! Amusingly, Alec had scheduled his shoot to happen the weekend right after my shoot for Interlude. That would potentially allow us to utilize the same actors and extras on the USS Ares bridge (and also lower my costume manufacturing costs if I could use those same tunics for my production). But a scheduling conflict for one of my directors popped up unexpectedly for September, and so I rescheduled my shoot to the first weekend of November…four weeks after Alec’s shoot. With luck, his actors and extras will still be available for Interlude, as well. Fingers crossed!

On Wednesday, Alec published a blog outlining the three locations where filming and sound recording would be happening: Ares Studios, a nearby professional studio for green screen interviews, and a sound studio for the audio drama version of the full Axanar script. He also went on to list the various people who are already assigned to tasks (like PAUL JENKINS as director) as well as volunteer positions that are open for supporters (local and non-local) who wish to participate and help. These jobs include production and personal assistants; staffing, location, and transportation coordinators; drivers and security personnel.

The full text of the blog appears below…

A new STALLED TREK release: “ALL AHEAD FULL!”

The last new STALLED TREK came out in 2016 (“Prelude to Ax’d-We-Are“). It featured parody puppets inspired by the characters from Axanar. But the last time fans saw the kooky TOS crew of the USS Second Prize was in 2012’s “Amutt Time.”

Last summer, Stalled Trek creator and certified genius lunatic MARK LARGENT announced a Kickstarter to fund a brand new episode: “The City on the Edge of Foreclosure.” He successfully raised $4,181 from 114 backers, and so it was off to make a new fan film parody.

Until something bad happened…

The developers behind Animation:Master, the 3D modeling and rendering program that Mark had used for the previous Stalled Trek parodies, announced earlier this year that they would no longer be supporting or updating the application on the Macintosh platform. Mark didn’t have the funds to buy a new Windows PC with the power necessary to render frames of animation at any kind of decent speed or efficiency. And it suddenly seemed as though Stalled Trek might be doomed!

But then Mark discovered Blender 3D, open source, actively updated—and FREE!—application that worked on PC and Macintosh. The program was robust, fairly easy for Mark to learn, and even renders animations while he works on other things…rather than taking over all of his computer processing power, forcing him to only render animations during breaks for meals or sleep.

You can read more about Mark’s initial experiences with Blender in this blog from April.

Anyway, Mark has spent the last few months diving into Blender (sounds dangerous!), and now he’s ready to show us what he’s learned. Mark recently sent the following e-mail to his backers, along with the first new Stalled Trek in three years…

Well, the transition to Blender 3D has been an interesting one. I had worried that I would find major land mines while making the switch, but I’m pleased to say that, so far, they have only been minor things.

I’m still in the learning stage, but I’m feeling more confident each day.

To test my ability to actually create “City on the Edge of Foreclosure” in Blender, I wrote a quick script and started working on making a short Stalled Trek “quickie.”

Nothing like actually trying something out to find out how many newbie mistakes you’ve been making along the way!

But, I’ve managed to get ahead of most of them, and I’ll definitely be further refining things as I move on to the big one.

So, without further ado, please enjoy Stalled Trek: “All Ahead Full!”