Alec Peters – Page 8 – Fan Film Factor

Major AXANAR update! (audio interview with ALEC PETERS)

Believe it or not, it’s been nearly three months since my last blog update on the status of the AXANAR sequels. But that doesn’t mean there hasn’t been a TON of stuff going on!

For those folks who have been watching the regular updates by ALEC PETERS on the (usually) weekly “Axanar Confidential” YouTube podcast, you know a lot of the exciting things that have been happening lately…including the fact that the first official shoot for the two Axanar sequels is scheduled for October 4-6! This will include J.G. HERTZLER flying down to Georgia to appear as Sam Travis. Scenes will be filmed on the USS Ares bridge set along with green screen scenes and recording the audio drama version of the full Axanar script.

But for all of those recent updates, I still had a few unanswered questions for Alec—things like…

If this production is going to cost $150K-$200K (as Alec has estimated previously), then when is he planning to start raising private donations from backers…and who has been paying for things up till now?
Is KATE VERNON going to appear in the Axanar sequels?
Who else has been brought onto the project and in what roles (both actors and production crew)?
How close is the bridge to being finished—and will it be ready in time for October’s shoot?
How many other shoots are planned, and where and when will they be happening?

So with these and other questions floating around in my head, I decided this might be a good time to interview Alec. We set up a phone call for last Friday evening, but naturally, he was late because he had to rescue a dog. And so we had to reschedule. (Yes, I’m serious.) So we chatted a couple days later, and I’ve just finished editing the sound file…which—I am certain will not surprise anyone—includes the sound of dog barks in the background.

So please enjoy the latest Axanar update with Alec Peters (woof!)…

INTERLUDE’s not-so-phantom menace: SCHEDULING!

Before I dive into the slings and arrows of outrageous scheduling, I’d like to thank INTERLUDE supporter and donor STEPHEN HUGHES for creating the stunning image above (along with several others). This is the kind of love and enthusiasm that’s the cherry on top of the sundae that is fan filmmaking.

I’d also like to thank all of the donors who have helped bring the Interlude GoFundMe to a staggering $18,808!!! This included an amazingly generous $300 donation this past weekend from a member of the Axamonitor Facebook group—CLARENCE THOMPSON—who had previously donated $100…bringing his total to $400 and giving him the honored rank of “Captain” in my credits.

Clarence is one of a small few of that group who have donates, but I want to acknowledge this support from some of those whom I’ve historically called “detractors.” Many of them still detract and deride and demonize, but obviously not all…and that says and means a lot to me. So a big THANK YOU to everyone who has stepped forward to support Interlude.

And of course, there’s still time to donate (we’re less than $700 from our $19,500 goal):

https://www.gofundme.com/interlude

Okay, let’s get onto the update as I shine the spotlight on…scheduling!

Y’know how starships have short-range and long-range sensors (and if the script calls for it, medium-range sensors)? Well, it turns out that fan films have the same thing—or at least mine does. You might remember from back in June a blog I wrote about all of the things that went wrong and threatened to delay the launch of my GoFundMe campaign: epic floods, stray dogs, trapped woodpeckers, etc.

Well, it turns out that Murphy and his law about things going wrong isn’t quite finished with me yet. Read on, my friends…

SQUADRON STRIKE: AXANAR is available for purchase! (audio interview with KEN BURNSIDE)

Although it’s been a couple of months since I reported any major AXANAR news, that doesn’t mean nothing’s been happening in Lawrenceville, Georgia. In fact, a LOT had been going on, including the launch of Ares Digital 3.0, preparations for the first shoot in October, bringing on a line producer and director of photography, adding the finishing touches to the bridge set, having the rent for the studio lowered so there doesn’t need to be a move, receiving all of “The Cage”-era tunics from Italy, getting the Four Years War-era uniforms into the manufacturing pipeline, and starting to cast the various roles. And all of that doesn’t even include the release of my Axanar comic book “Stardate 2245.1” or the current GoFundMe for my Axanar Universe fan film INTERLUDE.

But almost forgotten in all of that news was the release last month of the latest supplement for the SQUADRON STRIKE! board game…a supplement based entirely on Axanar! Created by KEN BURNSIDE of Ad Astra Games, this new supplement features the characters and ships seen in PRELUDE TO AXANAR, caught up in space battle action and fun gameplay.

The game is available for purchase as a core product selling for $74.95 (you can order it here) with multiple supplements available for purchase covering a wide array of sci-fi universes with different ships, characters, and storylines. The latest supplement features Axanar and sells for an additional $37.95 (order it here). And if you order on or before August 19, you can get a 10% DISCOUNT for orders of $100 or more using the code: AXANAR10OFF

Now, you might be wondering if this game is licensed, and if so, licensed from whom: CBS or Axanar Productions…or both…or neither? An excellent question! And it’s one of the many I asked Ken Burnside in the following audio interview that’s definitely worth a listen…

The INTERLUDE GoFundMe tops $11,000!

Yesterday, the GoFundMe campaign for my fan film INTERLUDE crossed $11,000! Although this might not seem as significant a milestone as crossing the half-way point or crossing $10,000…it’s very exciting to me personally because it means I’m doing my job properly. (Also, most of the detractors never thought I’d raise more than $5K-$10K at the most, and now even some of them are impressed!)

Y’see, unlike many folks who make fan films, I don’t have any background or experience in filmmaking. Zero. Zip. Zilch. Nada. While I’m a decent graphic designer and can edit as a novice with iMovie on my Mac, I’m not a director or VFX artist or lighting specialist or cameraman. I can’t compose music, build sets, create props, do make-up, or even sew uniforms and costumes. I’m not a sound FX guy, and while I’ve done a couple of fan film voice-overs, I’m not an actor and won’t even appear in my own fan film! All I did was write a script.

So why am I here at all? What’s my bag, baby?

The simple truth is that I’m here to convince people like you to give me your money. In return, I’ve assembled a very talented team who are going to make an amazing fan film for all of you to enjoy. It’s going to have the quality level of PRELUDE TO AXANAR (or as close as we can get!) and be able to stand beside its “siblings” (Prelude and the two Axanar sequels) as a proud part of the expanded “Axanar Universe.”

But in order to do that, things (some of them kinda expensive) needed to be paid for.

Believe me, I would have loved to have just written a check or charged everything to a credit card. But I simply don’t have the financial means—certainly not at the level required to match up to the other Axanar fan films. And even though the Ares bridge set is now complete (or 98% of the way there), this fan film is more than just the set.

So with essentially no skills, no experience, and no money, what the heck am I doing trying to make a fan film???

Well, let me tell you what I do have…

Just posted: PAGE 7 of the INTERLUDE comic “STARDATE 2245.1”!

Has it been six weeks already? Wow, this summer is flying by! When I posted page 1 of this comic on June 18, the GoFundMe campaign for INTERLUDE had been up for a week, and we’d just crossed the $3K mark with 53 donors. Now we’re at $10,415 with 144 donors (plus a few more via Paypal)!

That is so awesome, and I can’t tell you how amazing it feels to have so many people supporting me and sharing this crazy dream of making a fan film. But we’re still not quite there yet, so once again, here’s the link to the GoFundMe campaign for Interlude.

https://www.gofundme.com/interlude

Please donate or at least share. And now, let’s wrap up the comic…

SPOILER ALERT!

Yep, one last time, here’s your warning. The “Stardate 2245.1” comic book short story is pretty much the same plot you’ll see in the fan film Interlude. So if you don’t want to know what’s going to happen, for the love of Garth(!) don’t read the 7-page (plus cover) comic below. So say we all.

Okay, let’s discuss the last page…

And the INTERLUDE GoFundMe “POINT OF NO RETURN” is…

The typical “life cycle” for most crowd-funding campaigns (especially for Star Trek fan films) is a burst of excitement and donations at the beginning, then a slowdown in the middle, and (if you’re lucky) a smaller burst at the end just before the deadline. I’ve seen it dozens of times.

The problem for my Axanar Universe fan film INTERLUDE, however, is that I decided to use GoFundMe instead of Kickstarter or Indiegogo. The latter two have built-in deadlines—usually 30 or 60 days—before the campaign must either reach its goal or fail.

But GoFundMe is open-ended. Conceivably, I could still be raising money for Interlude when Earth makes first contact with the Vulcans 44 years from now! Of course, I don’t plan to do that. At some point, I will need to shut this campaign down and deliver a completed fan film to you all. The question is…when?

We had a FANtastic first month, taking in nearly half of our goal from more than 100 backers ranging from $5 and $10 and $20 donors to donations in the hundreds and even thousands of dollars! But in the past couple of weeks, although donations are still coming in, the pace has slowed considerably…which is consistent with the crowd-funding “life cycle.”

Unfortunately, without a specific deadline, it’s unlikely that we’ll get that final boost. And even if I do set an artificial deadline (which I am about to do in this blog), it’s not likely that we’ll reach or exceed the $19,500 goal that our budget calls for.

However, as I mentioned last week, my budget blog back in June mentioned that my numbers purposefully erred on the high side in order to provide flexibility for trimming and cutting various items just in case we didn’t make our goal.

So this past week, I sat down with my directors, VICTORIA FOX and JOSHUA IRWIN, and went through every line item with a fine-toothed comb. We sliced, we diced, we cropped and capped. And in the end, we came up with a minimum that we’ll need to commit to making this fan film…as well as the date we’ll need to have those funds by in order to be ready to shoot the first weekend of November.

So what’s our “point of no return”?

Just posted: PAGE 6 of the INTERLUDE comic “STARDATE 2245.1”!

Yesterday, the GoFundMe campaign for INTERLUDE crossed the $10,000 threshold (on our way to $19,500) with 140 backers! Plus there’s a handful of Paypal donors. And of course, donations are always welcome right here…

https://www.gofundme.com/interlude

And without further ado, the blog…

SPOILER ALERT!

As we present the next-to-last page of “Stardate 2245.1,” I’ll remind you all once again that, if you want to be know nothing about my Axanar Universe fan film Interlude, then you should stop reading now and find another webpage to visit. The comic story is almost the same as the fan film story. So if you want to be completely surprised by Interlude, staying on this blog entry is pretty much the worst place you could be!

There, I said it.

As much as I love every single panel of every page of artwork that my illustrator DANIEL FU produced, if I had to pick a favorite, Page 6 would be it. Go ahead and scroll down to the bottom of this blog page to check it out and then come back up here, because it truly is a beautifully composed masterpiece.

I recall that Daniel and I spent a lot of time on this page, discussing it both before and after he had produced the first clean version. Initially, Daniel’s bridge background in panel three wasn’t accurate to the photos of the actual set, and while I hated asking my poor, overworked artist for a redo, I also felt it was very important that this particular panel look like the real thing.

And here’s why…

Just posted: PAGE 5 of the INTERLUDE comic “STARDATE 2245.1”!

Another week, another $700 for the ol’ GoFundMe campaign for INTERLUDE. We’re just about half-way, and at this rate, we’ll make it to our $19,500 goal by mid-October. But we don’t have until mid-October—more on that situation at the end of this coming week.

In the meantime, we’re just $442 away from passing the $10K threshold. So if you haven’t donated yet or would like to increase your donation a weeeeee bit, operators are standing by…

https://www.gofundme.com/interlude

And now, the blog…

SPOILER ALERT!

By now, you know that the spoiler alert is there because this comic book one-shot tells the same story as INTERLUDE. So if you want to be completely surprised by the fan film when it comes out, then completely don’t read the 5 pages (plus cover) at the end of this blog.

Heed my words, humans.

Okay, if you’ve stuck around, you might be wondering how close the comic will be to the final fan film. The dialog is pretty darn close, but it’s not an exact match. The comic book needed to be truncated in places in order to keep it at just seven pages and not have all of the artwork covered up by word balloons.

But there’s also two places where you’ll discover that the comic and film will diverge quite a bit. One of those two places is at the end. But since we’ve still got two pages to go, I won’t spoil that for you just yet. I’ll discuss that divergence in two more weeks.

The other place where the two versions are different comes closer to the beginning—in fact, it’s right after the opening VFX sequence. Originally, the shooting script matched the comic book much more closely. But after VICTORIA FOX, my producer and the co-director for Interlude, read the shooting script, she had some feedback.

Now, I’ll be honest with you, I wasn’t looking forward to making any more changes. I’d already sat with this script for nearly two years, tweaking it here and there, and I was pretty happy with it. So was ALEC PETERS. Why mess with “perfection”?

Well, it turns out it wasn’t quite perfect just yet…

Just posted: PAGE 4 of the INTERLUDE comic “STARDATE 2245.1”!

As usual, a quick check on the GoFundMe campaign. While donations have slowed, they’re still coming in and inching us closer to our $19,500 goal. Right now, we’re 45.3% of the way there and 118 donors, with some promotional pushes planned over the next couple of weeks. Fingers crossed!

In the meantime, if you haven’t donated yet, have a little extra to spare at the moment, or simply want to help us spread the word, here’s the link…

https://www.gofundme.com/interlude

And now, the blog…

SPOILER ALERT!

The spoiler warning is there to remind you that this short comic book story is pretty much identical to what you’ll see in INTERLUDE when it’s finished…only the comic is two-dimensional drawings without sound or motion or all the other cool stuff you see in fan films.

Interestingly enough, we’ve reached the point where I need to start being very selective in choosing which panel(s) to show at the top of the blog entry. I always like to show some thumbnail, as it increases the visibility of the link when I post to Facebook and Twitter. Also, if I don’t set the thumbnail, Facebook and Twitter will use their mysterious algorithm to decide for themselves with thumbnail to use…and that could inadvertently end up giving away an important spoiler.

So as you can see from the image at the top, I’ve chosen something very ambiguous to display while still showing off the amazing artwork of my illustrator DANIEL FU.

And speaking of Daniel, I’d like to take a moment to point out something that many of you might not have noticed. Sure, his art looks awesome…with great composition that moves the eye around the page, dramatic expressions and poses, confident line work, and contoured contrasts of light and shadow.

But did you notice the colors? I mean, they’re bright and vibrant and all, which is important for this era of Star Trek (before things got darker and less saturated in the later TV series like Discovery and Enterprise). But it’s more than just that.

When Daniel and I discussed the story and pages, I art directed him that I felt it was important to distinguish the two bridges—Ares and Artemis—which are, of course, identical. And they’re both at red alert, meaning they both should be colored to reflect that emergency battle status. So how could Daniel make two identical bridges, both tinged red for battle status, look different?

INTERLUDE intro: “getting from there to here” – Sound FX!

If you liked last week’s blog about the previs that went into the opening 19-second VFX sequence for my Axanar Universe fan film INTERLUDE, then you’re probably going to find this week’s blog just as fascinating.

But first, a reminder to please donate to our GoFundMe campaign (we’re nearly halfway to our $19.5K goal—just cracked $8.7K!)…

https://www.gofundme.com/interlude

Okay, let’s get this blog rolling!

I really feel like I’m walking with giants. This is totally my first rodeo. I’ve never executive produced a fan film (or any film) before. BUT!!! Through goodwill, good fortune, good nature, or just blind luck, I’ve managed to attract some incredibly skilled and experienced people to direct, produce, do casting, create visual FX, and take on other important tasks to make Interlude amazing. And isn’t that what fan films are all about—bringing together people who love Star Trek?

Three of those tasks were still required for completing the opening sequence for Interlude. My CGI guy, LEWIS ANDERSON (not his real name), had already produced this amazing VFX masterpiece…

But of course, there was no sound yet. We still needed music, sound effects, and someone to mix them together so that the music didn’t overwhelm the sounds of the engines/torpedoes/explosions…and also vice versa. These three tasks were the job of two of my “giants”: KEVIN CROXTON and MARK EDWARD LEWIS.

Kevin is a musical composer who has won an Emmy Award (and yes, I will say that over and over and over again!) and now teaches music in Arkansas. Last year, he wrote and directed the musical Star Trek fan film THE BUNNY INCIDENT starring his 4th and 5th grade music students.

Mark was the sound-mixer on PRELUDE TO AXANAR. He also did editing and sound-mixing on two episodes of Star Trek: New Voyages (plus dozens of other independent films and shorts), and will be doing the editing for the upcoming Axanar sequels. Mark has access to all of the original sound effects for Prelude, and he was happy to mix them into my fan film, too.

The only question now was kind of a chicken-and-egg one: who works on the opening sequence next? Does Kevin write the music first, or does Mark add the sound effects first?