Last week in Part 1, we learned how, in March of 2021, RAY TESI from NEUTRAL ZONE STUDIOS had asked JOSHUA IRWIN from THE AVALON UNIVERSE to make the half-day drive from northeastern Arkansas to southeastern Georgia to be the director of photography for the newest TALES FROM THE NEUTRAL ZONE fanthology film “DOOMSDAY.” Josh was happy to help out, and the completed production has quickly become the most watched of all three of the Neutral Zone releases, nearly doubling the views of the previous two offerings, THE LOOKING GLASS (released in June of 2019) and ENDOSYMBIOSIS (February 2021) in only a couple of weeks.
Take a look…
We had just learned that, after arriving at the studio on the day of shooting, Ray had gotten buried under other studio-related tasks he needed to do. And so he asked Josh if he would mind taking over as director in addition to being director of photography (two VERY different jobs). Josh is used to dealing with the unexpected on film sets, working in the film industry himself professionally, and so he agreed to the challenge.
Of course, this gave Josh essentially no time to prepare as director, and so I asked him the following question…
NEUTRAL ZONE STUDIOS in Kingsland, GA is the only place on the planet where fans can shoot TOS-era Star Trek fan films on a full range of TOS-era sets including the bridge, engineering, sickbay, briefing room, transporter room, auxiliary control, captain’s quarters, turbolift, and a full range of corridors. WARP 66 STUDIOS in Arkansas has some, but not all, of these sets for fans to film on. And while JAMES CAWLEY’s TOS sets in upstate New York feature all of the rooms listed above, his sets are now an official licensed tour and are no longer available for shooting fan films.
But Ray Tesi and Neutral Zone Studios also have their own fanthology series called TALES FROM THE NEUTRAL ZONE. Their first episode, THE LOOKING GLASS, was released in June of 2019 and has had about 28K views on YouTube so far. Their second episode, ENDOSYMBIOSIS, was hit YouTube in February 2021 and is currently over 15K views.
Their third release, DOOMSDAY, premiered just last month on April 5 (“First Contact Day”) and is already up to a staggering 81K views!!! Why the immediate popularity? Well, it could have something to do with the telling of the long-speculated tale of how Commodore Matt Decker and the crew of the U.S.S. Constellation first encountered the Planet Killer device and wound up the way Kirk and the Enterprise crew found them at the beginning of the TOS episode “The Doomsday Machine.” Take a look…
No too shabby, huh?
One of the most intriguing aspects of this fan film isn’t simply what went on in front of the camera but also who was standing behind it. Fan filmmaker JOSHUA MCHAEL IRWIN (who is also a professional filmmaker) is based in Arkansas and typically shoots his Avalon Universe productions at WARP 66 Studios. He did film Avalon‘s first release, GHOST SHIP, at Neutral Zone, and he later shot their 2021 releaseCOSMIC STREAM there, as well. And although Josh was the director of photography for INTERLUDE (filmed at ARES STUDIOS in Lawrenceville, GA), nobody in the fan film world ever associated Josh with Tales From the Neutral Zone.
Until now, that is.
Josh served as director, DP, and film editor for Doomsday while Ray served as executive producer. Apparently, that was a winning combination, as the film has proved extremely popular on YouTube.
So how did this pairing happen? And what went into the production of this new fan film? I decided to interview both Ray and Josh together…
Up until the world turned upside down and we started sheltering in place, the annual BJO AWARDS were awarded live at the TREKLANTA convention in Atlanta, GA. Last year, however, Treklanta was virtual, and the Bjo Awards didn’t happen. This left the 2020 Bjo Awards for eligible Star Trek fan films released in 2019 in a kind of limbo.
But Treklanta Chairman ERIC L. WATTS made the decision to still have the 2020 Bjo Awards…even if they happened a year late. And so, in the latter half of this year, eleven judges watched a total of 27 qualifying Star Trek fan films with a total run-time for all the films combined of 9 hours, 54 minutes, and 19 seconds. That’s a LOT of fan film binge-watching!
Although Treklanta was virtual once again this year (back in August), the winners were still announced live, but this time it was on the evening of December 11 at NEUTRAL ZONE STUDIOS (home to the amazing STARSHIP FARRAGUT/STAR TREK CONTINUES TOS sets) during their fan appreciation weekend.
Although I typically don’t review Star Trek fan films, I do rate them here on a scale from DECENT EFFORT to PRETTY GOOD to HIGHLY RECOMMENDED to MUST SEE. This year, of the many, many Bjo Awards finalists, five fan films from 2019 made it to my highest MUST SEE level. Of those, three pretty much swept every category in this year’s Bjos—so the judges weren’t crazy (unless I’m crazy, too…a possibility that can’t be completely ruled out, of course).
As it happened, three individual fan filmmakers—British CGI Sensei SAMUEL COCKINGS, the fan film Wonder from Down Under AARON VANDERKLEY, and Arkansas Avalon Admin JOSH IRWIN were all “in attendance” to accept awards either on behalf of themselves or members of their team who weren’t there. In the case of the latter, Josh had driven down with Team Avalon members NEAL BILBE and PIXI NEREID (the latter co-hosting the awards with Eric Watts—see photo above). Sam and Aaron joined in via Zoom from their respective continents.
Last time in Part 1, we celebrated the highly-anticipated release of “Homecoming,” the finale of the long-running Trek fan series STARSHIP FARRAGUT, by interviewing show-runner JOHN BROUGHTON, writer PAUL R. SIEBER, and post-production supervisor and composer STEVE SEMMEL. We found out which elements delayed the completion of the film, what it was like shooting scenes with the legendary STAN LEE, and a whole bunch of other stuff that I’m not going to bother to recap because we’ve still got so much great interview left!
But before we dive into the conclusion, I’d like to recommend (if you’re interested in Starship Farragut) that you check out this 3-part blog covering the fascinating history of this venerated fan series from 2004 – 2016. And definitely watch the finale “Homecoming” if you haven’t already…
For anyone interested in the new sequel series, FARRAGUT FORWARD, I’ll be covering that soon with John and his director in an upcoming blog. But for now, let’s continue to celebrate this wonderful fan series with a question that goes back to the very beginning…
JONATHAN – I’ve always wondered: what made you choose the U.S.S. Farragut rather than one of the other major starships like Potemkin or Lexington or Republic?
JOHN – When I first started working on this project, it was going to be called Starship Excalibur. But then I learned that JOE KEREZMAN was doing his own fan film called STAR TREK: EXCALIBUR. And he reached out and said, “If you change your name to any of the other ships, I’ll make you—gratis for life—all the chest patches that you need.” And I said okay. I wasn’t that married to it.
John Broughton as Captain Jack Carter
So I looked at all of the patch designs that Joe had created, and the Farragut, which has an oval patch design—I thought that will be easy to sew, since I was making all the costumes myself—coupled with the Navy tie-in because I’m a veteran of the U.S. Navy, opted with the Farragut. Joe supplied me with one batch of patches, and that was it. But it was enough for what we needed, until we had our own embroiderer doing the patches for our project. All in all, I’m glad we went with the Farragut.
JONATHAN – So once you’d decided that you wanted to make a fan film, what did you do next?
John Broughton, Sr.
JOHN – Initially when I started, I pulled in my dad, JOHN BROUGHTON, SR., and other friends, and then it just kinda grew as time went on. We were able to get professionals involved in the project, then we got our first studio in St. Marys, GA…which was much smaller than the Kingsland, GA space that the sets are now in. A lot of the initial sets were built by my father, then we had other volunteers that came on board and helped out.
The history of the fan series STARSHIP FARRAGUT stretches all the way back to 2004 and spans a total of 6 full-length fan films, 3 shorter vignettes, and 2 animated-style fan films (one of them featuring the voices of TIM “Tuvok” RUSS and CHASE “Leeta” MASTERSON). FarragutFilms was responsible for the majority of the construction of amazing TOS sets that were also utilized for STAR TREK CONTINUES and DREADNOUGHT DOMINION and are still available for use by fan filmmakers at NEUTRAL ZONE STUDIOS in Kingsland, GA. Farragut also spawned a short-lived spinoff series called TREK ISOLATION that released three vignettes. And coming in 2022, a sequel series titled FARRAGUT FORWARD will move some of the Starship Farragut characters into the Wrath of Khan movie era Trek.
Since we have so much material for today’s interview, I’ll keep the background introduction fairly brief. But if you’d like to read the full backstory of this proud fan series, here’s Part 1 of a 3-part deep-dive into the full history of Starship Farrugut. Well, ALMOST full. The final part of that blog feature came out in early 2016, a month before the release of their penultimate episode, “The Crossing,” and a few months before reshoots wrapped on their announced series finale, “Homecoming.” Crowd-funded with about $15K in late 2015, fans expected to see a completed fan film later in 2016 or maybe 2017. That didn’t happen.
Instead, it wasn’t until mid-2020 that STEVE SEMMEL announced that he was taking over as post-production supervisor, having started off simply doing the music for the episode. I interviewed Steve in June of last year, and he promised a delivery date in the second half of 2021 “most definitely.” And indeed, that’s exactly what happened, as “Homecoming” was released on October 1. Take a look…
I reached out to three people to discuss “Homecoming”: show-runner and lead actor JOHN BROUGHTON and writer PAUL R. SIEBER (both of whom have been with StarshipFarragut since the very beginning), and of course, Steve Semmel (who came on board in 2018). We covered so much great behind-the-scenes information about both the finale episode and also going back to the earliest days of the series back in 2004.
I received so many awesome answers that I’ve decided to divide this interview into two parts. Let’s get started…
When folks come to me for advice on crowd-funding their fan projects, I always tell them the same thing: DON’T LAUNCH YOUR CAMPAIGN DURING THE HOLIDAY SEASON!!! Ever since 2015, I’ve noticed that fan film crowd-funders that try to raise donations in November and December often struggle to reach their goals or even fail outright. The holiday season seems to be a “donation desert” for fan films.
It makes total sense. Nearly everyone is buying Christmas (or Hanukkah or Kwanza or Festivus) gifts for friends and family. And before COVID, people used to take expensive vacations during the holidays to visit family or just get away—remember when that used to happen? Charities, of course, usually choose this time to appeal to that ol’ spirit of giving and approach (hopefully) generous donors to give a little sumthin’. And soon Christmas bonus checks are spent before they even get cashed, and bank account balances do their impression of the Titanic.
I get that…not the time for fan films to ask for money.
But this past Monday, I received a bunch of e-mails from various places informing me that “Giving Tuesday” was here. So now we apparently have Black Friday, Cyber Monday, and…Giving Tuesday? When did that become a thing? Actually it started in 2012 at New York City’s famous 92rd Street Y (where I went to summer camp back in 1981) and has grown into an international movement to encourage a little healthy philanthropy among the manic bargain-hunting.
I wasn’t able to write a blog in time for this year’s Giving Tuesday because I just had cataract surgery early this week, and it took away my ability to see the text on my computer screen for a couple of days. Today is the first day I’ve got reliable sight back enough to compose a blog.
I’d actually been meaning to post something reminding folks about the ongoing Fan Film Factor Patreon to cover my annual expenses for keeping this blog site running. Currently, I’m taking in enough in monthly donations to cover the costs of domain registration and hosting, technical support, and security services.
But last month, I added a new annual expense: a $160/year Pro Account for Zoom. You might have noticed that I’ve been doing more video interviews with fan filmmakers lately. Zoom is an easy way to reach multiple people and record the interview calls. And Zoom is free as long as your call is less than 45 minutes or has only one other person on it. But my interviews go 60-90 minutes, and I often have multiple people on at the same time.
So with “Giving Tuesday” happening, even though we’re in the middle of the “fan film donation desert,” as I call it, I thought this might be a good time to post a little reminder about my Patreon…
I’m looking for monthly contributions of $1, $2, whatever folks can spare to help cover the annual expenses of Fan Film Factor…
Wait…did I say “2020”? Yep. As I explained in a blog last month, the BJO AWARDS (the annual awards presented exclusively to Star Trek fan films) was forced to skip the awards for last year due to the pandemic. Since the awards’ debut back in 2015, winners were announced live and in person at the annual TREKLANTA convention, with plaques being handed out to winners who were in attendance. But last year’s Treklanta was virtual, and the awards were skipped for 2020.
Well, perhaps “skipped” isn’t the right word. “Delayed” is more like it.
Each year’s awards are presented to qualifying Star Trek fan films that were released in the previous calendar year—meaning that this year’s Bjo Awards for 2021 should have been presented to fan films released in 2020. But that would mean those fan films from 2019 would never be recognized (a “skipped” year). Of course, one possible idea was to combine the releases from 2019 and 2020 into a single awards show, but it didn’t seem fair to double the nominees while keeping the number of winners the same.
So Treklanta Chairman ERIC L. WATTS decided to hold the 2020 Bjo Awards in 2021, and then hold the 2021 Bjo Awards early in 2022…hopefully leaving enough time left to also hold the 2022 Bjo Awards later in 2022 and get everything back on schedule.
You got all that?
Anyway, my previous blog from October listed all of the qualifying fan films from 2019—32 in all, although 10 of them were two-parters that were combined on the ballot into single entries, leaving a total of 27 qualifying Star Trek fan films. According to Eric Watts, the total runtime for all the films combined was 9 hours, 54 minutes, and 19 seconds (gotta love Eric’s Vulcan precision!)…ranging from just under 3 minutes (STAR TREK: UNITY‘s “Tabula Rasa”) to just over 51 minutes (TEMPORAL ANOMALY “Part 1” and “Part 2” combined). The average run time was 22 minutes.
Eric is particularly appreciative of the eleven judges who watched through every entry and took their job very seriously. In order to qualify to be a judge, a person had to have “…an established professional credit in the Star Trek franchise (actor, author, artist, writer, director, designer, producer, makeup artist, stunt double… pretty much anything)” or be “…a Star Trek fan currently working in the television/motion picture industry [without] any known association with any previous or current fan film.” With criteria like that, finding a panel of willing judges was NOT going to be easy!
“Yes, recruiting this year’s panel was a huge challenge,” says Eric, “and I’m proud of the calibre of judges that made this commitment. The Bjos are NOT a popularity contest, but rather, a juried competition of professionals who are impartial and know what Star Trek is… and should be. I want to give them all the recognition I possibly can.”
On Saturday, November 6, a truly unique (and busy!) event happened at NEUTRAL ZONE STUDIOS in Kingsland, GA. Star Trek fans from around the world, sitting at their computers or watching from their smart devices, got to experience the amazing TOS sets while cosplayers played the roles of crewmen in what was a combination guided walk-though plus live performance.
Originally constructed for the fan series STARSHIP FARRAGUT and later STAR TREK CONTINUES, the contents of what is now known as Neutral Zone Studios were sold by VIC MIGNOGNA to Florida resident RAY TESI in 2018. Since then, Ray has opened up the sets to any fan filmmaker who wants to shoot there, and they’ve been used by DREADNOUGHT DOMINION, AVALON UNIVERSE, as well as others, including a series of fan films from Ray himself under the banner of TALES FROM THE NEUTRAL ZONE.
Because JAMES CAWLEY in Ticonderoga, NY has the license from CBS to host the exclusive STAR TREK Original Series Set Tour, Ray has to limit himself to fan film productions and free fan appreciation weekend events. And if Ray does provide a guided walk-through, then it must be completely free of charge to not compete directly with James’ commercial license.
The fan appreciation weekends have been a blast for visitors…or so I’m told, as I haven’t been able to make the trip yet (to either Kingsland or Ticonderoga). And indeed, that has been a reason for many a Trekker to feel frustrated. But what about getting a set walk-through without ever leaving your house? It’s now possible thanks to a relatively new website called Heygo.com.
Heygo was founded in May 2020 by LIAM GARRISON and JOHN TERTAN, two world travelers who met at Oxford University about ten years ago. As the global pandemic wore on and tourist travel became a distant memory, Liam and John realized how much not only they but the world as a whole was losing by no longer being able to connect with people in exotic lands with fascinating cultures. So they started a website—originally called VirtualTrips.io—to offer live virtual tours, 24/7, to destinations all over the planet. Tour guides would be English-speaking locals who knew the landmarks and histories and other fascinating aspects of the people and their customs. Their guided tours would be livestreamed to small groups of people who could sign up for free through the website.
Wait…free? Why would anyone spend their time giving tours to virtual strangers for no money??? The answer in that the site runs on “tips,” which are optional. But giving $5 to a tour guide in Slovenia or Egypt or Vietnam could help someone feed their family for a week. Indeed, one formerly homeless man in Edinburgh, Scotland has been using the Heygo service to help other homeless people get off the streets by training them to give virtual tours for tips!
So what does any of this have to do with Star Trek???
The amazing TOS sets at NEUTRAL ZONE STUDIOS in Kingsland, GA got their start back in 2008 when the fan series STARSHIP FARRAGUT began building some of their own sets. They didn’t want to have to continue borrowing JAMES CAWLEY’s sets in upstate New York (where they’d filmed scenes for their second episode “For Want of a Nail”). By 2009, they had an awesome shuttlecraft set interior plus a transporter room, turbolift, captain’s quarters, and a corridor…and they were about to start work on a bridge set!
The original location for these sets was a small building in the lovely city of St. Marys, GA (the second oldest city in America) just north of the border between Georgia and Florida. The facility was dubbed “Studio One” and hosted the first-ever fan series “open house” on April 17, 2009. At the time, this is what those sets looked like…
By the time of their second “open house” on December 4, 2010, the bridge set looked like this…
A year later, two big announcements came. The first was that VIC MIGNOGNA (who had joined the Farragut Films team to direct their third full-length episode “The Price of Anything,”) was going to be taking over creative direction and film crew operations not only for Starship Farragut but also for a new fan series starring Vic as Captain Kirk to be titled STAR TREK CONTINUES. The second announcement was that the sets were going to be moved to a new facility 10 miles away in nearby Kingsland, GA with nearly four times the square footage. There, in the newly-dubbed “Studio Two,” the TOS sets would be expanded. And by 2013, nearly all of the original Star Trek sets that existed back in the 1960s at Paramount Studios had been recreated…with the notable exception of Engineering.
But that set addition would happen in 2015 after a very successful second STC Kickstarter (what they called a “Kirkstarter”) brought in $215K, which was enough to fund the construction of most of Engineering plus a buy-out of the sets from Farragut Films (the two fan productions officially parted ways later in the year), pay the next year’s rent, and produce two new episodes in 2015.
STC finished their run in 2017 with the release of their tenth and eleventh episodes. But Vic Mignogna was still covering the $4,000/month rent to house these beautiful sets that he and this fan series no longer needed. Vic couldn’t continue paying this expense indefinitely, but thanks to super-fan RAY TESI, Vic’s problem was solved.
In February of 2018, Ray bought the sets from Vic, took over the monthly rent from his retirement savings, and opened up the sets to all fan films to use for a nominal daily fee. The sets were renamed Stage 9 Studios, a name that was subsequently changed to Neutral Zone Studios the following February after a virtual reality group in the UK calling itself “Stage 9” was shut down by CBS for trying to create an unlicensed VR walkthrough of the Enterprise NCC-1701-D.
Over the last half-decade, the cast and crew of the fan series DREADNOUGHT DOMINION have served up a steady and consistent meal of ten fan films ranging in length from short vignettes up to full episodes 22 minutes in length. This is particularly impressive considering that the two show-runners, GARY DAVIS and RANDY WRENN, live in Ohio and North Carolina, respectively, and they film at NEUTRAL ZONE STUDIOS in Kingsland, Georgia with many cast and crew members from out of state, as well.
Last month, Dreadnought Dominion released their longest production yet, taking the full half-hour allowed by the fan film guidelines. Titled “We Are Many,” their latest fan film was written by Randy and co-directed by Randy and Gary together. The episode has a very “classic” TOS Star Trek feel to it, complete with red-shirted crew members you’ve never seen before playing a major part in the storyline. But before I spoil it, why don’t you just take a look for yourself…
There’s much to like there, and some definite things I wanted to ask Gary Davis about…specifically those really cool-looking landing party jackets. I totally want one now!
Anyway, I reached out to Gary, and he had a lot to say—and not only about the jackets. Let’s go to the chat…
JONATHAN – Okay, Gary, how can I get one of those amazing landing party jackets???
GARY – Haha! Okay, I’ll share. We’ve got nothing to hide. I actually wracked my brain trying to design a landing party jacket that was functional, looked good, and didn’t break the bank! I made them myself with jackets from Amazon in the colors I needed. Here’s links for those…
