Fan Film Features – Page 6

At long last, STALLED TREK: “THE CITY ON THE EDGE OF FORECLOSURE” is released onto YouTube!

Putting the “stall” into STALLED TREK, showrunner/writer/animator/voice-actor/comedic genius MARK LARGENT finished creating his second puppet parody adaptation of a classic TOS episode, “THE CITY ON THE EDGE OF FORECLOSURE” way back in June of 2021. But with the exception of those hundred-plus donors who contributed to his Kickstarter in mid-2018 and his follow-up Indiegogo campaign in early 2021 and received DVD/Blu-ray versions of the new fan film, no other fan(s) saw it…unless they attended one of 28 film festivals where “City” was an official selection.

And indeed, that is why Mark has held out releasing the film onto YouTube for so long. Many of those film festivals required submissions to NOT be available on YouTube. And so, Mark kept “COTEF” (his abbreviation) off of the Internet for nearly two years! The restraint and self-control paid off, however, as COTEF has gone on to earn a total of FIFTEEN awards. Take a look…

Wow, right?

Anyway, with one last hurrah as COTEF won BEST ANIMATED COMEDY SHORT at the MIAMI INTERNATIONAL SCIENCE FICTION FILM FESTIVAL, Mark finally decided to, without much fanfare, to post the hilarious puppet parody with the time-displacing rock donut onto the Internet. And you can watch it here…

Mark’s first foray into the 3D animation odyssey that is Star Trek puppet parodies came back in 2012 with the release of the first Stalled Trek, an adaptation of fan favorite TOS episode “Amok Time” titled “AMUTT TIME” (read my interview with Mark about that fan film here.) The gag in the title was that Mr. Spott was a Vulcanine and was going into heat, needing to return home to his betrothed T’Pomerian. If you loved what you just saw above, you’ll love what’s below just as much…

But wait, that’s not all!

After doing the aforementioned interview with Mark back in early 2016, we began talking about AXANAR and the CBS/Paramount lawsuit. This led to an idea for a parody of both PRELUDE TO AXANAR and the lawsuit itself. Mark and I quickly came up with a script, I supplied a few of the voices, and Mark did his usual lion’s share of the 3D modeling, animating, and render to create a Stalled Trek parody not of a TOS episode but of a fan film being sued for copyright infringement! You can check that one out here…

But wait, there’s even more Stalled Trek!

After raising over $4K in the 2018 Kickstarter, Mark learned that his go-to 3D application, Animation:Master, would no longer be supported for Macintosh, and Mark didn’t have the funds nor desire to purchase and transition to a Windows PC. Instead, Mark switched over to the open-source (i.e. free!) Blender 3D allowing him to remain on a Mac AND, as it happened, render his animated footage about 30 times faster!

The only problem was that he now needed to learn the new software as well as to import and/or recreate all of his characters and settings into the new 3D platform…

The 2023 SHOWRUNNER AWARDS now have their final 21 entries!

Submissions for this year’s Star Trek Fan Film SHOWRUNNER AWARDS are now complete. It feels like only yesterday when I announced the entrants for last year’s inaugural competition! (Well, maybe not yesterday…but certainly not a full year ago!!!) For our previous running, we had a whopping 38 Star Trek fan films submitted, totaling just a smidge under 13 hours of viewing time for our twelve judges.

This year, our number of entrants is a smidge below two-thirds of that: 21 fan films. That lower total isn’t too surprising to me. Last year, a quarter of our submissions came from one person, VANVE MAJOR, who decided to enter TEN of his CONSTAR saga fan films! Vance, who announced his final retirement from Star Trek fan filmmaking last year, has decided to sit it out this time, which is fine.

Other fan films like SQUADRON, THE HOLY CORE, BEYOND THE SUN, AGENT OF NEW WORLDS, PACIFIC 201, INTERLUDE, STAR TREK: FIRST FRONTIER, and CHANCE ENCOUNTER won enough awards last year that their creators didn’t feel the need to enter again, as a fan film is only allowed to win once in any specific category. One fan films has returned this year for a second chance at the winners’ circle, but most haven’t, resulting in fewer entries.

And speaking of entering the same film multiple times, I’m considering shortening the window of eligibility from 5 years to something less, like only 2 or 3 years. I still feel strongly that fan films should get at least one extra chance to compete, rather than being eligible in only a single year. But while the first year’s submissions spanned the full five years of eligibility (2017-2021), all but 3 of our 21 submissions for this year were for fan films released during the previous calendar year of 2022. It’s certainly something for the judges and me to discuss going into 2024’s contest, but feel free to chime in with a blog comment or e-mail to me your thoughts.

In the meantime, I am very excited about this year’s entrants because there will be ample more widely-competitive categories this time. Last year cleared out many of the “giants” (from a whole bunch of years) that were, admittedly, extremely hard to compete against. But that leaves this year with a significantly more level playing field.

So while the judges have only about 60% as many films to watch and judge this year (and only 5 and 2/3 hours needed to view them all), I suspect that judging those submissions is going to be MUCH harder. We shall see.

Like last year, the winners will be announced on Star Trek‘s anniversary of September 8, 2023. There are 22 categories this year, with three winners in each category: Admiral, Captain, and Commander level. I salute all of our 21 entrants for 2023, and I wish each of them the best of luck and encourage you, the reader, to watch as many as you can…

R.I.P. – STEVE “KORATH” ATWELL (1967-2023)

It is always a sad moment for the Star Trek fan film community when one of our own embarks on a final journey to what Shakespeare called “…the undiscovered country from whose bourn no traveler returns.” Earlier this week, cosplayer STEVE ATWELL, who played the role of the Klingon Korath in multiple episodes of VANCE MAJOR’s CONSTAR CHRONICLES saga, passed away at the too-young age of 56 after battling an illness that he could not defeat.

Vance contacted me yesterday to ask if I would write a blog about Steve and noting his passing. Unfortunately, I did not know Steve and never even met him, and aside from watching his performances as Korath and occasional appearances on the CRITICAL NOT CYNICAL video podcast, I knew nothing about this unique man. So I suggested that Vance, who was quite close to Steve as both director and friend, write Steve’s eulogy, and I would publish it here.

I now turn the blog over to Vance Major…

My loyalty is to my house, as your loyalty is….

– Krorath (“Much Afraid”)

How do you sum up the life of one man into a few paragraphs? You can’t. Something is going to be overlooked. All I can tell you is what Steve Atwell meant to me and his impact on this community. He is known by so many of us as “Fan Films’ Greatest Klingon” for a reason: he lived the part so much.

I met Steve a few years ago at TOPCON when STARBASE STUDIOS had been part of the event, and I was asked to help out with the bridge there. As people from every fanbase walked by, I noticed this cosplay of a Klingon that was so detailed that I had to know who guy was.

I followed Steve around for a while before approaching him, as he is a pretty intimidating guy…especially in Klingon garb! But he was so warm and receptive to me and my questions. We discussed what I was doing in fan films and his involvement in cosplay and exchanged information.

It was a little over a year before I actually was able to get him into a film, as I was still new to creating my films at the time. But he took to it really well, and we became fast friends. I trusted him to change dialog if it didn’t fit what a Klingon would say, as he was not just an actor, he was a guy with experience with Klingon culture. It stemmed from cosplaying for years as the character of Krorath. He lived this. When I brought Steve on, it was not me making the character of Krorath for him, it was more like we were bringing his character of Krorath from cosplay into the fan films, and it worked. We had a trust that I began to put on screen that was very much behind our characters…a bond, if you will.

MEET THE JUDGES for the 2023 Star Trek Fan Film SHOWRUNNER AWARDS!

If you haven’t entered your Star Trek fan film(s) yet, the deadline is coming up in just over two weeks! Click here for the submission form page…

https://www.cognitoforms.com/JonathanLane1/_2023StarTrekFanFilmSHOWRUNNERAWARDS

Last year, the Star Trek Fan Film SHOWRUNNER AWARDS had a FANtastic panel of twelve judges (including yours truly) who reviewed and voted on 38 submitted fan films. They all did a spectacular job!

Unfortunately, not everyone was available for a second year, and a few had to step down. But as they say, whenever a captain closes a hangar bay door, somewhere he/she/they open a viewport—or something like that. As such, I was able to replace the departing judges with new judges, some of them new to the world of fan filmmaking, others experienced veterans. And all of them, of course, remain showrunners of either a Star Trek fan film or series.

A showrunner plays a special role in the production. Sometimes they are also the writer and/or director and/or producer and/or a whole slew of other positions. But the most important thing about a showrunner is that they are where the buck stops. They are the central force that inspires, manages, coordinates, and motivates the team to finish the project. Yes, others involved in the project can also make sure that things get worked on and completed, but most often, the showrunner is the main person that a production cannot live without.

As such, showrunners tend to know about all aspects of filmmaking (or, like me, they were forced to learn fast!). So even if they don’t have enough skills or expertise to tackle every task themselves, they work closely enough with those who do to make sure they have the resources they need to get their specific job(s) done. And that’s why they make such great judges for fan films.

It’s no small commitment to agree to be a judge in a film competition. One needs to watch perhaps a dozen or more hours of the work of others—and watch carefully enough to remember (or take notes on) specific strengths and weaknesses in performance, technical production, and a host of other items in what will be, this year, a total of 22 separate categories! As a reminder, each judge submits their top five choices in descending order for each category, and they cannot vote for any of their own fan films as their top three slots.

And so, in appreciation and acknowledgement of their invaluable assistance in making these awards both effective and successful, I would like to take a blog moment to spotlight these talented fans who have each worked so hard to bring the labors or themselves and their teams to your computer screen.

In alphabetical order…

Unexpected fan filmmaking happens among the California wildflower SUPERBLOOM!

Wildflower season in Southern California usually peaks during a short window from mid-March through late-April, but it isn’t always a dazzling display. Many factors can affect the bloom, the amount of winter rain being the most obvious, but there’s also temperature (too much heat will dry up the flowers quickly), highs winds (too much blows away the petals), ongoing drought conditions, too many little critters chowing down, and even whether the previous year “used up” most of the dormant seeds under the ground.

This past winter, as you probably saw on the news, was a record-breaker for most of the West Coast and especially California…and MUCH needed! And despite the flooding and mudslides and people in the mountains having to climb out their their second story windows just to escape their homes under 25 feet of snow, all that water is precious after half a decade of way-below-average rainfall and severe drought.

And obviously, the wildflowers LOVE all that water!

As such, many folks in and around Southern California were crossing our fingers, hoping for a decent bloom and perhaps even one of those rare treats: a SUPERbloom. The last one of those we had was back in 2019, and it was a doozy! I myself got photos that year that looked like this…

Oh, did I mention I’m a nature photographer in addition to being a Trekkie? And I’m just as obsessed with both! During some superbloom years, I’ve driven literally thousands of miles in a matter of a few weeks, criss-crossing the map of Southern California going to all sorts of secret and not-so-secret places to photograph these beauties. All of the above images were taken in the Antelope Valley, part of the Mojave Desert near the town of Lancaster.

As it happens, a fan filmmaker named MATTHEW BLACKBURN, the creator the SURVIVOR series of Trek fan films, lives in the Antelope Valley. And back in 2019 while I was taking the above photos, he and his wife Katie were driving along Highway 138 when they saw the most magnificent field of orange poppies and another field of yellow coreopsis carpeting a grove of Joshua trees. Always thinking like a filmmaker, Matt stopped the car and changed into a Deep Space Nine jacket and tunic that was in his trunk (’cause we all have a Starfleet uniform in our trunk, right?). Katie was used to being Matt’s camera person, and they shot footage of him walking through the two fields, looking around, and falling backwards into the wildflowers. At the time, Matt had no idea what the footage would be used for, but at least he’d have it.

Ultimately, those clips made their way into LOST AND FOUND, a Star Trek fan film that Matt released two and a half years later in late 2021. The wildflower scenes appear during a hallucinogenic mind-scape sequence as Matt’s captain character battles a psychic entity trying to take control of him. You can see those shots beginning at 5:33 in the video below…

Two ST: DISCOVERY cosplayers get “drafted” into the NEUTRAL ZONE STUDIOS fan film “WHEN DUTY CALLS” (interview with LISA LAKE and RACHEL KAYS)

“Your revered Admiral Nogura invoked a little-known, seldom-used ‘reserve activation clause.’ In simpler language, Captain, they DRAFTED me!” Dr. McCoy uttered that line back in 1979’s Star Trek: The Motion Picture. And in 2023, it happened again…this time at NEUTRAL ZONE STUDIOS in Kingsland, Georgia.

As most of you know, NZS is the location of the gorgeous TOS sets that were originally constructed for the fan series STARSHIP FARRAGUT and later for STAR TREK CONTINUES. In 2019, after STC wrapped filming and Farragut Films had long since departed the studio, set owner and STC show-runner VIC MIGNOGNA sold the now-unused sets to Florida resident RAY TESI, who used a portion of his retirement savings to not only purchase the sets but to pay the lion’s share of the four-figure monthly rent with some help from fan donors on Patreon.

Ray decided to open the sets up to fan filmmakers who wanted TOS sets to shoot on, and the list is now quite impressive—including such fan series as AVALON UNIVERSE, DREADNOUGHT DOMINION, and CONSTAR CHRONICLES, along with individual fan films like LET OLD WRINKLES COME and TO HAVE BOLDLY GONE. In addition, NZS has its own fan series that has released a number of one-off fan films including THE LOOKING GLASS, ENDOSYMBIOSIS, and the very popular recent release DOOMSDAY. That’s one busy studio!

But it doesn’t end there.

Ray periodically opens the sets up to the general public for what he calls Fan Appreciation Weekends where people can visit Neutral Zone Studios, walk around those amazing sets, and take photos to their hearts’ content. Fan visitors often attend in costume, and that brings us to today’s blog. Ray Tesi tells the story…

One of the things that The Neutral Zone likes to offer fans is the opportunity to work on a fan film, either in front of or behind the camera. In November 2021, two women came to our Fan Appreciation Weekend in cosplay and were doppelgängers for Michael Burnham and Sylvia Tilly from STAR TREK: DISCOVERY!

My first reaction upon seeing them was: “I have to put you in a fan film!” Within four weeks, I had written the story (a TOS/Discovery crossover), and we filmed in March 2022. These women had never acted before, but they knew their lines and hit every mark as if they were seasoned professionals.

We premiered WHEN DUTY CALLS as an online event with an interactive Zoom call that followed. Whether you’re a fan of ST:Disco or not, these women deserve your undivided attention…

And now that you’ve seen this fan film, let’s chat with “Michael Burnham” and “Sylvia Tilly” themselves, LISA LAKE and RACHEL KAYS…

“SIREN’S SONG” is VICTORIA AVALON’s swan song from STARSHIP DEIMOS… (interview with VICTORIA AVALON)

There are certain people in fan films who are, for want of a better word, prolific. They seem to pop up nearly everywhere in multiple fan productions. Sometimes they play a minor role or background character. And occasionally, they play major characters in one or more fan films or series.

VICTORIA AVALON is definitely one of these prolific people!

About a year and a half ago, I featured a Zoom interview with Victoria along with GARY DAVIS and RAANDY WRENN of the fan series DREADNOUGHT DOMINION, where Victoria has played their Chief Medical Officer Maurine Farrell for many years. Later this year, she will take over as the commanding officer of that starship, replacing Gary’s character of Captain Jason Brusseau, as Gary transitions to more behind-the-scenes tasks on Dominion.

But for the longest time, I had been wanting to interview Victoria about her OTHER gig as a commanding officer: portraying Captain Siân Gabriel of the STARSHIP DEIMOS, one of the multiple ongoing fan projects produced by one of POTEMKIN PICTURES‘ many creative groups. (You can view all of their hundred-plus releases here.).

Unfortunately, as they say: “every time God opens a window, He closes a door…” (or something like that). And so it came to pass that Victoria is departing Deimos with the release of their latest release “Siren’s Song”…

I asked both Victoria and Potemkin showrunner RANDY LANDERS what led to Victoria and her character leaving Starship Deimos, but neither wished to discuss the matter, and I didn’t want to pry.

According to Randy, Victoria’s Captain Gabriel will be replaced in the center seat by TUCK STEVENS, who previously played the chief engineer, Commander Timothy Harper. I’ll have more information from Randy about the cast changes when Deimos releases its next episode later this year.

But right now, since this is my final opportunity to interview Victoria about her time with Potemkin Pictures and Starship Deimos, let’s do just that…

The Star Trek Fan Film SHOWRUNNER AWARDS return for 2023…submissions are now OPEN through MAY 31!

With the conclusion of the DIRECTORS CHOICE AWARDS two weeks ago (click here to view the winners), it is time to enter the next big award show devoted exclusively to fan films: The Star Trek Fan Film SHOWRUNNER AWARDS!

As the name implies—and unlike the Directors Choice Awards—the Showrunner Awards are open exclusively to ONLY Star Trek themed fan films. Also as the name implies, our judging panel is made up of Showrunners from Star Trek films and series (as opposed to just directors). Like last year, we have a panel of twelve judges, although a few stepped down and a few new judges were added. I’ll be doing a blog spotlighting all of our judges in the next couple of weeks.

For me personally, I think one of the most interesting aspects of the Showrunner Awards is that they cover a period of FIVE YEARS of eligibility. Most fan film award shows are open to fan films released solely within the previous year. But this year, for example, any Star Trek fan film released between January 1, 2018 and December 31, 2022 qualifies for entry should someone wish to submit it. In this way, a fan film gets “a second chance” (or a third or even fourth chance) to win. And since no film is allowed to win in the same category more than once, the field is cleared somewhat each year, and a fan film doesn’t suffer from “bad timing” because it happened to come out the same year as a really strong and dazzling fan film.

Another unique aspect of the Showrunner Awards is that each category has THREE winners: Admiral (1st place), Captain (2nd place), and Commander (3rd place). This increases the number of happy faces by 50% over award shows that feature only a single winner and single runner up.

The submission period is now open through May 31, 2023. After that, judges will have until the end of August to view and vote for their top five fan films in each category, with the most points going to each judge’s top choices. A showrunner judge is not allowed to vote for any of their own fan films in any of their top three slots.

Anyone can submit a nomination using the following form page:

https://www.cognitoforms.com/JonathanLane1/_2023StarTrekFanFilmSHOWRUNNERAWARDS

The cost is $10 per submission to enter for Best Fan Film, and then any other specific category—like best director, best music, or best scene—is an additional $1. (This is how entries are structured in independent film festivals…they just have much higher prices!) This year, we are adding FOUR new categories, which I will spotlight in an upcoming blog.

Winners for 2023 will be announced on September 8, 2023…the anniversary of the first airing of Star Trek. Good luck to all entrants!

BORG HUNTERS films on a 24th Century set that’s really an…OPTOMETRIST’S OFFICE??? (interview with DAVID CHENG, MIKE LONGO, and MARK LUM)

Last year, STAR TREK FAN PRODUCTIONS INTERNATIONAL released their seventh fan film in three years, BORG HUNTERS. Their previous films covered quite a wide variety of themes and locations, mostly during the TOS movie era:

THE HUMAN ADVENTURE was a very rare Star Trek: The Motion Picture era fan film, shot and released in late 2019. Showrunner DAVID CHENG played Admiral Nogura and MIKE LONGO played Admiral Kirk, with several other cosplayers appearing in the seldom-seen TMP-style uniforms.

LOOK FORWARD TO THE DAY, released in June 2020, was one of the first “fandemic” films, essentially an interstellar “Zoom call” between Kirk, Spock, and McCoy…who were also separated and looking forward to the day them could reunite.

I AM SPOCK, released a few weeks later, featured JENS DOMBEK, known internationally as “The German Spock.” A very stylized 90-second vignette shot against a stark black canvas background with only Spock and a series Vulcan props, Jens’ monotonal voice-over and minialist music track created a haunting and intimate look at this unique character.

UNREST was yet another “fandemic” film released in October of 2020 and featuring, for the first time, actors in front of green screens with chroma-keyed Star Trek backgrounds. David Cheng again played Nogura and Mike Longo played Kirk, with KEN HAYASHIDA debuting as Captain Hikaru Sulu aboard the U.S.S. Excelsior.

PEACE AND GOODWILL was released that Christmas, a third “Zoom call” style film as the lockdown continued…this time with a cast of six actors, their largest yet.

OUTRAGED, released in June of 2021, was still shot during lockdown but was their most ambitious project yet, with wide-framed green screen shots, a cast of 15 characters, and some scenes compositing two characters together at the same time.

And that leads us to April of 2022, and their first post-quarantine fan film. BORG HUNTERS was shot on a futuristic set with multiple actors on screen at the same time. Set in the 24th century after Voyager‘s return, David and Mike are back in front of the camera again, but this time they are playing different well-known characters: Harry Kim and Chakotay, respectively. As usual, the cosplay-quality Starfleet uniforms are impeccable, as is an amazing Borg outfit.

At this point, I’ll just let you take a look…

David and Mikey were joined by MARK G. H. LUM, who was previously a part of both The Human Adventure and Outraged, returned to roles both in front of and behind the camera, as Mark played Dr. Leland Tam as well as directing, editing, and being director of photography.

I got the three fans to sit down to answer some questions about their latest project, including finding out where this impressive 24th century set was located and how they came to shoot on it…

Announcing the WINNERS of the 2nd annual 2022 DIRECTORS CHOICE fan film awards!

Beginning last year, there are now multiple annual awards shows open exclusively to fan films. Some are specific to just Star Trek fan films, but the DIRECTORS CHOICE AWARDS are open to fan films from any franchise or genre that were released in the previous calendar year (in the case of the current awards, the year was 2022).

Created and administered by GLEN L. WOLFE and DAN REYNOLDS of WARP 66 STUDIOS in Arkansas, the showrunners behind THE FEDERATION FILES “fanthology” series, the cost to enter was $10 per film, which included consideration in up to six categories (chosen by the submitter at the time they filled out the entry form). The judges were the directors of those submitted films, and casting a ballot was required in order for a director’s film(s) not to be disqualified. Also, a director was not allowed to vote for their own fan film (lest the final tallies wound up with each film getting one vote each!).

This year, Dan and Glen sweetened the pot a little (okay, a lot) by adding a $250 grand prize for “Best in Fest,” determined by which fan film received the most total votes across all categories.

The idea behind contests like these, in addition to honoring the fan filmmakers and their work, is to provide more exposure for these productions. So hopefully, you’ll check out at least a few of these fan films to see something you might like a lot. I did and was pleasantly surprised by more than a few of them!

Glen Wolfe concurred…

My goal was to bring some publicity to all of the fan filmmakers out there, and it looks like this is helping with that. I have received several comments from fans and fan filmmakers that, because of this award show, they viewed films that they would otherwise have been unaware of. From my perspective, I am very happy with the diversity of the films entered into the contest this year, as well as the diversity of the winning films. So hopefully that continues, and we will have a even more diverse field next year.

For a list of all 53 fan films that were entered, all of the nominees in each category, and all the winners, you can watch their presentation video. Below is a list of the winners and runners up in all the categories, along with YouTube links to those specific fan films. There’s also a list of MVPs (most valuable producers) supplied by the entrants themselves to acknowledge someone in their cast and/or crew whose contribution to the project was significant enough to merit special recognition.

And finally, at the bottom on this blog page, there’s a list of fan films voted the best for each franchise, the winners for best foreign and domestic fan films, and at the very bottom, the $250 winner for Best in Fest…