Crowd-Funding Blogs – Page 7

Despite fan confusion with the NICHELLE NICHOLS elder abuse GoFund Me, the Kickstarter for RENEGADES: OMINARA passes $43K…

In a cosmic case of bad timing, a brand new Kickstarter debuted two weeks ago for the new RENEGADES: OMINARA fan-produced film starring NICHELLE NICHOLS…at the same time a GoFundMe campaign launched to cover the cost of a lawsuit involving elder-abuse of the beloved Star Trek TOS actress.

First things first: the two campaigns are COMPLETELY unrelated. RENEGADES is a fan-run project from SKY CONWAY, who got involved with Star Trek licensing shortly before GENE RODDENBERRY passed away in 1991. Sky became close friends with Gene and his wife Majel and eventually went on to become a manager for various Star Trek alumni actors, including Nichelle Nichols.

In 2006, Sky wrote and produced—along with TIM “Tuvok” RUSS, who directed —the first “mega” Star Trek fan film to feature multiple big-name veteran actors from the franchise…including Nichelle, WALTER KOENIG, GARRETT WANG, J.G. HERTZLER, GARY GRAHAM, CHASE MASTERSON, ALAN RUCK, and others. He would later go on to produce STAR TREK: RENEGADES and the sequel “THE REQUIEM.”

Walter Koenig, Alan Ruck, and Nichelle Nichols in STAR TREK: OF GODS AND MEN, filmed in 2006

Meantime, there is a tragic and highly disturbing story (read more about it in this Newsweek article) about a man named GILBERT BELL who entered Nichelle’s life in 2010 (years and years after Sky Conway did) and presented her with a feature film idea. Nichelle would be the co-star, and profits would be split evenly between her and Bell. But the project never happened…if such a thing ever existed at all.

But Bell nevertheless took over as Nichelle’s new “talent manager,” collecting fees from her many convention appearances (usually about $10K per appearance and paid in cash). Meanwhile, Bell convinced Nichelle to allow him to move into the second house on her property (where he still lives), locking in a ridiculously low rent in perpetuity while Nichelle paid all of his utilities. Had it stopped there, things would have been bad enough. But the story gets MUCH worse.

In 2013, Nichelle was in a very weakened state following a hospitalization for pancreatitis. She was later transferred to a Los Angeles area rehabilitation center and nursing home. Diagnosed later with dementia, Nichelle was (according to the Newsweek article) surreptitiously removed from the facility against medical advice by Bell. That same day, Bell convinced Nichelle to sign both a directive naming Bell as her primary agent for health care decisions as well as documents handing General Power of Attorney to him. The next day, Bell also allegedly arranged for new bank accounts to be opened at Wells Fargo, granting him direct access to Nichelle’s assets.

But wait, it gets even worse…

RENEGADES: OMINARA Kickstarter reaches $29.5K with one week left!

On Monday, I reported on how the second part of the one-hour RENEGADES series premiere, “The Requiem,” would be available for free via YouTube for the first time ever…but only through August 28, 2020. This unusual move is intended to promote the current 15-day Kickstarter for the newest Renegades project, OMINARA, starring NICHELLE NICHOLS and WALTER KOENIG in what is likely to be Nichelle’s final performance in a film (the actress is 87 years old).

Ominara will be the first new Renegades project since “The Requiem” debuted back in 2017. This latest short film is intended to reboot the series by introducing a new character, Ominara, who is the queen of the galactic underworld. Nichelle will play the character in her twilight years, as she recalls her past and the path she chose to become the woman she became. From the Kickstarter description of the storyline…

As the first test subject of the “link,” Ominara (Nichelle Nichols) was exposed to myriad experiments that could be construed as torture. All for the advancement of technology and the “betterment” of mankind. Anton Steiner (Walter Koenig) knew that Ominara’s escape would cause problems for both himself and his company in the future, but he had no idea how much.

The new Kickstarter has one week left (they started with two), but they have already exceeded their goal of $20,000…in fact, they did so on only the second day of the campaign! Right now, the total donated stands at $29,590…which includes a $5,000 donation, seven $500 donations, plus another 255 individual donations including $33 from yours truly.

Part of the reason for the large number donors is that the finished film will only be shared with backers who contribute $25 or more. Eventually, Renegades will be one of the tentpole pieces of content in the new AtomicTV lineup.

According to the campaign page, money raised in this Kickstarter will go toward the following…

1. Pre-Production – Getting the script written, the sets designed and built, the budgets finalized, securing the permits, the rental of the studio space, the costumes designed and fabricated as well as the props, such as tricorders, phasers, computer screens, etc.

2. Production – Paying the Cast and Crew, the cost of the Lights, Cameras, Grip equipment, Monitors, Food/Meals, Makeup/Prosthetics and Sound Equipment, etc.

3. Post Production – Paying the Editing Team as well as the cost of the CGI Effects, Color Correction, Sound Mixing, and Musical Score. (For this Campaign, the CGI Effects will be marked as a Stretch Goal.)

Plans call for production to begin “immediately” upon funding, likely in the third quarter of 2020. No details have been included about safety measures due to COVID-19 due to the advanced ages of Nichelle and Walter, but I am certain that all appropriate precautions will be taken when filming. The team plans to supply donors with updates and photos as production progresses.

To donate,, please click on the link below…

https://www.kickstarter.com/projects/atomicstudios/renegades-prequel-nichelle-nichols-final-performance

RENEGADES: “THE REQUIEM, Part 2” available on YouTube until AUGUST 28!

Back in June of 2016, on the second day of filming the first hour-long episode of STAR TREK: RENEGADES, “The Requiem,” the production team received a nasty and potentially catastrophic surprise. CBS and Paramount had just released a new set of guidelines for Star Trek fan films that would essentially stop Renegades in its tracks.

The timing of the release might not have been entirely coincidental.

Six months earlier, CBS and Paramount had “stopped” the fan film AXANAR with a huge, multi-million dollar copyright infringement lawsuit. But there were still many other fan productions out there using the Star Trek name and intellectual property. And while Axanar had been the first to cross the million-dollar threshold by raising $1.2 million in donations from thousands of fans, Renegades was hot on Axanar‘s heels with (at the time) over $850K in crowd-funding, also from thousands of fans.

And while Axanar featured one veteran Star Trek actor reprising his role from canon (GARY GRAHAM as Soval), Renegades would feature TIM RUSS as Tuvok, WALTER KOENIG as Chekov, NICHELLE NICHOLS as Uhura, CIRROC LOFTON as Jake Sisko, TERRY FARREL as “Jadzia” (minus the Dax symbiont), ROBERT BELTRAN as Chakotay, ARON EISENBERG as Nog, and even HANA HATAE as a grown-up Molly O’Brien.

The previous year, Star Trek: Renegades had premiered a 90-minute fan film with a red carpet premiere at the historic Crest Theatre in Westwood, Los Angeles, calling the project a “backdoor pilot”or “spec pilot” for CBS to consider. Late in 2015, CBS requested (politely) that the Renegades team stop referring to their fan film as a pilot, a request they quickly compiled with. So instead they announced plans to release 12 half-hour webisodes per year (or “season”) oftheir spinoff Star Trek series, with “The Requiem” being the kickoff full-hour episode.

But the guidelines put the kibosh on all of that. No longer permitted to use Star Trek veteran actors or crew people, no longer allowed to pay professions, and constrained to no more than two 15-minute episodes and no sequels or seasons or ongoing series, Renegades had been effectively castrated as a Star Trek fan production before production come even get up to speed.

Latest SPACE COMMAND Kickstarter reaches nearly $64K

Back on Tuesday, with less than two days left to reach their $48K goal and still $11K short, I said of the latest SPACE COMMAND Kickstarter: “Don’t count them out completely just yet.” With less than 22 hours to go, they were still nearly $8K short. Show-runner MARC SCOTT ZICREE even posted this impassioned plea to supporters of the project.

Remember that, with Kickstarter, if a campaign fails to reach its goal, the organizers get nothing. But it turns out that the backers of this fan-funded original sci-fi series had a few surprises left in them after all!

A surge in those last 22 hours, which included at least one and possibly two different $10K donations, leapfrogged them past their goal to a staggering $63,852 from 526 people. But it wasn’t just the big donations coming in. A final e-mail went out to veteran donors with just 19 hours left, opening up some new exclusive perks, including a special T-shirt. This rallied enough supporters that the new campaign added nearly 70 new donors during that final day.

With the funding of this latest campaign going more than 30% over the goal, work can continue on production of the second hour of the second episode “Forgiveness,” even as post-production continues on the second hour of the first episode “Redemption” and the first hour of the second episode (got all that?). The full scope of this sci-fi epic will be six 2-hour episodes compromising the first “season,” telling a series of stories of the exploits and adventures of grandparents, parents, children, grandchildren, and even great grandchildren spanning more than a century of time.

So far, SPACE COMMAND has released the completed first hour of their first episode, “Redemption,” which you can view here…

Space Command also recently undertook a very ambitious project: releasing a totally brand new, special two-hour episode featuring 25 different actors and cast members who recorded their segments from their homes (thanks to the pandemic and quarantine). The resulting film, “Ripple Effect” (released on July 1), chronologically spans the entire scope of history that Space Command will cover, from the year 2030 through 2071. These home performances were combined with some previously shot footage to create an immersive montage of all the many storylines that Marc Zicree has planned for the intiial run of Space Command.

Among the actors participating in “Ripple Effect” are NICHELLE NICHOLS (from Star Trek), DOUG JONES (from Discovery); ROBERT PICARDO (from Voyager); ARMIN SHIMERMAN and J.G. HERTZLER (from Deep Space Nine), MIRA FURLAN and BILL MUMY (from Babylon 5), BARBARA BAIN (from Space: 1999), and even NEIL DeGRASSE TYSON (from Cosmos). For obvious reasons, the film lacks polish in places, but overall, it’s actually quite well done and well acted. Some performances are truly magnificent.

If you’ve been a fan of Space Command so far, it’s definitely worth checking out…

Latest SPACE COMMAND Kickatarter in danger of coming up short!

Up until now, MARC ZICREE’s original sci-fi epic SPACE COMMAND hasn’t had much, if any, difficulty raising crowd-funding donations from fans. But we are currently living in the age of a global pandemic, people are losing their jobs and/or being furloughed, and contributions to fan projects aren’t flowing nearly as freely as they used to be.

Space Command got its start waaaaaaay back in 2012 with an early Kickstarter that brought in a staggering $212K from more than 2,000 donors. It then took five years for the project to reach post-production, where a second Kickstarter raised an additional $108K that would help complete the first hour of the 2-hour pilot episode “Redemption.”

A third Kickstarter raised $102K more for post-production on the second hour of the pilot. Marc also sold individual $7,500 shares in the venture for supporters looking for a return on investment if/when the series sells. Those shares brought in an additional half million dollars.

A fourth Kickstarter in 2019 raised $86K for production to begin on the first hour of the second 2-hour episode, “Forgiveness.” And finally, this past April, a fifth Kickstarter raised $57K to help fund production on the second half of “Forgiveness.” Add it all up, and that’a more than $565K in donations and over a million dollars total including investment share sales!

Last month, Space Command launched a sixth Kickstarter to fund the remainder of production on “Forgiveness.” Already, the first hour of “Redemption” has been completed and released, and the second hour has been filmed and is nearly complete (it will have more than 900 visual FX shots!). The first hour of “Forgiveness” is filmed and now in post production. And the second hour of “Forgiveness” is ready to film as soon as it’s safe to do so and as soon as this sixth Kickstarter reaches its $48K goal.

And therein lies the problem.

Kickstarter’s rules say that your campaign needs to set a goal, and if you don’t reach that goal—no matter how close you come—you don’t get anything, no one’s credit card is charged, and the campaign is considered a failure. With only two days to go, the latest Space Command Kickstarter is still $11K short of its $48K goal (a miss of nearly 25%).

While it’s not impossible that Space Command can bridge that gap in so short a period of time, the independent sci-fi film project has never had to face such a challenge before. Each of the previous campaigns reached their goals easily and even surpassed them to unlock stretch goals.

But right now, the global economy is in shambles, millions have lost their jobs, and many crowd-funding campaigns are struggling (not just this one). On the other hand, Space Command still has thousands of loyal supporters. So don’t count them out completely just yet.

If you want to make a donation, click on the link below…

https://www.kickstarter.com/projects/spacecommand/space-command-episode-4-forgiveness-part-2

And here is the exciting pitch video from MARC SCOTT ZICREE…

INTERLUDE clip gets 7.8K views (and 1K likes) in 15 HOURS!

Wow…what a difference a successful YouTube Channel makes!

I posted a link to the 48-second “sneak peak” clip from INTERLUDE last week as part of a blog explaining why we were going to miss our announced premiere date of July 25, 2020. Long story short, the music isn’t done yet. But I wanted to give folks a taste of how the music sounded. So I cut a short clip and posted it. The video got 363 views over six days.

Last night, ALEC PETERS debuted the same video clip on the AXANAR YouTube channel. If you haven’t seen it yet, here it is…

I woke up this morning to see that the clip has now had over 7.8K views and 1K thumbs up (versus only 35 thumbs down)…so YAY! Of course, the channel has 89K subscribers—no wonder it got so many views so quickly. But hey, I’m not complaining!

I also read though the comments, and there were a number of questions and topics that came up repeatedly. So I thought I’d respond to them here if anyone is interested and/or curious:

1. When is Interlude coming out?

Soon. As I explained in last week’s blog, KEVIN CROXTON is about halfway done with the music, then MARK EDWARD LEWIS will add in the final sound effects and balance the sound levels. We’re also awaiting one final VFX sequence from LEWIS ANDERSON. Then we’re pretty much D-O-N-E.

2. The music is too loud/voices are too low.

Yep. As I said, the sound-mixing gets done last (since you need all the music before you can balance the levels). This clip was simply to give folks a taste of the music, and it’s a work-in-progress.

One of the most FUN things about making this fan film is showing you folks the behind-the-scenes steps of making a fan film. I didn’t want this clip to be polished and perfect…yet. It’s more interesting to hear the music raw before sound-mixing and then compare it to the finished product in order to get an appreciation for what sound mixing can do.

3. We waited ten years for 48 seconds???

Sigh. First of all, Interlude isn’t Axanar. We only started crowd-funding a year ago. And for the record, Axanar had its first crowd-funding campaign in 2014…six years ago, not ten. (Why people keep saying “ten years” is beyond me. Counting to six isn’t hard…you don’t need to round to the nearest ten!) And remember that Axanar was sued for a year, had to move across the country, then finish the bridge, raise money to replace the funds that were lost during the lawsuit while filming couldn’t happen, and then had to go through the many and complex steps of actually producing a fan film.

Axanar has now had multiple shoots, and only one 2-day shoot remains…a shoot that can’t happen while the international pandemic is still shutting down union productions everywhere. And if you’d like to donate to Axanar so that it can be finished, please click on the link below…

https://aresdigital.axanar.com

USS ARES blueprints Kickstarter finishes up with $10,887 from 217 backers!

Yesterday, with less than 5 hours to go in the 16-day Kickstarter for deck plans of the USS Ares-class assault cruiser, the total raised was still about a thousand dollars below the $10K needed to reach their stretch goal. The campaign had already surpassed its initial $3K goal in the first few hours, but if it passed $10K, each donor would ALSO get a free 11″ x 17″ version of the USS Ares Master Display Poster along with the blueprints.

Then, with four hours to go, an e-mail went out to the Ares Studios mailing list reminding supporters that the blueprints were still available, but not for long! An hour later, the Kickstarter total crossed $10K…and when the dust settled at 9pm Eastern Time, 217 backers had pledged $10,887 to the campaign.

The money (after the cost of printing and packing materials) will go toward funding the ongoing expenses for Ares Studios in Lawrenceville, GA, home to the extraordinary USS Ares bridge and captains quarters sets plus the Pike-era sets that were used on the upcoming FIRST FRONTIER fan film. Additional donations are coming in monthly to Ares Studios through an ongoing Patreon campaign.

Note that Ares Studios is a separate legal entity from Axanar Productions, which fundraises privately to finance the completion if the two AXANAR sequel fan films. That campaign is currently at $23,305 out of $35,000 needed for the final filming weekend plus the beginning of post-production. To donate to Axanar, click the link below and follow the instructions provided…

https://aresdigital.axanar.com

LAST DAY to order USS Ares BLUEPRINTS!

As Kermit the Frog once said, “Time’s fun when you’re having flies.” Nowhere is that more apparent at the moment than Kickstarter where the full set of deck plans for the USS ARES-class assault cruiser are available for pre-order until 9:00 pm Eastern Time on Sunday night.

Like the previous Kickstarter for the USS Ares Master Display Poster, this current Kickstarter has been a quick 16-day campaign with a modest goal of only $3,000. And also like the previous campaign, the goal was easily reached within hours. The previous poster campaign took in donations totaling $9,690 from 258 AXANAR fans and supporters. This surpassed two stretch goal amounts, resulting in supporters getting two additional posters.

As I type this, the Blueprints campaign sits at $8,742 from 181 backers. If the total passes $10K, then each of us backers also gets a special stretch goal extra item: an 11″ x 17″ mini-poster version fo the USS Ares Master Display cutaway (the original was a massive 24″ x 36″ size)…

Both the cutaway poster and the blueprints were meticulously crafted by Axanar graphic designer extraordinaire ALEXANDER RICHARDSON, who spent an average of 5-10 hours per deck and then another 3 hours laying them out on the individual pages (plus extra time making alterations along the way).

Although the blueprints will eventually be available later on in the Ares Studio OnlineStore, the price will, most likely, be higher than the $30 plus shipping on the Kickstarter page. And remember that, if the campaign can generate just $1,258 more, each donor will receive a stretch goal prize, as well, for no additional cost.

Like the Ares Studios Patreon campaign (which generates about $2.5K per month from about 250+ patrons), the net proceeds from these two Kickstarters go toward the expenses of Ares Studios in Lawrenceville, GA…not to the production of Axanar fan film sequels. Those donations can be made through the private fundraising campaign on Ares Digital (currently about $8.7K short of funding the final Axanar film shoot).

In the meantime, the clock is ticking off the final hours to order your USS Ares Blueprint set. Just click on the link below…

https://www.kickstarter.com/projects/aresstudios/uss-ares-blueprints

AXANAR schedules shoots in AUGUST and OCTOBER!

AXANAR needs only two more shooting days and the production phase will be complete. Just…two…more…days.

Seems so simple, and yet, because of COVID-19, it’s proven to be just out of reach. And it’s not just Axanar that’s been stopped dead in its tracks. Because of concerns from the various Hollywood trade unions, television and motion picture production has been brought to a standstill throughout the entertainment industry. Don’t binge-watch too much too fast because your favorite shows aren’t coming back in September…and probably not even this year!

But there is finally a ray of hope.

Actors, directors, writers, camera people, hair & make-up, grips, gaffers, and pretty much everyone in the film industry are dying to get back to work. They just don’t want to be dying BECAUSE they went back to work (man, that sounded morbid!). As such, the Alliance of Motion Picture and Television Producers recently formed a task force to put together this 21-page white paper providing guidelines for “safely” restarting production. I put “safely” in quotation marks because it’s hard to be 100% safe when actors often have to be up close to other actors and not wearing face coverings, and lighting and camera and sound people have to lean in close to each other, and hair and make-up people can’t do their jobs if they’re 6 feet away from the actors and aren’t able to powder noses and put on lipstick because of face masks and…you get the idea.

But the white paper does its best to provide a reasonable “cover-your-asses” approach to restarting film production…and both the unions and the studios are on board with it. After all, people need to get back to work! And the recommendations are pretty obvious, all things considered:

Crews should consist of as few people as possible.
Have production meetings virtually or at least with social distancing.
Everyone wears PPEs on set except for actors when they’re filming.
Wash hands frequently; clean every piece of shared equipment as often as is practical.
Regular, periodic testing of the cast and crew; social distance as much as possible on set.
Use electronic scripts and call sheets on personal handheld devices (or if you need print things out, make sure no paper is shared).

And the list goes on and on. But the idea is to minimize the risk factors on production sets as much as possible.

Because Axanar is a union project, no new filming could be done until a set of guidelines was issued that Axanar Productions could follow. But now that the white paper is available and being slowly adopted throughout the industry, the Axanar project can begin moving forward again, albeit tentatively at first.

Here’s the plan as it stands right now…

INTERLUDE Confidential #11.2 – Jonathan’s favorite memories from the November shoot (part 2)

INTERLUDE is nearly complete, and this is likely my final “Interlude Confidential” before the release. Last week, I began reminiscing about the big two-day shoot last November at ARES STUDIOS in Lawrenceville, GA. For me, it was truly the culmination of the filmmaking experience…even though there would still be another eight months of intense work. But the shoot itself—that was pure magic.

Nearly 50 people came together that weekend with a single goal in mind: to produce a top-quality Star Trek fan film. They weren’t making gobs of money; they simply wanted to be a part of something fun, creative, exciting and dynamic.

A lot of things had the potential to go wrong. The most effective teams work and train together for weeks, months, or even years to maximize their effectiveness. Our team, with a few exceptions, was mostly strangers who had only met for the first time that weekend. Would they mesh together like a well-oiled machine, or would there be friction? Would one or more people with egos grate against the others, show an attitude, or be uncooperative? I’ve been told it can (and often does) happen, and even one bad apple can cripple a production.

And last but not least—in addition to the thousand other things that could could go wrong—there was me. I’d never been a producer before! It was my job to take care of a seemingly endless list of items to ensure the set would be ready for VICTORIA FOX and JOSHUA IRWIN to film on: everything from making sure all the actors, extras, and production team knew where and when to show up to getting measurements for uniforms to the seamstress to ordering the rental camera equipment to finding the caterer and making sure there were tables and chairs for the food plus a hundred other little details. I needed to make sure everything was prepared so my directors and production crew could focus on making an awesome fan film.

Was I up to the task?