Fan Film Factor – Page 41 – Exploring the world of Star Trek fan films.

2020 Star Trek Fan Film YEAR IN REVIEW!

On the one hand, 2020 pretty much sucked. Political upheaval, protests and rioting, wildfires burned, rains flooded, hurricanes and tornadoes blew…and some crazy bat virus got loose and started spreading rapidly across the world while scientists tried to find a vaccine at warp speed. Civilization as we knew it seemed to have hit “pause,” and we’re still wondering if things will ever return to the way they used to be.

On the other hand, with most of the world’s outside-of-the-home activities curtailed, we did have ample time to catch up on our binge-watching on TV and YouTube. And for those of us with a predilection for Star Trek, 2020 gave us, for the first time ever, TWO new Star Trek TV series premiering in the same year! STAR TREK: PICARD debuted in January (you remember January, right?) and STAR TREK: LOWER DECKS followed in August.

And no sooner had Lower Decks finished than a new season of STAR TREK: DISCOVERY fired back up…meaning that 2020 will have a total of 32 new episodes of Star Trek in a single year! We haven’t had that much new Star Trek on TV since back in 1999 when Deep Space Nine and Voyager were running concurrently.

And if 32 new episodes of television Star Trek weren’t enough for you, then fan films gave you even MORE to binge-watch during your quarantine! Anyone who had “The guidelines will totally destroy Star Trek fan films” in the office betting pool lost big for a fifth straight year, as not only did Trek fan films live long and prosper, they even did so despite a global pandemic with the release of new “fandemic” films shot carefully with masks and social distancing during production.

This year also saw the debut of multiple long-awaited Star Trek fan films that had been in production for three years, five years, and even 35 years! It’s been an exciting twelve months for our fan film community, and a darn BUSY one for bloggers like me (assuming there are any other bloggers like me!) who spend their time covering the people behind these productions and the seemingly endless parade of of content they bring to us. In fact, back in October, I published my one thousandth blog since starting back in January of 2016!

So let’s take a look at some of the good that came out of 2020 in the form of a wonderful supply of new Star Trek fan films…

The AVALON UNIVERSE’s fourth film, LEGACY, has just been released!

Fans got their first taste of what JOSHUA IRWIN and VICTORIA FOX were capable of producing on Halloween in 2018 with the release of GHOST SHIP, the first of what would become multiple Star Trek fan films set in the “Avalon Universe.” This similar-yet-slightly-different Starfleet features a mix of uniforms from TOS and the Kelvin timeline with starships that look nearly the same as TOS but are a teensy bit different. It’s an intriguingly fresh take on Trek.

The production quality of their first Star Trek fan film, shot on the TOS sets at Neutral Zone Studios in Kingsland, GA, towered over most Trek fan films primarily because Victoria and Josh are themselves both professionals in the filmmaking industry in Arkansas. The following year, Victoria and Josh released two more films in their Avalon Universe: AVALON LOST and DEMONS, each even more impressive than the previous one.

And now in 2020, just five days before the end of the year, they’ve released their fourth Avalon fan film, LEGACY, a short vignette that will lead into their major fifth release, AIR AND DARKNESS. Filming on that project just completed a few weeks ago at WARP 66 STUDIOS in Mountain Home, Arkansas.

And speaking of WARP 66 Studios, Legacy was also shot there on GLEN WOLFE’s TOS bridge set. But as you’ll see from the fan film, the bridge underwent some noticeable modifications to mimic the look of the U.S.S. Ares bridge set in Lawrenceville, GA. And indeed, an Ares-class starship, the U.S.S. Athena, is the setting for this vignette, with visual FX done by his lordship—or is it shiplord?—SAMUEL COCKINGS. The music was composed by ADAM MULLEN, who has been scoring scores of VANCE MAJOR’s many MINARD and CONSTAR fan films and has recently begun scoring for DAVID CHENG’s many cosplay fan films that have come out this year. Adam is a busy guy!

This latest vignette was started back in January. You might not think that 3 minutes worth of fan film (plus another minute or so of credits) with only two VFX shots would take nearly a year to complete. Well, I need to take at least some of the blame for that, as Legacy writer/director Victoria and DP/editor Joshua were often pulled away from their busy lives to work on another little fan project called INTERLUDE for a very demanding executive producer named Jonathan. That fan film is nearly completed, just inches from the finish line. And I truly appreciate them splitting their spare fan filmmaking time between Legacy and Interlude.

But crossing the finish line first (only slightly) is Legacy, and I invite you now to check it out…

DISCOVERY finally airs an episode with a “classic” STAR TREK feel…but was it good? (editorial review)

LET’S END THE YEAR WITH…SPOILERS!

I’ve often (often!) wondered would STAR TREK: DISCOVERY would be like if it were more like the classic Star Trek I grew up with on TOS and even TNG. I’m not talking a total homage like The Orville (where the heck IS that show anyway???) but more simply carrying through on certain story elements, structure, character interplay and development, and just the overall “feel” like they used to have in the “good ol’ days.”

For what seemed like one of the only times in the three seasons of Discovery, this episode FELT like Star Trek to me. But what does that even mean “felt” like Star Trek? It seems like such a subjective and ambiguous thing, possibly different in the mind of each Trek fan watching.

So let me tell you why I personally thought that the 11th episode of season three, “Su’kal,” felt more like real Star Trek than Discovery usually does. And along the way, I’ll try to decide if this was a good or bad episode…or both! (Knowing me, it’ll probably have aspects of both—as I seem to have difficulty committing to either loving or hating the episodes this season.)

Okay, let’s do this thing…

MOVING TO MORE MODERATE AMOUNTS OF MICHAEL

Fans couldn’t help but notice that, for the past nearly-three seasons, Discovery has felt like “The Michael Burnham Show, starring Michael Burnham as Michael Burnham.” Michael seems to be in almost every scene, usually is the center of attention, and she saves the day regularly.

One of the reasons that Star Trek‘s previous iterations worked so well is because they had a variety different characters spotlighted in different episodes. Not every TOS story was about Kirk, not every TNG about Picard nor every DS9 about Sisko nor Voyager about Janeway. There were Spock and McCoy-focused episodes, Data and Worf and Crusher episodes, Kirk and Odo and Bashir episodes, Tuvok and Paris and B’Elanna episodes, T’Pol and Malcolm and Phlox episodes…you get the idea. And just because one character was featured prominently in a story didn’t mean we wouldn’t see the rest of the crew. A Riker episode would also show the rest of the crew. Mix and match! These shows had great casts, and the captain didn’t need to be in every scene.

This episode of Discovery was the first time in a while that Michael wasn’t dead center of the action almost all the time. Excitement was also happening on the ship, and because the landing party beams down and splits up, Michael is only part of the story on the planet. Michael definitely gets some major stuff to do, but so do Saru and Culber…giving each of their characters some breathing space. On the ship, we see some great moments for Stamets, Tilly, and Adira (and one single line from Reno…really?).

After 35 years, fans will need to wait another WEEK for YORKTOWN: A TIME TO HEAL…

Fans had been expecting a special Christmas gift from JOHN ATKIN and STAN WOO, the show-runners behind the long-awaited YORKTOWN: A TIME TO HEAL. A fan production that began filming way back in 1985 and featuring GEORGE TAKEI as Sulu and JAMES SHIGETA as Admiral Nogura, Yorktown spent two decades on hold before being started up again in 2010 when John joined the project to help Stan complete the film.

Another ten years have passed since then, with scores of filmmakers from across our fan film community pitching in to help shoot scenes, build sets and props, lend uniforms, create visual FX, and a ton of other tasks. (You can read the entire behind-the-scenes history here.) Yorktown has continued on a steady path of progress over that time, and a trailer from July promised a release date of December 25…

Throughout the day, in addition to Christmas and holiday wishes, I’ve been texted and IM’d and e-mailed by a whole bunch of people all asking me a variant of the same question: “Has Yorktown been released yet?” I answered each one with “Not yet, as far as I know.”

Finally, after many hours of this, I received word from John that they weren’t gonna make their announced deadline because of sound issues. A few minutes later, he issued the following public statement:

Hi everyone… Unfortunately, I have a bit of bad news tonight. The final edit of Yorktown is finished and looks wonderful, but we haven’t fully completed the sound design. We want the sound to be the best it can be before we post it, so we are going to push the release date back 6 days to December 31 (New Years Eve) at 8:00pm (Pacific Time).

And then he posted this shot video snippet for a quick chuckle…

So fingers crossed for next Thursday, folks!

Funny video: All I Want for Christmas

Merry Christmas! Ho-ho-ho! And what could be a better way to celebrate this joyous holiday than with a rousing rendition of the old favorite All I Want for Christmas performed by Captain Jean-Luc Picard and his jolly crew? But don’t be too confident that you know what’s coming because things can get a teensy bit unpredictable on the ol’ Enterprise-D. Enjoy this expertly-edited fan film—and to all: a good night…

Check out the NEW TRAILER and Indiegogo for STALLED TREK: THE CITY ON THE EDGE OF FORECLOSURE!

Come for the trailer, stay for the crowd-funder!

When it comes to Star Trek puppet parodies, MARK LARGENT is a veritable genius. His first release from 2012, STALLED TREK: AMUTT TIME was a hysterical send-up of the TOS fan-favorite episode “Amok Time.” If you haven’t seen if yet, do yourself a solid and click that link I just provided and watch it. You won’t be sorry.

Four years later in the middle of the AXANAR infringement lawsuit, Mark and I teamed up to write and produce PRELUDE TO AX’D-WE-ARE, an uproarious puppet parody of both PRELUDE TO AXANAR as well as of the lawsuit from CBS and Paramount. And most recently, while trying to test out a new 3D rendering application for his next puppet parody, Mark released yet another hilarious vignette titled ALL AHEAD FULL.

The last of the bunch was intended to help guide Mark learning a new 3D application as he worked on his latest Stalled Trek creation, a parody of the beloved TOS episode “The City on the Edge of Forever” to be titled THE CITY ON THE EDGE OF FORECLOSURE. Mark held a crowd-funding campaign for the project back in 2018, and now he’s asking for a wee bit more. And this new Indiegogo is offering a very unique perk: a full-color, flip-cover COMIC BOOK (just like they used to sell in the 1970s for Star Trek) at the $25 level…

This is in addition to a Blu-ray at the $50 level and a limited number of “Super Backer” perks at $100 containing the comic book, Blu-ray plus three Stalled Trek trading cards. (I grabbed one of those!) There are also stretch goal posters if Mark raises $2500, $5000, and $7500 (he just passed the first stretch goal). And if he reaches $10K, he’ll add a third story to the comic: “Balance of Terrier”!

Now, before anyone says anything about the fan film guidelines not allowing for crowd-funders to offer unlicensed physical perks, remember that this is an obvious parody. And while most fan films can’t be considered parodies, ones that are parodies are protected under the Fair Use doctrine. So the guidelines don’t really apply here.

The reason for the new Indiegogo campaign is that Mark managed to find an actual Hollywood composer to do the music: MAX McGUIRE. Along with composing music for a wide variety of projects including shows airing on FOX, ABC, NBC, E!, CBS and TBS and the hit Syfy/Netflix series 12 Monkeys, Max also wrote the score for RENEGADES: THE REQUIEM. So this campaign is raising money for professional sound quality to go with the professional music. The more money that gets raised, the better the sound will be.

Right now, Mark has taken in $2,525 with 46 days to go. If you’d like to donate (or know someone who might like to donate), here is the link…

https://www.indiegogo.com/projects/stalled-trek-the-city-on-the-edge-of-foreclosure

And here is the first full trailer for Stalled Trek: The City on the Edge of Foreclosure (it looks AWESOME)…

The news is mixed (but pretty bad) for ComicMix as they both lose and win the DR. SEUSS/STAR TREK Mash-Up appeal…

For tribbles-creator DAVID GERROLD, award-winning comic artist TY TEMPLETON, and ComicMix publisher GLENN HAUMAN, last Friday was not a fun day. While there was one tiny piece of good news in their ongoing legal struggle with DR. SEUSS ENTERPRISES (DSE) regarding the Star Trek/Seuss mash-up Oh, The Places You’ll Boldly Go! (“Boldly” for short), the main part of the news was rather unfortunate.

Things looked rosy for ComicMix back in March of 2019. After nearly two years in litigation, Ninth Circuit Federal Judge Hon. JANIS SAMMARTINO ruled before the trial could even begin that Boldly was protected from DSE’s infringement lawsuit because she considered it to be Fair Use. (You can read an in-depth analysis of that ruling here.) She threw out DSE’s complaints for both copyright infringement as well as for trademark infringement (two different things), effectively ending the lawsuit before a jury could even be seated.

Five months later, DSE filed an appeal to the Ninth Circuit, trying to reverse the summary ruling from Judge Sammantino. Last Friday, a three-judge appellate panel came back with a unanimous decision that Boldly did NOT qualify as Fair Use, and so the copyright infringement lawsuit could proceed. The panel also ruled that the summary dismissal of the trademark infringement decision was indeed correct, and so that aspect of the lawsuit is over. (You can read the full appellate opinion here .)

So…good news/bad news, right?

Well, it’s much more bad news than good, I’m afraid. The trademark claim was always the thinnest of arguments, and even DSE didn’t push hard on that point during their appeal (four amicus briefs were filed, and none of them touched at all on the trademark question). What DSE really wanted was the copyright infringement complaint reinstated, and they got it.

SO WHAT DOES THIS MEAN?

DSE hasn’t won yet. But now they haven’t lost either. We are simply back to where we were at the beginning of 2019 before the judge made her summary ruling. The lawsuit is on again, heading back to Judge Sammartino’s courtroom.

If you’re DSE, you’re ecstatic and holding all the cards right now. There will (most likely) still be a trial, but if you can convince three out of four learned judges that Boldly isn’t Fair Use, you should certainly be able to convince twelve ordinary folks of the same thing. And indeed, you might not even need to, since the appellate judges’ ruling might preclude using a Fair Use defense entirely (more on that in a moment).

Now, if you’re ComicMix, you have a decision to make, and you really have only three choices on the menu…

DISCOVERY’s “Terra Firma, Part II” makes a HUGE time-error! (editorial review)

SINCE BEFORE YOUR SUN BURNED HOT IN SPACE, AND BEFORE YOUR RACE WAS BORN, I HAVE AWAITED… A SPOILER!

First, I’m sorry if you really loved STAR TREK: DISCOVERY‘s tenth episode of season three, the conclusion of the 2-part “Terra Firma.” I don’t mean to ruin it for you. But I need to tell this to people…to SHOUT it!!! This is a major, major screw-up I’m talking about, and I’m not kidding. So before I get to this week’s review, let’s talk about…

HOW THE GUARDIAN OF FOREVER WORKS

Okay, I can accept that the Guardian of Forever is now a cigar-chopping, bowler hat-wearing punster named Carl. Hey, people change. My old friend Nick is now Calista. Why can’t a giant rock donut time portal transform into a wooden door and spawn a comedic spokesman? I’m fine with all that.

But what I am NOT all right with is changing the essential rules of the Guardian of Forever!

“The City on the Edge of Forever” is arguably the best of the seventy-nine TOS episodes. At worst, it’s in the top three. And one of the reasons the story works so well is because Kirk and Spock are on a mission to literally save reality as we (they) know it. And in order to restore that reality, Kirk must sacrifice a woman he has fallen deeply in love with—a generous, compassionate, forward-seeing woman who could otherwise be destined for greatness if she did not need to perish in order for time to correct itself into a proper, utopian future that she herself dreamed of (whew…looooong sentence!).

Edith Keeler had to die, and we all felt Kirk’s aguish upon realizing that agonizing, unavoidable truth.

So let’s review how the Guardian works:

If you go back in time and change something significant, reality shifts when you get back.
If you then go back in time and fix what you broke, everything in the present returns to normal.

My friends, this did NOT happen in “Terra Firma, Part II”…

Happy Holidays from KIRK, SPOCK, SULU, NOGURA, et. al. in PEACE AND GOODWILL (interview with DAVID CHENG)

Do they know it’s Christmas time at all? This is an interesting question when it comes to Star Trek. The earliest mention of the annual winter holiday was waaaay back in November of 1966 when the ninth episode of TOS, “Dagger of the Mind,” mentioned that Captain Kirk had met Dr. Helen Noel at a Christmas party in the science lab. (Noel / Christmas…get it?) Later on, Picard enters the Nexus in Generations and emerges inside of a Christmas holiday with his “family.”

Throughout the 54-year history of the franchise, Christmas has been sporadically referred to here and there (Memory Alpha has a full list), but as often as not, those were just short, offhand references. Never did we see any starship crew deck the decks with buffers of holos …fa-la-la-la-la-la-la-la-la…or put presents under trees in the mess hall or sing Christmas Carols (or Marcuses) over the intercoms. And so fans might indeed wonder if, in the Star Trek universe, do they know it’s Christmas time at all?

Now, in a brand new release from STAR TREK FAN PRODUCTIONS INTERNATIONAL, we get to see what happens at Starfleet HQ and on a couple of familiar starships on Christmas eve. PEACE AND GOODWILL is the fifth fan film that this group has released, and the fourth this year alone! (You can watch all of their releases here.) The latter four were all produced remotely with the actors recording their lines in separate locations and editing the footage together later—what I have taken to calling “fandemic” films.

This latest production has their largest cast yet, six in total, all of them noted cosplayers with impeccable uniforms/costumes. Led by show-runner and director/editor/co-writer DAVID CHENG as Nogura, the cast also includes MIKE LONGO reprising his role of Jim Kirk, the “German Spock” JENS DOMBEK, KEN HAYASHIDA back for a second appearance as Captain Sulu, BILL VICTOR ARUCAN as Admiral Phil Curry, and LAURA SIRKIL as Ensign Mitsuko Nogura.

It’s a fun little slice of holiday happiness and camaraderie among Starfleet’s top brass, a feel-good “Christmas special” for fan film fans to enjoy during this festive season as 2020 comes to a merciful and (with luck) hopeful end. So please enjoy a little Peace and Goodwill…

I reached out to David Cheng with a few short questions…

THE ROMULAN WAR Indiegogo for PART II is 33% of the way to its $10K goal!

It’s been just about two months since the first part of the long-awaited THE ROMULAN WAR debuted on YouTube. Stunning to watch with blow-your-mind visual effects, this mockumentary-style fan film tells the story of Earth’s war with the Romulan Empire that resulted in the founding of the United Federation of Planets a hundred years before Kirk’s first five-year mission. It is a MUST-SEE fan film, and if you haven’t watched it yet, then for the love of Grogu, click here to view it!!!

That 24-minute fan film was completed with the help of a $10K Indiegogo campaign (which actually took in more than $13K). Now it’s time to crowd-fund the post-production on Part II, and that will require another $10K for mostly the same sort of things: the remaining principal photography, editing, visual effects modeling & animation, film score, ADR, and other post-production expenses.

The new Indiegogo campaign kicked off two weeks ago and has already taken in $3,330 from 24 backers (including me, of course!). The campaign is set for a 60-day active period, meaning that Mark has taken in a third of what he needs in just a quarter of the time he needs to. That’s actually very impressive, considering how hard the pandemic has hit the global economy AND the fact that it’s currently holiday season…traditionally the most challenging time of the year to crowd-fund fan films.

One of the reasons for Mark’s fundraising success, I believe, is the quality of Part I. But also, the perks are unique and rather compelling. Following the fan film guidelines, Mark is offering no physical perks (which also save him the cost of shipping!). Instead, at the lower levels, in addition to getting your name in the credits, there’s exclusive access to the “Memory Alpha” section of their website—which means a first look at all their content before the public sees it—as well as 8 different custom poster designs (check them out here) by CGI miracle worker SAMUEL COCKINGS, each of which can be printed out as an 11″ x 17″ poster.

But wait, there’s more!

At the fairly reasonable $100 donation level, you can actually be a part of the Part II fan film…or rather, your voice can. You’ll be offered the option to record your voice to have it used in the production. And at the $500 level, you actually get to appear in the film! Or you can just do a voice-over if you don’t want to be on camera. And in addition to all the other perks, donors at this level will be listed as “Associate Producer” in the Part II credits (and on the film’s IMDB entry and their website).

This is a really exciting project, currently scheduled for completion next year…assuming it’s funded. And that’s where you come in. If you can afford to make a donation (even a small one), please do. If not, you can still help by sharing the following link to the Indiegogo campaign with your Star Trek fan friends….

https://www.indiegogo.com/projects/the-romulan-war-part-2#/