Fan Film Factor – Page 55 – Exploring the world of Star Trek fan films.

THE FEDERATION FILES “rescues” the abandoned STAR TREK: EQUINOX fan film! (audio interview with KELLY & DAN REYNOLDS and GLEN WOLFE)

Back in 2014, the sky seemed to be the limit for Star Trek fan films! Productions like AXANAR, RENEGADES, NEW VOYAGES, STAR TREK CONTINUES, and a few others were all eagerly casting active, retired, and semi-retired veteran Star Trek actors in fan film roles…often reprising the very characters they’d become famous playing.

Into this euphoric maelstrom burst the fan project STAR TREK: EQUINOX – “THE NIGHT OF TIME.” Originally it was simply going to be an outgrowth of New Voyages, filmed on the TOS sets in Ticonderoga, NY with JAMES CAWLEY as executive producer. (Here’s a video from New York Comic Con 2014 announcing that). The episode was to feature actor JOHN SAVAGE reprising his role of Captain Rudy Ransom from the Voyager 2-parter “Equinox” and lead into a new series starring GARRETT WANG as Captain Harry Kim on new 24th century sets. (Ah, remember those carefree, optimistic days? Heck, James Cawley was still working with ALEC PETERS on Axanar back then!)

Ultimately, most of those plans for New Voyages fell through, but footage with actor John Savage and California actress BLANCA BLANCO had still been shot at Retro Studios in upstate New York, and it was usable. This is when producer ERIC NYENHUIS decided to take the story out independently on its own, calling the project Star Trek: Equinox, with the first episode being titled “The Night of Time.”

The full script had already been written by CAMREN T. BURTON based on an idea from Savage and fellow actor GARY LOCKWOOD, who had also agreed to come on board the new series to reprise his TOS role of Gary Mitchell (who became a god-thing in the second TOS pilot episode “Where No Man Has Gone Before”—but apparently survived and returned to normal).

Hopes were high for this fledgling fan project, which would also feature Lockwood’s daughter Samantha as a new character named Nurse Christine Roddenberry. Optimism was so high, in fact, that the show-runners were telling reporters in articles like this one that Equinox would be presented directly to CBS as a PILOT for a new series. (Yep, they were totally serious.)

The first order of business, though, was to get that footage they’d already shot assembled into a teaser—and that would require money. After a couple of failed crowd-funders like this one (with only one donor), they eventually managed to raise about $6.2K on Kickstarter in 2015. That allowed them to produce and release the following 6-minute vignette that summer…

Although it had some potential—along with two signed Trek veteran actors—a year later, the film project was mothballed. An announcement by writer Burton discussed the possibility of turning the project into an audio drama, but nothing else was ever heard about it.

That was all more than three and a half years ago…so why am I talking about it now?

2019 Star Trek Fan Film YEAR IN REVIEW!

In memory of ARON “Nog” EISENBERG (far right)…taken from us all way too soon

Okay, anyone who is still claiming that the CBS fan film guidelines “killed” or “destroyed” or “ruined” Star Trek fan films “forever” needs to be strapped into the Neutral Neutralizer chair and forced to read this blog!

Sure, the 6-figure crowd-funded productions were now a thing of the past, but they were always the exception and not the rule anyway. Most fan projects have traditionally had very humble budgets, and those have continued to live long and prosper. If they weren’t doing so, I doubt I’d be spending so much time writing this darned blog!

Speaking of which, did you know that I’ve published 205(!!!) individual blog entries in 2019? Yep, I just counted! Granted, some have been reviews of Star Trek: Discovery or Short Treks episodes; a good number of blogs were in support of the GoFundMe campaign for my Axanar Universe fan film INTERLUDE and other fan film crowd-funders; the long-awaited production of AXANAR itself got a lot coverage, as did the Star Trek/Dr. Seuss “mash-up” infringement case; and there were news stories and updates and, sadly, eulogies for ARON EISENBERG, D.C. FONTANA, and RENÉ AUBERJONOIS. And of course, I also continued my series of “The History Of…” features, most recently focusing on the Scottish fan series INTREPID.

But there were also more than TWO DOZEN brand new Star Trek fan film releases that got special coverage here on Fan Film Factor in 2019…plus another FIFTY new CONSTAR CHRONICLES fan films from VANCE MAJOR—and remember that many fan films were two-parts.

And this is by no means even a complete list!!!

There were also a number of releases I didn’t get to yet (hey, I’m just one guy!), including ones from Germany (STAR TREK: EUDERION) and the Czech Republic (STAR TREK: DIPLOMACY), humor vignette series like STAR TREK: IT GUY and the surreal STAR TREK: STUNT DOUBLES…and a whole bunch of smaller efforts from right here in the U.S.A. and around the world. So I’d say we’re well over a HUNDRED new Trek fan films in 2019…

Dead, Jim? Hardly!

So just in case you missed any of my features and/or interviews (both written and audio) covering these many fan releases—of if you’d just like to enjoy something to watch during your down time before heading back to work later this week—here’s what’s been published here on Fan Film Factor for new Trek releases over the past twelve months (click in the title(s) to view the blogs or else just watch the videos below them)…

STARSHIP ANTYLLUS questions faith and God in “AS IT IS WRITTEN…” (interview with GEORGE KAYAIAN)

Star Trek has never shied away from discussing God and faith and the nature of the universe. Captain Kirk once asked, “What does God need with a starship?” Gene Roddenberry himself often postulated the question “What if God were just a child?” (with characters like Charlie Evans, Trelane, Gary Mitchell, and the irascible Q). TNG had episodes like “Who Watches the Watchers?” Even the animated Star Trek episode “Jihad” took on the subject of religious extremism and holy war.

Star Trek fan films haven’t avoided the subject either. Earlier this year, the TNG-era THE HOLY CORE explored questions of fractured belief and strife. Prior to that, STAR TREK CONTINUES featured the return of the god Apollo in its premiere episode “Pilgrim of Eternity.” And POTEMKIN PICTURES has released a whole bunch of fan films that have touched on spirituality and religion, including an early episode of PROJECT: POTEMKIN titled “Archway” where the crew encounters an actual portal to hell.

The said, the topic of God and religion is still somewhat of a rarity in most Trek fan films. So when a fan filmmaker takes the subject on so directly, it’s worth a closer look. And thus, after watching the 13th episode of STARSHIP ANTYLLUS—“As It Is Written…”—I decided to ask writer/director/lead actor GEORGE KAYAIAN about his decision to tackle such a delicate and often controversial subject.

Let’s take a look at the full episode first. It has a very exciting and dramatic final act…

And now, here’s George’s take on the episode’s theme…

VOTE NOW as 3 STAR TREK FAN FILMS are selections for this year’s IndieBOOM! Awards for a $500 CASH prize…

Christmas is over, New Years is still a few days away, and you’ve got some extra time. So what do you do now?

How about helping your favorite Star Trek fan filmmaker win $500 cash?

The IndieBOOM! Film Festival was among the first to offer a category exclusively for FAN FILMS…along with many other categories (comedy, drama, documentary, animation, scifi/thriller, music video…you can view the entire list here). It’s a real film festival, now in its third year of presenting awards to both aspiring and accomplished independent filmmakers…including fan filmmakers!

In the first year of IndieBOOM!, a Star Wars fan film from Mexico won in the category. And last year, a Star Trek fan film, THE FEDERATION FILES: “Walking Bear, Running Wolf” took first place as best fan film against two Star Wars, one Blade, one Superman, and one Stranger Things fan film competitor finalists.

A panel of judges choose the films that make it as finalists. Those, in turn, get posted online and to IndieBOOM!‘s ROKU channel for viewing. The film that gets the most views on their website and ROKU app in each category receives “Winning Laurels” (first prize) in that category. Also, the panel of judges will choose their favorite selection among all finalists, which will receive the Jury Prize Laurels. And finally, the overall most-viewed film of the festival will receive Fan Favorite Laurels and a cash prize of $500!

This year, THREE Star Trek fan films have been selected as finalists. In order to “vote” for them, you have to actually watch them through (no loading and reloading the page). Viewing is free and can be done at the following links. Here’s the Star Trek finalists from the Fan Film category (in the order released). Scroll down the linked page to view…

FANimating STAR TREK: THE MOTION PICTURE!

Note: I had originally planned to publish this blog on the actual 40th anniversary of the premiere of STAR TREK: THE MOTION PICTURE. Unfortunately, the tragic passing of actor René “Odo” Auberjonois on December 7 forced the delay of this blog. So please indulge me in considering this entire month to mark the 40th anniversary of ST:TMP.

The first Star Trek feature film elicited mixed reviews from fans (and from the general public). Some Trekkers consider it a masterful exploration of the iconic characters of the Enterprise crew with breathtaking production values and a sweeping musical score that updates the 1960’s television series and prepares it for a bright future on the big screen. Other fans see it as a plodding snooze-fest of slow, indulgent editing—an opinion often sarcastically supported by pointing out that the Enterprise crew are all wearing pajamas, as if to say this movie will put us all to sleep.

But the one thing that nearly every fan and viewer agrees on is that the visual effects sequences are stunning and some of the grandest, most beautiful, and unforgettable in Star Trek‘s 50-plus year history. Among the most iconic and well-remembered of the segments were the introduction of the refit USS Enterprise with Kirk and Scotty flying around it for nearly five minutes (too long?—poppycock!), the opening sequence of the the three Klingon battlecruisers confronting and then being destroyed by V’ger, and the refit Enterprise leaving dry dock.

Those VFX sequences, overseen by the legendary DOUG TRUMBULL (who did the Enterprise shots) and JOHN DYKSTRA (who handled the Klingons, the Epsilon IX space station, and other segments) were rushed together in less than six months using models and blue screens and contraptions like periscopes to get cameras within inches of the amazingly detailed models. To see the finished breathtaking scenes, one would hardly think any of them were created with anything other than the most painstaking attention to detail over years…not simply months.

But apparently, there were indeed some mistakes. And now a fan has fixed those mistakes—not with physical models and high quality camera equipment but instead using only his computer…

The history of STAR TREK: INTREPID (interview with NICK COOK, part 3)

In part 1 and part 2, we met NICK COOK and the crew of STAR TREK: INTREPID, a long-running Star Trek fan series based out of Dundee, Scotland. Starting off production waaaaaaay back in 2003, Intrepid is (at the time of this writing) the longest continuously-active Trek fan series still filming episodes.

By 2011, Intrepid had already released six episodes with run-times ranging from 6 minutes to 47 minutes. They also released three different crossover episodes, produced in conjunction with STAR TREK: HIDDEN FRONTIER. The first of these crossovers, ORPHANS OF WAR, came out in 2007. The second, OPERATION BETA SHIELD, followed a year later. There was no crossover in 2009, but 2010 saw the final joint Star Trek: Intrepid/Hidden Frontier production: ONE OF OUR OWN. Take a look…

When last we left off in our interview, I’d just asked Nick how this third crossover came to be…

NICK COOK at the iconic Vasquez Rocks north of Los Angeles

NICK – One of Our Own was a different kettle of fish. We had a vacation planned and knew we’d be in Los Angeles. A group of us from Intrepid and HF did a road trip to Yosemite from L.A. and back that summer of 2010. So I suggested doing another short team up.

Rob said yes, so I had to come up with a story. I thought the idea of Shelby chasing down a rumour that Lefler wasn’t dead might be interesting. The twist being: it’s not Lefler, but they end up helping someone anyway, and Shelby gets some sort of closure. As always, it never quite turns out as the way you envision it, but for what it is, I think it’s still a fun piece, even if the narrative could have been clearer.

JONATHAN – I was actually going to ask you if you’d come to America to film that one. If you watch the fan film, the two of you are never on the screen at the same time except at the very end, which could have been a split screen composite. But you and RISHA DENNEY (the actor who played Elizabeth Shelby) were actually doing that scene together in the same place?

GREEN SCREEN crowd-funded in SIX DAYS…Paul Jenkins reimbursed!

By now, most of you know about the mishap during the INTERLUDE shoot at Ares Studios in November and how, when AXANAR director PAUL JENKINS arrived in December, he found his 100-foot-long custom green screen ruined. It was an accident, but the responsibility lay squarely (or rectangularly) on the shoulders of the Interlude production team.

No one individual was singled out as being “the idiot responsible” because no one on my team was an idiot. In fact, most of them are amazingly talented, competent, and dedicated craftsmen (and women) and hard-working volunteers…from directors JOSHUA IRWIN and VICTORIA FOX, who knocked it out of the park that weekend, to the good folks who vacuumed the bridge set. As far as I am concerned, everyone is to be praised and commended, and no one will be thrown under the bus!

Anyway, I asked my donors and other supporters of Interlude (and fan films in general) to please help raise enough money to reimburse Paul the $4,760 cost for replacing the ruined green screen. I kicked off the donations with $500 of my own money, and three of my biggest donors each matched my amount…leaving another $2,760 to raise from other contributors. Honestly, I thought I was going to be crowd-funding this until February or March, if not longer.

And then a fan film Christmas miracle happened. We reached our goal for reimbursing Paul in less than a week!!!

Usually, the holiday season is the worst time of year to do fan film crowd-funding (other than anytime near tax day in April). But I reached out to folks anyway, asking for only $10 per donor. Altogether, 112 donors graciously answered the call, chipping in anywhere from $10 to $100 each (one put in $300). It was, for me at least, a heartwarming reminder of what I know is so precious about this fan film community.

I sent Paul the full funds via PayPal last Friday, while we were still a few hundred dollars short of our goal. But I had faith it wouldn’t be long until we got there. And then, on Sunday evening—less than six days after I made my first appeal, we reach the goal. If fact, later that evening, two additional donations brought us $35 over that goal. I’ve let the supporters know that they no longer have to donate anything more. Interlude is covered. Best Non Gamstop Casinos in 2021, uk casinos not on gamstop , UK.

I’ve said it probably a thousand times already, but you can never say THANK YOU enough in my book! So my sincere gratitude to everyone who has supported Interlude…whether you gave to replace the green screen or simply donated along the way to help me and my team make a really awesome fan film.

You are truly the best of Star Trek fandom.

Two new ANIMATED SHORT TREKS and what my 9-YEAR-OLD SON thought of them… (editorial review)

SP-SP-SP-SPOILERS…TURN AWAY OR FACE THE STRAIN!

This past Thursday, CBS All Access released (at least for viewers in the United States) the final two SHORT TREKS for 2019. You can read my reviews of the previous three episodes—“Q&A”, “The Trouble with Edward”, and “Ask Not”—to see that they’ve been a little uneven in quality (at least in my opinion) but generally worth the 8 to 15 minutes of time invested to watch them. Also, there’s one more Short Treks episode scheduled for release on January 9: a STAR TREK: PICARD prequel titled “Children of Mars.”

The final two Short Treks of this year marked Star Trek‘s first return to animation since the animated series aired its final episode 45 years ago on October 12, 1974. (Of course, I’m not counting animated Star Trek fan films, although if you’d like to see some really good ones, might I suggest Star Trek: Aurora, Stalled Trek, and Stone Trek.)

The two new Short Treks—“Ephraim and Dot” and “The Girl Who Made the Stars” were REALLY short—-just under nine minutes and just under eighth minutes respectively. This isn’t surprising, though, as animation is costly to produce both in terms of budget and time. Unlike live action, an extra four minutes for either episode could literally have increased the production budget by nearly 50%.

So what did I think?

Before I answer this question, let me tell you what my nine-year-old son Jayden—a lover of TOS and a current watcher of TNG—thought. This is actually a rather profound question. I have and continue to refuse to show STAR TREK: DISCOVERY to Jayden (with the F-bombs, the Klingon rape scenes, and generally not-for-a-9-year-old content) until he’s much older. In comparison, we LOVED watching the new Lost In Space together on Netflix (season two is just 10 days away!) and are currently enjoying The Mandalorian. As a Trekkie, it was frustrating not to be able to share the new series with my son.

But these two new Short Treks were 100% child-friendly. So having the opportunity to say to Jayden, “Hey, come over here and watch this and tell me what you think…” about the new Star Trek is a new and exciting experience for me.

So what did Jayden think…?

The history of STAR TREK: INTREPID (interview with NICK COOK, part 2)

Last week, we met show-runner NICK COOK and his crew of the fan series STAR TREK: INTREPID, based in Dundee, Scotland. In November of 2007, just six months after they released their first episode “Heavy Lies the Crown” in May, fans got their second taste of Intrepid. But it wasn’t an episode produced entirely by Nick and his team in Scotland. This was a crossover fan film with the long-running fan series STAR TREK: HIDDEN FRONTIER, shot in Pasadena, CA in collaboration with ROB CAVES and his Areakt Productions. The name of this 12-minute fan film was ORPHANS OF WAR….

Hidden Frontier had already had an impressive run, with fifty episodes (about a half hour each) released from 2000-2007. By the time that the crossover with Intrepid was released, Hidden Frontier had already ended its seven-season run, and a new fan series from Areakt had debuted: STAR TREK: ODYSSEY. The first episode, “Iliad,” tied in directly with Orphans of War and was released just two months earlier.

Intrepid‘s second solo episode, “Where There’s a Sea,” wouldn’t debut until the following summer. So as my in-depth interview with Intrepid show-runner Nick Cook continued, I decided to spend time discussing Orphans…

BATTLECRUISER KUPOK meets the MARIE CURIE crew in “A MATTER OF TRUST”!

The latest fan film release from POTEMKIN PICTURES is the sixth episode from the BATTLECRUISER KUPOK (pronounced kah-POOK’) creative team. Altogether, Potemkin Pictures currently has six different fan series—er, creative teams—in active production…resulting in an average of about a dozen fan film releases each year for the past few years. You can watch each of their nearly-80 completed fan films here on their website.

Although there is some occasional cross-referencing of events, characters, and plot elements between and among the various Potemkin Pictures series, full crossover episodes are a rarity. However, for last month’s “A MATTER OF TRUST,” the crew of the Klingon battlecruiser Kupok must seek out the help of the crew of the Federation hospital ship Marie Curie. The two casts and their respective sets are both featured prominently in this ambitious 10-minute episode. You can view it below…

With the frequency of releases from Potemkin Pictures, I’ve begun to ask show-runner RANDY LANDERS a few questions each time. Here’s our latest exchange…

JONATHAN – In a sentence or two, why should fans take the time to watch “A Matter of Trust”?

RANDY – It’s full of the optimism of the original Star Trek series, and I believe it’s a beautiful story. Plus it gave me a chance to work with my old friend, RICK ENDRES (an award winning fan fiction writer) again.

JONATHAN – Were there any unique challenges in filming a full crossover of two of your series?