Jonathan Lane – Page 46 – Fan Film Factor

LOWER DECKS brings balance to STAR TREK… (editorial review)

SPOILER FREE SINCE…LAST WEEK!

Y’know what? I like to laugh. This world is just so darn serious, scary, depressing even…just like Star Trek has been recently.

Recently?

I’m thinking back and trying to remember the last time when Star Trek was just good, old-fashioned fun. I mean, there was the Mirror Universe episode of Enterprise, that was fun. I think that might have been the last time for me. Since 2005, we’ve had the three J.J. Trek movies, which weren’t so much “fun” as they were exhausting and, quite often, aggravating (McCoy cures death with Khan’s blood?). STAR TREK: DISCOVERY has been anything BUT fun (not even the two Harry Mudd episodes or Tilly dropping inappropriate F-bombs into otherwise tense scenes). That show is just a downer. And while I thoroughly enjoyed STAR TREK: PICARD, that one’s not exactly a light-hearted romp through space either.

Not that Star Trek HAS to be a light-hearted romp through space, mind you! But when you watch an episode of Picard, it’s emotionally draining. When you watch an episode of Discovery, it’s emotionally draining. You watch J.J. Trek and it’s physically draining. And heck, the entire third season of Enterprise was emotionally draining. There’s nothing inherently wrong with any of that. But frankly, folks, I could really use a good laugh right about now!

Sure, there’s a ton of comedy shows out there, and I don’t necessarily need Star Trek to fill that light-hearted void for me. But what I realized after watching the second episode of STAR TREK: LOWER DECKS on Thursday was the following…

WE HAVE ALL BEEN TAKING STAR TREK WAAAAAY TOO SERIOUSLY LATELY!!!

Especially the people criticizing Lower Decks for not taking Star Trek seriously enough or not finding it funny, they are definitely taking Star Trek way too seriously. I know this because, for way too long now, I myself have been taking Star Trek way too seriously!

Don’t get me wrong. Taking Star Trek way too seriously can also be a GOOD thing. Heck, I write multiple blogs each week about Star Trek fan films, and I take each of them very seriously. I’ve been a serious Trekkie/Trekker nearly all of my life. I’m fine with taking this show seriously…just as I take aspects of life seriously: family responsibilities, work, health, taxes, politics, what to binge-watch on Netflix.

But all work and seriousness and no play makes Jonny a dull and VERY overstressed boy! I need to bring balance to the Force…and to myself. And in my opinion, so does Star Trek.

Latest SPACE COMMAND Kickstarter reaches nearly $64K

Back on Tuesday, with less than two days left to reach their $48K goal and still $11K short, I said of the latest SPACE COMMAND Kickstarter: “Don’t count them out completely just yet.” With less than 22 hours to go, they were still nearly $8K short. Show-runner MARC SCOTT ZICREE even posted this impassioned plea to supporters of the project.

Remember that, with Kickstarter, if a campaign fails to reach its goal, the organizers get nothing. But it turns out that the backers of this fan-funded original sci-fi series had a few surprises left in them after all!

A surge in those last 22 hours, which included at least one and possibly two different $10K donations, leapfrogged them past their goal to a staggering $63,852 from 526 people. But it wasn’t just the big donations coming in. A final e-mail went out to veteran donors with just 19 hours left, opening up some new exclusive perks, including a special T-shirt. This rallied enough supporters that the new campaign added nearly 70 new donors during that final day.

With the funding of this latest campaign going more than 30% over the goal, work can continue on production of the second hour of the second episode “Forgiveness,” even as post-production continues on the second hour of the first episode “Redemption” and the first hour of the second episode (got all that?). The full scope of this sci-fi epic will be six 2-hour episodes compromising the first “season,” telling a series of stories of the exploits and adventures of grandparents, parents, children, grandchildren, and even great grandchildren spanning more than a century of time.

So far, SPACE COMMAND has released the completed first hour of their first episode, “Redemption,” which you can view here…

Space Command also recently undertook a very ambitious project: releasing a totally brand new, special two-hour episode featuring 25 different actors and cast members who recorded their segments from their homes (thanks to the pandemic and quarantine). The resulting film, “Ripple Effect” (released on July 1), chronologically spans the entire scope of history that Space Command will cover, from the year 2030 through 2071. These home performances were combined with some previously shot footage to create an immersive montage of all the many storylines that Marc Zicree has planned for the intiial run of Space Command.

Among the actors participating in “Ripple Effect” are NICHELLE NICHOLS (from Star Trek), DOUG JONES (from Discovery); ROBERT PICARDO (from Voyager); ARMIN SHIMERMAN and J.G. HERTZLER (from Deep Space Nine), MIRA FURLAN and BILL MUMY (from Babylon 5), BARBARA BAIN (from Space: 1999), and even NEIL DeGRASSE TYSON (from Cosmos). For obvious reasons, the film lacks polish in places, but overall, it’s actually quite well done and well acted. Some performances are truly magnificent.

If you’ve been a fan of Space Command so far, it’s definitely worth checking out…

Latest SPACE COMMAND Kickatarter in danger of coming up short!

Up until now, MARC ZICREE’s original sci-fi epic SPACE COMMAND hasn’t had much, if any, difficulty raising crowd-funding donations from fans. But we are currently living in the age of a global pandemic, people are losing their jobs and/or being furloughed, and contributions to fan projects aren’t flowing nearly as freely as they used to be.

Space Command got its start waaaaaaay back in 2012 with an early Kickstarter that brought in a staggering $212K from more than 2,000 donors. It then took five years for the project to reach post-production, where a second Kickstarter raised an additional $108K that would help complete the first hour of the 2-hour pilot episode “Redemption.”

A third Kickstarter raised $102K more for post-production on the second hour of the pilot. Marc also sold individual $7,500 shares in the venture for supporters looking for a return on investment if/when the series sells. Those shares brought in an additional half million dollars.

A fourth Kickstarter in 2019 raised $86K for production to begin on the first hour of the second 2-hour episode, “Forgiveness.” And finally, this past April, a fifth Kickstarter raised $57K to help fund production on the second half of “Forgiveness.” Add it all up, and that’a more than $565K in donations and over a million dollars total including investment share sales!

Last month, Space Command launched a sixth Kickstarter to fund the remainder of production on “Forgiveness.” Already, the first hour of “Redemption” has been completed and released, and the second hour has been filmed and is nearly complete (it will have more than 900 visual FX shots!). The first hour of “Forgiveness” is filmed and now in post production. And the second hour of “Forgiveness” is ready to film as soon as it’s safe to do so and as soon as this sixth Kickstarter reaches its $48K goal.

And therein lies the problem.

Kickstarter’s rules say that your campaign needs to set a goal, and if you don’t reach that goal—no matter how close you come—you don’t get anything, no one’s credit card is charged, and the campaign is considered a failure. With only two days to go, the latest Space Command Kickstarter is still $11K short of its $48K goal (a miss of nearly 25%).

While it’s not impossible that Space Command can bridge that gap in so short a period of time, the independent sci-fi film project has never had to face such a challenge before. Each of the previous campaigns reached their goals easily and even surpassed them to unlock stretch goals.

But right now, the global economy is in shambles, millions have lost their jobs, and many crowd-funding campaigns are struggling (not just this one). On the other hand, Space Command still has thousands of loyal supporters. So don’t count them out completely just yet.

If you want to make a donation, click on the link below…

https://www.kickstarter.com/projects/spacecommand/space-command-episode-4-forgiveness-part-2

And here is the exciting pitch video from MARC SCOTT ZICREE…

PAUL JENKINS and AXANAR part ways!

Well, I certainly had an interesting Saturday morning! Before I get into the news and the statements from PAUL JENKINS and ALEC PETERS on the subject of the termination of their relationship, I’d like to start this blog with something that happened on Friday night…

Several weeks ago, just prior to Alec contracting COVID-19, I’d offered to help edit a new trailer for AXANAR. Normally, the trailers are cut by the editor, MARK EDWARD LEWIS. But post-production funding is only just starting to trickle in, and I’m willing to work for free patches. So Alec agreed to send me all of the raw footage from the Axanar shoots and let me have at it. Cool, I thought.

Then Alec got sick and couldn’t leave the house. So the hard drive with the files on it didn’t arrive here in California until Friday afternoon. I took a look through everything—hundreds and hundreds of video and audio files—and thought to myself: which of these takes are the ones that the director (Paul Jenkins) wants to use? I watched through nearly everything until about 2:30am, and then went to sleep, expecting to (hopefully) set up a 3-way call with Alec and Paul sometime over the weekend or in the coming week to figure out which takes they wanted to select for the trailer.

Then I woke up Saturday to this…

Honestly, the first thing that went through my head as I considered my previous plan of going through selects with Paul and Alec was Lt. Kevin Riley’s line from “The Naked Time”: No dance tonight…

But seriously, folks…WTF???

LOWER DECKS premieres, but is STAR TREK ready for animated comedy? (editorial review)

NO SPOILERS – PROMISE!

Okay, I’m not going to waste time telling you the premise of the show or explaining who the characters are in the new STAR TREK: LOWER DECKS. You can get that info elsewhere. Instead, I want to talk about this “great experiment” and discuss whether CBS should have taken this risk in the first place, and now that they have, was it worth it?

First the good news: the Lower Decks pilot episode “Second Contact” wasn’t awful. And I can’t say that about every new Star Trek series. After watching the pilot episode of DISCOVERY back in 2017, I had a list of complaints a mile long. But with Lower Decks, it was more a feeling of, “Is this all that there is? Is there nothing more?” (Oh, wait…that was V’Ger’s line.)

And that’s kind of the thing with Lower Decks. My last joke about V’Ger was something that hard-core Trek fans are going to appreciate. And Lower Decks certainly passes the Trekkie CAPTCHA challenge. It’s obvious that the folks in charge of this show know their Star Trek, and they throw in a parade of references (almost too many!) to assure us that “we reach” and that the creators wish to mind-meld with us and share their love of Star Trek. And thank Landru(!), so far their attempts to reference canon have been deeply respectful rather than trying to upend it….unlike some CBS series I won’t mention (COUGH, COUGH, Discovery, COUGH).

Also, I have to say unequivocally that the show looks FANtastic. Despite the caricature cartoon style of most of the characters (more of a feature than a bug), the look and feel is straight out of 24th century Star Trek. The one thing that fans can’t complain about it (although I’m sure some still will!) is that this show doesn’t look like Star Trek. It most certainly does!

And I love the opening credits sequence. For anyone who has ever visited Disney’s California Adventure and ridden the Soarin’ ride (originally Soarin’ Over California), that’s where the music is (mostly) inspired from…since the U.S.S. Cerritos is a California-class starship and Cerritos is only 10 minutes from Anaheim where the Disneyland theme park is located. The opening sequence is fun, showing the traditional “hero” shots of the starship—all gorgeously rendered—but with the ship looking anything but heroic! It sets the stage nicely for what to expect.

So as an animated comedy, I think CBS got the “animated” part right. That’s half the battle. Ah, but then there’s the “comedy.”

The famous saying in Hollywood goes, “Dying is easy. Comedy is hard.” Did sh0w-runner MIKE McMAHAN hit a home run, barely make it to first base, or strike out completely? And even more importantly, should CBS have even given him the baseball bat to begin with?

Batter up…!

The latest in FANdemic Star Trek – THE FEDERATION FILES: “The Green Manifesto”…

Okay, I’ve decided to coin a new term: “FANdemic Star Trek film.” Because let’s face it, the global COVID-19 crisis isn’t going away anytime soon, and we’re gonna need to wear masks and social distance at least until a safe vaccine is developed and disseminated (and people actually take it!).

But Star Trek fan filmmakers are a dedicated and tenacious bunch! And just because most of Hollywood has shut down doesn’t mean fan films have to. We simply need to do things a little more creatively and carefully. Already, we’ve seen several pandemic-produced fan film releases from all over the world. One of the first, HORREUR POST ATOMIQUE from France, told the story of three survivors of World War III living in bunkers, just before first contact with the Vulcans. Then LOOK FORWARD TO THE DAY showed a socially distancing Kirk, Spock, and McCoy having a futuristic Zoom call. Two weeks later, JENS DOMBEK, “The German Spock,” released a one-man (well, one-Vulcan) fan film called I AM SPOCK. And even VANCE MAJOR has released two CONSTAR CONTINUES films post-pandemic (and I’ll be featuring an audio interview with him soon).

So for lack of a better word, I’m going with “FANdemic” film. And the latest example of one was written only three and a half weeks ago, filmed shortly thereafter in Mountain Home, Arkansas, and released this past weekend from WARP 66 STUDIOS and WOLF/REYNOLDS PRODUCTIONS. It’s the seventh overall fan film from the fan series THE FEDERATION FILES (you can view all of their releases on this YouTube playlist). Because their anthology format covers the entire history of the Star Trek universe, stories have ranged from the 20th and 21st centuries to the 23rd and 24th centuries.

Their latest production is set solidly in the 21st century during the time of World War III and focusing on Colonel Green from the TOS episode “The Savage Curtain” (although in this fan film, Green is still a Major). His genocidal campaign in the 21st century resulted in the deaths of 37 million people. Green believed he was cleansing the gene pool—a hero in his own mind and to scores of followers…an evil homicidal monster to others and to the annals of future history.

But how did he kill so many people so quickly? This fan film seeks to shine a light on this dark question with a little help from today’s headlines. Producer and director of photography DAN REYNOLDS (who also appears in the film as the scientist who engineers a deadly virus) suggested to writer GLEN WOLFE the idea of creating a story about a pandemic. Glen then researched the character of Colonel Phillip Green.

GARY GRAHAM leaves the AXANAR project!

The following message from actor GARY GRAHAM was posted to Facebook on Wednesday afternoon:

An hour or so later, when asked what happened, Gary added this brief explanation:

This obviously comes as a blow to AXANAR fans who looked forward to once again seeing Vulcan Ambassador Soval in the two 15-minute sequel fan films. Gary had already played the venerated character to near universal praise in PRELUDE TO AXANAR and then a year later in the 3-minute “Vulcan Scene.” In the years since the lawsuit that shut down production on Axanar in 2016, Gary had been an ardent supporter of both the project itself and of show-runner ALEC PETERS. Gary traveled from California to Georgia to appear at AXACON in 2018, saying positive things about Alec and the original production in interviews like this one (skip to 14:40).

Gary’s announcement came without any warning. And in the last 36 hours, I’ve seen unconfirmed reports of “irreconcilable differences,” that Gary is hoping to land a role on the new Star Trek: Strange New Worlds series and worried that an association with Axanar Productions would hurt his chances, and even political friction (Gary and Alec are on opposite sides regarding Donald Trump).

With so many unconfirmed rumors spreading on social media, I reached out to both Alec and Gary for comment. Gary has not yet responded to my request, but Alec confirmed that the first he knew that Gary was leaving the project came on Wednesday, and Alec provided me with the following statement (which has also been posted to the Axanar website)…

ALEC PETERS tests positive for COVID-19!

ALEC PETERS has logged a lot of “firsts” in the Star Trek fan film community. He was the first to raise more than a million dollars in crowd-funding for a Trek fan film project, he was the first to get sued by the studios, the first to survive such a lawsuit and reach a settlement agreement, and the first to set up an online store to sell merchandise based on original aspects of a fan film.

And now he’s the first well-known Star Trek fan filmmaker to test positive for COVID-19.

At this point, this is kinda “old” news. Alec first told me that he thought he’d caught the virus back on Sunday, July 5th. He’d had a 101-degree fever for two straight days and was feeling sicker than he’d ever felt before (although he never lost his sense of smell or taste). Alec explained that he’s generally healthy, and when he gets sick, symptoms typically don’t get too bad and pass pretty quickly. This felt different. And since it wasn’t flu season, Alec suspected by Sunday evening that he might have contracted the Novel Coronavirus.

It’s not that Alec hadn’t been careful. He wore a mask everywhere, washed his hands often, and social distanced. But Georgia is a pandemic hot-spot, currently 4th in the nation of 50 states in active COVID-19 cases with an average of 3,500 new cases per day for the month of July.

On Sunday evening, as Alec began to suspect that he’d contracted the highly infectious virus, he went to the CVS website to schedule a test and discovered that the earliest appointment they had available wasn’t until Wednesday. (What’s wrong with this picture, folks?) He booked it.

Meanwhile, Alec’s girlfriend CRYSSTAL HUBBARD, kept her distance from Alec while he isolated himself upstairs in his room. Fortunately, they have a five-bedroom house, so separation wasn’t difficult on a practical level. Going to work wasn’t an issue for Crysstal, as her job is at a night club, and those establishments were closed down at the time Alec got sick. In fact, Crysstal was furloughed for about 2-3 months total.

Although Alec announced through social media that he was “95% certain” that he had coronavirus (shortly before taking the test), I decided to hold off reporting it here on Fan Film Factor until the results were in. Alec was told to expect the results in about 6 days. (Again, what is wrong with this picture??? )

There was, of course, an outpouring of sympathy and well wishes from across fandom. And then, sadly, there were also Facebook posts like these…

Could the new LOWER DECKS be the STAR TREK series fans have been waiting for?

Get ready for an, ahem, animated discussion…and probably a whole bunch of really angry response comments!

These days, if a new Star Trek series from CBS All Access debuts to universal or near-universal acclaim, then it’s probably premiering in a different universe! In THIS universe, Trek fans are an infamously hard-to-please/easy-to-piss-off mob with social media pitchforks and YouTube podcast torches.

I know; I’ve been one of them…kinda.

Granted, I’ve probably kept more of an open mind than many, and with the exception of the last two episodes of the first season of PICARD, I actually really enjoyed that series. But you guys know how critical I was of DISCOVERY‘s first season—and season two, while significantly better, didn’t completely escape my blogs of shame!

And so, like many fans, I reacted to details about the new STAR TREK: LOWER DECKS series (debuting next month) with some serious trepidation…although still trying very hard to keep an open mind. It hasn’t been easy. The very concept of the new series scared the crap out of me!

I mean…an animated comedy???

Star Trek has survived being animated before. The 22 episodes from Filmation in 1973-74 had a few true gems (“Yesteryear” and “The Slaver Weapon”) and some major klunkers (“The Infinite Vulcan”). But it was generally a well-executed series. As for comedy Trek, episodes like “The Trouble with Tribbles,” “A Piece of the Action,” and movies like Star Trek IV: The Voyage Home showed that you could certainly add a bit of comedic flair to Trek and get a pretty decent result.

Don’t say that Star Trek can’t be funny!

But could an animated series designed purposefully for non-stop gags and punchlines still work as Star Trek? Would fans accept such a tongue-in-cheek approach to a universe that we’ve dearly cherished and believed in for all these decades?

Well, CBS (now VCBS, I guess) and ALEX KURTZMAN have decided to find out—and I suppose we will, too, on August 6…and more likely on August 7 when the fannish mob once again takes to social media to make their opinions known (probably quite loudly).

But I am going to go out on a limb and say that, in my gut, we fans might just be getting the Star Trek we’ve been demanding for so long now from both CBS and Paramount!

Before diving into my reasons for that bold prediction, however, if you haven’t seen the latest trailer yet (released on July 12), then please have a look…

Also, a short scene from the first episode was just released yesterday…

And now, let’s cry “Havoc” and let those dogs of war slip a little…

INTERLUDE clip gets 7.8K views (and 1K likes) in 15 HOURS!

Wow…what a difference a successful YouTube Channel makes!

I posted a link to the 48-second “sneak peak” clip from INTERLUDE last week as part of a blog explaining why we were going to miss our announced premiere date of July 25, 2020. Long story short, the music isn’t done yet. But I wanted to give folks a taste of how the music sounded. So I cut a short clip and posted it. The video got 363 views over six days.

Last night, ALEC PETERS debuted the same video clip on the AXANAR YouTube channel. If you haven’t seen it yet, here it is…

I woke up this morning to see that the clip has now had over 7.8K views and 1K thumbs up (versus only 35 thumbs down)…so YAY! Of course, the channel has 89K subscribers—no wonder it got so many views so quickly. But hey, I’m not complaining!

I also read though the comments, and there were a number of questions and topics that came up repeatedly. So I thought I’d respond to them here if anyone is interested and/or curious:

1. When is Interlude coming out?

Soon. As I explained in last week’s blog, KEVIN CROXTON is about halfway done with the music, then MARK EDWARD LEWIS will add in the final sound effects and balance the sound levels. We’re also awaiting one final VFX sequence from LEWIS ANDERSON. Then we’re pretty much D-O-N-E.

2. The music is too loud/voices are too low.

Yep. As I said, the sound-mixing gets done last (since you need all the music before you can balance the levels). This clip was simply to give folks a taste of the music, and it’s a work-in-progress.

One of the most FUN things about making this fan film is showing you folks the behind-the-scenes steps of making a fan film. I didn’t want this clip to be polished and perfect…yet. It’s more interesting to hear the music raw before sound-mixing and then compare it to the finished product in order to get an appreciation for what sound mixing can do.

3. We waited ten years for 48 seconds???

Sigh. First of all, Interlude isn’t Axanar. We only started crowd-funding a year ago. And for the record, Axanar had its first crowd-funding campaign in 2014…six years ago, not ten. (Why people keep saying “ten years” is beyond me. Counting to six isn’t hard…you don’t need to round to the nearest ten!) And remember that Axanar was sued for a year, had to move across the country, then finish the bridge, raise money to replace the funds that were lost during the lawsuit while filming couldn’t happen, and then had to go through the many and complex steps of actually producing a fan film.

Axanar has now had multiple shoots, and only one 2-day shoot remains…a shoot that can’t happen while the international pandemic is still shutting down union productions everywhere. And if you’d like to donate to Axanar so that it can be finished, please click on the link below…

https://aresdigital.axanar.com