Jonathan Lane

INTERLUDE Confidential #5 – the latest CHATTER!

Now, THIS is a cool idea…just till you hear it!!!

But first, I need to update you on where my Axanar Universe fan film INTERLUDE stands at the moment. As I mentioned in my previous Interlude Confidential, we’re nearly finished with principal photography (shooting the live action scenes) plus creating the VFX shots and voice-overs…and have recently started assembling the “puzzle pieces” into a rough cut.

JOSHUA IRWIN and VICTORIA FOX warned me not to expect too much “excitement” from the initial rough cut. It’s also known as a “wide” cut because the takes are purposefully cut to be a little longer (meaning they have a bit more at the beginning and end of the lines). Later on, the wide cut is “tightened” into shorter takes as the timing and pacing of the scenes are refined.

Also, there’s a lot missing from a rough cut. The music isn’t there, for one thing, and that will eventually add a lot of excitement and richness. But right now, it’s all just people speaking their lines on an otherwise quiet set—no red alert klaxon, no explosion sounds, not even the pressing of buttons and the beeps they make. As they said, don’t expect much yet…and I didn’t.

Instead, I used my imagination to fill in what was missing. As I watched the rough cut, I mentally added in the explosions, the red alert, the music, and the camera shake. And in my head, it was MUCH more exciting! But even in my mind’s eye (or rather, ear), it felt like something was still missing.

And almost immediately I knew exactly what it was!

When I started telling Victoria and Josh about my suggestion during our next production meeting, it turned out that Victoria had the exact same idea! And since they’re both actual industry professionals, if I think of something that they’ve thought of, too, then I know we’re in good shape.

So what’s this great idea already??? You’ve been so patient, let me tell you…

Star Trek fan film TEARS OF J’KAH raises $49,183 on Indiegogo…from 13 DONORS!

When I first interviewed BENNY HALL about his first Star Trek TOS fan production, LET OLD WRINKLES COME, and discovered he had set a goal of $50K for his second fan project TEARS OF J’KAH, I was quite dubious. In fact, I figured he had a snowball’s chance on Venus of even getting close.

I realize that the fan film guidelines allow projects to publicly crowd-fund up to $50K, but since those guidelines were announced, no Trek fan film has been able to raise even half that much in a public campaign. (I don’t count AXANAR because that campaign is private, and I don’t count the Deep Space Nine documentary because that wasn’t a typical fan film following the guidelines.) Since the guidelines came out, only a small handful have successfully cracked $10,000, and the majority have set and reached only goals in the four-digit range.

And not only that, it seemed to me as though poor Benny was making a bunch of rookie mistakes with his Indiegogo campaign. He’d launched close to Christmas time when most people’s money is going into buying presents and traveling. His launch was done with little fanfare, and there were no updates or postings on Facebook groups reminding folks to please donate. Benny wasn’t doing interviews (except one with me), and most Trek fans probably had little to no idea this project was even actively crowd-funding!

I felt bad for Benny, and I tried to help him by listing him at the top of my CROWDFUNDING NOW page here on Fan Film Factor. But it turned out Benny knew something I didn’t know—or rather, someone…several someones, in fact. Benny is the CFO at a production company located in Burbank, and it seems he’s friends with some very generous people. I noted that his first donation was $5,000. Then another $5K donation came in…and another. Every week or two, after seeing the campaign stagnate for a while, I’d refresh the browser tab, and the total would suddenly be $5K higher. In the final week of the campaign, which closed on Sunday night, the last two donations were $10K each. I wanna have friends like that!

Anyway, my congratulations to Benny on bringing in nearly $50K from just 13 backers in two months. He spent $50K of his own money on his first fan project, so he’s certainly paid his dues. And I’m confident the folks who supported Benny were impressed when they saw Let Old Wrinkles Come that he would show such dedication to his dream and making it happen. And now we get to see another $50K fan film!

And as long as I have your attention, and since Benny doesn’t need any more money, there’s still two active crowd-funders that are very near their goals and could use your donations to get there (click either graphic to go to their campaign pages)…

CONSTAR CONTINUES (just $185 more gets them to their goal!)

STARSHIP INTREPID: “ECHOES” (just $802 gets them to their goal!)

Why I lose my head every time I hear F*ING SWEAR WORDS in PICARD and DISCOVERY! (editorial review)

NO SPOILERS…BUT LOTS OF SWEARING!

I really liked the fourth episode of STAR TREK: PICARD. It wasn’t perfect (ahem, Narek and his sister Narissa), but it was close enough that I really loved the entire experience of watching it. And let’s face it, JONATHAN FRAKES knows how to direct Star Trek! Patrick Stewart and the entire cast (aside from the guy playing Narek) give consistently outstanding performances.

Show-runner MICHAEL CHABON was the lone writer credited this episode (all the other episodes have had multiple credited writers), and those 44 minutes flowed perfectly. With solid pacing, new and fascinating characters were introduced and developed. The episode filled in more of what happened to Picard over the last decade and a half, had amazing VFX (not too dark, too too fast, not too confusing), wonderful music, incredible make-up and costumes, gorgeous locations, and a thrilling surprise ending.

I truly have nothing to complain about…except one thing: the f*ing swearing!!!

So this time, because the episode itself was so enjoyable, my editorial review is going to be more editorial and less review. After all, this episode was titled “Absolute Candor,” so let me share my truth with you.

Let me start by saying that I am not a fucking prude. I know how to swear, and I’ll even indulge in “colorful metaphors” myself from time to time. I also know how NOT to swear. I don’t use profanities within earshot of my 9-year-old son or with my in-laws or in mixed company or with clients. I don’t use them during my audio interviews with fan filmmakers. Swear words are a choice…even if you accidentally drop a stack of dishes and they shatter all over the floor.

And I don’t mind hearing swear words on most shows on television. In fact, I welcome them! For me, not hearing swear words on network TV takes a little of the realism out of certain dramatic scenes.

So why the #$%@ do I have a problem with swearing on Star Trek, you ask? After all, if I want more realism on TV, then why shouldn’t Star Trek be as realistic as other shows?

Fair question. And I am going to explain why. But in order to do so, I need to take you all on a fast time wrap through the first 50 years of Star Trek…

8 YEARS in the making, INTREPID releases their 12th fan film: “DISSONANT MINDS”! (interview with NICK COOK)

Quick reminder: these nice folks from Scotland currently have an active Indiegogo campaign trying to raise about $2,600. With one month down and one month to go, they’re two-thirds of the way to their goal. If you’d like to help them get the last $800 of the way there, please click the link below…

https://www.indiegogo.com/projects/help-fund-echoes-a-starship-intrepid-fanfilm

Scottish fan series STAR TREK: INTREPID began work on their first Trek fan film waaaaay back in 2003. Since then, they’ve completed production on a dozen fan films ranging in length from 6 to 47 minutes. (Read more about their history here.) Their latest release, “Dissonant Minds” came out last week, reconfirming their status as the longest-running, still-active Star Trek fan film group in the world!

Considering that these folks have been producing Trek fan content for 17 years, it may not be as surprising as some might think to discover that a good deal of the footage in this latest fan film was shot back in 2012! Yep, this fan film has been EIGHT YEARS in the making!!! And “Dissonant Minds” also had help from show-runners on three other major Trek fan productions (although it is not a crossover).

So let’s take a look…

If you’re curious which parts are from 2012, it’s all of the outdoor scenes plus the scenes in the governor’s office. What happened to make the production take so long? Well, unfortunately, after a full weekend of grueling filming way back when, a good portion of the outdoor shots turned out to be unusable in the final production for various reasons, and so the footage lingered on a hard drive.

Why not just re-shoot it? Show-runner NICK COOK explained that one of the cast, BODO HARTWIG, lives in Germany, so accommodating his schedule was an issue. “I didn’t feel comfortable asking him to make a second trip to reshoot it,” Nick told me. “The other issue was that this was sort of the start of a period of slow down for us, largely due to me being busy with work and family—and probably a degree of burn out. These films are hard work and can be pretty draining.”

Eventually, the script was reworked to incorporate a number of new scenes to make up for the loss of footage planetside. The bridge, sickbay, and space station scenes were shot separately s few years later on green screen using the revised script. “The original script is quite different and involved a lot more time with Merik and the civilians,” Nick explained. “I really struggled finding the right direction for that revised plot. I had a few dead end ideas over time, but I kept coming back to it.”

And yet, even with more footage filmed, the film didn’t make much more progress in post-production until a fellow fan filmmaker stepped in to help…

STARSHIP ALEXANDER launches from Potemkin Pictures with “CRYSTAL EYES”! (interview with RANDY LANDERS)

POTEMKIN PICTURES started up a decade ago with PROJECT: POTEMKIN…which ran for 36 episodes. Since then, another 45(!!!) additional fan films have been released from six different creative teams: BATTLECRUISER KUPOK, STARSHIP DEIMOS, STARSHIP TRITON, HOSPITAL SHIP MARIE CURIE, STARSHIP TRISTAN, and STARSHIP ENDEAVOUR.

Well, there’s a new kid, er, creative team on the block now: STARSHIP ALEXANDER. And Potemkin Pictures has just kicked off their eighth fan “series” (although please do NOT call them fan series…as the films are all independent productions, each with its own unique story and title) with the brand new fan film “CRYSTAL EYES.” The USS Alexander is an Excelsior-class variant with the “water wings” of the Enterprise-B (and later, the USS Lakota). And I must say that the CGI visual effects from ROSS TROWBRIDGE using an Excelsior model from DAVID METLESITS all look exquisite.

The 16-minute fan film was shot on the same bridge set as the majority of other Potemkin projects and also at the Moss Rock Preserve in Hoover, Alabama. It is a joint production between Potemkin Pictures in association with Black Ops Productions, featuring an entirely new crew of actors…and a couple of familiar aliens. See for yourself…

Naturally, I had some questions about this newest Potemkin creative group. So I once again went to the man at the top, RANDY LANDERS, for answers…

Sunglasses on Vulcans and other nits to pick about PICARD…and why they don’t matter to me! (editorial review)

SPOILERS ABOUND!

As I read review after review of the third episode of STAR TREK: PICARD, “The End IS the Beginning,” the one common complaint I encountered over and over again is that the series seems to be moving TOO SLOW. It seems a fair number of people are really bothered by the fact that this third episode wasn’t any more action-packed than the first two (except the Zhat Vash attack on the Château Picard toward the end), and how after three full episodes, it was only in the last few seconds of the third episode that Picard finally says “Engage…” (hooray!) and we’re finally leaving Earth for deep space. The end really was the beginning.

Too slow, huh? Give me a break people! Let’s be honest: the real problem with this episode is that there was a Vulcan Commodore wearing sunglasses! I mean, really? Vulcan has a stronger sun than Earth, and Vulcans have that inner eyelid thingie (which we learned in the TOS first season finale “Operation: Annihilate” when Spock recovers from temporary blindness).

Oh, sure, there’s sunglasses in the 24th century. Barclay wore a pair on the beach in Voyager. But on a VULCAN??? Never! And just look at that commodore rank pin! It’s skewed! Would a Vulcan ever allow such a thing to happen? Would the Starfleet of the future even have rank pips that didn’t stay perfectly in place? This is is the FUTURE, people! Between the sunglasses and the rank pip, people might start to suspect that Commodore Oh isn’t really a Vulcan at all—despite her smooth forehead—and a Romulan agent would never be that sloppy…nor would an actual Vulcan!

And speaking of foreheads, we’re now told that the bumpy heads of Romulans are just a genetic variation of those from the north??? Really? Like blond hair or blue eyes here on Earth? Pshaw! Everyone knows that in the 4th season TNG episode “Data’s Day,” the faux-Vulcan Ambassador T’Pel returns to the Romulans and reveals herself to, in fact, be a Romulan…complete with a bumpy forehead!

“Vulcan” Ambassador T’pel’s forehead goes from smooth to bumpy when she reveals herself to be a Romulan spy in “Data’s Day.”

What? You can explain that? Maybe she was really a northern Romulan and just got smoothed over for the undercover espionage assignment? Suuuuuure she was. I don’t buy it for a second.

Actually, you guys shouldn’t buy anything I just wrote! I was totally kidding!!!

None of the above items really bothered me. Well, technically, I wasn’t thrilled about Commodore Oh’s rank pip. But when it comes right down to it, I really don’t have any desire to criticize this show right now. And that’s kind of weird because I’ll jump down the throat of any random goof or discontinuity in an episode of Discovery and bash any Star Wars movie made after 1983 for every stupid, illogical, incoherent plot hole I find.

I’m a sci-fi fan, and we live to complain. So why don’t I want to complain about Picard? It’s really weird! Let’s do some soul searching…

AXANAR tops its $50K phase one crowd-funding goal…and announces phase two in MARCH!

For the fourth week in a row, I’ve got some AXANAR news that’s significant enough to warrant its own blog. And for anyone thinking, “Oh, you talk about Axanar all the time!”—my last Axanar blog prior to mid-January was three months earlier in mid-October.

Anyway, today’s new is actually VERY big, as it deals with Axanar‘s crowd-funding. As many of you are already aware, the legal settlement that ALEC PETERS signed with CBS and Paramount permitting him to produce and release Axanar as two 15-minute fan films does, in fact, allow him to crowd-fund them…and exceed the $50K guideline limit. But Alec isn’t permitted to use a public service like Kickstarter or Indiegogo; he must crowd-fund privately behind a firewall…which can be accessed at the following link:

https://aresdigital.axanar.com/

Alec also cannot publicly solicit donations (although others are allowed to), meaning that Axanar cannot take out advertisements or post the above link on social media, and Alec can’t ask for donations in YouTube videos or during interviews. It’s a challenging constraint, to be certain, but Alec has been diligent to abide by that requirement of the settlement agreement.

And indeed, even being limited to requesting donations only via e-mails to Axanar‘s existing donor list, it’s even more impressive that Alec and his team have been able to raise more than double what even the most successful post-guidelines Star Trek fan films have been able to generate even using public crowd-funding sites and being allowed to solicit donations on social media and elsewhere.

Last Thursday, the Axanar Phase One crowd-funding campaign finally crossed its $50K goal threshold, effectively paying for the first two of the four scheduled shoots—which happened in October and December of last year. The remaining two shoots, currently scheduled for March (previously February) at Ares Studios and April in Los Angeles, will complete all of the live-action scenes necessary to finish the two Axanar sequels. (A potential fifth shoot at a special Los Angeles location is still up in the air at the moment.)

The Ares Studio shoot is fairly minor, just some green screen interviews of Garth and his first officer Tanaka. But the April shoot is major, involving GARY GRAHAM as Soval plus a few other aliens and some humans (KATE VERNON?—no public confirmation on that yet). There will be some significant costs associated with that shoot, including green screen studio rental in L.A. plus prosthetics and make-up.

The estimated budget for these two shoots is around $30K (not yet finalized), and Alec will be launching a Phase Two campaign for that in March, along with debuting the first full Axanar trailer!

Check out what the CZECHS are doing with SQUADRON!

Holy Eastern European Star Trek fan film blockbusters! Have you seen all of the early hype about SQUADRON yet??? If you haven’t, you will…I can assure you! And the main reason is a fellow named JAKUB HOLÝ from the city of Prague in the Czech Republic. Bordering Germany, Austria, Poland, and Slovakia, the Czech Republic is about as big as the U.S. state of Louisiana. But what the country lacks in size, it more than makes up for in Star Trek fanaticism and ingenuity!

Jakub contacted me recently to see if I’d be willing to interview him prior to the launch of their new Indiegogo campaign later in February with a goal of about $15K (not sure what that is in Euros at the moment) to fund post-production on Squadron. Jakub had photos, videos, and even a press kit! So I took a look…

WOW!

Even though I don’t speak Czech, there were versions of everything in English, as well…

What I quickly discovered is that these guys have what could very well be one of the coolest-looking 24th century-era Star Trek fan films that we’ve seen yet. I’ll include some photos at the end of this blog, but a few things in particular stood out for me.

Forget poker…STAR TREK: PICARD is all about CHESS! (editorial review)

Admiral, there be spoilers here!

Have you ever watched a poker tournament on TV…or even just flipped past one while channel surfing? (Do people even channel surf anymore?)

It’s a pretty good bet that you’ve probably seen at least a glimpse of a poker tournament. They’re actually kinda exciting! Every hand is different. Every bet could change the balance of power and the fortunes of any player at any time. The stakes can be high and the tension even higher. It’s no wonder that poker tournaments have found their way onto broadcast television.

But what about chess?

Chances are you’ve never seen a chess tournament broadcast on television…except maybe highlights of one on the news. And why would you? Chess isn’t exactly a thrill-a-second game (although it can be if you know what to look for, but most of us don’t). And unlike poker, where a game is made up of a series of hands that each reset gameplay, a chess game unfolds and develops veeeeeeery slowly and carefully. It’s not what you’d call riveting TV!

Since the very first season of TOS, Star Trek has embraced both the games of poker and chess—from Kirk’s corbomite bluffs to Spock’s 3D chess to the TNG crew’s regular poker nights. And of course, the first episode of STAR TREK: PICARD opens on a dream sequence poker game with Data.

I thought about these two games as I watched the second episode of Picard, “Maps and Legends.” After a very exciting teaser where we see and learn more about the First Contact Day synth massacre on Mars (they were hacked!), the episode very quickly puts on the brakes and doesn’t accelerate again for the rest of the 44-minute episode. It was pretty much all talk—although still dramatic and well-acted—for 37 straight minutes.

This seemed odd to me as a viewer.

The friend I watched with said he definitely didn’t like the second episode as much as the first. The first, he opined, had a message, a theme, of growing older, of looking for purpose in one’s twilight years, of seeing the world change into something your idealistic self wouldn’t recognize nor approve of. But what was the message of the second episode? There wasn’t one that he could see, just scene after scene of mostly exposition.

It wasn’t that either of us didn’t like the episode. We just didn’t like it as much as the first one. And initially, I didn’t understand why. But now I do…

PAUL JENKINS discusses directing the AXANAR sequels, working with ALEC PETERS, and MUCH MORE! (audio interview)

I love PAUL JENKINS. I just do. Over the past few months, he has become one of my favorite people on the planet…and when you listen to my interview with him, I think you’ll understand why (or at least, I hope you will).

When it comes to AXANAR, it always seems to be ALEC PETERS this and ALEC PETERS that—here an Alec, there an Alec, everywhere an Alec, Alec. But as Alec himself would be the first to tell you, Axanar is a TEAM effort, and the team is made up of some very talented and dedicated individuals…and few more so than Axanar co-writer and director, Paul Jenkins.

When Alec first announced that Paul was joining the project back in 2017, replacing ROBERT MEYER BURNETT as director as well as helping to co-write the two-part, 30-minute fan film allowed by the settlement with CBS and Paramount, a number of fans were initially scratching their heads. And I’ll admit, I was one of them.

After all, I really only knew Paul from the days when I was reading twenty comic books a month, and his name was on many of them. Paul is widely considered as the person who helped save Marvel Comics from chapter 11 bankruptcy in the late 1990s with the development of the Marvel Knights imprint. Later, he went on to write the ground-breaking Wolverine: Origin (which was later turned into a motion picture). In fact, Paul has worked for various comic book publishers—including DC, Mirage, and Tundra. He developed video games, too. So yeah, Paul can obviously write.

But could he direct?

It turns out, the answer is yes. In fact, Paul co-founded META Studios in Atlanta, has been directing for about 20 years, and was even asked in 2015 by Georgia Governor Nathan Deal to assemble and chair an advisory committee to educate the Georgia General Assembly on the evolution of digital and interactive technologies. So yep, Paul’s a pretty big deal…but you’d never know it by speaking with him. The man is as humble and soft-spoken as they come.

I learned this firsthand during the shoot for my Axanar Universe fan film INTERLUDE. Paul popped by Ares Studios on that Sunday to say hi and see how things were going. He stayed off to the side, just happily watching, and even volunteered to stand behind the turbolift and flick the console lights on and off during a torpedo “hit.” The guy who saved Marvel Comics was flicking lights on my fan film??? You bet!

Later, during a break, Paul chatted with me for a good 45 minutes, sharing some stories, some insights, and just shooting the breeze. He even hung out with Interlude directors VICTORIA FOX and JOSHUA IRWIN during some quiet moments when they weren’t both doing a thousand things. He was a true gentleman and a lot of fun to talk to.

So when I had the opportunity to chat with him some more and record the call, I jumped at the chance! Take a listen…