Blog Entries – Page 24 – Fan Film Factor

When you find yourself YELLING at the screen multiple times, it might NOT be the best episode of ST: DISCOVERY… (editorial review)

AND JONATHAN SAID: “LET THERE BE SPOILERS…”

I remember one of my biggest pet peeve scenes from Star Trek TOS happened during the episode “Tomorrow Is Yesterday.” The Enterprise had just done a slingshot around Earth’s sun and is traveling back to the future. They’ve beamed Captain Christopher and the Air Force MP back into themselves (whatever the heck that was), restoring the past, and just as they cross the orbit of Pluto, Spock says, “Braking should begin…now.”

Growing up on nearly constant nightly reruns of Star Trek, I had always thought of “now” as meaning “this very moment.” Spock’s a pretty precise guy! He wouldn’t say “now”—especially with that slight pause before saying it—unless the Vulcan meant, “You should start braking the exact moment you hear me saying this.”

Instead, Captain Kirk slowly turns in his captain’s chair, nonchalantly pushes one of the buttons on his armrest, and says, “Bridge to engineering…begin full braking power.” Now, why Sulu couldn’t do it from the helm as soon as Spock said “now” or Kirk said “do it” or something, I never quite understood. Years later, I realized that the writers wanted one more opportunity for Scotty to remind Kirk of the danger. And indeed, we cut to Scotty in Engineering saying, “Pulling away from the sun weakened ’em, sir. They may blow apart if I reverse…”

Um, what part of “now” are they having a problem with? Scotty knows the situation: they’re in a time warp flying at ludicrous speed through decades, even centuries. You either start braking “now” or else you’re gonna overshoot the 23rd century and wind up in the 32nd…and that century already has another time-displaced starship from your era!

But rather than saying, “WTF, Scotty, cut the damn engines NOW!!!” Kirk responds casually, “No choice, Mr. Scott…” at which point Scotty takes a leisurely stroll over to the back of engineering and nods to two crewmen who start—nearly 18 full seconds AFTER Spock said “now”—to finally begin stopping the ship.

It was one of the few times in Star Trek that I would yell at my TV screen.

I still really like that TOS episode, and of course, I understand that the writer, the director, and the film editor simply wanted to wring as much tension and suspense out of the scene as possible. But even years and decades later, it still bothers me enough that I’ve just spent 400 frickin’ words of a STAR TREK: DISCOVERY review kvetching about it!

But that’s my lead-in to discussing the fifth episode of Discovery‘s fourth season, “The Examples.” Like “Tomorrow Is Yesterday,” it’s a decent enough episode…not my favorite, not awful. But also like “Tomorrow Is Yesterday,” it left me yelling at the screen—although in this case, it was multiple times!

Let’s discuss…

Why are some people attacking JOSHUA IRWIN???

There are certain people in fan films that almost no one complains about. These are nice people with good hearts, dedicated fans always happy to go that extra mile—sometimes even hundreds or thousands of miles!—to help other people out.

JOSHUA IRWIN is one of these people.

He is a consummate professional, skilled at his craft of filmmaking, and never too proud to lend a hand to others. He never, ever criticizes another fan film publicly. Like me, Josh believes in encouraging others, just as he himself was encouraged when he started out. Look though Facebook and try to find an example of Josh saying anything negative about another Star Trek fan film. If you can find me something, I will personally send you $5 on Paypal. Seriously. Go look.

In addition to making his many, many AVALON fan films (he’s released FIVE this year alone!), Josh helps out on other fan productions, as well. Josh has already lent his talents to VANCE MAJOR for CONSTAR (both past and upcoming) and also to GLEN WOLFE and DAN REYNOLDS for THE FEDERATION FILES. Last month, Josh drove 11 hours each way to supervise behind-the-scenes interviews, videos, and photos for the one-day green screen shoot for the upcoming AXANAR sequels. And already scheduled for next year, Josh will be assisting SAM COCKINGS with shooting footage for one of his many TREK SHORTS fan films and helping JIM VON DOLTEREN write a script for an upcoming Star Trek fan film. And all of this while working crazy hours in the professional filmmaking industry in northwest Arkansas AND raising three great kids in partnership with his wonderful wife!

Oh, let’s not forget that Josh was my director of photography and film editor for INTERLUDE and recently spent an additional four months making tweaks for the successful launch of a new release (version 3.0) that has been met with solid praise and accolades. Let’s also not forget that Josh drove 11 hours from Arkansas to Georgia and back over the course of two days to reshoot portions of Interlude so that we could quickly replace the footage of PAUL JENKINS that he demanded be removed from the film.

In short, there’s a lot of fan film folks who love and appreciate Josh and all he does for our community. And that’s why so many of us were shocked and disgusted at what was posted this past Thursday…

And this, my friends, is how hurtful, malicious rumors are created out of thin air.

For the record, MATTHEW MILLER has never worked with Josh Irwin on any project. So it’s not entirely clear when he says, “I can’t share what I know…” exactly what it is he allegedly “knows.”

INTERLUDE Confidential #22: Presenting INTERLUDE version 3.0!!!

Geez, Lane! How many times are you going to re-do your frickin’ fan film???

Back in April, we premiered a version of my AXANAR Universe fan film INTERLUDE with PAUL JENKINS playing the chief engineer of the ill-fated U.S.S. Artemis. At the time we shot those engineering scenes, Paul was still directing the Axanar sequels and had been a great help behind-the-scenes advising my directors JOSHUA IRWIN and VICTORIA FOX along with myself on ways to work collaboratively on finishing up the production. Giving Paul a small role in Interlude seemed like a fun way to acknowledge his generous help, and Paul was happy to appear in our film.

Then things soured between Paul and Axanar producer ALEC PETERS—Paul was no longer director, lawsuits were filed, fire and brimstone came down from the skies, rivers and seas began boiling, forty years of darkness, earthquakes, volcanoes, the dead rising from the grave, human sacrifice, dogs and cats living together, mass hysteria. (Wait, that was Ghostbusters…who here loved Afterlife?)

Anyway, just as we were about to release our just-completed Interlude fan production on April 5, Paul informed us that he no longer wished to appear in the film and demanded we remove his footage. There wasn’t time to replace his scenes before the big premiere (he contacted us just a couple of days prior), but thanks to some scrambling and about 22 hours of round-trip driving from Arkansas to Georgia and back by Josh and his good friend TYLER DUNIVAN, we were able to get Interlude version 2.0 out just two weeks later, with Tyler replacing Paul as the engineer. You can watch that release here…

A couple of months later, while I was making a video about the editing process of Interlude, Josh asked me if I’d be okay if he created a special version of Interlude just for himself using a different transition between the first portion of the film (the battle sequence) and the epilogue documentary. You can watch the transition that we used at the 6:37 mark in the above video.

But Josh had always wanted to do a different transition using an alternate take of Garth where the camera slowly zooms out from a close-up. Victoria, as director, wanted to go a different way, but now that Interlude had been released, Josh was curious how the other transition would have turned out.

And so was I!

Truth to tell, I was never all that crazy about the transition that we ended up with and never even knew that we had an alternate take available. Josh said the new transition would be closer to what I’d initially had in the original comic book version of Interlude…a direct cut from the younger Garth to the older Garth as though he were emerging from a recollection of a haunting memory.

“Make it so!” I told him. A few hours later, I watched the new alternate transition for the first time.

My friends, it looked amazing! Such a small change, and yet it felt so much more impactful. And then I had a thought…

DISCOVERY’s “All Is Possible” is three STAR TREK episodes in one…yes, I said STAR TREK! (editorial review)

My friends, we’ve got SPOILERS…right here in River City…with a capital “S” that’s, um, also the first letter of STAR TREK!

THIS!!! This is what I (and many fans) have been waiting for!

There’s no question that season 4 of STAR TREK: DISCOVERY has been their strongest start so far…although that’s not setting the bar particularly high. Season one was a train wreck. Season two was saved by ANSON MOUNT as Pike (so much so that his new Star Trek series is premiering in just a few more months). Season three started off a bit better, but dystopian futures have been done to death. That’s not what Star Trek should be about. The future is bright in Star Trek—even if there’s threats to overcome like the Borg or Dominion—it’s just knowing that the Federation is there as a beacon of hope to the galaxy that grounds Star Trek in a foundation that promises that…well…”All Is Possible.”

That’s the title of this fourth episode of season four. And it stands as proof—proof, I say!—that Discovery CAN do Star Trek…real Star Trek—not something that, if you squint just the right way, you can convince yourself is Star Trek.

So what happened?

The show hasn’t suddenly changed overnight. The evolution has been slow and steady over the four episodes of this season so far. And it’s possible that this fourth episode was a fluke and the fifth or sixth or seventh episodes (or all of them) will have the same old—or new—problems. Or this could be the start of a run of really strong episodes that make fans think, “Hey, maybe they really are finally figuring out how to do this show.”

But again, what was it about this particular episode that they get so right that they haven’t gotten right before (at least not all in one episode)? Let’s take a closer look…

2020 BJO AWARD winners!

Up until the world turned upside down and we started sheltering in place, the annual BJO AWARDS were awarded live at the TREKLANTA convention in Atlanta, GA. Last year, however, Treklanta was virtual, and the Bjo Awards didn’t happen. This left the 2020 Bjo Awards for eligible Star Trek fan films released in 2019 in a kind of limbo.

But Treklanta Chairman ERIC L. WATTS made the decision to still have the 2020 Bjo Awards…even if they happened a year late. And so, in the latter half of this year, eleven judges watched a total of 27 qualifying Star Trek fan films with a total run-time for all the films combined of 9 hours, 54 minutes, and 19 seconds. That’s a LOT of fan film binge-watching!

Although Treklanta was virtual once again this year (back in August), the winners were still announced live, but this time it was on the evening of December 11 at NEUTRAL ZONE STUDIOS (home to the amazing STARSHIP FARRAGUT/STAR TREK CONTINUES TOS sets) during their fan appreciation weekend.

Although I typically don’t review Star Trek fan films, I do rate them here on a scale from DECENT EFFORT to PRETTY GOOD to HIGHLY RECOMMENDED to MUST SEE. This year, of the many, many Bjo Awards finalists, five fan films from 2019 made it to my highest MUST SEE level. Of those, three pretty much swept every category in this year’s Bjos—so the judges weren’t crazy (unless I’m crazy, too…a possibility that can’t be completely ruled out, of course).

As it happened, three individual fan filmmakers—British CGI Sensei SAMUEL COCKINGS, the fan film Wonder from Down Under AARON VANDERKLEY, and Arkansas Avalon Admin JOSH IRWIN were all “in attendance” to accept awards either on behalf of themselves or members of their team who weren’t there. In the case of the latter, Josh had driven down with Team Avalon members NEAL BILBE and PIXI NEREID (the latter co-hosting the awards with Eric Watts—see photo above). Sam and Aaron joined in via Zoom from their respective continents.

STARSHIP FARRAGUT finally releases series finale “HOMECOMING” (interview with JOHN BROUGHTON, PAUL R. SIEBER, and STEVE SEMMEL – part 2)

Last time in Part 1, we celebrated the highly-anticipated release of “Homecoming,” the finale of the long-running Trek fan series STARSHIP FARRAGUT, by interviewing show-runner JOHN BROUGHTON, writer PAUL R. SIEBER, and post-production supervisor and composer STEVE SEMMEL. We found out which elements delayed the completion of the film, what it was like shooting scenes with the legendary STAN LEE, and a whole bunch of other stuff that I’m not going to bother to recap because we’ve still got so much great interview left!

But before we dive into the conclusion, I’d like to recommend (if you’re interested in Starship Farragut) that you check out this 3-part blog covering the fascinating history of this venerated fan series from 2004 – 2016. And definitely watch the finale “Homecoming” if you haven’t already…

For anyone interested in the new sequel series, FARRAGUT FORWARD, I’ll be covering that soon with John and his director in an upcoming blog. But for now, let’s continue to celebrate this wonderful fan series with a question that goes back to the very beginning…

JONATHAN – I’ve always wondered: what made you choose the U.S.S. Farragut rather than one of the other major starships like Potemkin or Lexington or Republic?

JOHN – When I first started working on this project, it was going to be called Starship Excalibur. But then I learned that JOE KEREZMAN was doing his own fan film called STAR TREK: EXCALIBUR. And he reached out and said, “If you change your name to any of the other ships, I’ll make you—gratis for life—all the chest patches that you need.” And I said okay. I wasn’t that married to it.

So I looked at all of the patch designs that Joe had created, and the Farragut, which has an oval patch design—I thought that will be easy to sew, since I was making all the costumes myself—coupled with the Navy tie-in because I’m a veteran of the U.S. Navy, opted with the Farragut. Joe supplied me with one batch of patches, and that was it. But it was enough for what we needed, until we had our own embroiderer doing the patches for our project. All in all, I’m glad we went with the Farragut.

JONATHAN – So once you’d decided that you wanted to make a fan film, what did you do next?

JOHN – Initially when I started, I pulled in my dad, JOHN BROUGHTON, SR., and other friends, and then it just kinda grew as time went on. We were able to get professionals involved in the project, then we got our first studio in St. Marys, GA…which was much smaller than the Kingsland, GA space that the sets are now in. A lot of the initial sets were built by my father, then we had other volunteers that came on board and helped out.

STARSHIP FARRAGUT finally releases series finale “HOMECOMING” (interview with JOHN BROUGHTON, PAUL R. SIEBER, and STEVE SEMMEL – part 1)

The history of the fan series STARSHIP FARRAGUT stretches all the way back to 2004 and spans a total of 6 full-length fan films, 3 shorter vignettes, and 2 animated-style fan films (one of them featuring the voices of TIM “Tuvok” RUSS and CHASE “Leeta” MASTERSON). Farragut Films was responsible for the majority of the construction of amazing TOS sets that were also utilized for STAR TREK CONTINUES and DREADNOUGHT DOMINION and are still available for use by fan filmmakers at NEUTRAL ZONE STUDIOS in Kingsland, GA. Farragut also spawned a short-lived spinoff series called TREK ISOLATION that released three vignettes. And coming in 2022, a sequel series titled FARRAGUT FORWARD will move some of the Starship Farragut characters into the Wrath of Khan movie era Trek.

Since we have so much material for today’s interview, I’ll keep the background introduction fairly brief. But if you’d like to read the full backstory of this proud fan series, here’s Part 1 of a 3-part deep-dive into the full history of Starship Farrugut. Well, ALMOST full. The final part of that blog feature came out in early 2016, a month before the release of their penultimate episode, “The Crossing,” and a few months before reshoots wrapped on their announced series finale, “Homecoming.” Crowd-funded with about $15K in late 2015, fans expected to see a completed fan film later in 2016 or maybe 2017. That didn’t happen.

Instead, it wasn’t until mid-2020 that STEVE SEMMEL announced that he was taking over as post-production supervisor, having started off simply doing the music for the episode. I interviewed Steve in June of last year, and he promised a delivery date in the second half of 2021 “most definitely.” And indeed, that’s exactly what happened, as “Homecoming” was released on October 1. Take a look…

I reached out to three people to discuss “Homecoming”: show-runner and lead actor JOHN BROUGHTON and writer PAUL R. SIEBER (both of whom have been with Starship Farragut since the very beginning), and of course, Steve Semmel (who came on board in 2018). We covered so much great behind-the-scenes information about both the finale episode and also going back to the earliest days of the series back in 2004.

I received so many awesome answers that I’ve decided to divide this interview into two parts. Let’s get started…

Did STAR TREK: DISCOVERY just tell us that Admiral Vance is (metaphorically) ALEX KURTZMAN??? (editorial review)

SPOILERS BE SPOILIN’, BRUH!

After I watched the third episode of STAR TREK: DISCOVERY‘s fourth season, “Choose to Live,” I was torn about what to focus on in this blog. There were so many possibilities going through my mind! So before I get to paying off the headline that got you here (feel free to skip to the end to read about the how I think there is a “not so secret” message for the Kurtzman haters embedded at the end of the episode), let me tell you a few other thoughts that I had about this one…

BUT FIRST!!!

Before I begin, let me say in ALL CAPS and bold italics: THIS WAS A VERY ENJOYABLE EPISODE!!!! Each of the three episodes this season have been superior to most of what Discovery has done before. People keep reading my blogs and complaining that I hate Discovery and just want to find reasons to trash it. No, no, no! I want to DISCUSS it—both the good and the bad. If the show was perfect each week, I’d have nothing interesting to say other than, “Hey, wasn’t that a great episode???” If all I ever did was bash the show, then why am I still watching it each week? Instead, I try to call balls and strikes as I see them as a starting point for thinking about the series and analyzing what’s working and not working. If that’s not your thing, then don’t bother with my blog. No need for insults on Facebook.

Okay, NOW for my thoughts on this episode…

JUGGLING TOO MANY SUB-PLOTS?

Last week I discussed how many things were going on simultaneously in the second episode: 1) Book’s emotional devastation over the destruction of his planet and loss of his family, 2) Michael’s struggles balancing command with personal feelings, 3) Saru’s return to Discovery, 4) Tilly’s problems adjusting to her new normal, 5) Adira’s uncertainty about Gray getting a new Soong-synth body, 6) Stamets’ feeling of inadequacy and struggles relating to Book…plus there was the anomaly to learn about and the fact that flames and rocks are spontaneously erupting onto the bridge during red alert!

Well, if I (or you) were hoping for a few less spinning plates this episode, that didn’t happen. This episode juggled the following plot lines: 1) Michael’s relationship with her mother, 2) Tilly is still having her existential crisis, 3) Book is still dealing with his pain, 4) Stamets is trying to figure out the anomaly but can’t find those darn tachyons, 5) Gray’s consciousness is now in the new synth body, but he’s not waking up…all of this while dealing with a rogue Romulan ninja nun with an ends-justify-the-means mentality (and a badass sword).

Well, I suppose the good news is that that’s one less ball in the air than last week AND nothing was spitting out flames at the bridge crew…!

R.I.P. JACK “TOWAWAY” EATON — 1962-2021

My friend JACK “TOWAWAY” EATON has just passed away. He was 59, and yes, that is TOO goddamn soon!

If you’re part of the fan film community, it’s likely you’ve never heard of Jack…although he did attend Farragut Fest back in 2012 is friendly with a number of the folks who have been involved with the TOS sets at what is now called NEUTRAL ZONE STUDIOS in Kingsland, GA.

If you’re a member of STARFLEE T : The International Star Trek Fan Association, Inc. then you probably known him as Vice Admiral Jack Eaton, former Region 2 Coordinator.

And if you’re GEORGE “Sulu” TAKEI, you know him simply as “Towaway” because you gave him that nickname.

I met Jack back in the late 1980s when I was going to school at Cornell and was heavily involved in STARFLEET International‘s Region 7, which at the time included nearly all the Mid-Atlantic and New England states. I was XO on the U.S.S. Avenger chapter based in New York and New Jersey, and Jack was with the U.S.S. Christa McAuliffe, based in Massachusetts and Rhode Island, where he lived before moving south to the eastern central coast of Florida.

The McAuliffe crew never took themselves very seriously. They would show up at regional and international conferences all wearing bathrobes, slippers, and fedora hats…saying that was their official uniform. Their club meetings consisted of bowling drunk on Friday nights in Providence, RI. They were funny and fun-loving, totally open and inclusive, the kind of people you were just happy to know existed in Star Trek fandom.

And Jack was one of their ringleaders…and proudly so.

Like an assassin who knows 1,000 ways to kill a person, Jack knew 1,000 ways to make a person laugh…including the aforementioned assassin. He had a good and generous heart. And despite his natural ability to play hard and relax even harder, Jack could get things done and accomplished when they needed to be and was an effective leader for Starfleet’s Region 2 when he moved down there.

Jack broke any mold you could possibly imagine. He loved all sci-fi the way he loved a good cigar and a smooth bottle of scotch. And yeah, enjoying that kind of lifestyle doesn’t usually help in living a long life. I can still be sad about it, though.

Jack and I weren’t buddy-buddy close, but we were a few steps up from just casual Facebook friends and kept in touch semi-regularly over the years. It was just good to know that, somewhere on the surface of this planet, Jack Eaton was breathing air (or cigar smoke) and probably making someone laugh.

Now, neither of those things are happening anymore, and the world is lessened because of it.

‘Tis the season for GIVING…to FAN FILMS!

When folks come to me for advice on crowd-funding their fan projects, I always tell them the same thing: DON’T LAUNCH YOUR CAMPAIGN DURING THE HOLIDAY SEASON!!! Ever since 2015, I’ve noticed that fan film crowd-funders that try to raise donations in November and December often struggle to reach their goals or even fail outright. The holiday season seems to be a “donation desert” for fan films.

It makes total sense. Nearly everyone is buying Christmas (or Hanukkah or Kwanza or Festivus) gifts for friends and family. And before COVID, people used to take expensive vacations during the holidays to visit family or just get away—remember when that used to happen? Charities, of course, usually choose this time to appeal to that ol’ spirit of giving and approach (hopefully) generous donors to give a little sumthin’. And soon Christmas bonus checks are spent before they even get cashed, and bank account balances do their impression of the Titanic.

I get that…not the time for fan films to ask for money.

But this past Monday, I received a bunch of e-mails from various places informing me that “Giving Tuesday” was here. So now we apparently have Black Friday, Cyber Monday, and…Giving Tuesday? When did that become a thing? Actually it started in 2012 at New York City’s famous 92rd Street Y (where I went to summer camp back in 1981) and has grown into an international movement to encourage a little healthy philanthropy among the manic bargain-hunting.

I wasn’t able to write a blog in time for this year’s Giving Tuesday because I just had cataract surgery early this week, and it took away my ability to see the text on my computer screen for a couple of days. Today is the first day I’ve got reliable sight back enough to compose a blog.

I’d actually been meaning to post something reminding folks about the ongoing Fan Film Factor Patreon to cover my annual expenses for keeping this blog site running. Currently, I’m taking in enough in monthly donations to cover the costs of domain registration and hosting, technical support, and security services.

But last month, I added a new annual expense: a $160/year Pro Account for Zoom. You might have noticed that I’ve been doing more video interviews with fan filmmakers lately. Zoom is an easy way to reach multiple people and record the interview calls. And Zoom is free as long as your call is less than 45 minutes or has only one other person on it. But my interviews go 60-90 minutes, and I often have multiple people on at the same time.

So with “Giving Tuesday” happening, even though we’re in the middle of the “fan film donation desert,” as I call it, I thought this might be a good time to post a little reminder about my Patreon…

I’m looking for monthly contributions of $1, $2, whatever folks can spare to help cover the annual expenses of Fan Film Factor…

PATREON link: https://www.patreon.com/fan_film_factor