News – Page 44 – Fan Film Factor

Just posted: PAGE 4 of the INTERLUDE comic “STARDATE 2245.1”!

As usual, a quick check on the GoFundMe campaign. While donations have slowed, they’re still coming in and inching us closer to our $19,500 goal. Right now, we’re 45.3% of the way there and 118 donors, with some promotional pushes planned over the next couple of weeks. Fingers crossed!

In the meantime, if you haven’t donated yet, have a little extra to spare at the moment, or simply want to help us spread the word, here’s the link…

https://www.gofundme.com/interlude

And now, the blog…

SPOILER ALERT!

The spoiler warning is there to remind you that this short comic book story is pretty much identical to what you’ll see in INTERLUDE when it’s finished…only the comic is two-dimensional drawings without sound or motion or all the other cool stuff you see in fan films.

Interestingly enough, we’ve reached the point where I need to start being very selective in choosing which panel(s) to show at the top of the blog entry. I always like to show some thumbnail, as it increases the visibility of the link when I post to Facebook and Twitter. Also, if I don’t set the thumbnail, Facebook and Twitter will use their mysterious algorithm to decide for themselves with thumbnail to use…and that could inadvertently end up giving away an important spoiler.

So as you can see from the image at the top, I’ve chosen something very ambiguous to display while still showing off the amazing artwork of my illustrator DANIEL FU.

And speaking of Daniel, I’d like to take a moment to point out something that many of you might not have noticed. Sure, his art looks awesome…with great composition that moves the eye around the page, dramatic expressions and poses, confident line work, and contoured contrasts of light and shadow.

But did you notice the colors? I mean, they’re bright and vibrant and all, which is important for this era of Star Trek (before things got darker and less saturated in the later TV series like Discovery and Enterprise). But it’s more than just that.

When Daniel and I discussed the story and pages, I art directed him that I felt it was important to distinguish the two bridges—Ares and Artemis—which are, of course, identical. And they’re both at red alert, meaning they both should be colored to reflect that emergency battle status. So how could Daniel make two identical bridges, both tinged red for battle status, look different?

INTERLUDE intro: “getting from there to here” – Sound FX!

If you liked last week’s blog about the previs that went into the opening 19-second VFX sequence for my Axanar Universe fan film INTERLUDE, then you’re probably going to find this week’s blog just as fascinating.

But first, a reminder to please donate to our GoFundMe campaign (we’re nearly halfway to our $19.5K goal—just cracked $8.7K!)…

https://www.gofundme.com/interlude

Okay, let’s get this blog rolling!

I really feel like I’m walking with giants. This is totally my first rodeo. I’ve never executive produced a fan film (or any film) before. BUT!!! Through goodwill, good fortune, good nature, or just blind luck, I’ve managed to attract some incredibly skilled and experienced people to direct, produce, do casting, create visual FX, and take on other important tasks to make Interlude amazing. And isn’t that what fan films are all about—bringing together people who love Star Trek?

Three of those tasks were still required for completing the opening sequence for Interlude. My CGI guy, LEWIS ANDERSON (not his real name), had already produced this amazing VFX masterpiece…

But of course, there was no sound yet. We still needed music, sound effects, and someone to mix them together so that the music didn’t overwhelm the sounds of the engines/torpedoes/explosions…and also vice versa. These three tasks were the job of two of my “giants”: KEVIN CROXTON and MARK EDWARD LEWIS.

Kevin is a musical composer who has won an Emmy Award (and yes, I will say that over and over and over again!) and now teaches music in Arkansas. Last year, he wrote and directed the musical Star Trek fan film THE BUNNY INCIDENT starring his 4th and 5th grade music students.

Mark was the sound-mixer on PRELUDE TO AXANAR. He also did editing and sound-mixing on two episodes of Star Trek: New Voyages (plus dozens of other independent films and shorts), and will be doing the editing for the upcoming Axanar sequels. Mark has access to all of the original sound effects for Prelude, and he was happy to mix them into my fan film, too.

The only question now was kind of a chicken-and-egg one: who works on the opening sequence next? Does Kevin write the music first, or does Mark add the sound effects first?

Why I am NOT “neutral” about NEUTRAL ZONE STUDIOS…

I need to clear the air regarding myself and NEUTRAL ZONE STUDIOS, the TOS sets in Kingsland, GA that were originally used for STARSHIP FARRAGUT, later used for STAR TREK CONTINUES, and were recently purchased by RAY TESI and opened up to any fan filmmaker who wanted to use them, was able to pay $300/day, and was willing to follow the fan film guidelines.

I want to state for the record that I wholeheartedly SUPPORT Neutral Zone Studios and encourage anyone who is a fan of Star Trek fan films to support them, as well, through their Patreon campaign:

https://www.patreon.com/neutralzonestudios

As many of you know, I was originally scheduled to film two of my scenes for my fan film INTERLUDE there. Ray Tesi was 100% on board. In fact, when I was considering bringing my son Jayden to Georgia watch the shoots, Ray told me that he’d make sure the entire studio was lit up (all the lights and buttons) before we arrived so that when Jayden walked in, the first thing he’d see would be the USS Enterprise in all of its glory. Ray was even going to see if he could manage to drive up for the day from Florida to finally meet me in person and watch the shoot.

But over Memorial Day weekend at Neutral Zone Studios‘ Fan Appreciation Weekend 2, Ray informed my directors, JOSHUA IRWIN and VICTORIA FOX (who were there shooting interviews with VIC MIGNOGNA, MICHELLE SPECHT, and CHRIS DOOHAN to help promote the studio’s Patreon campaign) that Interlude was no longer welcome to use the sets.

Although ALEC PETERS, who was similarly banned, accused Vic of being the reason for Ray’s sudden change of heart, Star Trek Continues make-up artist, LISA HANSELL, posted this comment on Facebook the Monday after the event…

Now, all things considered, I should probably feel angry, hurt, insulted, frustrated…and to be honest, I did feel those emotions quite deeply for a short time. But I moved past it.

However, something happened this past weekend that has left me wondering if others haven’t let this go as I have. And I now feel that it’s important to state publicly that I have forgiven Ray and Lisa and (if he was involved in the decision) Vic…and anyone else who pressured Ray Tesi into changing his mind about letting my production film at NZS.

So what happened this past weekend?

The 3rd STARSHIP TRITON release “CONFRONTATIONS” led to an interesting question for RANDY LANDERS…

Lately, whenever POTEMKIN PICTURES releases a new fan film from one of their (currently) SIX different creative teams, I try to ask show-runner RANDY LANDERS a question or two about the latest episode.

With two different releases from Potemkin Pictures coming out on the exact same day (May 25), I tried to spread out the coverage a little by spotlighting one last month (STARSHIP DEIMOS “Children of Eberus“) and one this month. The joke’s on me, though, because Randy just released a third new fan film on June 22, but I’ll get to that one at some point soon!

Anyway, this blog focuses on the newest offering from the STARSHIP TRITON creative team: “Confrontations.” The series features as a main character Janice Rand (now a Commander, as this is movie-era, and also the first officer) along with, as of this latest episode, Dr. Christine Chapel. So far, Triton is the only Potemkin Pictures fan series to include canonical Star Trek characters as members of the crew.

“Confrontations” is this series’ third episode, having just re-cast the role of Rand with a new actress, PAM SHURETT, who gets some dramatic scenes with with the second officer, played by LEZLIE SAWYER (who seems to be popping up in fan films all over the place these days!). You can watch it here…

When I reached out to Randy to ask about this episode, I found myself wondering about something. Triton was the sixth different fan series to premiere from Potemkin Pictures. (You can see all the episodes from all seven series on their website.) PROJECT: POTEMKIN was their first series and wrapped up a couple years ago with three dozen episodes. That was followed by STARSHIP TRISTAN, STARSHIP DEIMOS, BATTLECRUISER KUPOK, and STARSHIP ENDEAVOUR…then TRITON and finally HOSPITAL SHIP MARIE CURIE.

So my question for Randy was: what happens to justify Potemkin Pictures launching a whole new series/creative team? Why not just put some of these characters and actors (like Rand and Chapel) onto a starship in an existing series?

I also wondered what had happened to necessitate re-casting the role of Janice Rand? Previously, for the various Potemkin series, when an actor moved away or was no longer available, the character was written off the series. I suppose, however, when the character is a major one, like Rand, recasting makes more sense. But nevertheless, I was curious.

Here’s Randy’s very informative answer…

Just posted: PAGE 3 of the INTERLUDE comic “STARDATE 2245.1”!

First, a quick check on the GoFundMe campaign: another three days, another $320 for a total of $8,651 from 111 donors. There’s also another $50 from Paypal donations, bringing us 44.6% of the way to our $19,5000 goal after three weeks. It’s all good, folks.

To donate or if you’d just like to help spread the word, here’s the link:

https://www.gofundme.com/interlude

And now, the blog…

SPOILER ALERT!

Once again, a friendly reminder that this 7-page (plus cover) comic book story is nearly identical to what you will see when INTERLUDE is completed and released. So if you don’t want to know anything about my fan film—and that’s fine!—please stop reading now and don’t look at the page artwork below…’cause that wouldn’t be quite as fine.

Let’s talk briefly about the captain of the USS Artemis: Imari Jakande. When I first wrote up my “alternate” script for the two Axanar sequels, I’d named the captain of the Artemis “Kyle Donovan,” and I didn’t really think about his race or background. I just needed a person in the center seat of that starship. Kyle could just as easily have been Kylie, as well. Race, gender, ethnicity…they just weren’t as important to me at that moment as getting my thoughts down on paper (well, keyboard) before they faded from my mind. Initially, I don’t even think the original three or four pages of the scene with the Artemis and Ares took me more than 15 minutes to write.

So when I first expanded that sequence into a seven-page comic book script, I left the character’s name as Kyle Donovan. My illustrator, DANIEL FU, suggested making him a black man, and I had no problem with that. Good idea! And when the page artwork came in, I loved what I saw.

A few weeks later was when I first showed the artwork to ALEC PETERS. I had already gotten his thumbs-up to do the comic, but I wanted him to be able to review the progress. After all, it was important to me that this story be acceptable “head canon” for the Axanar “universe.”

Alec liked the artwork, but suggested that, since the captain of the Artemis was black, perhaps he should have an African name. By this, Alec didn’t mean African American but rather from the African continent—like Uhura—with an authentic African name.

As Alec did with the Axanar character of Sam Travis, who was named after a famous military leader, I wanted my character to have an African name with some historical significance.

Turns out that was much easier said than done!

INTERLUDE intro: “getting from there to here” – Previs and VFX!

First, a quick update on the GoFundMe campaign for the INTERLUDE fan film. Since Monday’s blog, we’ve gained over $400 (2% closer to our goal of $19,500) for a current total of $8,331. We’ve also crossed the 100 backer threshold (currently at 109). So steady as she goes…!

As I say each time, if you haven’t donated yet, or if you’d just be willing to help spread the word, here’s the link:

https://www.gofundme.com/interlude

This is the first in a series of three weekly blogs I’ll be posting about the opening VFX sequence for my fan film Interlude and how it went from an idea in my head to looking like this…

When I first set out to raise money to make Interlude, I knew I needed to show something. Obviously, without costumes or a cast, we couldn’t shoot any actual footage. Of course I’d feature the creative people involved, but doesn’t typically create high excitement unless some of those people are Star Trek celebrities (which fan filmmakers can no longer use). So what’s left? Well, VFX, of course!

I spoke to my CGI guy, LEWIS ANDERSON (a pseudonym my friend is using) and asked if he’d be willing to churn out a quick visual effects sequence from my script to show what Interlude might look like. “Sure,” he said. “Shoot me over the script, and let me take a look at what you’re thinking.”

Easy-peasy. I sent him the full script, but highlighted the opening scene…

After receiving it, Lewis messaged me back: “Shouldn’t be a problem, Jon. Do you have anything storyboarded?”

As a matter of fact, I did! I actually had FOUR different storyboards!!!

The first wasn’t actually a storyboard so much as a more detailed description of the sequence that I had written up for my comic book artist, DANIEL FU, when I decided (a year earlier) to turn this script into a one-shot AXANAR comic book called “Stardate 2245.1” . The description I wrote up for Daniel was divided into three comic book panels and looked like this…

VANCE MAJOR releases binge-watching dates for THE CONSTAR CHRONICLES!

VANCE MAJOR has become a legend of sorts in the fan film community. He has unapologetically released over thirty different Star Trek fan films…all on his terms. And while I wouldn’t go so far as to say he chooses quantity over quality—he and his teams work very hard on each individual project—it’s fair to say that Vance’s films aren’t the most “polished” you will find out there.

So why watch them…and for that matter, why make them?

The answer lies at the very heart of what fan films are. And “heart” is the reason Vance continues to play in this small corner of the Star Trek sandbox. He LOVES making fan films. And he loves the people who love making fan films with him. He loves writing the stories and bringing his actors and production crews together. He loves visiting fan-made TOS sets or going out on location wearing Starfleet tunics. And he loves seeing the ideas that start in his head slowly take form and materialize into complete fan films that he can share with others.

Who cares if there’s a cord in the door…or the uniforms don’t fit right…or you can see where the bridge set ends and the wooden wall panel starts? Who cares if the wind is blowing too loud into the microphone or a scene is filmed in Vance’s living room? If you want $8 million episodes, watch Discovery. If you want $50,000 episodes, watch Star Trek Continues. But if you want to see what a Star Trek fan can create with the cash in his wallet, the loose change he finds in the sofa, a handful of fan donations, and sheer optimism and willpower, then Vance is your man!

As I said, Vance has already completed thirty-something separate Trek fan films in what I’ve chosen to call the Minard Saga. They all feature his character, Erick Minard, who—thanks to the mysterious Valhalla Stone—has lived from the pre-TOS era to the DS9-era of Star Trek. And not only has Minard appeared in Vance’s fan films, but he’s also appeared in cameos in many other fan series. You can see every appearance of Minard in this dedicated YouTube playlist!)

You might think that after writing, directing, producing, and appearing in so many Star Trek fan films that Vance would choose to take a break for a while. And he almost did. But the siren call was too much for him, and Vance returned for one or two more films.

Oh, heck…who am I kidding??? He’s planning to release another THREE DOZEN fan films!!!

Just posted: PAGE 2 of the INTERLUDE comic “STARDATE 2245.1”!

A quick check of the GoFundMe campaign before we begin. After two weeks, we’re already on the cusp of 100 BACKERS(!!!) with a total of $7,901—more than 40% of the way to $19,500. That’s FANtastic progress! If you haven’t donated yet, or if you’d just be willing to help spread the word, here’s the link:

https://www.gofundme.com/interlude

And now, today’s blog…

SPOILER ALERT!

If you do NOT want to know what my Axanar Universe fan film INTERLUDE will be about, if you want to want to go in completely cold with no idea what happen, then stop…

reading…

NOW.

Seriously. This far. No farther. Go to a different website or read another blog. Final warning.

Okay, for those brave/curious/impatient souls who are left, what IS Interlude about anyway? So far, I’ve kept things pretty vague. Here’s what it says on my GoFundMe page:

INTERLUDE is an exciting vignette story that shows fans whom those D7s were shooting at, and why those targets were so important.  The story is about honor an sacrifice, bravery and duty in the face of a surprise sneak attack that leaves no time to plan or react with anything other than one's true self.

I’ve mentioned previously that the reason for the story was to explain the absence of Admiral Marcus Ramirez from the Axanar sequels. The real reason, of course, is that actor TONY TODD no longer wished to be a part of the production going forward. So there’s a point in my script where Ramirez gets severely wounded, but beyond that, I’ve given few details.

The reason for the vagueness is that Interlude is actually a pretty fast-paced story. It starts in the middle of a space battle and spends most of its (estimated) ten minutes in that same tense situation. While there’s drama and action, the majority of the dialog happens between just two characters…one of whom is Captain Kelvar Garth of the USS Ares.

I always thought of this story as a small but important part of the tapestry of Garth’s life…a tapestry that includes PRELUDE TO AXANAR, my short story “Why We Fight,” another short story I haven’t written yet called “Why We Explore,” the two upcoming Axanar sequels, and perhaps even the TOS episode “Whom Gods Destroy.”

Combined, all of these stories help to piece together the puzzle that is Kelvar Garth, the victor at Axanar and the personal hero of Captain James T. Kirk. Who is Garth? We only saw a fleeting glimpse of the true man at the end of “Whom Gods Destroy,” and I for one want to learn more.

So here’s Page 2—along with the cover and Page 1—of another piece of the Garth puzzle (click to enlarge the images)…

Read mor

Set Cancellations, Scheduling Conflicts, Costume Conundrums, Stray Dogs, Trapped Woodpeckers, and Acts of God…what I DIDN’T expect when I decided to make a fan film!

Before we begin, quick crowd-funding update! After ten days, 88 backers have already donated $7,621 to INTERLUDE (nearly 40% of the way to $19,500!). That’s amazing! If you haven’t donated yet, or if you’d just be willing to help spread the word, here’s the link:

https://www.gofundme.com/interlude

And now, today’s blog…

“Whatever can go wrong, will go wrong.” Man, am I learning that lesson with Interlude!

Over the years, I’ve interviewed countless fan filmmakers, and the one thing that nearly all of them have in common are stories of unexpected crises that pop up out of nowhere…demanding to be dealt with quickly lest the project get partially or completely derailed.

I never truly appreciated what these show-runners go through until I became an executive producer myself. My fan film hasn’t even started shooting yet, and already I’ve had to deal with some of the weirdest occurrences that I could have ever imagined—including emergency dog rescues, woodpeckers in chimneys, and an honest-to-goodness flood—all of which have conspired to try to delay the launch of my crowd-funder!

The dog actually DID delay it. You all probably remember how a stray canine in Alabama crossed the highway in front of ALEC PETERS and CRYSSTAL HUBBARD, and how they spent the next two hours trying to keep the dog safe (keep it from trying to cross back) until help could arrive. And those two hours ate up the window for livecasting Axanar Confidential that Monday night, forcing us to delay the roll-out of the GoFundMe campaign for INTERLUDE until the following night.

But wait till you hear about some of the other Murphy’s Law moments I’ve had over the past month and a half…

AXANAR locks in START DATE for filming: October 4-6, 2019!

Yes, my friends, AXANAR is really (finally!) happening. And before some of you say, “Ha! I’ll believe it when I see it!” ALEC PETERS has now put out a call for volunteers the weekend of October 4-6, 2019. J.G. HERTZLER is confirmed to be in Lawrenceville, GA for that weekend, the bridge set is 99% complete, costumes are being made, and actors and extras are being cast. This is for real, folks.

The last time that Axanar was scheduled to start filming with actors and crew and volunteers confirmed, it was supposed to be the first week of February, 2016. I had blocked off time to be at the Valencia, CA studio the morning of the second day of shooting. Unfortunately, a few “minor” snags came up (like a hundred and fifty million dollar lawsuit!), and no footage for Axanar beyond “The Vulcan Scene” was ever shot.

Well, it’s been a long road…getting from there to here. The studio moved across country from California to Georgia in 2017; Axacon happened last November; Ares Digital 1, 2, and 3 were all started (and version 3.0 is about to launch…finally!); and most recently, the first fan film of a fan film, my Axanar Universe project INTERLUDE, was announced and began crowd-funding (donate here…we’re nearly 38% of the way to our goal!).

But now, shooting on Axanar is officially set to begin in just 15 more weeks! Amusingly, Alec had scheduled his shoot to happen the weekend right after my shoot for Interlude. That would potentially allow us to utilize the same actors and extras on the USS Ares bridge (and also lower my costume manufacturing costs if I could use those same tunics for my production). But a scheduling conflict for one of my directors popped up unexpectedly for September, and so I rescheduled my shoot to the first weekend of November…four weeks after Alec’s shoot. With luck, his actors and extras will still be available for Interlude, as well. Fingers crossed!

On Wednesday, Alec published a blog outlining the three locations where filming and sound recording would be happening: Ares Studios, a nearby professional studio for green screen interviews, and a sound studio for the audio drama version of the full Axanar script. He also went on to list the various people who are already assigned to tasks (like PAUL JENKINS as director) as well as volunteer positions that are open for supporters (local and non-local) who wish to participate and help. These jobs include production and personal assistants; staffing, location, and transportation coordinators; drivers and security personnel.

The full text of the blog appears below…