ALEX KURTZMAN finally brings HOPE to STAR TREK: DISCOVERY! (editorial review)

SPOILERS…GET YER SPOILERS HERE!

Okay, before I get to my review, please indulge me as I provide my own introduction to the sixth episode of STAR TREK: DISCOVERY‘s second season, “The Sounds of Thunder.” And if you haven’t seen the episode yet, you totally will NOT understand this…

Faster than a speeding human…
More powerful than a Ba’ul wrist restraint…
Able to take command when Pike or Lorca aren’t around…
Look, up on the bridge!
It’s a kelp!
It’s a tall, thin alien!
It’s SARUPERMAN!
Yes, it’s SARUPERMAN…
Strange fugitive from another planet
Who came to Starfleet and proceeded to learn 90 different languages.
SARUPERMAN…
Who can sense the coming of death…
Crush ominous floating robots in his bare hands…
And who, disguised as Commander Saru,
Mild-mannered first officer of the
USS Discovery,
Fights a never-ending battle for balance, blueberries, and the Starfleet way.

Okay, now that’s out of my system. On to the review…

Ever since last June when Discovery show-runners Gretchen Berg and Aaron Harberts were reportedly fired because of cost overruns and also for mistreating the staff writers, fans have been waiting to see what new showrunner and Trek Tsar Alex Kurtzman would do to the series. Would he be the savior who finally straightened out all of the problems with Discovery that made it feel, to many fans, like the show was NOT Star Trek?

Or would Kurtzman proceed to screw things up even worse? Does Kurtzman even “get” Star Trek (as he claims to be a true Trekkie)? After all, this was one of the three writers of Star Trek Into Darkness, a film many fans felt was the worst and weakest of the three reboot Trek movies.

Was Kurtzman to be Discovery‘s salvation or ruination? We would all find out with the sixth episode of season two, Kurtzman’s first episode as showrunner….

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DREADNOUGHT DOMINION finally launches with “TECHNICAL DIFFICULTIES”

DREADNOUGHT DOMINION didn’t set out to be a tongue-in-cheek Trek fan film parody…and it doesn’t plan to be one for much longer. But for the last ten months, GARY DAVIS and RANDY WREN have taken this passion-driven fan production in some very quirky directions.

Back in 2015 when the first two episodes (“Haunted” and “Anchors Aweigh“) were released, Dreadnought Dominion was actually pretty serious. Those two episodes set up the backstory of the main characters as the USS Dominion prepared to launch. But then the show-runner and lead actor, Frank Parker, Jr. (playing Commodore Samuel Grissom) left the series, leaving Gary and Randy to pick up the pieces and move on.

In late 2016, Dreadnought Dominion did a cross-over fan film with Starship Valiant called “Chain of Command.” With Dominion still waiting to launch Gary’s character of Captain Jason Brousseau takes command and makes Randy’s Commander Stephen Denson his XO.

The following summer, a Mirror Universe version of the same episode, this one titled “Command and Conquer,” showed the same scenes taking place in the Terran Empire. It was a fun little project, and both fan films featured MICHAEL L. KING from Starship Valiant and VANCE MAJOR playing his fan favorite character of Erick Minard.

And Dominion still hadn’t left drydock!

This past summer, Gary and Randy became the first fan filmmakers to shoot a project at Stage 9 Studios (now renamed THE NEUTRAL ZONE), site of the former Star Trek Continues sets in Kingsland, GA and now available to all fans to use. (Support the Patreon for The Neutral Zone by clicking here.) They released two back-to-back vignettes, “Reality Check” (which purposefully broke the fourth wall) and “Silent Acknowledgement” (featuring the first deaf character and actress in a fan series). You can read a great two-part interview with Gary and Randy here.

And yet, after six complete fan films, Dominion was still in drydock!

Acknowledging the ridiculousness of the situation, Gary and Randy created one final script to get them on their way: “Technical Difficulties.” They scheduled filming for the same weekend that owner RAY TESI opened up his TOS sets in Kingsland free to visitors for a Fan Appreciation Weekend. It was a huge success, but it also afforded the Dominion folks to go somewhere only one Trek fan project (“Walking Bear, Running Wolf”) had ever gone before: they filmed before a live studio audience!

ERIC L. WATTS of the fan film Bjo Awards pointed out, “It’s worth noting that the producers of this episode took advantage of the presence of several attendees…who happened to be in TOS costumes and casting them as background characters, particularly in Engineering, which gave those scenes the unexpected benefit of looking like the ship had a full crew complement aboard.”

The result, as you’ll see below, is a fun and original fan film, full of gags and laughter, that has the added benefit of finally—after some technical difficulties—getting the dreadnought Dominion out of drydock and finally on to her missions in space…

STAGE 9 STUDIOS is now THE NEUTRAL ZONE…and its PATREON has hit WARP SPEED!

After STAR TREK CONTINUES completed its run of eleven amazing fan films shot on an awesome array of TOS sets, those sets sat unused in an industrial space in Kingsland, GA for many months. The sets were subsequently purchased by avid Trekker (and really nice guy!) RAY TESI, who renamed the facility STAGE 9 STUDIOS. Ray also took over paying the rent, utilities, and maintenance. Thanks to comparison sites that offer the likes of Business Gas package rates and other utilities, Ray isn’t spending an obscene amount to keep the studio up and running.

Ray opened up the sets to fans to come see and film on. Already, numerous fan projects have been shot there, including multiple episodes of Dreadnought Dominion, the upcoming Constar Chronicles, the wildly popular Ghost Ship which premiered last Halloween, and even a few others. The sets are being offered FREE to fan filmmakers as long as they pay for the electricity used during filming. It’s a great deal!

Unfortunately for Ray, though, what’s “free” for fans is still costing him money each month, which is coming out of his retirement savings. Granted, Ray is happy to spend his own money to keep the dream alive, but he is also asking for help from fans out there like you and me.

At this point, many people in Ray’s position would have turned to a fundraising platform like GoFundMe. Not only is it possible to crowdfund using the platform, there is also lots of help and advice for people who are in a position where they need to raise funds. For example, there is evertyhing you need to know about helping to pay rent and other utilities at https://www.gofundme.com/c/blog/emergency-rental-assistance. Ray, on the other hand, had a different idea.

Last June, he launched a Patreon campaign to raise donations—given monthly by supporters in increments as low as $1/month or as high as $100/month (the average is about $15/month per donor). After an initial spike, the next six months of the Patreon were fairly flat in the range of about $150/month (approximately 5% of the monthly rent).

Last week, however, everything changed!

First of all, Stage 9 Studios was renamed THE NEUTRAL ZONE (for reasons that will be explained below). At the same time, Ray used the name change to start promoting the campaign much more robustly. The result, as you can see below, has produced eye-popping results in just 7 days! The number of patrons has nearly doubled while the amount donated per month has nearly tripled to almost $500…!

This brings Ray about 15% of the way to covering his monthly rent, so there is still a ways to go. Bu if YOU would like to help keep fandom’s TOS dream alive, please click the link below (or at least share it with others)…

https://www.patreon.com/neutralzonestudios

In the meantime, Ray has some other news to share with fans. Take it away, Ray…

Continue reading “STAGE 9 STUDIOS is now THE NEUTRAL ZONE…and its PATREON has hit WARP SPEED!”

DISCOVERY’S fifth episode of season 2… far from perfection! (editorial review)

SPOILERS UP THE WAZOO!!!

Oh, well.

After four very positive reviews from the guy known for his generally critical reviews of STAR TREK: DISCOVERY‘s first season, some of my readers were beginning to wonder if Jonathan had been replaced with an alternate universe doppelgänger.

Not this time, though. “Saints of Imperfection” was just that: imperfection. Now, it’s not that I expect every episode of Discovery to be” perfect”—that starship sailed long ago!—but this one was far from it. In fact, it regressed into a lot of what I used to complain about often in season one: sloppy and lazy writing, rushing to “hit the beats” without giving characters or viewers a chance to emotionally process all that’s hurtling at us, unbelievable plot contrivances, predictability, and a host of other annoyances (at least in my book).

Granted, this was the final episode produced under the supervision of former show-runners Gretchen Berg and Aaron Harberts, who were reportedly fired because of cost overruns and also for mistreating the staff writers. Both reasons are very evident in this episode. Although the VFX looked gorgeous and could easily win an Emmy later this year, I can understand why the budget for Discovery was blown. And while I love watching exciting VFX, I much prefer a good story with characters I care about.

And that brings us to the writing, which surprised me because the writer, Kirsten Beyer, wrote the strongest episode of season one, “Si Vis Pacem, Para Bellum” (the one on the forest planet where Saru freaks out), and is also the only staff writer who has several published Star Trek (Voyager) novels. In other words, Kirsten knows her Trek and her writing. So what happened to so totally derail this episode and backslide into many of the old problems of season one?

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Remastered CHASING THE INFINITE SKY debuts on first AXACON spotlight interview with ALBERT MARTINEZ!

Back in the summer of 2016, ALBERT MARTINEZ debuted a new fan film consisting primarily of breathtaking CGI visual FX inspired by the Kelvin-verse style of starship design. CHASING THE INFINITE SKY quickly went viral with hundreds of thousands of views on YouTube. One of those viewers was ALEC PETERS of Axanar, and he quickly fell in love with this beautifully crafted fan film, talking it up every chance he could.

Skip ahead two years, and Alec invited Albert to be a guest at AXACON last November. Albert was honored to attend and drove all the way from Texas to Georgia with his wife for the event.

Also in attendance was yours truly, as I had agreed to be a panelist for the mini-con. I knew Alec was planning to record all of the sessions on video to debut later on YouTube, with myself and KEITH M. SEDOR as hosts and interviewers. However, I wasn’t expecting for Keith and I to be put to work immediately on day one…when when everything was just a tour of Ares Studios and not even at the hotel yet! Alec, however, had hired a three-camera video crew plus sound engineer to record right there at the studio…and I was given almost no time to prepare to interview multiple guests, beginning with Albert. Geez, Alec, no pressure!

Usually, my interviews of fan filmmakers are simply audio or text (’cause I can’t afford camera crews!). But today I present to you a special VIDEO interview. At the end, the video also includes a new REMASTERED higher-quality version of Chasing the Infinite Sky. (By the way, Albert Martinez has now joined the Axanar VFX team.)

The following video has been available for the past few weeks to donors who’ve signed up for the ARES STUDIOS PATREON. If you haven’t signed up yet, just a couple of bucks a month will get you early access to videos like this one (as there’s over 22 hours of amazing interviews and panels that will be edited and shared). Also, you’ll help keep Ares Studios open so that fan filmmakers and students and even professionals can shoot scenes on that amazing USS Ares bridge!

I’d just like to give a quick shout-out to BRIAN T. ALEXANDER, who shot and compiled the video, and to JOHN STREKIS, who did an amazing job editing it. All of the Axacon videos are being lovingly preparing by a small, dedicated team of editors and sound people to look as good as possible. Here is the first one…

Star Trek’s DISCOVERY RECOVERY continues! (editorial review)

Admiral, there be SPOILERS here!

At first, I was going to title this blog “Has STAR TREK: DISCOVERY Finally Got Its Groove Back?” Then I realized that it never really had a grove during season one…at least for me.

But the series does seem to have found a new groove that began with the first episode of season two and has continued now into its fourth episode, “An Obol for Charon.” And for anyone wondering what the heck that means, an Obol is an ancient Greek coin that was put in the mouth of a corpse before burial to be taken down to the underworld and used to pay Charon, the Ferryman, for a trip across the River Styx. (Speaking of which, how awesome was this song from 1982?)

Now, the episode itself wasn’t as good the second episode of season two, but it was better than the third episode. And it felt infinitely more Star Trek-like than nearly the entire first season. In fact, let’s take a look at how Star Trek is working its way back into Discovery

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AXANAR fan comic begins PART TWO of “ARCANIS IV”!

AXANAR has inspired several fans, including me, to “expand” that universe. Whether you consider it “Prime” or the “Axa-verse,” for some of us, it’s FUN to play in this particular sandbox. ALEXANDER RICHARDSON (the designer who created the console graphics on the USS Ares bridge set…along with many other graphics for Axanar Productions and Ares Studios) is currently working on full blueprints of the USS Ares. MARK PAYTON has written a multi-chapter Axanar novella titled The Inverness Revision.  And I myself wrote an Axanar short story “Why We Fight,” illustrated by the amazing MARK McCRARY.

But there’s one Axa-fan who has, in my opinion, topped us all. And yesterday was his birthday…Happy Birthday, TREY McELWAIN!  Trey loves Axanar so much that, back in the summer 2017, Trey released a four-page (including cover) Axanar mini-comic book story titled “Trial by Fire.” Not an artist himself, he paid his friend DANIEL FU to illustrate it…and it turned out awesome!

Not content to simply sit on his laurels, though, Trey set out on a much more ambitious undertaking: to make an entire Axanar comic book SERIES! This would be no small feat, and not at all cheap (as starving artists like to eat, and Trey—not exactly in the top 1%—was paying Daniel out of his own pocket, not crowd-funding).

Trey put up a website, Axanar Comics, and began posting pages there as they were completed. Initially, this was supposed to be one per month, but three pages were completed quickly, and instead of waiting, Trey posted them all at once. Within two months, the cover and six additional pages were released, finishing part one. That was last July.

Unfortunately, about that time, Trey suffered a herniated disc in his upper cervical/spinal column. The doctors and physical therapy bills ate up most of his and his wife’s disposable income for several months. So for the past eight months, no new story pages have been released. But actually, that was good news for me! Let me ‘splain…

Continue reading “AXANAR fan comic begins PART TWO of “ARCANIS IV”!”

NO TRUCE with DR. SEUSS on FAIR USE! (Part 2)

Yesterday, I updated you that on Thursday at 1:30pm Pacific Time, the two parties in the DR. SEUSS/STAR TREK mash-up lawsuit will meet in Federal Court in San Diego, CA. The original complaint was filed more than two years ago, and after countless motions, discovery, and an emotional rollercoaster of rulings from the judge, this hearing is likely the last time the two parties will appear before the judge until the trial begins.

Assuming there is a trial.

Barring a surprise last-minute settlement (which, I think, is highly unlikely), Thursday’s hearing could very well result in either the case being dismissed by the judge or else sticking a knife into the defense team to make the lawsuit all-but-impossible to win.

But assuming the case goes before a jury, and if I were a a juror, what argument(s) would be most likely to persuade me that Oh, The Places You’ll Boldly Go! deserves the freedom to be published?

For me, there was one thing that was mentioned—only very briefly by the defense attorney in a previous filing—that in my opinion would weigh most strongly on me as a juror. It was a surprisingly simple question:

What exactly should the defendants have licensed?

Think about it. If the book had been The Cat in the Hat Knows a Lot About Star Trek, then the answer is straightforward: they’d license The Cat in the Hat. If their story was Mr. Spock Meets the Grinch, then they’d license the Grinch, Max, and maybe Cindy Loo Who. But which Dr, Seuss character did David Gerrold, Ty Templeton, and ComicMix use without permission?

The best that the plaintiffs could come up with is the “boy” (their word) who appears on the cover and throughout the original Go! book. However, as with other characters in the Boldly book, this “boy” has been transformed. He wears a TOS command tunic and black pants instead of pajamas. Is that still the same character? The two Zaxes were turned into Spocks. The guy with the Sneeches’ star-machine was turned into Scotty with a transporter.

When does a copyrighted character get changed enough that he becomes a new creation? It’s an intriguing question!

Continue reading “NO TRUCE with DR. SEUSS on FAIR USE! (Part 2)”

NO TRUCE with DR. SEUSS on FAIR USE! (Part 1)

This Thursday at 1:30pm Pacific Time, the two sides in the ground-breaking DR. SEUSS/STAR TREK mash-up lawsuit will meet in front of Ninth Circuit Federal Judge HON. JANIS L. SAMMARTINO in courtroom 4D of the Edward J. Schwartz Courthouse in San Diego, California.

Last month, I reported the hearing date as January 31. But the lawyer for the defense caught the flu and requested, and was granted, a one-week delay (which is not all that unusual).

In a previous blog, I discussed the history of the case, and what each side is asking the judge to do. In short, the defense wants the judge to end the case before it begins next month…in favor of the defense, of course. This would mean her ruling that their mash-up Oh, The Places You’ll Boldly Go! should be considered (as a matter of law) to be FAIR USE and therefore protected speech. Therefore, any copyright claims would be nullified, and Team Mash-up (DAVID GERROLD, TY TEMPLETON, and their publisher COMICMIX) would be free to publish their book without legal liability. Also, the defense wants the remaining two claims of trademark infringement (different than copyright) dismissed because it is not reasonable to trademark an artistic “style” nor the look of a typographic font.

The plaintiffs, DR. SEUSS ENTERPRISES (DSE), are trying instead to convince the judge in this case to do the same thing that was done in the AXANAR lawsuit: declare that the mash-up is not Fair Use and, therefore, cannot be defended as such. Likewise, they want the judge to rule that, yes, it is reasonable to hold a trademark on an artistic style and a font. This wouldn’t necessarily end the case (unlike the defense motion,) but a favorable summary ruling by the judge would make the lawsuit all but unwinnable for the defense…as happened previously with Axanar.

So why have I given this case so much attention?

Continue reading “NO TRUCE with DR. SEUSS on FAIR USE! (Part 1)”