STAR TREK finally comes to DISCOVERY!!! (editorial review)

WARNING – There’s spoilers off the starboard bow!

People seem to think that I only write negative things about STAR TREK: DISCOVERY…that I’ll never accept it and will always find something to criticize: uniforms, Klingons, lack of banter, etc.

Well, the pigs are flying folks! Satan is skating to work! And Jonathan Lane is about to write a 100% POSITIVE review of the latest episode of Discovery, “New Eden.”

What can I say? I loved it. It felt like I was watching STAR TREK…possibly for the first time since Burnham and Georgiou walked across that desert planet at the beginning of the premiere episode. Nothing bothered me…not the uniforms or the “non-canon” console graphics or even Tilly. Heck, I didn’t even mind that the magic mushroom drive once again saved the day.

When it’s good Star Trek—when it FEELS like good Star Trek—all the rest of the discontinuities with canon can be safely beamed out of my mind.

So what made this feel like “real” Star Trek to me…?

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STAR TREK: DISCOVERY season two premiere REVIEW – Am I back on board? Well…

WARNING: Teeny-weeny spoilers ahead

On Thursday night, I watched the season two premiere of STAR TREK: DISCOVERY, the episode”Brother.” I also watched the latest episode of The Orville just before because fate and network programming executives have seen fit that new episodes of both shows debut on the same night!

Well…

Mostly, the reviews I’ve read seem to be positive. My friend Dave even texted me the following morning and said, “Considering all the banter, I thought you’d have enjoyed it…”

For me, it wasn’t that simple. “It was good” or “it was bad” or “it was better than season one” or “it was closer to Star Trek” oversimplifies what I consider to be a very complex reaction to a show that is obviously hitting the “reset” button after its first season struggled to attract an audience. Discovery had to make a lot of course corrections for season two, and on some maneuvers it succeeded and leaves me hopeful—and for others, I sigh and shake my head as the show is still missing the mark…at least for me.

In other words: it’s complicated…

Continue reading “STAR TREK: DISCOVERY season two premiere REVIEW – Am I back on board? Well…”

Major FAIR USE showdown coming in DR. SEUSS/STAR TREK copyright lawsuit! (part 2)

Yesterday, I recounted the two-year history of Star Trek‘s “other” major infringement lawsuit. Back in 2016, tribble creator DAVID GERROLD and comic book artist TY TEMPLETON teamed up to create what they considered to be a parody mash-up of Star Trek and Dr. Seuss, a book they intended to call Oh, the Places You’ll Boldly Go! Along with publisher ComicMix, they launched a Kickstarter which took in about $30,000 before being shut down when Dr. Seuss Enterprises (DSE) sued all three of them for both copyright and trademark infringement. No money was ever collected from the crowd-funding campaign.

It’s just over two years later, and after a roller coaster ride for both plaintiff and defendants (see Part 1), we’re now in the final weeks before the start of the actual trial in early spring.

Or are we?

Following long months of motion-filing, jockeying for position with Judge JANIS SAMMARTINO of the Federal Ninth Circuit, and collecting pre-trial testimony and documents from witnesses during the discovery phase, it’s time for one final “Hail Mary” pass from each side.

Yesterday, I reviewed the defense team’s motion to dismiss the case (read it here in its entirety) on the grounds that DSE didn’t really prove any realistic monetary damages (meaning that the mash-up should be considered as Fair Use and the complaint dismissed) and also that DSE’s remaining two trademark claims from font and art style weren’t valid. The defense arguments were solid and generally convincing…at least to me.

But then I read through the plaintiff’s motion for summary judgment. Like the defense team, DSE would like this case to end before it ever goes to court (and they rack up another six figures in legal bills!). But while Team Mash-up wants the judge to dismiss the lawsuit entirely, DSE would prefer the judge to rule that the defendants are obviously liable for multiple counts of willful copyright and trademark infringement and should be forced to pay hundreds of thousands of dollars in damages. And why trouble a jury when the final verdict is so obvious?

Are the plaintiffs as convincing as the defendants? Let’s take a look…

Continue reading “Major FAIR USE showdown coming in DR. SEUSS/STAR TREK copyright lawsuit! (part 2)”

Major FAIR USE showdown coming in DR. SEUSS/STAR TREK copyright lawsuit! (part 1)

Many Fans down in Fanville like mash-ups a lot.
But Dr. Seuss Enterprises, or DSE for short, did not.

DSE owns the rights, it isn’t in question,
to the late Dr. Seuss’ entire literary collection.

So when David Gerrold, the man who created the tribbles,
tried to mix Seuss and Star Trek, DSE had their quibbles.

In fact, they filed a federal suit,
for infringement of copyright…and trademark, to boot!

The defendants were Gerrold and his artist, Ty Templeton.
They also named the publisher, to add to their fun.

The publisher’s name, by the way, was ComicMix,
and if you ask me, DSE is a real bunch of…

Okay, I’m going to stop blogging in rhyme now.  Instead, let me tell you about some major developments in the Dr. Seuss/Star Trek mash-up lawsuit.  On December 11, both the plaintiff and defendants filed 20-page briefs (memoranda) supporting their latest motions before the judge.  A hearing is scheduled for January 31 at 1:30pm in the San Diego courtroom of  Hon. Janis L. Sammaritno, federal judge on the Ninth Circuit (the same circuit that had jurisdiction in the Axanar lawsuit, although a different judge than Axanar had).

Judge Sammartino’s rulings on these pre-trial motions could affect this case in VERY significant ways.  If she grants the defense motion for summary dismissal, the case could be over or potentially cut off at the knees for the plaintiffs.  On the other hand, if she grants the plaintiff’s motion, “Team Mash-up” (as I like to call them) could lose before ever going before a jury.  The stakes are as high as they’ve ever been.

As usual, I’m happy to break this down from legalese to English for those who want to know the score…

Continue reading “Major FAIR USE showdown coming in DR. SEUSS/STAR TREK copyright lawsuit! (part 1)”

Update on the AXANAR attempted hacking…

Earlier today, I reported that an attempt had been made to hack into the AXANAR YouTube channel…pointing out that the prime suspect(s) was/were most likely one or more detractors.

Very quickly, one of my readers, JOE DIAZ, forwarded me the following tweet from one of the people managing the channel…

Other comments on my previous blog entry were now pointing to this tweet as proof that there was no hacking attempt. Naturally, if I’ve misreported something, I need to issue a retraction. But I first needed to verify that I had, in fact, misreported it. So I contacted ALEC PETERS and the aforementioned THE REAL STOGGY to ask what happened.

Here, as far as I can piece together, is the order in which things happened…

December – After uploading a series of quick “Axanar -Live” update videos shot with a cell phone over the previous months, Alec began posting higher-quality Axanar updates to YouTube, generating tens of thousands of views. One update from December 27 is currently up to 96K views.

January 5 – With the videos being so popular, Alec decided to create two YouTube channels: Axanar and Ares Studios. Actually, there had already been an Axanar YouTube channel, but it had been mostly dormant for a long while. Last night, three volunteers were given Manager status (Alec remained the channel owner), and began adding videos to the channel. There was a LOT of activity.

January 6, 8:43am EST – The two channels were suddenly shut down by YouTube. The only manage working on them at the time was the aforementioned Stoggy, who had pulled an all-nighter, and panicked when he was suddenly locked out. Here’s what he told me…

Continue reading “Update on the AXANAR attempted hacking…”

Attempted HACK of the AXANAR YouTube Channel!

Earlier today, the AXANAR YouTube Channel was temporarily “terminated” (according to messaging displayed when users visited the web page). Numerous recent video updates with tens of thousands of views each were suddenly gone and inaccessible…along with Prelude to Axanar, the Vulcan scene, and numerous behind-the-scenes videos.

There was immediate conjecture that some kind of violation of the YouTube community guidelines or terms of service led the the termination of the channel. Needless to say, the fan film community exploded with activity as Axanar detractors salivated at the possibilities for happy dances and supporters panicked among uncertainty and confusion.

And then, less then three hours later, the Axanar YouTube channel was back up and running as though nothing had happened.

So what did happen?

All of this kerfuffle occurred while ALEC PETERS was at the gym on Sunday morning. When he got home—amid countless emergency IMs and e-mails from concerned supporters and team-members—he logged into his YouTube (Google) account, and all was restored instantly. Alec never received any notice or warning from YouTube or Google about violations. However, he did receive the following message (e-mail address redacted)…


In addition to the Axanar YouTube channel, the new Ares Studios YouTube channel was also deactivated and then reactivated with Alec’s sign-in. Most members of the fan community weren’t even aware that there was an Ares Studios YouTube channel (it’s still being set up), and so didn’t realize the extent of the hacking.

Although not confirmed, it seems that YouTube’s takedown was pre-emptive in avoiding the potential damages of a more serious, successful hack. Once the account was secured by the user (Alec), the channels were reactivated.

Naturally, the prime suspect(s) is/are one or more of the detractors, although there is currently no proof who specifically is behind the hacking. Obviously, Alec has changed his password and will continue to do so regularly.

But if I may speak freely for a moment, my friends…

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Are video pirates LOSING INTEREST in CBS’s new SHORT TREKS?

Have video pirates lost their enthusiasm for the new SHORT TREKS mini-episodes being released by CBS…and possibly for new Star Trek in general?  If so, then it’s a sorta good news/bad news situation for CBS.  The good news is that video piracy hurts the bottom line for CBS.  So if folks are downloading Discovery and Short Treks without paying a subscription fee (to either All Access or Netflix), that’s potentially money out of CBS’ pocket.  So less piracy is a GOOD thing, right?

Well, here’s the bad news.  Video piracy is also a barometer, of sorts.  Does decreased interest in Short Treks by pirates imply that the general public is also not interested?  And what makes me say that video pirates are losing interest in Short Treks in the first place?

It all began early last month while I was having dinner with a friend (who shall remain nameless) who illegally downloads Star Trek: Discovery and Short Treks.  For the record, I personally do NOT do this, and I subscribed to CBS All Access from October 2017 through February 2018.  Here’s my e-mail receipt from them…

So just to be clear, I am NOT endorsing video piracy in any way.  This blog is simply looking at an existing trend from a journalistic perspective.  Video piracy (or any kind of digital piracy) is illegal and should not be attempted by anyone reading my blogs.

And now that that’s out of the way, back to my story…

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2018 Star Trek Fan Film YEAR IN REVIEW: The return of the Trek fan film CROWD-FUNDER!

Remember the good, old days? Back in 2015 and before, Star Trek fan film crowd-funders were as common as lens flares on a JJ Abrams movie set! They’d easily take in thousands, tens of thousands, and in some cases, hundreds of thousands of enthusiastically-donated fan contributions.

We all know what happened. Axanar was sued. Six weeks later, Tommy Kraft was told by CBS to take down his $250K Kickstarter for Federation Rising. And then in June 2016, the fan film guidelines came out. And while they didn’t forbid crowd-funding, they did put a $50K cap on it and severely curtailed what kinds of perks could be offered.

Fans (including me) predicted the complete demise of Star Trek fan films. It turned out that we were wrong. Fan films found a way to not only live on but also to prosper, working within the guidelines (mostly) while still being pretty decent—in some cases even quite excellent.

Ah, but crowd-funding…therein lied the rub! While the days of the six-figure Kickstarters and Indiegogos for Trek fan films were obviously gone, maybe fans would still donate five-figures or even just four-figures. Maybe? For a while, it wasn’t looking good.

For the remainder of 2016, only Renegades (with Star Trek surgically removed) attempted a crowd-funding campaign for “The Requiem” (reaching $146K). And Starbase Studios raised $3,500 for a move from Oklahoma to Arkansas for their TOS sets. But beyond that, the only crowd-funding even peripherally connected to Star Trek fan films was a $19K successful Kickstarter by Star Trek: Horizon creator Tommy Kraft to fund his NON-Star Trek fan film Runaway.

Would 2017 fare any better for Trek crowd funders? Well, not so much…

Continue reading “2018 Star Trek Fan Film YEAR IN REVIEW: The return of the Trek fan film CROWD-FUNDER!”

Did peer pressure make MATTHEW MILLER openly LIE about AXANAR?

During our marathon 3-hour “Blogger Battle of Axanar,” Australian Trekzone.org blogger MATTHEW MILLER and I discussed many things, including telling the truth about Axanar…something that I noted the detractors seldom do. It’s one of the reasons I spend so much time correcting the record here on Fan Film Factor, because if I don’t, and the lies get told over and over without challenge, they can insidiously supplant the truth.

One such example came early in Part One of our podcast debate when Matthew asked me about “most” of the main cast and crew leaving after PRELUDE TO AXANAR when ALEC PETERS decided to build a studio. I challenged Matthew’s choice of the word “most,” as that’s one of those lies that’s been told and retold so many times it’s taken on urban legend status. So I counted the people who left and those who didn’t. The final score: 5 people left and 15 stayed. So “most” actually stayed. Matthew admitted in the discussion that I had “schooled” him. But really, I just stated the truth and backed it up with facts.

Which brings us to this past Wednesday, and the latest Axanar lie…this time directly from the mouth of Matthew Miller himself. It came at the end of an re-edit of our 3-hour discussion, awkwardly trimmed down to 26 minutes of “best of” clips taken mostly out of context. This was followed by a two-minute editorial wrap-up where Matt ended with a massive false statement regarding Axanar and Alec Peters. It was such an obvious lie that I had to rewind and listen a second time to make sure I hadn’t misheard…

“Irrefutable fact,” huh? In what alternate universe? Did Matthew not watch this video tour of Industry Studios…?

Did he not see the Vulcan Scene…?

But according to Matthew, the $1.5 million went towards neither [the studio nor the film]. Really, Matt? None of it??? It was WTF time…!

Continue reading “Did peer pressure make MATTHEW MILLER openly LIE about AXANAR?”

The BLOGGER-BATTLE OF AXANAR! (part 3 of 3)

Congratulations, folks, you’ve made it to Part 3!  I’m assuming you’ve already sat through Part 1 and Part 2 of the debate about all things AXANAR between myself and Australian blogger MATTHEW MILLER of Trekzone.org.  The first two parts have received a few hundred views each, with lots of comments made on both sides of the Axanar controversy.  But now it’s time to wrap things up with some of our most controversial discussions yet…

We begin by shifting our focus from CARLOS PEDRAZA and Axamonitor to Matt’s own Trekzone.org blog?  Is he providing fair coverage, or does Trekzone suffer from the same skewed “telling only half the story” that Axamonitor (and some would say Fan Film Factor) suffer from?

Then we move onto one of the most controversial hot-button questions: have the Axanar detractors gone too far in their stalking and cyberbullying?  How far is too far?  And is the behavior just as bad on the supporter side, or is that sinply the false equivalency of “what aboutism”?  And what does coffee have to do with anything?

Of course, we spend a little time debating whether ALEC PETERS paid himself a salary or just reimbursed himself for out-of-pocket expenses.  And did other folks like VIC MIGNOGAM or JAMES CAWLEY ever earn anything personally from money paid by donors?

Moving on to the future of Axanar, we discuss the USS Ares bridge set.  After hundreds of thousands of dollars in fan donations and out-of-pocket payments by Alec himself, and after thousands of man-hours in labor…will the bridge ever be used to film any scenes of the Axanar story?

And finally, even if Axanar never gets made, does Alec still deserve credit for making it as far as he did…despite all of the headwinds, a year-long lawsuit from two billion-dollar corporations, a move across country, and the almost constant attacks by dozens of detractors?

And what if Axanar does get made?  What will it take to get a positive comment out of a detractor like Matthew Miller or Carlos Pedraza?

Is there ANY common ground to be had?  Find out as the Blogger-Battle of the Axanar concludes…

https://youtu.be/WcRKdyDT02A