Fan Film Factor – Page 21 – Exploring the world of Star Trek fan films.

Star Trek in the 1930s??? Take a look at COMMANDERS OF STARFLEET! (video interview with JEFF NORD)

One of the reasons that I love Star Trek fan films so much is because there are literally no rules! Okay, there are guidelines, but within those guidelines, there are no limits beyond the imagination and capabilities of the fan filmmakers themselves.

One of those filmmakers is a fellow by the name of JEFF NORD, who lives in Los Angeles and dabbles in amateur filmmaking. And he got a crazy idea: Star Trek done as a 1930s-style Flash Gordon serial episode! Those old black-and-white adventures used to premiere each week, shown at movie matinees before the main feature. They were cheap, cheesy, a bit childish, but oh-so-charming when we look back at them now. And in their own way, they pushed the limits of what Hollywood could imagine and inexpensively produce in that emerging genre known as “science fiction.”

In many ways, the original Star Trek stood on the shoulders of those 1930s and 1940s serials (GENE RODDENBERRY himself was a 15-year-old when Flash Gordon premiered in theaters during 1936) as much as it did the sci-fi “blockbuster” classics of the 1950s like The Day the Earth Stood Still (1951) and Forbidden Planet (1956). So indeed, honoring those early sci-fi pioneers with a campy, black-and-white Star Trek fan film seems most appropriate!

Released back in April, COMMANDERS OF STARFLEET has generated a fairly impressive 6.4K+ views on YouTube so far, and it’s definitely worth checking out…

What’s particularly intriguing is how much this short fan film FEELS like one of those 1930s serial episodes. And while classics like Flash Gordon did, at the time, push the limits of what Hollywood could accomplish with limited technology and relatively small budgets, 2022 offers opportunities for the average Joe or Josephine to easily surpass what Hollywood could only dream of 86 years ago.

But what if you’re NOT trying to surpass those efforts? What if you’re simply trying to reproduce them really closely? How challenging is it to make a modern film that looks like something from nine decades ago?

In a fun and informative interview, I chatted with Jeff Nord about his very creative and unique new Star Trek fan film…

Neutral Zone Studios’ THE TEST OF TIME Indiegogo gets over ONE-THIRD of the way to its goal in just SIX DAYS!

Granted, as they say in stock investing, “Past performance is no guarantee of future results.” And I could well be jinxing the whole endeavor just by writing this blog! But there’s many ways for a new crowd-funding campaign to launch, ranging from very strong down to don’t-get-your-hopes-up. And the new Indiegogo for THE TEST OF TIME from NEUTRAL ZONE STUDIOS is definitely on the “good” side of that bell curve with $2,295 of their $6,000 goal raised in less than a week from 18 backers.

I reported on the launch of this Indiegogo last Friday, mentioning that for a donation of $150, you can get a decent quality TOS-era tunic (any standard size) as a perk. As I write this, 6 of the original 10 available at that donation level are gone, while 11 others are still available at higher donation levels. T-shirts are available at the $75 level, and a set of TOS data disks and console button prop replicas happen at $50. Even at $25 and lower, there are decent digital perks available.

Situated in Kinglsand, GA, Neutral Zone Studios was, of course, the shooting location for the fan series STARSHIP FARRAGUT and, later on, STAR TREK CONTINUES. Sold by VIC MIGNOGNA to Florida resident RAY TESI in 2018, Ray opened up the expansive TOS sets to many other fan productions, including DREADNOUGHT DOMINION, CONSTAR CHRONICLES, and the AVALON UNIVERSE…among others.

The sets have also been used for TALES FROM THE NEUTRAL ZONE, a “fanthology” series focusing on different TOS-era starships and their various crews. THE LOOKING GLASS (released in June of 2019) and ENDOSYMBIOSIS (February 2021) were recently joined by their third release, the very successful DOOMSDAY, which is currently nearing 90K views on YouTube after just two months.

JOSHUA IRWIN directed Doomsday and also provided his services as director of photography for The Test of Time, most of which has already been filmed, with only a few pick-up shots remaining. The majority of the funds raised from this Indiegogo, in addition to covering expenses that have already been paid for things like food, travel and lodging, wardrobe, etc., will be applied to what are certain to be jaw-dropping CGI effects that will include what I believe will be the first Federation timeship ever seen in a fan film.

In addition to the timeship, VFX starchild SAMUEL COCKINGS has also created a variant of the U.S.S. Stargazer bridge seen in the second season of STAR TREK: PICARD to be used as a virtual background behind green screen actors.

All in all, this looks like a very exciting fan project with a fairly reasonable price tag, considering what’s in it. And while still $3.7K short of their goal, nothing succeeds like success, and this campaign is off to a very encouraging start in its first week!

If you’d like to toss a few shekels into the collection plate, here’s the link:

https://www.indiegogo.com/projects/the-test-of-time-a-star-trek-fan-film-production

STARSHIP CALIBORN launches with WAR TARG! (interview with BILLY SWANSON)

POTEMKIN PICTURES has been a fan film “nursery” ever since 2015 when it launched a second fan series STARSHIP TRISTAN, to join its flagship series PROJECT: POTEMKIN, which began back in 2010. Tristan was followed by STARSHIP DEIMOS, then BATTLECRUISER KUPOK, STARSHIP TRITON, STARSHIP ENDEAVOUR, HOSPITAL SHIP MARIE CURIE, and STARSHIP ALEXANDER. Some lasted longer than others. While Tristan and Deimos have released about 20 fan films each, Kupok has released only six, Triton and Marie Curie both had four, Endeavour three, and Alexander only one.

Part of the reason some of these groups folded was due to the move of Potemkin Pictures showrunner RANDY LANDERS (and his homemade sets) from Pelham, Alabama to Lexington, Kentucky in 2019. While some actors and filmmakers are still willing to make the longer drive, others have moved on.

But just because you move the chicken, that doesn’t mean she stops laying eggs. (If that isn’t an idiom, it should be!) Not that I’m suggesting Potemkin Pictures is laying any eggs, mind you!!! But Randy is birthing a whole new crop of creative groups, each with their own starship…or warship. The first out of the Lexington launch bay was the crew of the STARSHIP WEBSTER, and they’ve already completed and released EIGHT fan films less than two years! And in May of 2022, Potemkin Pictures teamed up with NATURE’S HUNGER and RELIC FILMS to release FIREHAWK. And gearing up for its debut in the near future is the new Klingon-based IMPERIAL SCOUT QAB’ELTH team.

Wow, just listing all that is nearly an entire blog just by itself! (You can access all 100-plus Potemkin Pictures films from their website.)

But there’s one group I’ve left out: STARSHIP CALIBORN—and they’ve just premiered their first fan film, WAR TARG. Caliborn spun off from Webster thanks to one the latter’s lead actor, BILLY SWANSON, wanting to become a showrunner himself…along with a captain! Webster‘s second release, A VOICE IN THE DARK, filmed at the height of the pandemic as a one-man show, highlighted Billy’s strong acting abilities. He’s gone on to appear in four of the five subsequent Webster releases, playing executive officer Commander Robert Hawkins.

But now it’s time to Hawkins to get a command of his own, and you can watch his first mission here…

As you can see, Captain Hawkins isn’t your typical starship captain (as if any captain is “typical”)! And Billy Swanson isn’t your typical showrunner. Or maybe he is. There’s only one way to find out…

Let’s interview him!

10 reasons why STRANGE NEW WORLDS feels like “REAL” Star Trek while DISCOVERY and PICARD don’t… (editorial review, part 2)

In part 1, I pointed out how many, many Trek fans have warmly and enthusiastically greeted STAR TREK: STRANGE NEW WORLDS in a way they didn’t for DISCOVERY and PICARD. It’s not that those other two CBS Studios-produced series have been universally panned—in fact, a good number of fans (including me) enjoy both series much of the time.

But from reading reviews and comments on social media and websites, fans seemed to feel almost immediately that SNW felt like “real” Star Trek. I put “real” in quotation marks because “real” likely means very different things to different people. But in general, “real” Star Trek seems to be anything produced by Paramount prior to 2005, with the stuff debuting on CBS All Access (now Paramount+) from 2017 onward seemed to miss the mark. And I’ve decided to exclude the J.J. ABRAMS Star Trek movies in to avoid turning this into a three-part blog!

Anyway, I wondered what is what about SNW that made it feel like “real” Star Trek…which is such a vague and undefined term. So I decided to list some very specific reasons—obviously in my personal opinion. Here were my first five items (counting down from ten) from Part 1…

10. THE MAIN TITLE SEQUENCE
9. ESTABLISHING SHOTS ALLOW YOU TO SEE THE SHIP
8. NO SEASON-LONG STORY ARCS
7. A TRUE PREQUEL
6. MUCH LESS OF A “MANIC/DEPRESSIVE” PRESENTATION

Now let’s move up to the “top” five…

10 reasons why STRANGE NEW WORLDS feels like “REAL” Star Trek while DISCOVERY and PICARD don’t… (editorial review, part 1)

ONE TEENY-TINY SPOILER FROM THE SEASON FINALE

After writing 23 non-stop weekly reviews for the latest seasons of STAR TREK: DISCOVERY and PICARD, I took a break for the first season of STAR TREK: STRANGE NEW WORLDS. Why? Because nearly everyone appeared to love each episode…and so did I. It seemed silly to just write about how great each episode was every week.

Not that every episode was perfect. I had a few complaints here and there, like turning the Gorn into the xenomorph monsters from Aliens and killing off my favorite character just nine episodes into the series (you bastards!).

But overall, I have been loving this new series right out of the starting gate in ways I haven’t loved Discovery and Picard. And it seems from social media and online reviews that most fans feel the same way about Strange New Worlds (with the exception of those who are still counting the days until ALEX KURTZMAN is fired for the seventeenth time!).

“The show just FEELS like real Star Trek,” seems to be the general consensus among fans. But WHY does it feel more like “real” Star Trek? What does “real” Star Trek even mean?

Some have said, with a certain amount of vagueness, “Well, it’s more optimistic.” Yeah, kinda. But some episodes have been a bit sad, too. The one where Dr. M’Benga has to part with his daughter in order for her to have a guaranteed chance at life…man, that was a downer! Another episode ends with the sacrifice of a child in order to keep a planet of floating cities from crashing down. (Man, it’s tough to be a kid on this chow!) And don’t get me started on Hemmer’s death-dive! So I’m not sure that “optimistic” is the secret sauce of this show.

“Well, it’s episodic, not serialized…” say others, and yes, that’s true—although character arcs like Spock’s marriage, Uhura’s doubts, and M’Benga’s dying daughter carried over through multiple episodes. But is “real” Star Trek simply defined as one-story-per-episode? The Dominion War lasted through multiple seasons of Deep Space Nine, and Enterprise devoted an entire season to finding and dealing with the threat of the Xindi. Were those NOT “real” Star Trek?

So rather than writing a review, I’d like to instead attempt to answer the question of what mades this series feel like “real” Star Trek—and so quickly gain the support of the vast majority of fandom—while Discovery and Picard have struggled to achieve that same reception.

Wanna play…?

Neutral Zone’s THE TEST OF TIME Indiegogo launches…offering over 20 TOS UNIFORMS for donors!

These days, it’ll cost you $50-100 just to get a decent TOS tunic from the Internet. But now you can get one (with chest patch and rank braids included…any size) and feel good about donating to the latest crowd-funder from NEUTRAL ZONE STUDIOS—all for as little as $150.

Or if you don’t have that kind of cash available, maybe you’d like a T-shirt for $75…or maybe a set of TOS data disks and console button replicas. Still too much? $25 gets you two digital prints and a 1080p digital download of the final film. And heck, even $10 gets you your name in the credits! (Actually, any donation of $10 or more gets your name into the credits.)

Here’s the link to the campaign…

https://www.indiegogo.com/projects/the-test-of-time-a-star-trek-fan-film-production

Neutral Zone Studios scored a major hit on April 5 of this year with the release of the TOS-era fan film DOOMSDAY, which is currently nearing 90K views on YouTube after just two months. That production was directed by JOSHUA IRWIN (of AVALON UNIVERSE fame, who will be launching an Avalon crowd-funder of his own in a few weeks) and looked amazing! Josh has returned for this new fan film, THE TEST OF TIME, as director of photography, so you can be certain it will look just as good.

Actually, a majority of this new project has already been filmed, with some pick-up shots still needing to be filmed. Most of the work remaining is VFX by the Q of the CGI Continuum, the omnipotent SAMUEL COCKINGS, who will be rendering starships from multiple centuries plus incorporating green screen actor footage against a modified virtual background inspired by the U.S.S. Stargazer from season two of STAR TREK: PICARD…

Plus there’s post-production editing, music, and sound still to do. Indeed, the funds raised from the current Indiegogo will be going to a mix of covering the upcoming post-production costs as well as offsetting expenses that were already paid upfront by showrunner and Neutral Zone Studios owner RAY TESI, who uses his own money to pay most of the rent on the studio.

The $6,000 goal of the campaign isn’t particularly ambitious, and already five donors (including me) have taken the total up to 19% of the money needed. Granted, four of those TOS tunics are now gone, but nearly twenty still remain for the fleet of finger!

Meanwhile, speaking of Ray Tesi, I asked him why he’s willing to risk his own money shooting The Test of Time BEFORE successfully crowd-funding it? After all, if they fall short of their goal, Ray’s on the hook for potentially thousands of dollars.

“I believe in the fans, and I believe in what we’re doing,” he answered. “Star Trek enables creative people to express themselves, to tel their stories. And that’s how I feel…that we have become a benefit to the fan film community. Right now, I’m confident that our fans and supporters will come through for us.”

And again, if you’d like to be one of those supporters, here’s the link to donate…

https://www.indiegogo.com/projects/the-test-of-time-a-star-trek-fan-film-production

A ONE-OF-KIND documentary celebrates VANCE MAJOR and his 9-YEAR mission in FAN FILMMAKING!

My first reaction was, “FOUR HOURS???? Vance, are you kidding me?” He wasn’t kidding.

And as I began watching a courtesy viewing copy of the documentary CONSTAR: BOLDLY GOING, I began to understand why. I’d sat through over an hour before taking my first break and finished it off in its entirety over the next few days. The behind-the-scenes film is surprisingly watchable, but more importantly, it represents the very heart of what makes our “little” fan film community so unique and special.

And the reason for that is that VANCE MAJOR also represents the heart of our fan film community. At a time when Star Trek fan films were getting bigger, bolder, and much more expensive—so much so that CBS and Paramount instituted a set of guidelines to curtail the “space race,” as they called it—Vance came out just as boldly and went both small and cheap! He wasn’t trying to compete with the big guys or even to send some kind of message to them to spend less on their productions.

No, instead Vance was simply saying, “Hey, I’d like to show you my stories, too, but I don’t have any money. So I’m just going to do my best, and if you like what I make, great. And if you don’t, that’s fine, too. I’m doing it for me.”

And that was about 150 fan films ago!

In the years since Vance first portrayed the character of Erick Minard, Chief Engineer of the STARSHIP VALIANT, he’s worked with nearly every fan filmmaker in the community, having inspired many of them to “just go for it.” If Vance didn’t care if there was a cord visible in the doorway in the background of a shot, or if half the lights on the bridge were out, or the sound was bad or the uniforms didn’t quite fit the actors, why should anyone else be bothered by it? These are FAN films, and they’re made for FUN.

Now, as Vance prepares to pull the U.S.S. Constar into space dock one final time and complete his career creating Star Trek fan films, he’s decided to once again go where no fan has gone before and produce a documentary about not just one or two fan films but an entire MAGNUM OPUS of work…viewed not solely through Vance’s own eyes but through the thoughts, memories, and experiences of those he has worked with over the years…including me and dozens of others.

I thought about interviewing Vance as he brings this epoch of his life in for a landing. But anything we discuss would only pall in comparison to the release of his 4-hour documentary, which will premiere on Sunday, July 3rd at noon central time. Here is the link…

Let’s look inside the SHOWRUNNER Awards and other fan film competitions (Part 2)

In Part 1, we took a look “under the hood” at the engines running three of the most significant and well-known of the annual awards competitions for Star Trek fan films: the BJO AWARDS, the DIRECTORS CHOICE AWARDS, and the SHOWRUNNER AWARDS. Of course, only one of these three is technically “annual” at this point, as the latter two competitions only got their start in January of this year while the Bjos have been running each year since 2015.

Why this deep-dive into the inner workings of three different awards shows? Why not? Most fans see only the end results of these competitions…who were the finalists, who were the runners up, and which films and filmmakers ultimately won. But what happens behind the scenes?

Last time, we looked first at the challenge of finding judges, and how ERIC L. WATTS of the Bjo Awards sets himself the Herculean task each year of finding people “…who have a professional credit in the Star Trek franchise or are Star Trek fans working in the television and film industry, are not in any way personally associated with any past or present Star Trek fan film.” Add to that these people must be willing to watch hours and hours of Star Trek fan films for no money and little more than a thank you for their efforts.

DAN REYNOLDS and GLEN WOLFE went in a different direction for the Directors Choice Awards, opting to require the directors of the films entered to cast ballots for the winners in all categories in order for their own films to quality (and of course, a director could not vote for their own fan film). And finally, I assembled a panel of twelve Star Trek fan film and fan series showrunners (including myself) to judge the Showrunner Awards.

In all three cases, the judging panel was made up up ten or more judges, all publicly identified for the contest. This is, of course, by no means a requirement when holding a fan film contest, although it does inspire more confidence in the results knowing the the people judging the entries have a practical and experiential knowledge of the categories they are judging.

The next thing we looked at was the method each awards show used to gather and organize information on the entries. Eric would determine the submissions based on the Star Trek fan films released in a calendar year that met the eligibility requirements and then type in all of the names of the nominees himself.

Dan and Glen and I, instead, allowed the filmmakers themselves to fill out online forms, changing a nominal $10 entry fee for each fan film entered. The Showrunners then tacked on an extra $1 per each category entered, while the Directors Choice simply limited the number of categories per entry to no more than five. And in the end, all three contests rely heavily on Excel spreadsheets to record the immense amount of submission information.

So what’s left…?

Let’s look inside the SHOWRUNNER Awards and other fan film competitions (Part 1)

So you say you want to create a fan film awards competition! Actually, unless you want to work really, really hard, you probably DON’T want to create one…at least, if you want to do it right. And when I say “do it right,” there isn’t only one correct way to organize and run a film contest. In fact, there’s several different approaches, all of them totally valid.

The challenge is to set everything up so that the process runs smoothly and inspires confidence in both the process and the results. That’s what I mean by “do it right,” and it takes a surprisingly sizable amount of work. DAN REYNOLDS, who along with GLEN WOLFE, ran the recently-completed DIRECTORS CHOICE AWARDS, said, “The sheer enormity of organizing was difficult. There was a lot of checking, double checking and triple checking. I don’t think we knew just how much work it really would be to pull something like this off.” Glen said that he mostly concentrated on “…getting ballots returned in a timely manner, getting the presenters to turn their videos in in a timely manner, and then getting the whole award ceremony edited while juggling real life.”

ERIC L. WATTS lists off an even longer “to do” list for the annual BJO AWARDS, including…

Recruiting top-level, high-calibre judges;
Finding eligible fan films for consideration (filmmakers don’t actively enter the Bjo Awars—Eric includes all qualifying Star Trek fan films released in a calendar year);
Researching release dates, runtimes, cast and crew credits, and creating a spreadsheet that sorts and organizes that data; and
Spending hours and hours and hours creating the actual ballot.

And of course, none of this includes marketing the awards show and announcing its winners, answering questions from the fan community, and of course, nagging the judges to get their ballots in on time! Plus, there’s a whole host of other efforts involved.

One of the biggest challenges is logistics. And like the duck gliding gently across the smooth surface of the lake, most fans never get to see all of the intense paddling that goes on just beneath the surface to make these fan film competitions run like well-oiled machines.

So if you’re interested in “peeking under the hood,” today’s blog is for YOU…

The shoots must go on – filming MUDD baking in an OVEN!

You’ve probably heard it on the news—or maybe you’re experiencing it yourself. There is a massive “dome of heat” sitting across much of America right now with temperature records being broken left and right. Even in the higher elevation Ozark Mountain area, the mercury on the thermometer outside read 95 degrees last Saturday. And it wasn’t just any kind of hot. It was the southeastern U.S. in June…meaning sticky, humid heat that melts you into a puddle of sweat even if you’re standing in the shade!

But inside WARP 66 STUDIOS in the town of Flippin, Arkansas, well, it was even HOTTER!!! Actually, I should specify that inside one of the WARP 66 Studios, it was even hotter. That’s because their TOS sets occupy two different locations. The bridge and shuttlecraft sets live in a nice, air-conditioned building owned by DAN REYNOLDS in Harrison, AR, and even though the lights and warm bodies can heat things up a bit, those two sets remain pretty comfortable.

However, things are much different in Flippin! GLEN L. WOLFE constructed a metal building on his property that currently houses the transporter room, briefing room, sickbay, corridors, and a swing set area. The building has no insulation, and only one small room inside for the actors to prep has a small A/C unit. The rest of the building is “cooled” by running small fans to move the air around. But when it’s 95 and humid outside, those poor fans are fighting a losing battle, and with the hot lights and bodies inside, you may as well be filming inside of an oven!

“It was dead air inside and hotter,” said Dan Reynolds, who served as director of photography for this oppressively sweltering Saturday shoot. “Thank goodness Glen built it with extremely high ceilings.”

Interestingly, not one but TWO different fan films shot simultaneously on those super-hot sets. The first and more significant of the two (in terms of total footage filmed) was for the next episode from Glen and Dan’s “fanthology” series THE FEDERATION FILES. Titled “MUDD’S MISSION,” this new production brings back two colorful characters from the series’ very first release back n 2016, “HIS NAME IS MUDD“: Captain Charles McCann of the U.S.S. Constitution, played by JIM VON DOLTEREN, and the irredeemable Harcourt Fenton Mudd played with flair by DAVID WHITNEY.

*DAVID WHITNEY as Harry Mudd with DAN REYNOLDS (left) and JOSHUA IRWIN (right)*

David, who lives in Iowa, actually filmed his scenes a couple of weeks ago during a much more pleasant weekend. “Up until June,” said JOSHUA IRWIN, showrunner for the AVALON UNIVERSE, who was also there this past weekend filming pick-up shots for that team’s upcoming release THE NEEDS OF THE ONE, “the weather in Flippin can be pretty mild. In fact, late spring this year has been cloudy and rainy, even into May. But June is about the farthest you can do it. July and August are out for shooting there, and we don’t typically schedule anything until September again.”

So why not simply cancel the hot shoot and come back some cooler day?