Fan Film Factor – Page 53 – Exploring the world of Star Trek fan films.

Forget poker…STAR TREK: PICARD is all about CHESS! (editorial review)

Admiral, there be spoilers here!

Have you ever watched a poker tournament on TV…or even just flipped past one while channel surfing? (Do people even channel surf anymore?)

It’s a pretty good bet that you’ve probably seen at least a glimpse of a poker tournament. They’re actually kinda exciting! Every hand is different. Every bet could change the balance of power and the fortunes of any player at any time. The stakes can be high and the tension even higher. It’s no wonder that poker tournaments have found their way onto broadcast television.

But what about chess?

Chances are you’ve never seen a chess tournament broadcast on television…except maybe highlights of one on the news. And why would you? Chess isn’t exactly a thrill-a-second game (although it can be if you know what to look for, but most of us don’t). And unlike poker, where a game is made up of a series of hands that each reset gameplay, a chess game unfolds and develops veeeeeeery slowly and carefully. It’s not what you’d call riveting TV!

Since the very first season of TOS, Star Trek has embraced both the games of poker and chess—from Kirk’s corbomite bluffs to Spock’s 3D chess to the TNG crew’s regular poker nights. And of course, the first episode of STAR TREK: PICARD opens on a dream sequence poker game with Data.

I thought about these two games as I watched the second episode of Picard, “Maps and Legends.” After a very exciting teaser where we see and learn more about the First Contact Day synth massacre on Mars (they were hacked!), the episode very quickly puts on the brakes and doesn’t accelerate again for the rest of the 44-minute episode. It was pretty much all talk—although still dramatic and well-acted—for 37 straight minutes.

This seemed odd to me as a viewer.

The friend I watched with said he definitely didn’t like the second episode as much as the first. The first, he opined, had a message, a theme, of growing older, of looking for purpose in one’s twilight years, of seeing the world change into something your idealistic self wouldn’t recognize nor approve of. But what was the message of the second episode? There wasn’t one that he could see, just scene after scene of mostly exposition.

It wasn’t that either of us didn’t like the episode. We just didn’t like it as much as the first one. And initially, I didn’t understand why. But now I do…

PAUL JENKINS discusses directing the AXANAR sequels, working with ALEC PETERS, and MUCH MORE! (audio interview)

I love PAUL JENKINS. I just do. Over the past few months, he has become one of my favorite people on the planet…and when you listen to my interview with him, I think you’ll understand why (or at least, I hope you will).

When it comes to AXANAR, it always seems to be ALEC PETERS this and ALEC PETERS that—here an Alec, there an Alec, everywhere an Alec, Alec. But as Alec himself would be the first to tell you, Axanar is a TEAM effort, and the team is made up of some very talented and dedicated individuals…and few more so than Axanar co-writer and director, Paul Jenkins.

When Alec first announced that Paul was joining the project back in 2017, replacing ROBERT MEYER BURNETT as director as well as helping to co-write the two-part, 30-minute fan film allowed by the settlement with CBS and Paramount, a number of fans were initially scratching their heads. And I’ll admit, I was one of them.

After all, I really only knew Paul from the days when I was reading twenty comic books a month, and his name was on many of them. Paul is widely considered as the person who helped save Marvel Comics from chapter 11 bankruptcy in the late 1990s with the development of the Marvel Knights imprint. Later, he went on to write the ground-breaking Wolverine: Origin (which was later turned into a motion picture). In fact, Paul has worked for various comic book publishers—including DC, Mirage, and Tundra. He developed video games, too. So yeah, Paul can obviously write.

But could he direct?

It turns out, the answer is yes. In fact, Paul co-founded META Studios in Atlanta, has been directing for about 20 years, and was even asked in 2015 by Georgia Governor Nathan Deal to assemble and chair an advisory committee to educate the Georgia General Assembly on the evolution of digital and interactive technologies. So yep, Paul’s a pretty big deal…but you’d never know it by speaking with him. The man is as humble and soft-spoken as they come.

I learned this firsthand during the shoot for my Axanar Universe fan film INTERLUDE. Paul popped by Ares Studios on that Sunday to say hi and see how things were going. He stayed off to the side, just happily watching, and even volunteered to stand behind the turbolift and flick the console lights on and off during a torpedo “hit.” The guy who saved Marvel Comics was flicking lights on my fan film??? You bet!

Later, during a break, Paul chatted with me for a good 45 minutes, sharing some stories, some insights, and just shooting the breeze. He even hung out with Interlude directors VICTORIA FOX and JOSHUA IRWIN during some quiet moments when they weren’t both doing a thousand things. He was a true gentleman and a lot of fun to talk to.

So when I had the opportunity to chat with him some more and record the call, I jumped at the chance! Take a listen…

INTERLUDE Confidential #4 – putting the post-production puzzle pieces in place!

A little more than a decade before his untimely death in 1997, John Denver trained with NASA and became a finalist for the first citizen’s trip to space in 1986. When asked why a singer/songwriter should be chosen to go to space, John Denver replied by asking who better to communicate the inspirational experience of spaceflight to the masses than someone used to putting sights, sounds, and feelings into words and music?

These “INTERLUDE Confidential” blogs I write are intended to do something similar. I realize that many of my readers will never produce or even work on a fan film. And most fan filmmakers are too busymaking fan films to blog about the experience in depth and try to communicate the nuances of all that they do.

So I want to give you folks a window into the process of creating a fan film from the point of view of someone who has never done this sort of thing before and is still blown away by the entire process. And today, I’d to talk about where Interlude stands right now.

There are three main phases to creating a film. Pre-production is planning everything: determining budgets, raising money, hiring (or in my case, begging for) actors and crew, setting up filming dates, getting costumes ready, and about a thousand other things from renting equipment to scheduling a caterer. The script is worked on and re-worked, the director(s) plan out a shot list…it’s like everything NASA does before a rocket is cleared for lift off.

Then production happens. This is when the various elements that will go into the film are actually produced. This can mean filming scenes or getting voice-overs or having your CGI friend create your visual effects. Every item that gets produced (filmed, recorded, rendered, etc.) becomes a piece of the overall puzzle that will become your final fan film.

Right now, Interlude is still in production. At the same time, we’re also in post-production. How is that possible?

New PANELS and new CHANNELS for AXANAR!

The final two AXACON 2019 panels are now available on the AXANAR YouTube channel. One of the panels—“The Crew of the USS Ares” (the third of the four from December’s event)—actually went live last week along with the Producers panel, and I completely missed announcing it. D’oh!

The other is the fourth and final panel which features an interview with SALLY IHNAT (the widow of the late actor STEVE IHNAT who played Garth of Izar in “Whom Gods Destroy”) and LINDA ALEXANDER (who wrote a wonderful biography of Steve).

It’s hard to know which is the better panel. They’re both really worth watching. The “Crew” panel features five of the actors who play key roles in the Axanar sequels, all being interviewed by ALEC PETERS. We’ve heard from the “big” names many times, but now we get to heard from actors who haven’t been regulars or semi-regulars on major television series. And their perspective on discovering Axanar and its fans, putting on uniforms, and performing on the USS Ares bridge set are really interesting to listen to. They’re now part of the Axanar family, and soon our community will know their names (characters and actors)…

https://www.youtube.com/watch?v=E9YcknJmt6Y&t=2361s

As for the second video, Steve Ihnat was an incredible actor. And if you’d like to learn more about his tragically too-short life, this is a very special panel to watch…

https://www.youtube.com/watch?v=BcXoF3pCwAI&t=2s

But wait, there’s even more Axa-news!

Up until this week, Axanar had one YouTube channel. Now it has two. The main Axanar Channel has more than 87K subscribers and features a mix of various Axanar-related content including clips, interviews, VFX, livestreams and the weekly Axanar Confidential and Axanar After Dark podcasts. But that was a LOT of content…and not all Axa-fans wanted to watch the hour-long podcasts to get all the Axanar news (and dog rescue updates) and just wanted their content more directly and succinctly. Other fans and supporters, however, love those longer chats and think of them like weekly gatherings of the whole extended family.

So Axanar just launched a second YouTube channel called Axanar Live! It’s brand new and only has about 200 subscribers as I write this, but it will soon be the home of Axanar Confidential, Axanar After Dark, and all the live-stream videos they create from places like the shoots at Ares Studios. Already, the first 11 episodes of Axanar After Dark have been transferred over.

This will leave the Axanar Channel for all the official Axanar updates and any created and edited video content. With an increasing amount of new footage scheduled to come out over the next few months, each channel should have a steady stream of fresh content.

And remember that the Axanar private crowd-funder is currently featuring a special dollar-for-dollar match of all donations. So donate $10 and it’s worth $20. Donate $50 and it’s worth $100.

If you haven’t donated yet (or recently), please consider logging in or setting up an account on Ares Digital and giving a little something…

https://aresdigital.axanar.com/

What PICARD got right…and DISCOVERY and JJ TREK got wrong! (editorial review)

SURPRISINGLY FEW SPOILERS…

I had almost forgotten the feeling. Maybe that’s because it’s been 15 years since I’ve felt it.

I used to get the feeling often when watching Star Trek episodes. They’d end, and I’d go “WOW” or (as when Riker said “Fire!” followed by the words “To be continued”) I’d just want to see more…NOW!

There were episodes of Next Gen and DS9 that left me feeling proud to be a Star Trek fan, like I was being treated to carefully crafted masterpieces like “The Inner Light” or “Sacrifice of Angels.” Even Voyager and many episodes of Enterprise‘s final season had this effect on me. Star Trek was exciting, fun, thoughtful, brilliant even…and these episodes always left me feeling happy and satisfied with my decision to dedicate so much of my life to this grand sci-fi franchise.

And then the feeling just…stopped.

I really wanted to like the 2009 JJ Abrams Star Trek movie reboot. The ingredients all seemed to be there. But that movie completely missed the mark for me. Star Trek Into Darkness frustrated me even more. And while Star Trek Beyond had a few moments, the feeling of excitement and satisfaction just wasn’t there. I spent more time complaining about unbelievable and illogical plot holes, wondering why Khan was suddenly a white guy, and trying to figure out why a small starship needed to carry a motorcycle and a Beastie Boys soundtrack.

And Discovery only seemed to worsen the situation. I suffered through most of the first season. And while the second season improved noticeably, when each episode ended, I still wasn’t feeling like I wanted more…like I was truly satisfied with what I’d just watched. I wasn’t feeling proud to be a Star Trek fan anymore—at least not with this new series. And most of the Short Treks, while enjoyable, didn’t spark that old feeling either.

Fifteen years.
Three blockbuster movies.
Ten Short Treks.
Twenty-nine episodes of Star Trek: Discovery.

And all I felt was “meh.” I actually had to frequently remind myself why I was sticking with the new releases from the franchise rather than jumping (star)ship as many other disillusioned fans were claiming to have done.

But with just a single episode of the new STAR TREK: PICARD series, the feeling is back, baby, and as strong as it’s ever been! How the heck did that happen???

SKY FIGHTER is now available for public viewing on YouTube!

SKY FIGHTER isn’t technically a fan film, but it is a fan-funded, fan-made film. Although writer/director LUKAS KENDALL has a listing on IMDB, his credits were fairly limited…at least until now, that is! With the completion of the Sky Fighter independent sci-fi themed film, Lukas is officially a writer and—more importantly—a director.

At times, the most cynical voices voices in our fan community deride fan filmmakers for simply “copying” someone else’s intellectual property (ViacomCBS, Lucasfilm, Marvel, Warners) rather than just coming up with an original story and setting and characters that they can own outright. And while it’s true that the vast majority of Star Trek fan films are made by hard-core Trekkers who just want to play in that existing sandbox/universe and don’t care about launching full Hollywood careers, Lukas—although a Trekker himself—was the rare exception. He wanted more.

Lukas had written a full feature-length movie script that he also wanted to direct. But such things cost mega-bucks (even the cheap ones!), and those who supply financial backing and investment for such projects are typically uncomfortable putting their money behind a first-time director. In other words, Lukas knew he was heading down a path where he’d likely hear that an investor loved his script and knew the perfect person to direct it…and that person would not be the writer.

But this script was Lukas’ vision, and he didn’t want to share or (more likely) hand over creative control to someone else. But without showing what he could accomplish as a director himself, his chances of selling the script AND also being allowed to direct it were slim at best.

So Lukas came up with a plan…

AXANAR donor offers DOLLAR-for-DOLLAR match of any donation to help reach the Phase One goal!

I know that ALEC PETERS cannot post anything publicly about AXANAR crowd-funding, but I can!

So here’s the BIG NEWS for today…

Axanar is now just $4,133 away from reaching its first crowd-funding goal (which was just lowered from $60K to $50K because $10K was actually bridge set construction, and that’s an Ares Studios asset and therefore can be crowd-funded separately and publicly).

BUT!!!

A top donor has promised a dollar-for-dollar match of any Axanar donations for a limited time. That means that Axanar is actually just $2,067 away from reaching the Phase One goal to cover the cost of the first two shoots.

So if you haven’t donated yet (or recently), NOW is the time to go to Ares Digital because every dollar you give is worth TWO dollars for a short time! Click on the link below to register/log-in to donate…

https://aresdigital.axanar.com/

The second panel from AXACON 2019 is now available for viewing!

Watch the opening act credits for any Next Gen, Ds9, Voyager, Enterprise, or Discovery episode…and what do you see? There’s a seemingly endless parade of producers: executive producers, co-producers, associate producers, line producers, supervising producers, consulting producers, co-executive producers, and just plain producers.

What’s the difference?

Most of us can probably guess that the executive producer is likely the one in charge. Gene Roddenberry was executive producer on TOS. Rick Berman was the executive producer on the later Paramount Trek series. But what about all of the rest of those titles? What do they mean? What do these various people do? And why do most television shows and movies need so many producers? Does your fan film need all of these different producers, too (assuming you have a fan film)?

As I mentioned last week when the first of the four panels from AXACON 2019 was released—the director’s panel—AXANAR offers fans, supporters, and fan filmmakers a unique perspective into the creation of a top-tier fan film. Sure, not every fan film is going to have the production value and scope of an Axanar, but there’s still much to be learned from this project…and ALEC PETERS and the folks on the Axanar production team are happy to explain.

Today’s “lesson” is from the second panel—the producers’ panel—and it features Director PAUL JENKINS interviewing four different producers on the project, each with a different title: Line Producer SCOTT CONLEY, Co-Producer CRYSSTAL HUBBARD, Associate Producer DALE SIMPSON, and Executive Producer Alec himself. What did all of these people do for the production? Why does Axanar even need four different producers? (Actually, there were more, but Producer CHRIS MILLS and a few other producers weren’t able to make it for the panel.)

Just like last week, I think that this is a MUST-SEE panel…whether or not you are an Axa-fan. This isn’t a self-congratulatory “why we all love Axanar so much” panel (none of them are, to be honest). Instead, it’s a very informative panel for the lay-person to understand the producer’s role…and why there are so gosh-darn many of them!

But before I present the producers’ panel video, and since I’ve spent my last couple of blogs talking about crowd-funding campaigns, let me include brief updates on both the Ares Studios and Axanar campaigns (two separate crowd-funders).

My sincere apologies to VANCE MAJOR

I know a lot of people in the fan film community—friends, comrades-in-arms, friendly acquaintances, long-distance buddies—but few of them do I feel closer to than VANCE MAJOR. You might have heard of him…’cause I mention him a lot on this blog!

Last month, I posted an audio interview with Vance when he released 51 new episodes of THE CONSTAR CHRONICLES and 18 special editions of the MINARD saga of fan films. Earlier this month, I posted a blog promoting his new GoFundMe campaign for CONSTAR CONTINUES…which I hope you’ll consider donating to.

Over the coming weeks, I’ll be featuring audio interviews with two guys named Greg—GREG TEFT and GREG MITCHELL—both of whom worked on Constar with Vance in significant production roles. Vance requested that I interview them separately to give each fan filmmaker a chance to shine. And I’m happy to do it!

The reason is that I love Vance…I love him like a brother. In fact, he frequently calls me “brother”—although I think that’s just his word for “dude”—but “brother” just shows what a truly warm and loving heart he has for people.

I’ve literally lost sleep because of Vance—not because I worry about him but because he works an overnight shift and our calls frequently start after midnight my time (2am for him in Kansas) and can usually last an hour or even two! We’ve chatted about everything from fan films and fan filmmakers to Star Trek, superhero movies, politics, weather, triumphs, frustrations, and my favorite subject: our boys. Vance is a dad like me—and a damn awesome one!—and since my son is half a decade older than his, I can give him some “heads up” advice and also look back at those days gone by and silently envy Vance getting to live those wonderful moments himself.

Yesterday, I hurt Vance.

INTREPID crowd-funder proves Jonathan absolutely WRONG!

January is a bad month for crowd-funding…or so I thought.

I usually advise people who ask (and advise them strongly) to avoid scheduling their fan film crowd-funding campaigns in December and January. Both months compete with the holidays. In December, people aren’t really paying much attention to requests to donate to fan projects. And by the time you reach January, many people’s wallets and bank accounts are recovering from holiday expenses like gifts and vacations. So if you can, wait until mid-February to launch your crowd-funder.

A good example of this was VANCE MAJOR, who kicked off his latest GoFundMe for CONSTAR CONTINUES in December. With previous Constar campaigns trying for a $500 goal, Vance had been able to cross the finish line within days. But that was in March. This time, with a goal of $1,175 for costumes and props, Vance took in just a few hundred dollars over the first few weeks, and even now, more than a month later, is only up to $675 from 17 backers (including me). He’s getting there, but it’s definitely slower this time out. Was I right about December and January?

I thought I was…which is why I scratched my head when I saw NICK COOK launch an Indiegogo campaign for STARSHIP INTREPID‘s next fan film, “Echoes.” The long-running fan series out of Dundee, Scotland is trying to raise $2,600 for:

Travel expenses
Room hire (location rental)
Food for the actors
Props and costumes
Make up
Associated consumables (such as batteries)
Post-production expenses

With a goal more than double what Vance was asking for, I contacted Nick Cook and suggested we hold off doing a crowd-funding feature/interview here on Fan Film Factor until February—expecting that he (like Vance) wouldn’t get too far over the next few weeks.

It’s only three days later, and Intrepid‘s campaign is already nearly 40% of the say to their goal with $1,036 from 28 backers (including me). Boy, was I wrong! But why was I wrong?