Fan Film Factor – Page 54 – Exploring the world of Star Trek fan films.

8 YEARS in the making, INTREPID releases their 12th fan film: “DISSONANT MINDS”! (interview with NICK COOK)

Quick reminder: these nice folks from Scotland currently have an active Indiegogo campaign trying to raise about $2,600. With one month down and one month to go, they’re two-thirds of the way to their goal. If you’d like to help them get the last $800 of the way there, please click the link below…

https://www.indiegogo.com/projects/help-fund-echoes-a-starship-intrepid-fanfilm

Scottish fan series STAR TREK: INTREPID began work on their first Trek fan film waaaaay back in 2003. Since then, they’ve completed production on a dozen fan films ranging in length from 6 to 47 minutes. (Read more about their history here.) Their latest release, “Dissonant Minds” came out last week, reconfirming their status as the longest-running, still-active Star Trek fan film group in the world!

Considering that these folks have been producing Trek fan content for 17 years, it may not be as surprising as some might think to discover that a good deal of the footage in this latest fan film was shot back in 2012! Yep, this fan film has been EIGHT YEARS in the making!!! And “Dissonant Minds” also had help from show-runners on three other major Trek fan productions (although it is not a crossover).

So let’s take a look…

If you’re curious which parts are from 2012, it’s all of the outdoor scenes plus the scenes in the governor’s office. What happened to make the production take so long? Well, unfortunately, after a full weekend of grueling filming way back when, a good portion of the outdoor shots turned out to be unusable in the final production for various reasons, and so the footage lingered on a hard drive.

Why not just re-shoot it? Show-runner NICK COOK explained that one of the cast, BODO HARTWIG, lives in Germany, so accommodating his schedule was an issue. “I didn’t feel comfortable asking him to make a second trip to reshoot it,” Nick told me. “The other issue was that this was sort of the start of a period of slow down for us, largely due to me being busy with work and family—and probably a degree of burn out. These films are hard work and can be pretty draining.”

Eventually, the script was reworked to incorporate a number of new scenes to make up for the loss of footage planetside. The bridge, sickbay, and space station scenes were shot separately s few years later on green screen using the revised script. “The original script is quite different and involved a lot more time with Merik and the civilians,” Nick explained. “I really struggled finding the right direction for that revised plot. I had a few dead end ideas over time, but I kept coming back to it.”

And yet, even with more footage filmed, the film didn’t make much more progress in post-production until a fellow fan filmmaker stepped in to help…

STARSHIP ALEXANDER launches from Potemkin Pictures with “CRYSTAL EYES”! (interview with RANDY LANDERS)

POTEMKIN PICTURES started up a decade ago with PROJECT: POTEMKIN…which ran for 36 episodes. Since then, another 45(!!!) additional fan films have been released from six different creative teams: BATTLECRUISER KUPOK, STARSHIP DEIMOS, STARSHIP TRITON, HOSPITAL SHIP MARIE CURIE, STARSHIP TRISTAN, and STARSHIP ENDEAVOUR.

Well, there’s a new kid, er, creative team on the block now: STARSHIP ALEXANDER. And Potemkin Pictures has just kicked off their eighth fan “series” (although please do NOT call them fan series…as the films are all independent productions, each with its own unique story and title) with the brand new fan film “CRYSTAL EYES.” The USS Alexander is an Excelsior-class variant with the “water wings” of the Enterprise-B (and later, the USS Lakota). And I must say that the CGI visual effects from ROSS TROWBRIDGE using an Excelsior model from DAVID METLESITS all look exquisite.

The 16-minute fan film was shot on the same bridge set as the majority of other Potemkin projects and also at the Moss Rock Preserve in Hoover, Alabama. It is a joint production between Potemkin Pictures in association with Black Ops Productions, featuring an entirely new crew of actors…and a couple of familiar aliens. See for yourself…

Naturally, I had some questions about this newest Potemkin creative group. So I once again went to the man at the top, RANDY LANDERS, for answers…

Sunglasses on Vulcans and other nits to pick about PICARD…and why they don’t matter to me! (editorial review)

SPOILERS ABOUND!

As I read review after review of the third episode of STAR TREK: PICARD, “The End IS the Beginning,” the one common complaint I encountered over and over again is that the series seems to be moving TOO SLOW. It seems a fair number of people are really bothered by the fact that this third episode wasn’t any more action-packed than the first two (except the Zhat Vash attack on the Château Picard toward the end), and how after three full episodes, it was only in the last few seconds of the third episode that Picard finally says “Engage…” (hooray!) and we’re finally leaving Earth for deep space. The end really was the beginning.

Too slow, huh? Give me a break people! Let’s be honest: the real problem with this episode is that there was a Vulcan Commodore wearing sunglasses! I mean, really? Vulcan has a stronger sun than Earth, and Vulcans have that inner eyelid thingie (which we learned in the TOS first season finale “Operation: Annihilate” when Spock recovers from temporary blindness).

Oh, sure, there’s sunglasses in the 24th century. Barclay wore a pair on the beach in Voyager. But on a VULCAN??? Never! And just look at that commodore rank pin! It’s skewed! Would a Vulcan ever allow such a thing to happen? Would the Starfleet of the future even have rank pips that didn’t stay perfectly in place? This is is the FUTURE, people! Between the sunglasses and the rank pip, people might start to suspect that Commodore Oh isn’t really a Vulcan at all—despite her smooth forehead—and a Romulan agent would never be that sloppy…nor would an actual Vulcan!

And speaking of foreheads, we’re now told that the bumpy heads of Romulans are just a genetic variation of those from the north??? Really? Like blond hair or blue eyes here on Earth? Pshaw! Everyone knows that in the 4th season TNG episode “Data’s Day,” the faux-Vulcan Ambassador T’Pel returns to the Romulans and reveals herself to, in fact, be a Romulan…complete with a bumpy forehead!

“Vulcan” Ambassador T’pel’s forehead goes from smooth to bumpy when she reveals herself to be a Romulan spy in “Data’s Day.”

What? You can explain that? Maybe she was really a northern Romulan and just got smoothed over for the undercover espionage assignment? Suuuuuure she was. I don’t buy it for a second.

Actually, you guys shouldn’t buy anything I just wrote! I was totally kidding!!!

None of the above items really bothered me. Well, technically, I wasn’t thrilled about Commodore Oh’s rank pip. But when it comes right down to it, I really don’t have any desire to criticize this show right now. And that’s kind of weird because I’ll jump down the throat of any random goof or discontinuity in an episode of Discovery and bash any Star Wars movie made after 1983 for every stupid, illogical, incoherent plot hole I find.

I’m a sci-fi fan, and we live to complain. So why don’t I want to complain about Picard? It’s really weird! Let’s do some soul searching…

AXANAR tops its $50K phase one crowd-funding goal…and announces phase two in MARCH!

For the fourth week in a row, I’ve got some AXANAR news that’s significant enough to warrant its own blog. And for anyone thinking, “Oh, you talk about Axanar all the time!”—my last Axanar blog prior to mid-January was three months earlier in mid-October.

Anyway, today’s new is actually VERY big, as it deals with Axanar‘s crowd-funding. As many of you are already aware, the legal settlement that ALEC PETERS signed with CBS and Paramount permitting him to produce and release Axanar as two 15-minute fan films does, in fact, allow him to crowd-fund them…and exceed the $50K guideline limit. But Alec isn’t permitted to use a public service like Kickstarter or Indiegogo; he must crowd-fund privately behind a firewall…which can be accessed at the following link:

https://aresdigital.axanar.com/

Alec also cannot publicly solicit donations (although others are allowed to), meaning that Axanar cannot take out advertisements or post the above link on social media, and Alec can’t ask for donations in YouTube videos or during interviews. It’s a challenging constraint, to be certain, but Alec has been diligent to abide by that requirement of the settlement agreement.

And indeed, even being limited to requesting donations only via e-mails to Axanar‘s existing donor list, it’s even more impressive that Alec and his team have been able to raise more than double what even the most successful post-guidelines Star Trek fan films have been able to generate even using public crowd-funding sites and being allowed to solicit donations on social media and elsewhere.

Last Thursday, the Axanar Phase One crowd-funding campaign finally crossed its $50K goal threshold, effectively paying for the first two of the four scheduled shoots—which happened in October and December of last year. The remaining two shoots, currently scheduled for March (previously February) at Ares Studios and April in Los Angeles, will complete all of the live-action scenes necessary to finish the two Axanar sequels. (A potential fifth shoot at a special Los Angeles location is still up in the air at the moment.)

The Ares Studio shoot is fairly minor, just some green screen interviews of Garth and his first officer Tanaka. But the April shoot is major, involving GARY GRAHAM as Soval plus a few other aliens and some humans (KATE VERNON?—no public confirmation on that yet). There will be some significant costs associated with that shoot, including green screen studio rental in L.A. plus prosthetics and make-up.

The estimated budget for these two shoots is around $30K (not yet finalized), and Alec will be launching a Phase Two campaign for that in March, along with debuting the first full Axanar trailer!

Check out what the CZECHS are doing with SQUADRON!

Holy Eastern European Star Trek fan film blockbusters! Have you seen all of the early hype about SQUADRON yet??? If you haven’t, you will…I can assure you! And the main reason is a fellow named JAKUB HOLÝ from the city of Prague in the Czech Republic. Bordering Germany, Austria, Poland, and Slovakia, the Czech Republic is about as big as the U.S. state of Louisiana. But what the country lacks in size, it more than makes up for in Star Trek fanaticism and ingenuity!

Jakub contacted me recently to see if I’d be willing to interview him prior to the launch of their new Indiegogo campaign later in February with a goal of about $15K (not sure what that is in Euros at the moment) to fund post-production on Squadron. Jakub had photos, videos, and even a press kit! So I took a look…

WOW!

Even though I don’t speak Czech, there were versions of everything in English, as well…

What I quickly discovered is that these guys have what could very well be one of the coolest-looking 24th century-era Star Trek fan films that we’ve seen yet. I’ll include some photos at the end of this blog, but a few things in particular stood out for me.

Forget poker…STAR TREK: PICARD is all about CHESS! (editorial review)

Admiral, there be spoilers here!

Have you ever watched a poker tournament on TV…or even just flipped past one while channel surfing? (Do people even channel surf anymore?)

It’s a pretty good bet that you’ve probably seen at least a glimpse of a poker tournament. They’re actually kinda exciting! Every hand is different. Every bet could change the balance of power and the fortunes of any player at any time. The stakes can be high and the tension even higher. It’s no wonder that poker tournaments have found their way onto broadcast television.

But what about chess?

Chances are you’ve never seen a chess tournament broadcast on television…except maybe highlights of one on the news. And why would you? Chess isn’t exactly a thrill-a-second game (although it can be if you know what to look for, but most of us don’t). And unlike poker, where a game is made up of a series of hands that each reset gameplay, a chess game unfolds and develops veeeeeeery slowly and carefully. It’s not what you’d call riveting TV!

Since the very first season of TOS, Star Trek has embraced both the games of poker and chess—from Kirk’s corbomite bluffs to Spock’s 3D chess to the TNG crew’s regular poker nights. And of course, the first episode of STAR TREK: PICARD opens on a dream sequence poker game with Data.

I thought about these two games as I watched the second episode of Picard, “Maps and Legends.” After a very exciting teaser where we see and learn more about the First Contact Day synth massacre on Mars (they were hacked!), the episode very quickly puts on the brakes and doesn’t accelerate again for the rest of the 44-minute episode. It was pretty much all talk—although still dramatic and well-acted—for 37 straight minutes.

This seemed odd to me as a viewer.

The friend I watched with said he definitely didn’t like the second episode as much as the first. The first, he opined, had a message, a theme, of growing older, of looking for purpose in one’s twilight years, of seeing the world change into something your idealistic self wouldn’t recognize nor approve of. But what was the message of the second episode? There wasn’t one that he could see, just scene after scene of mostly exposition.

It wasn’t that either of us didn’t like the episode. We just didn’t like it as much as the first one. And initially, I didn’t understand why. But now I do…

PAUL JENKINS discusses directing the AXANAR sequels, working with ALEC PETERS, and MUCH MORE! (audio interview)

I love PAUL JENKINS. I just do. Over the past few months, he has become one of my favorite people on the planet…and when you listen to my interview with him, I think you’ll understand why (or at least, I hope you will).

When it comes to AXANAR, it always seems to be ALEC PETERS this and ALEC PETERS that—here an Alec, there an Alec, everywhere an Alec, Alec. But as Alec himself would be the first to tell you, Axanar is a TEAM effort, and the team is made up of some very talented and dedicated individuals…and few more so than Axanar co-writer and director, Paul Jenkins.

When Alec first announced that Paul was joining the project back in 2017, replacing ROBERT MEYER BURNETT as director as well as helping to co-write the two-part, 30-minute fan film allowed by the settlement with CBS and Paramount, a number of fans were initially scratching their heads. And I’ll admit, I was one of them.

After all, I really only knew Paul from the days when I was reading twenty comic books a month, and his name was on many of them. Paul is widely considered as the person who helped save Marvel Comics from chapter 11 bankruptcy in the late 1990s with the development of the Marvel Knights imprint. Later, he went on to write the ground-breaking Wolverine: Origin (which was later turned into a motion picture). In fact, Paul has worked for various comic book publishers—including DC, Mirage, and Tundra. He developed video games, too. So yeah, Paul can obviously write.

But could he direct?

It turns out, the answer is yes. In fact, Paul co-founded META Studios in Atlanta, has been directing for about 20 years, and was even asked in 2015 by Georgia Governor Nathan Deal to assemble and chair an advisory committee to educate the Georgia General Assembly on the evolution of digital and interactive technologies. So yep, Paul’s a pretty big deal…but you’d never know it by speaking with him. The man is as humble and soft-spoken as they come.

I learned this firsthand during the shoot for my Axanar Universe fan film INTERLUDE. Paul popped by Ares Studios on that Sunday to say hi and see how things were going. He stayed off to the side, just happily watching, and even volunteered to stand behind the turbolift and flick the console lights on and off during a torpedo “hit.” The guy who saved Marvel Comics was flicking lights on my fan film??? You bet!

Later, during a break, Paul chatted with me for a good 45 minutes, sharing some stories, some insights, and just shooting the breeze. He even hung out with Interlude directors VICTORIA FOX and JOSHUA IRWIN during some quiet moments when they weren’t both doing a thousand things. He was a true gentleman and a lot of fun to talk to.

So when I had the opportunity to chat with him some more and record the call, I jumped at the chance! Take a listen…

INTERLUDE Confidential #4 – putting the post-production puzzle pieces in place!

A little more than a decade before his untimely death in 1997, John Denver trained with NASA and became a finalist for the first citizen’s trip to space in 1986. When asked why a singer/songwriter should be chosen to go to space, John Denver replied by asking who better to communicate the inspirational experience of spaceflight to the masses than someone used to putting sights, sounds, and feelings into words and music?

These “INTERLUDE Confidential” blogs I write are intended to do something similar. I realize that many of my readers will never produce or even work on a fan film. And most fan filmmakers are too busymaking fan films to blog about the experience in depth and try to communicate the nuances of all that they do.

So I want to give you folks a window into the process of creating a fan film from the point of view of someone who has never done this sort of thing before and is still blown away by the entire process. And today, I’d to talk about where Interlude stands right now.

There are three main phases to creating a film. Pre-production is planning everything: determining budgets, raising money, hiring (or in my case, begging for) actors and crew, setting up filming dates, getting costumes ready, and about a thousand other things from renting equipment to scheduling a caterer. The script is worked on and re-worked, the director(s) plan out a shot list…it’s like everything NASA does before a rocket is cleared for lift off.

Then production happens. This is when the various elements that will go into the film are actually produced. This can mean filming scenes or getting voice-overs or having your CGI friend create your visual effects. Every item that gets produced (filmed, recorded, rendered, etc.) becomes a piece of the overall puzzle that will become your final fan film.

Right now, Interlude is still in production. At the same time, we’re also in post-production. How is that possible?

New PANELS and new CHANNELS for AXANAR!

The final two AXACON 2019 panels are now available on the AXANAR YouTube channel. One of the panels—“The Crew of the USS Ares” (the third of the four from December’s event)—actually went live last week along with the Producers panel, and I completely missed announcing it. D’oh!

The other is the fourth and final panel which features an interview with SALLY IHNAT (the widow of the late actor STEVE IHNAT who played Garth of Izar in “Whom Gods Destroy”) and LINDA ALEXANDER (who wrote a wonderful biography of Steve).

It’s hard to know which is the better panel. They’re both really worth watching. The “Crew” panel features five of the actors who play key roles in the Axanar sequels, all being interviewed by ALEC PETERS. We’ve heard from the “big” names many times, but now we get to heard from actors who haven’t been regulars or semi-regulars on major television series. And their perspective on discovering Axanar and its fans, putting on uniforms, and performing on the USS Ares bridge set are really interesting to listen to. They’re now part of the Axanar family, and soon our community will know their names (characters and actors)…

https://www.youtube.com/watch?v=E9YcknJmt6Y&t=2361s

As for the second video, Steve Ihnat was an incredible actor. And if you’d like to learn more about his tragically too-short life, this is a very special panel to watch…

https://www.youtube.com/watch?v=BcXoF3pCwAI&t=2s

But wait, there’s even more Axa-news!

Up until this week, Axanar had one YouTube channel. Now it has two. The main Axanar Channel has more than 87K subscribers and features a mix of various Axanar-related content including clips, interviews, VFX, livestreams and the weekly Axanar Confidential and Axanar After Dark podcasts. But that was a LOT of content…and not all Axa-fans wanted to watch the hour-long podcasts to get all the Axanar news (and dog rescue updates) and just wanted their content more directly and succinctly. Other fans and supporters, however, love those longer chats and think of them like weekly gatherings of the whole extended family.

So Axanar just launched a second YouTube channel called Axanar Live! It’s brand new and only has about 200 subscribers as I write this, but it will soon be the home of Axanar Confidential, Axanar After Dark, and all the live-stream videos they create from places like the shoots at Ares Studios. Already, the first 11 episodes of Axanar After Dark have been transferred over.

This will leave the Axanar Channel for all the official Axanar updates and any created and edited video content. With an increasing amount of new footage scheduled to come out over the next few months, each channel should have a steady stream of fresh content.

And remember that the Axanar private crowd-funder is currently featuring a special dollar-for-dollar match of all donations. So donate $10 and it’s worth $20. Donate $50 and it’s worth $100.

If you haven’t donated yet (or recently), please consider logging in or setting up an account on Ares Digital and giving a little something…

https://aresdigital.axanar.com/

What PICARD got right…and DISCOVERY and JJ TREK got wrong! (editorial review)

SURPRISINGLY FEW SPOILERS…

I had almost forgotten the feeling. Maybe that’s because it’s been 15 years since I’ve felt it.

I used to get the feeling often when watching Star Trek episodes. They’d end, and I’d go “WOW” or (as when Riker said “Fire!” followed by the words “To be continued”) I’d just want to see more…NOW!

There were episodes of Next Gen and DS9 that left me feeling proud to be a Star Trek fan, like I was being treated to carefully crafted masterpieces like “The Inner Light” or “Sacrifice of Angels.” Even Voyager and many episodes of Enterprise‘s final season had this effect on me. Star Trek was exciting, fun, thoughtful, brilliant even…and these episodes always left me feeling happy and satisfied with my decision to dedicate so much of my life to this grand sci-fi franchise.

And then the feeling just…stopped.

I really wanted to like the 2009 JJ Abrams Star Trek movie reboot. The ingredients all seemed to be there. But that movie completely missed the mark for me. Star Trek Into Darkness frustrated me even more. And while Star Trek Beyond had a few moments, the feeling of excitement and satisfaction just wasn’t there. I spent more time complaining about unbelievable and illogical plot holes, wondering why Khan was suddenly a white guy, and trying to figure out why a small starship needed to carry a motorcycle and a Beastie Boys soundtrack.

And Discovery only seemed to worsen the situation. I suffered through most of the first season. And while the second season improved noticeably, when each episode ended, I still wasn’t feeling like I wanted more…like I was truly satisfied with what I’d just watched. I wasn’t feeling proud to be a Star Trek fan anymore—at least not with this new series. And most of the Short Treks, while enjoyable, didn’t spark that old feeling either.

Fifteen years.
Three blockbuster movies.
Ten Short Treks.
Twenty-nine episodes of Star Trek: Discovery.

And all I felt was “meh.” I actually had to frequently remind myself why I was sticking with the new releases from the franchise rather than jumping (star)ship as many other disillusioned fans were claiming to have done.

But with just a single episode of the new STAR TREK: PICARD series, the feeling is back, baby, and as strong as it’s ever been! How the heck did that happen???