Personal Stories – Page 3 – Fan Film Factor

Please VOTE for INTERLUDE in the 5th Annual IndieBOOM! Film + Music Festival!

It was late 2017 when the IndieBOOM! Film Festival debuted with a category exclusively for “FAN FILMS”—one of the first major film competitions to do so. Created by the team at the award-winning Art of Brooklyn Film Festival, IndieBOOM! offers categories for filmmakers, musicians, and screenwriters working in all short-form formats and genres. In addition to Fan Films, their other categories include Comedy, Drama, Documentary, Horror/Sci-Fi, Experimental, Eusic Videos and Musicals, Animation, Series, Commercials, Dance, and Songs.

In 2019, the winner in the Fan Film category (and also the Sci-Fi category) was “Walking Bear, Running Wolf” from THE FEDERATION FILES. In 2020, the winning fan film was BATMAN: THE SCHEME IS SOUND, which (even though it wasn’t Star Trek) was written, directed, and produced by the man who composed the music for my fan film INTERLUDE: KEVIN CROXTON. And at the beginning of 2021, the announced winner in the category was a Star Wars fan film from Mexico titled JUNDLAND: NO MAN’S LAND.

Now, that we’re in 2022, I think it might be time for a Star Trek fan film to win again. What do you think?

This year’s official selections in the IndieBOOM! Fan Film category include two live-action Star Wars films (one from Australia and one from the USA), an animated Ghostbusters short from the USA, a live-action Jurassic Park fan film from the UK, a James Bond fan film from the USA with kids playing all the role, and two live-action Star Trek fan films from the USA. One of those is my fan film Interlude, and the other is an amalgamation of two fan films from The Federation Files (USA) released over the past two years.

Obviously, I’d like you to please vote for Interlude, although the choice is certainly up to you!

Voting is done by watching on Vimeo, and every view counts as one vote. So watch early, watch often! (Actually, if Vimeo works like YouTube, then each computer browser can log only one vote…so no cheating, I guess!)

Voting runs continuously from today through January 16. Here is the link to view and vote for Interlude…

https://www.indieboomff.com/interlude-star-trek.html

And maybe give it a like while you’re there, just so I know there’s someone out there watching Interlude.

The first prize for the most viewed film over all of the various categories wins $500. If Interlude wins (fingers crossed!), I intend to donate the prize money to the AVALON UNIVERSE GoFundMe so my DP and Film Editor on Interlude, JOSHUA IRWIN, can produce even more awesome Star Trek fan films. I fully expect to see him winning IndieBOOM! next year!

I encourage you all to check out each of the wonderful films selected as finalists. And if you do choose to vote for Interlude, I thank you.

INTERLUDE Confidential #23: VERSION v3.0 is a hit with 25K VIEWS…time for FILM FESTIVALS!

It’s been a week since we debuted the newest release of INTERLUDE, our third version, and the response has been phenomenal. Already, there are more than 25K views on YouTube, 1.7K likes, and more than 200 comments. Here’s a small sample:

Real Star Trek again! Love it!
This is how you make a pre-Kirk Prequel. I rest my case.
So amazing. Great music too
this is incredible
MORE, MORE, MORE!!!
Outstanding!
This is real STAR TREK , Bless You All !
Ok, that rocked!! Nice appetizer as we await the main course.
Awsome! Your deflector shields are better than the TV shows.
I think Roddenberry would be proud!
This is terrible

Oops, that last one just kinda snuck in there. Actually, I included it because, for the first six days, it was literally the ONLY negative comment out of the hundreds we’ve received so far. We’re now up to two negative comments.

What JOSHUA IRWIN and I have found most shocking is how quickly the views have gone up considering that the previous versions already have over 200K views between the releases to the AVALON UNIVERSE YouTube Channel plus the releases to the AXANAR YouTube Channel. Obviously, 25K views in the first week would be understandable on the Axanar channel, as they have 108K subscribers. But version 3.0 is only up on the Avalon channel at the moment…and that one has only 13.7K subscribers.

So right now, Interlude v3.0 has TWICE as many views as Avalon has subscribers!

One of those views came from an Interlude donor who posted the following comment: “I just watched Interlude for the first time. Terrific work all around! It’ll definitely be something that I come back for repeat viewing.”

Wait, for the FIRST time??? But he donated! I asked why he hadn’t watched Interlude when it first came out back in April. Turns out he just never got around to it, and when I sent an e-mail update to my donors about the release of v3.0, he decided to watch it on his lunch break right then and there.

Anyway, I just wanted to share a few bits of news with you all. The first is that I’ve finally started entering Interlude into film festivals. I just made the cut-off deadline for the annual IndieBOOM! festival, which was one of the first and only competitions to include a category exclusively for Fan Films. And as of yesterday, Interlude is an OFFICIAL SELECTION for IndieBOOM! (More on that news in January!) And then I decided to take a crack at the L.A. Sci-Fi and Horror Festival because they also have a Fan Film category.

Wish us luck!

R.I.P. JACK “TOWAWAY” EATON — 1962-2021

My friend JACK “TOWAWAY” EATON has just passed away. He was 59, and yes, that is TOO goddamn soon!

If you’re part of the fan film community, it’s likely you’ve never heard of Jack…although he did attend Farragut Fest back in 2012 is friendly with a number of the folks who have been involved with the TOS sets at what is now called NEUTRAL ZONE STUDIOS in Kingsland, GA.

If you’re a member of STARFLEE T : The International Star Trek Fan Association, Inc. then you probably known him as Vice Admiral Jack Eaton, former Region 2 Coordinator.

And if you’re GEORGE “Sulu” TAKEI, you know him simply as “Towaway” because you gave him that nickname.

I met Jack back in the late 1980s when I was going to school at Cornell and was heavily involved in STARFLEET International‘s Region 7, which at the time included nearly all the Mid-Atlantic and New England states. I was XO on the U.S.S. Avenger chapter based in New York and New Jersey, and Jack was with the U.S.S. Christa McAuliffe, based in Massachusetts and Rhode Island, where he lived before moving south to the eastern central coast of Florida.

The McAuliffe crew never took themselves very seriously. They would show up at regional and international conferences all wearing bathrobes, slippers, and fedora hats…saying that was their official uniform. Their club meetings consisted of bowling drunk on Friday nights in Providence, RI. They were funny and fun-loving, totally open and inclusive, the kind of people you were just happy to know existed in Star Trek fandom.

And Jack was one of their ringleaders…and proudly so.

Like an assassin who knows 1,000 ways to kill a person, Jack knew 1,000 ways to make a person laugh…including the aforementioned assassin. He had a good and generous heart. And despite his natural ability to play hard and relax even harder, Jack could get things done and accomplished when they needed to be and was an effective leader for Starfleet’s Region 2 when he moved down there.

Jack broke any mold you could possibly imagine. He loved all sci-fi the way he loved a good cigar and a smooth bottle of scotch. And yeah, enjoying that kind of lifestyle doesn’t usually help in living a long life. I can still be sad about it, though.

Jack and I weren’t buddy-buddy close, but we were a few steps up from just casual Facebook friends and kept in touch semi-regularly over the years. It was just good to know that, somewhere on the surface of this planet, Jack Eaton was breathing air (or cigar smoke) and probably making someone laugh.

Now, neither of those things are happening anymore, and the world is lessened because of it.

“The very BEST of Star Trek FAN FILMS” is now available for viewing!

For the past two and a half years, I’ve been quietly working on a “secret” project for Star Trek fan films. I mean, it wasn’t purposefully a secret. I just never bothered to mention it to anybody…

…until now, that is.

The idea behind this 75-minute montage was to collect what I considered to be the “best” scenes and sequences from the many, many, MANY Star Trek fan films that have been released during the last two decades or so.

It wasn’t easy choosing!

First of all, what does “the best” even mean??? The best…what? Acting? Directing? Story? Visual Effects? Make-up? Costumes? Sound quality? Music? Editing? Well, yes to all of the above! But few Star Trek fan films actually check ALL of those boxes. So once again, I was left the challenge of deciding what “the best” actually means.

I ultimately created two criteria for inclusion in the video. The clips needed to (in my determination):

Make an average viewer who wasn’t really familiar with this sub-sub-sub genre of ours react with something akin to, “Wait, this is a FAN film???”
Leave the person watching the clip wanting to see more of that particular fan film or series.

Once I knew what I was looking for, I needed to do a LOT of looking! That’s one of the reasons this project has taken as long as it has to complete. But I did discover something important early on. Really short clips (on the whole) don’t work. You need at least a minute or two—and sometimes even three minutes or more—to convey the power and impact of a sequence. Otherwise, you just get disjointed VFX sequences and isolated snippets of dialog that don’t really pack much of a punch. You have to give the viewer a chance to get the “flavor” of a sequence and a grasp of what is going on.

Ultimately, I ended up selecting about three dozen clips and sequences from fan films spanning the last decade and a half…for a total run-time of 75 minutes (an average of two minutes per segment). Sadly, I couldn’t include content from many of my closest friends in the fan film community. (I didn’t want this video to go on forever!) And so I sincerely apologize to anyone who didn’t make it into the final selections. It wasn’t personal, and I love you all and the wonderful work you and your teams bring to us.

INTERLUDE Confidential #19: Watching ARES STUDIOS come alive…

INTERLUDE is knocking on the door of a combined 75,000 views for “version 2.0.” You can watch it on the AXANAR YouTube channel or the AVALON UNIVERSE YouTube channel…or both!

A few weeks ago, I published a blog looking at three scenes from Interlude that wound up on the digital “cutting room floor.” But one of the most talked about aspects of that blog was a clip that I included showing 18 minutes of the actual shoot itself…filming the stunning opening scene looking down from above onto the bridge with all sorts of activity going on. Fans of Axanar and ARES STUDIOS loved getting a glimpse into all of the action happening on that set.

Well, folks, there’s a LOT more where that came from…and I’m going to share it with you starting today!

As producer on Interlude, most of my job was done by the time we got to the weekend of our two-day shoot at Ares Studios on November 2-3, 2019. In addition to writing the script, I was in charge of budgeting, crowd-funding, paying for things that needed to be paid for (everything from chest emblem patches to camera and lens and light rental to hair and make-up supplies to renting chairs and tables to the caterer himself…plus about a hundred other little and not-so-little things!).

Another part of my job was to make sure we had the right people at the studio on the right days—actors, extras, production crew, even an on-site medic—that they knew where to be and when and that their gas, travel, food and lodging was paid for if/when necessary. My efforts were designed to make it possible for VICTORIA FOX, JOSHUA IRWIN, and the entire amazing Interlude production team to shoot the scenes of our fan film over two 10-hour days with everything they needed ready and waiting for them.

In short, I was the guy setting up the buffet table so all of the guests could have a good time at the party. So once the party got started, what was left for me to do?

Well, there were still some minor fires that needed putting our during those two days—figuring out where to put the hair and make-up people, handing my credit card to people I hardly knew to go make emergency runs to Home Depot or Target or wherever. But for the most part, the producer wasn’t really needed on set.

But that provided me with a very unique and special opportunity…

(Re) Presenting: INTERLUDE…the big premiere, TAKE TWO!

I’ve been writing a series of blogs about all of the typical things that happen with fan films, things that I’ve been encountering during the development of INTERLUDE. But now it’s time for something that I don’t think has ever happened on any Star Trek fan film!

Someone in our cast has asked (demanded, actually) for his shots to be completely REMOVED from the Interlude fan film…forcing us to re-shoot specific scenes using a different actor and to re-edit those scenes back into a new version.

The actor in question is PAUL JENKINS. I won’t go into details on this other than to say what is already known publicly: that Paul and ALEC PETERS are involved in litigation following Paul’s parting of ways from the AXANAR sequels in the early summer of last year. As I understand it, Paul is concerned that his appearance in a fan film that features Alec Peters in a leading role within the Axanar continuity could imply some kind of endorsement by Paul of Alec, Axanar, Ares Studios, and/or Axanar Productions.

Paul’s request/demand for all footage of him be removed from Interlude came first via a Facebook message sent to me barely 24 hours before the big premiere on April 5. Obviously, that was not enough time for us to make such significant changes, and we weren’t about to delay the release on such short notice. I’d already told the entire fan film community plus my friends and family about it. Heck, my parents had told all of their friends about it!

So as planned, we premiered the version of Interlude (with Paul in it) that we’d worked so hard to complete, but on the request/demand of Paul and his CEO at META Studios, a disclaimer was pinned as the top comment of the YouTube video page making clear that “META Studios and its employees, including Founder and Chief Creative Officer Paul Jenkins, DO NOT endorse the use of the Axanar logo and the solicitation of funds for the purpose of creating fan films associated with CBS intellectual property. “

So yeah, that happened.

We also agreed to their imposed constraint that Interlude could only be posted to the AVALON UNIVERSE YouTube channel and not to the Axanar YouTube channel, probably costing us a few hundred thousand views during our opening week. The video still crossed 50K views in 12 days with more than a 97% thumbs-up/thumbs-down ratio, so I didn’t really lose any sleep over it.

Meanwhile, our director of photography/editor JOSHUA IRWIN jumped into action to act on to Paul’s main request.demand to be removed entirely from Interlude, and two weeks later, Josh has come through with flying colors.

This was no small feat, folks…!

It’s FEAST OR FAMINE here at FAN FILM FACTOR…and it’s about to be FEAST! (editorial/news)

Have you noticed that these past couple of months have been relatively quiet in the Star Trek fan film world? There’s nothing inherently wrong with that. There’s an “ebb and flow” with news and releases from time to time…feast or famine, as they say.

And it’s not like there’s been no new Trek fan films whatsoever. The folks at POTEMKIN PICTURES never let us down, and there was a new release from STARSHIP ANTYLLUS a couple months ago that I haven’t gotten around to covering yet. Oh, and we can’t forget the steady stream of new content from that fan filmmaking machine known as VANCE MAJOR, who has been releasing one new episode per week of CONSTAR COMPLETED this past month. Vance says that he’s only going to release another five Trek fan films and then he’s hanging up his cell phone. Of course, he’s “retired” before.

Okay, so maybe things haven’t been nearly as quiet as all that. But they have been pretty quiet, all things considered. Since January’s release of the AVALON UNIVERSE’s AIR AND DARKNESS and STARSHIP VALIANT’s “ANIMALS,” and then February’s release of the blockbuster Czech fan film SQUADRON, there haven’t been many totally new releases other than those I mentioned above.

This was actually somewhat serendipitous for me, as it opened a convenient four-week window for me to release my four-part History of STARSHIP VALIANT blog series. Then I filled up some “thin” weeks by covering (two months late) the December release of the German Spock JENS DOMBEK’s TIMES ARE CHANGING, the launch and staggeringly successful conclusion of the Star Trek: Voyager documentary Indiegogo campaign, along with some features about older fan films that I’ve had on the back-burner, like STAR TREK: SECRET VOYAGE and the amazing stop-motion fan films ENTERPRISE II from German wunderkind JÜRGEN KAISER.

Oh, and let’s not forget the release of my AXANAR-universe fan film INTERLUDE and some of the the subsequent Interlude Confidential behind-the-scenes blogs that I’ve published since. And of course, the Star Trek/Dr. Seuss mash-up lawsuit is still going on and is as interesting as ever!

And sadly, we lost that beloved cheerleader of Trek fan films, BARBARA READER, last month.

So even when the Star Trek fan film world is a little slow with new releases, I’m still doing my best to supply you fine folks with new content. Indeed, between the “back-burner” features I’ve been working on and an impending uptick in new fan film news and releases, Fan Film Factor is about to be getting VERY busy VERY soon!

Here’s what’s coming down the, er, pike…

INTERLUDE Confidential #17: On the cutting room floor…

Christy Price Pagano deserves the top image because she wound up on the cutting room floor!

INTERLUDE is finally released, and it’s already up to 42K views on YouTube! Did you see it? (If not, click here.) Did you like it? Is it everything you hoped it would be? Personally, I’m extremely happy with the way Interlude turned out. So many people put SO much work into making an awesome fan film.

But I feel really bad about CHRISTY PRICE PAGANO (pictured above) because her ONE shot in Interlude wound up on the cutting room floor.

Christy showed up on our second day of filming Interlude at Ares Studios in Lawrenceville, GA (on Sunday, November 3, 2019) along with her good friend LISA BURGESS (pictured below). The two moms live nearby in the suburbs north of Atlanta, and they were told about the shoot and our need for extras by one of our actors, JAY PLYBURN, who played the U.S.S. Ares science officer with the cool 70’s-era mustache.

If you watched Interlude, you might have noticed that there’s really only one very brief shot of the U.S.S. Ares where we see most of the extras on the bridge…

There are some other close-ups and medium shots, but this was the only shot that featured nearly all of our Ares crew members at once. Only two officers aren’t in the shot: the aforementioned Jay Plyburn and Christy Pagano, who was actually about to come out of the turbolift. But we cut away before the turbolift doors ever have a chance to open.

This is what the full sequence would have looked like had the decision to cut away not been made (note that there are no sound effects or music in following clip)…

That’s Christy coming out of the turbolift. And though we barely get to see them, the wounded engineer is JOSE CEPEDA from the fan series STAR TREK: NATURES HUNGER, and the person carrying him off is CRYSTAL RAMOS, who was so excited to be a part of this production. And now, we don’t even get to see their faces! But I’m going to fix that right now (at least on this blog page, since we can’t reshoot the scene without it costing a lot of time and money)…

Anyway, back to the wide shot. As you can see from the full 11-second clip, there was a lot going on! The ship was shaking, panels were flickering, Garth was giving an order, people were moving across the bridge with some getting up from seats and others sitting down, the turbolift doors had to open AND close, and not only did Crystal have to make it look like she was carrying Jose into the lift, but Christy had to rush out of the turbolift without bumping into either Crystal or Jose and then squeeze past the communications chair without looking as though she was squeezing (’cause it is a very tight fit!).

And that’s just what was happening ON camera!

INTERLUDE Confidential #16: Shields up! Time for the reviews…

INTERLUDE is finally out, and the reviews are coming in fast and furious! On YouTube, the video has racked up 15K views in three days, with 97% thumbs up. If you haven’t seen it yet, to quote Chekov, “Now vould be a good time…”

The praise and kudos have been great and are very rewarding to everyone on the team. And of course, the criticisms are out there, too. It’s inevitable that you’re not going to please all the Trekkies all the time. The trick to surviving the bad reviews is to focus on the good ones. If you give too much weight to the critics, the negativity will drag you down like an anchor. It’s the positive, supportive comments that bring up back up for air. If you want to keep breathing, use them as a helpful floatation device.

Or you can just do what I do and respond to the negative YouTube comments with: “Look, I’m really, really sorry that so many people disagree with you.”

Some people thought that Interlude was too short (is that criticism or praise?) or that the Ares and Artemis should have been firing back. Just for the record, the Klingons knocked out both ships’ weapons systems—listen closely to some of the background bridge chatter—and as you’ll discover in the AXANAR sequels, the new D7’s were nearly invulnerable to phasers and photon torpedoes.

Some folks thought ALEC PETERS’ acting was better in the first half, and some thought he was better in the second half. Some thought he couldn’t act at all, but hey, most fans couldn’t do much better and would probably have been a lot worse. It takes a lot of confidence to place yourself in front of the camera for the main role in any fan film…let alone one that’ll likely have hundreds of thousands of views. Alec put in ten long hours of tightly-focused work the day we filmed and another few hours getting the epilogue interview done. I was never expecting Laurence Olivier or Tom Hanks, and I was very happy with Alec’s performance.

Oh, and for anyone complaining about Alec’s “bulging Gowron eyes,” you might want to take another look at the TOS episode “Whom Gods Destroy.” I see the Garth glare as more of a feature than a bug…

On the other hand, praise was nearly universal for fan film newcomer and fellow sci-fi geek WARREN HAWK. Everyone love-love-loved Warren as Captain Jakande—as well they should have! Warren gave an awesome and passionate performance…and I love that deep, velvet voice of his.

(And consider this: in the Avalon Universe, Captain Jakande might not have died. So start saving your crowd-funding dollars, folks, ’cause you might just be able to help bring him back to fan films in a few months!)

Presenting INTERLUDE – a Star Trek fan film in the AXANAR Universe!

(I know you wanna see INTERLUDE! Feel free to scroll down to the bottom of this web page, then come back to read the full blog entry.)

I was a fan of AXANAR even before the launch of their first Kickstarter campaign back in early 2014. And when PRELUDE TO AXANAR was released that summer, I was ecstatic. There had never been any fan film like this one, and it FELT like the Star Trek I had grown up with…something I couldn’t say about the newest Trek movie releases from Paramount and (later) television releases from CBS.

Later that summer, I jumped at the chance to volunteer to help pack and ship perks to donors (of which I was one, of course), and I got to know ALEC PETERS, DIANA KINGSBURY, ROBERT MEYER BURNETT, and a bunch of other folks involved with the production. Heck, I even joined the gang along with RICHARD HATCH (may he rest in peace) at a P.F. Chang’s in Long Beach after a convention for an awesome dinner experience.

By 2015, I was writing weekly “Fan Film Friday” blogs for the Axanar website about other Trek fan films…something that led to the creation of Fan Film Factor half a year later. Fan films in general, and Axanar in particular, had quickly become a major part of my life as a Trek fan.

Interlude was born in stages, but I can trace its initial origin back to June of 2017 when I was reading Alec’s new 2-part Axanar script. The legal settlement with CBS and Paramount forced him to trim the full-length movie script down to two 15-minute segments that would be filmed in the same mock documentary style as Prelude.

By this point, the amazing half-completed bridge set was being packed up and moved cross-country from southern California to Georgia, and I was looking forward to seeing how bridge scenes would be incorporated into the “mockumentary” format. But to my shock and horror, there were NO bridge scenes in Alec’s new script…only the same “talking heads” dialog and VFX as there was in Prelude. Huh?

What I didn’t know at the time was that Alec had purposefully left out any bridge scenes because he wasn’t certain whether he’d be able to raise the funds to complete the set. However, not knowing why there weren’t any bridge scenes, I mistakenly assumed Alec just felt like he couldn’t squeeze them in and still tell the story properly. So as a way of demonstrating that it was possible to have bridge scenes, I wrote a new version of the script…what I call my “alt-Axanar” script. Alec won’t be using it (he’s fine with his own version), but someday after the two Axanar sequels are released, I’ll publish it here on the blog just for fun.