THE FEDERATION FILES wins big at the IndieBOOM! film festival!

There aren’t many film festivals that feature a category specifically for FAN FILMS, but IndieBOOM! was one of the first to do so back in 2017. In this, its second year, scores of independent films were submitted in a dozen categories (comedy, drama, documentary, animation, scifi/thriller, music video…you can view the entire list here). A panel of judges chose 47 films to make it as finalists, to be posted online and to IndieBOOM!‘s ROKU channel for viewing.

From December 20 to January 5, the finalists were presented free for streaming, with over 600 hours of independent films viewed. The highest viewing totals in each category were declared the winners.

Despite competing against five other fine fan films (including two Star Wars, one Blade, one Superman, and one Stranger Things), the winner was a STAR TREK fan film: “Walking Bear, Running Wolf”—the second fan film from THE FEDERATION FILES anthology series produced by GLEN WOLFE and DAN REYNOLDS. (Last month, they released their fourth fan film, “Galaxy Hopper.”)

But “Walking Bear, Running Wolf” didn’t stop at just winning in the FAN FILM category! Glen Wolfe had also entered his production in the SCI-FI/THRILLER category…where the competition grew from five other entries to eight. But guess who won a second time!

Congratulations to Glen and Dan. In celebration of this impressive achievement, I am re-publishing my September 2017 blog spotlighting “Walking Bear, Running Wolf,” which includes a FANtastic interview with producer Dan Reynolds…

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Update on THE CONSTAR CHRONICLES (interview with VANCE MAJOR, part 2)

Last week, I began chatting with VANCE MAJOR, the “Where’s Waldo of Star Trek fan films.” After completing nearly three dozen fan films featuring the (long) career of the character of Erick Minard, Vance briefly stepped away from producing Trek fan films. Briefly.

He returned to the fold early last year, announcing the launch of production on THE CONSTAR CHRONICLES. While these new fan films would also feature Vance playing Minard, they would now focus on various members of his crew, once again weaving a complex tapestry of stories that could be viewed individually or as one long saga. In this way, Vance skirts the “no ongoing series” guideline (kinda) because these will be individual, self-contained stories and not an ongoing series. In fact, The Constar Chronicles isn’t even the official name of the production. Ultimately, it will simply be a number of separate fan films which feature some of the same characters serving on the same starship(s).

Last month, Vance released the following trailer…

In Part 1, Vance talked about the filmmaking process so far on Constar. But then we left off with a most intriguing question…

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STAR TREK: FIRST FRONTIER releases NEW trailer…with never-before-seen footage!

Back in March of 2017, I featured a great 3-part interview (definitely worth reading or at least looking at the photos!) with KENNY SMITH, the show-runner behind the upcoming fan film STAR TEK: FIRST FRONTIER. At the time, a just-released trailer promised a debut of the hour-long film in 2017. Although the trailer disappeared for a short while, it was re-posted in September of 2017, still promising a 2017 release.

That didn’t happen.

However, it wan’t because Kenny and his team were simply resting on their laurels! The script for First Frontier was iniitally written in 2014, and after a Kickstarter in 2015 failed to reach its $130K goal, Kenny decided to simply fund it himself. He built sets (for the era of Captain Robert April, 20 years before Kirk), created costumes, and even constructed a highly detailed $30,000 eleven-foot long model of April’s Enterprise NCC-1701 in order to film visual FX the old fashioned way!

He hired professional actors and production crew (this was all pre-guidelines) and even had NICHELLE NICHOLS record a voice-over. When all was said and done, Kenny spent around $200,000 of his own money (and that was back in 2017…he’s likely now up over a quarter million!).

The majority of the work over the past two years has been on post production: lighting and color adjustments, editing, sound, music, and of course, VFX. Most recently, Kenny and his team built a miniature shuttlecraft and hangar deck “set” for a series of sequences involving a shuttlecraft. Now, when I say “miniature,” it isn’t THAT miniature. Although you can’t tell from this photo taken while everything was still being completed, this shuttlecraft is about the size of a microwave oven!

How awesome is that???

With a planned YouTube premiere only a couple of months away (fingers crossed, people!), Kenny has just released a new trailer. It has most of the same footage as the previous 2017 trailer, but a few new scenes have been added, including a brief glimpse of two-time Emmy nominee actor BARRY CORBIN. We also get to hear Nichelle at the end.

I’m really looking forward to this one…!

The FINAL FATE (?) of the Arkansas TOS sets formerly known as STARBASE STUDIOS!

Well, this isn’t the happy ending I was hoping to write. It almost was, but then things turned disappointing in a very short amount of time.

Okay, let me first give bring everyone up to date on the story so far. The TOS sets that were formerly known as STARBASE STUDIOS have been sitting in a building in Marble Falls, Arkansas since early 2017. The building is part of an abandoned and dilapidated former theme park known as Dogpatch, which is owned by Charles “Bud” Pelsor.

Ownership of the TOS sets—which included a full 360-degree bridge originally constructed in 2004 for a fan film called Starship Exeter “The Tressaurian Intersection,” a partial sickbay, a transporter room, a briefing room, and corridors—was, until recently, divided among GLEN L. WOLFE (50%), SCOTT JOHNSON (25%), and GLENN MILLER (25%). Unfortunately, the three owners weren’t typically (if ever) on the same page, and frictions quickly developed and escalated.

“Bud” Pelsor had apparently offered to house the sets until the end of 2018, after which ownership of the Dogpatch property was to transfer to Heritage USA, and the sets would need to be relocated. But where would they go? Who has space for a full bridge, sickbay, transporter, and briefing room?

Earlier this past week, an answer seemed to have miraculously presented itself—with a solution worthy of King Solomon himself…

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Update on THE CONSTAR CHRONICLES (interview with VANCE MAJOR, part 1)

I’ve affectionately referred to VANCE MAJOR as the “Where’s Waldo of Star Trek fan films.”  Between his appearances in episodes of  Starship ValiantMelbourneThe Lexington AdventuresDreadnought DominionThe Romulan Wars, and Outlaws…and his own Minard series of nearly three dozen fan films (check them all out here)…plus his involvement in helping to schedule fan film shoots on Ray Tesi’s TOS sets in Kingsland, GA…well, Vance is pretty much everywhere in front of and behind the fan camera these days!

Vance is a prolific, low-budget fan filmmaker who doesn’t care if his characters are a little hefty for Starfleet or wear glasses or sneakers with their uniforms.  He’s in it to have fun and tell his stories.  If you like what he makes, great.  If not, then don’t watch.

After wrapping up the Minard saga in February of 2018, Vance announced with 100% certainly that he was done producing Star Trek fan films.  He had said all he needed to say, he was worn out and exhausted, and it was time to move onto other things in his life.

Well, that New Year’s resolution lasted only a few months…!

Early last year, Vance announced that he would be producing a new fan series, loosely titled THE CONSTAR CHRONICLES.  I say “loosely” because the fan guidelines don’t allow for ongoing fan series.  But while these will all deal with the same crew on the same starship(s), each will be a self-contained tale focused on a different character.  Vance explained his decision to return to making fan films—and what would be different this time—in an audio interview in a blog back in August.

That was five months ago.  But last month, Vance released the first trailer for Constar

…and I figured now might be a good time to check in with him on how things are going.

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SAMUEL COCKINGS 2013 and SAMUEL COCKINGS 2018 take a look forward and back at TEMPORAL ANOMALY!

For SAMUEL COCKINGS, the Harry Potter of CGI, it has truly been a long road getting from there to here. “There” was 2013 when he launched a Kickstarter to fund his fan film project, STAR TREK: TEMPORAL ANOMALY. A month later, he’d raised £1,741 (about $2,700) with 27 backers. Compared to some of the Trek fan films at the time, this was a “humble” amount, but it was enough to assemble half a dozen actors, get them into Stafleet uniforms, and film them in front of green screens for a nearly hour-long fan video movie.

And then five years happened.

To be fair to Samuel, he was doing anything BUT procrastinating during that time. His skills and resources were constantly expanding, and his abilities to create a better and better looking fan film around that green screen footage were growing by the day!

Early last year, however, just as he was finally planning to debut his long-awaited fan film, Samuel released a trailer that included footage of Picard, Riker, Worf, Troi, etc.—who would be in a short 90-second “prologue” to the film—and got the attention of CBS (and not in a good way). But rather than shut him down completely, CBS worked with Samuel to find a way that he could release his fan film and not have to toss all of his hard work. So…kudos to CBS for finally taking a chill pill.

Those CBS changes have required nearly ten months to complete, but now Temporal Anomaly is nearly ready to premiere later this month. And when it does, I’ve got a great audio interview with His Royal Trekness that you’re all gonna enjoy listening to.

But right now, in anticipation of the impending release of five and a half years of work and dedication, Samuel has posted a special video which takes a look back at the journey…including footage of himself from 2013 and his initial Kickstarter campaign plus comparisons of shots and CGI from back then with what we’ll see in just a couple more weeks.

Take a look…

The multi-franchise crossover fan film GALACTIC BATTLES will totally blow you away…and a new BEHIND-THE-SCENES video tells how they did it!

Back in early 2015, a group of young fan filmmakers out of Vancouver, Canada launched an Indiegogo campaign trying to raise $15,000 (Canadian) to complete their production. It would be a crossover fan film featuring the ships and characters from Star Trek, Star Wars, Mass Effect, and Halo. They had already been working for nearly two years, starting out pretty slow with just a few artists, all of them new to the pipeline process of working together on an open, collaborative, community-driven movie project.

By 2015, they had managed to build a team of 20 digital artists, two sound designers, several actors (including Mark Meer from Mass Effect), one dedicated screenwriter, two social media coordinators, and many more. Along the way, they picked up sponsors that donated some pretty amazing free hardware, software, plus meeting and studio space. Having now developed an industry-grade pipeline process, they just needed $15,000 to finish this incredibly ambitious project.

Their Indiegogo failed…badly. Only $2,574 (Canadian) was raised from just 68 donors.

But they weren’t giving up! Even though everyone was working for free in their spare time, the team still managed to complete filming over the next 12 months. Now they needed to finish post-production. The script called for a staggering 200-plus CGI shots, and that would require the team to pay for server fees, Google Drive fees, and additional software licenses.

They launched a second Indiegogo in 2016, with a much lower goal of only $2,000 (Canadian). This time, the failure wasn’t as awful…mainly because the goal was so much lower. Nonetheless, the team only came out with $850 from 15 backers. That didn’t mean they couldn’t finish—they were determined to!—only that it would take a little longer

Two and a half years later, on December 21, 2018, GALACTIC BATTLES – The Ultimate Crossover Fan Film finally debuted on YouTube. Over the following two weeks, they generated over 67K views with a 30-to-1 ratio of likes to dislikes. Nearly everyone who’s contacted me about this fan film has said it’s a MUST-SEE…and I think they’re right!

I reached out to director CALVIN ROMEYN (who plays Han Solo in the film), and he says that there will be a behind-the-scenes video coming out in a few weeks. And on this site, you can take cash advance and Installment Loans. But I don’t want folks to have to wait to see this ground-breaking new fan film, so go watch it now…and be sure to stick around till the very end!


UPDATE

While it was more than “a few weeks,” the behind-the-scenes video was released on June 29, 2019, and it’s definitely worth 25 minutes of your time to check out…

THE FEDERATION FILES releases its 4th fan film: “GALAXY HOPPER” (interview with DAN REYNOLDS)

THE FEDERATION FILES is an anthology Star Trek fan series from show-runners GLEN L. WOLFE and DAN REYNOLDS, both currently based in Arkansas. In fact, Glen is 50% owner of what remains of the TOS sets formerly known as STARBASE STUDIOS. But more recently, Glen and Dan constructed a new TOS bridge set for use in their latest Federation Files fan film, “Galaxy Hopper.”

The Federation Files first launched in October of 2016 with the 47-minute “His Name Is Mudd” featuring the crew of the USS Constitution.  Ten months later, their second anthology episode, the 28-minute “Walking Bear, Running Wolf,” featured two live-action characters who had previously been seen only in the Star Trek animated series: Ensign Dawson Walking Bear and Lt. M’Ress of the USS Enterprise.  Most recently, in January of 2018, The Federation Files‘ third production,  the 13-minute “Extraction,” featured Romulans, a Starfleet shuttlecraft interior, and the dreadnought-class USS Nikita.

Through it all, the one constant (aside the use of the Arkansas sets for filming) has been the “Wolf/Reynolds Production” logo at the end.  With the release of their latest Federation Files episode, the Star Trek/Star Wars crossover “Galaxy Hopper,” Glen and Dan come together once again for a very exciting and good-looking fan effort on board the USS Lexington. What stands out this time—in addition to a really awesome astromech droid!—is a brand new TOS bridge set constructed specially for this production…along with the director: KELLY REYNOLDS.

You probably haven’t seen the name “Kelly Reynolds” in any other Star Trek fan film before…and that’s because, up until November 24, 2018, that wasn’t her name! Kelly and Dan just got married!

I decided to interview Dan Reynolds about “Galaxy Hopper,” the new bridge set, and finding the love of his life and having her direct his latest fan project. But first, take a look at what they just released…

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2018 Star Trek Fan Film YEAR IN REVIEW: The return of the Trek fan film CROWD-FUNDER!

Remember the good, old days? Back in 2015 and before, Star Trek fan film crowd-funders were as common as lens flares on a JJ Abrams movie set! They’d easily take in thousands, tens of thousands, and in some cases, hundreds of thousands of enthusiastically-donated fan contributions.

We all know what happened. Axanar was sued. Six weeks later, Tommy Kraft was told by CBS to take down his $250K Kickstarter for Federation Rising. And then in June 2016, the fan film guidelines came out. And while they didn’t forbid crowd-funding, they did put a $50K cap on it and severely curtailed what kinds of perks could be offered.

Fans (including me) predicted the complete demise of Star Trek fan films. It turned out that we were wrong. Fan films found a way to not only live on but also to prosper, working within the guidelines (mostly) while still being pretty decent—in some cases even quite excellent.

Ah, but crowd-funding…therein lied the rub! While the days of the six-figure Kickstarters and Indiegogos for Trek fan films were obviously gone, maybe fans would still donate five-figures or even just four-figures. Maybe? For a while, it wasn’t looking good.

For the remainder of 2016, only Renegades (with Star Trek surgically removed) attempted a crowd-funding campaign for “The Requiem” (reaching $146K). And Starbase Studios raised $3,500 for a move from Oklahoma to Arkansas for their TOS sets. But beyond that, the only crowd-funding even peripherally connected to Star Trek fan films was a $19K successful Kickstarter by Star Trek: Horizon creator Tommy Kraft to fund his NON-Star Trek fan film Runaway.

Would 2017 fare any better for Trek crowd funders? Well, not so much…

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So where’s that darn DEEP SPACE NINE documentary??? (update revisited)

Stop me if you’ve heard this one before. So there’s this fan film project that’s going to feature veteran Star Trek actors and production crew, and it’s going to be presented in documentary format. Although people are excited about the project even before the crowd-funding campaign begins, the show-runners are nevertheless blown away when donations blast through the initial goal and reach nearly $650,000.

Emboldened by this unexpected abundance of production funding, the show-runners decide to expand the scope of the project far beyond what was initially planned, and a year later, they go back to the donors and fans to ask for even more money.

But then stuff happens, and the release date gets delayed…and then delayed again.

Nope, not Axanar. This same sequence of events happened with the ambitious Star Trek: Deep Space Nine documentary WHAT WE LEFT BEHIND, directed by ADAM NIMOY. Crowd-funded in early 2017 with more than $647,000, the original release date was estimated as February 2018. But by April, with no documentary in sight, show-runner IRA BEHR updated fans with a written message that I featured in a blog titled “So where’s that darn DEEP SPACE NINE documentary???

Ira didn’t make excuses so much as provide reasons why things were taking so long…including the fact that there were over 100 hours of new interviews with cast and crew to go through, plus fan submissions, archival materials, animations, audition tapes, convention footage and more than 170 broadcast episodes…all of which needed to fit into a final documentary that was no longer than a few hours! Plus, they were remastering some of the original standard definition footage into beautiful high definition footage.

By September, there was still no completed documentary, and Ira posted yet another update…this time as a video and asking for even MORE money! Why would he “tap the well” again so late in the game?

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