JUDGE issues TENTATIVE rulings on EXCLUSIONS in the AXANAR LAWSUIT! (Part 1)

Okay, nobody cheer, nobody panic!  These are all TENTATIVE rulings in the AXANAR lawsuit.  Judge Klausner himself even made sure to put the word TENTATIVE in ALL CAPS in his ruling yesterday:

The Court makes the following TENTATIVE rulings on the Motions In Limine:

  • Plaintiff’s Motions In Limine No. 1 – Denied
  • Plaintiff’s Motions In Limine No. 2 – Granted
  • Plaintiff’s Motions In Limine No. 3 – Granted
  • Plaintiff’s Motions In Limine No. 4 – Granted
  • Plaintiff’s Motions In Limine No. 5 – Granted
  • Plaintiff’s Motions In Limine No. 6 – Under Submission
  • Plaintiff’s Motions In Limine No. 7 – Granted
  • Plaintiff’s Motions In Limine No. 8 – Granted
  • Plaintiff’s Motions In Limine No. 9 – Denied
  • Plaintiff’s Motions In Limine No. 10 – Granted


  • Defendant’s Motion In Limine No. 1 – Granted
  • Defendant’s Motion In Limine No. 2 – Denied
  • Defendant’s Motion In Limine No. 3 – Granted
  • Defendant’s Motion In Limine No. 4 – Granted
  • Defendant’s Motion In Limine No. 5 – Granted
  • Defendant’s Motion In Limine No. 6 – Granted
  • Defendant’s Motion In Limine No. 7 – Denied
  • Defendant’s Motion In Limine No. 8 – Denied
  • Defendant’s Motion In Limine No. 9 – Granted

So what the heck just happened?  Well, first of all, each party submitted motions in limine to Judge R. Gary Klausner on December 16 asking for certain pieces of evidence and witnesses (including me!) to be excluded from being presented or mentioned during the trial.  I wrote about all of those 19 motions in a 4-part blog starting here.  (It’s nice light reading.)

Then, last Friday, both the plaintiffs and the defense submitted 19 separate OPPOSITIONS to those 19 motions in limine…which I’ve collected for your reading pleasure into this single 143-page PDF: Oppositions to Motions In Limine.  (Yeah, talk about light reading!)

I’d actually begun preparing one of my meticulously entertaining  (or entertainingly meticulous) blog analyses of those oppositions, but I got sidetracked on blogs about the Judge’s ruling on fair use last Wednesday , the likelihood of a successful appeal, and a possible trip to the Supreme Court.  And and much as I was looking forward to reading through and summarizing 143 pages of dense legal arguments, that all seems like “old news” now that we’ve got this TENTATIVE (ALL CAPS!!!) ruling to look at.

So let’s look, shall we…?

Continue reading “JUDGE issues TENTATIVE rulings on EXCLUSIONS in the AXANAR LAWSUIT! (Part 1)”

TRISTAN Production Crew releases new episode: “BETWEEN TWO WORLDS”!

Okay, time to stop calling it STARSHIP TRISTAN.  Show-runner RANDY LANDERS told me there are no series or episodes, there are only individual fan films made by the various creative teams working under the POTEMKIN PICTURES “umbrella”: Tristan, Deimos, Kupok, and Endeavour.  The reason for this nominal change, of course, is the fan film guidelines that prohibit a fan film from releasing more than two 15-minute episodes of the same story “…with no additional seasons, episodes, parts, sequels or remakes.”

So the “elephant in the living room” (or “mugato in the cave”) question that I asked Randy was: if you’re being so careful to follow the guidelines, then why is this fan film 30 minutes long and not broken into two 15-minute parts?  Randy’s answer:

It was filmed over a year ago, and it is our understanding that the guidelines probably wouldn’t apply.

Fair enough (at least as far as I’m concerned).  Randy went on to tell me a little more about the making of this episode:

It was actually one of the first episodes we began filming once we moved here.  Nearly all the dialogue shot at the park had to be ADRed…

[re-recorded and dubbed over later – Jonathan]

…and in some cases dubbed by a different performer.  It was a challenging experience.  We had folks recording their lines on phones. That’s where you can really tell.  We’d’ve rather they’d returned to the studios for ADR, but that just wasn’t possible.

This is just a hobby for us, and real life and real jobs have to come first.

I always keep that last fact in mind when I watch the “low-budget” fan films.  While not as slick and polished as the studio-made films and series with the professional actors and production crew, fan films like those coming from Potemkin Pictures show heart and dedication and, most of all, fans just having fun.  For me, that’s extremely important.

Randy says the Tristan creative team currently has two films completely shot and now in post-production.  And there’s three more films in pre-production for 2017.  In the meantime, you can watch their latest release “Between Two Worlds” below or visit the website of Potemkin Pictures to catch up on all the episodes of their various series…oh, excuse me…to see all the independent fan films from the four creative teams.


Could the AXANAR LAWSUIT go all the way to the SUPREME COURT? (Part 2)

Yesterday I began taking you on a journey through 250 years of fair use in copyright law.  My information came primarily from this excellent 70-page article by University of South Carolina School of Law Professor Ned Snow: “Judges Playing Jury: Constitutional Conflicts in Deciding Fair Use on Summary Judgment.”

For more than two centuries, the determination of fair use in copyright infringement trials was left to juries to decide.  After all, the Seventh Amendment of the U.S. Constitution guarantees citizens the right to a jury trial in civil cases (like copyright infringement).  But sometime between the 1970s and 1990s, fair use suddenly and inexplicably switched to being a matter of law determined by judges before trial at summary judgment.

This just happened last Wednesday to Alec Peters in the AXANAR infringement lawsuit, as I explained in this recent blog entry.  Judge R. Gary Klausner ruled that, in his opinion, fair use was invalid in this particular case and could not be used as a defense during trial (taking away the primary path to victory for Alec Peters in this lawsuit).  Although Judge Klausner also provided his personal opinion that Axanar was substantially similar to Star Trek, in that matter, at least, he chose to let the jury decide the ultimate question of whether there is substantial similarity.  But on fair use, his opinion also became a court order and took that decision entirely out of the hands of the jury.

Two days ago, I told you that this ruling by Judge Klausner gave Team Axanar valid grounds to request an appellate review of the case to the Ninth Circuit Court of Appeals.  But as I said, judges invalidating fair use before trial is now a commonly accepted practice in federal courts throughout America, and has been for three decades.  There’s a fairly decent chance that Alec Peters’ appeal will be denied at the federal level.  And that leaves only one more stop on the train…

The Supreme Court of the United States.

Continue reading “Could the AXANAR LAWSUIT go all the way to the SUPREME COURT? (Part 2)”

Could the AXANAR LAWSUIT go all the way to the SUPREME COURT? (Part 1)

Imagine it’s about three or four years from now, and you’re watching the news.  Suddenly, you start hearing William Shatner’s voice, “Space, the Final Frontier…” as the news anchor says, “Star Trek fans are about to go where they’ve never gone before. The Supreme Court has just agreed to hear a case involving a 2014 Star Trek fan film called Axanar…”

So you think I’m trippin’, huh?  You think I’ve been smoking la weed a’ toka (now legal here in California, but still not my thing).  Or maybe you just think I have delusions of grandeur about Axanar and I’m completely out of touch with reality.

Well, possibly.  After all, the Supreme Court gets more than 7,000 petitions each year to hear cases…and accepts only about 100-150 of them.  And Supreme Court cases generally involve very important and complex issues of law that have national implications…especially if someone’s constitutional rights are being violated in some way.

So you probably don’t think that a copyright infringement lawsuit against a small Star Trek fan film could possibly rise to the level of having national implications.

But thanks to Judge R. Gary Klausner’s ruling last Wednesday during summary judgement that fair use is an invalid defense at this trial, the Axanar lawsuit is now very much a constitutional case with national implications…

Continue reading “Could the AXANAR LAWSUIT go all the way to the SUPREME COURT? (Part 1)”

Can AXANAR win on APPEAL if they lose at TRIAL?

When I was preparing my previous 2-part blog–THE GOOD, THE BAD, and THE UGLY!–the first thing I did was to reach out to my legal eagles and ask them what from Judge Klausner’s Order on Motion for Partial Summary Judgment that they thought should go into each of the three categories.

I was surprised when one of my birds of prey typed back: “Ruling of Fair Use to be Invalid – Good.”


That seemed like the baddest of the bad!  Fair use was the only realistic way Axanar could win!  Now, the best chance they have is to convince a jury that a fan film full of Vulcans, Klingons, Starfleet, phasers, and Garth of Izar isn’t substantially similar to Star Trek…a bit of a Herculean task.  I was sure my eagle meant to type “Ugly” and not “Good.”  So I asked.

Nope.  They confirmed it was a good thing–and then explained why…

Continue reading “Can AXANAR win on APPEAL if they lose at TRIAL?”


In Part 1, we began looking at the hard-hitting, 15-page Order on Motion for Partial Summary Judgment issued by Judge R. Gary Klausner in the AXANAR lawsuit early on Wednesday morning.  It was mostly bad news for the defense, although not fatal.  The judge didn’t grant either side’s motions for summary judgment, leaving the jury to decide whether Axanar is similar enough to Star Trek to qualify as copyright infringement.

The judge did rule that, in his opinion, Axanar was “substantially similar” to Star Trek and should be considered contributory and vicarious infringement.  So that’s definitely bad for the defense, since it pretty much rejects a good portion of their motion for summary judgement.

However, he also didn’t grant the plaintiffs’ requests to declare Axanar to be infringement (which would have taken the decision away from the jury) or to issue an injunction against Alec Peters of his associates producing anything else Axanar.  So that was good for the defense.  Also good was the judge’s opinion that given the benefit of the doubt, “…Peters’ actions demonstrate a respect for Plaintiffs’ intellectual property that makes a finding of willfulness on summary judgement inappropriate.”  If the jury agrees, the judgment against Alec Peters (if he loses) could drop from the seven-figure range down to the five-figure range.

But then things got UGLY.  The judge nixed the “fair use” defense completely.  But is he allowed to actually do that?  I’ll go through what the judge actually said first, and then tomorrow we’ll look at how he may have actually given the defense a gift (of sorts) if and/or when it comes time to appeal.

Here we go… Continue reading “AXANAR lawsuit SUMMARY JUDGMENT Order – THE GOOD, THE BAD, and THE UGLY! (Part 2)”


Okay, we now know one very important thing that we’d only suspected up until now: Judge R. Gary Klausner is a closet Trekkie (or possibly, it’s one of his law clerks)!

Before I start a deeper dive into the judge’s 15-page Order on Motion for Partial Summary Judgment issued on Wednesday morning, I’d just like to share a few quick quotes from it:

Like many other Star Trek fans, Peters wants to make his own Star Trek production.  However, going where no man has gone before in producing Star Trek fan films… (Now, I would have said “where no fan has gone before” but still, nice way to start off.)

Thus, the copyright infringement claim can live long and prosper if the Axanar Works are substantially similar to the Star Trek Copyrighted Works.  (I seem to recall seeing that one before in the judge’s denial of the defense’s motion to dismiss…but wait, there’s more!)

Sometimes a feeling is all we humans have to go on.  (Kirk said it first in “A Taste of Armageddon,” but now Judge Klausner–or one of his clerks–has said it, too, on the bottom of Page 4.)

 These works have transported the hearts of a legion of fans to the Star Trek universe.  (I can’t believe the word “transported” was coincidental, folks.)

Defendants’ attempt to treat the Battle of Axanar as a private little war is unpersuasive.  (Seriously, now someone’s just showing off!)

Peters “was interested in creating alternative ways for fans to view Star Trek” – the way to Eden perhaps.  (And…..no.  Sorry, that one was too much of a reach.  Herbert!)

Okay, enough of the cutesy stuff!  It’s time to take a look at the GOOD, the BAD, and the UGLY…and Axanar certainly got a little of each (and more of some).  Shall we begin?

Continue reading “AXANAR lawsuit SUMMARY JUDGMENT Order – THE GOOD, THE BAD, and THE UGLY! (Part 1)”


This morning, Judge Klausner made a ruling that the case will go to Jury Trial to determine if Axanar is “substantially similar” to the CBS copyrighted works. If it is, then the jury will have to find if the infringement is “willful” or “non-willful”, and Judge Klausner already stated that “Peters’ actions demonstrate a respect for Plaintiffs’ intellectual property that makes a finding of willfulness on summary judgement inappropriate.” If the jury does not find “substantial similarity” then the case will be dismissed.

Depending on the outcome of the trial, Axanar may choose to appeal the verdict to the Ninth Circuit, where Erin Ranahan is 5-0. The Ninth Circuit Court of Appeals is also known to favor artist rights.

So the story of Axanar continues…


Judge R. Gary Klausner has just issued his Order on Motion for Partial Summary Judgment in the AXANAR lawsuit.  I’m reading it over right now, and I’ll have a more comprehensive analysis in the next few days.  But on first glance, it seems to be much more of a blow to Axanar than to the studios.  However, it is not a knockout blow in that the judge has not issued any rulings that end the case in favor of the plaintiffs.  Unfortunately for the defendants (Axanar Productions and Alec Peters), though, the judge has essentially tossed out Axanar‘s best hope for a “win” by declaring that fair use is invalid in this particular situation.  That’s a biggie, but Axanar can still argue (according to the judge) that Prelude to Axanar is NOT substantially similar to Star Trek…which might be an uphill battle.

All in all, not a good day for Team Axanar, but the game isn’t over yet (and it could have been).  More to come after I have a chance to read and discuss things further…

STARBASE STUDIOS completes move to ARKANSAS and reaches $3,500 funding goal!

The year ended on a VERY happy note for the folks from STARBASE STUDIOS, the only full TOS bridge, transporter, and sickbay sets open to any fan film to use at any time they want to schedule to shoot their production.

You might recall from my previous blog that Starbase Studios lost the use of their warehouse location in Oklahoma City after nearly half a decade of enjoying free rent.  The building was being sold, and Starbase Studios had until the end of the year to get all of its amazing set pieces removed and transported to a new location.

Dan Reynolds offered studio space that he owns in northern Arkansas to be the new home for Starbase Studios…also rent free.  And although staying in Oklahoma City would have been preferable, nothing beats free rent!  So the decision was made to relocate.  But deciding is easy…actual MOVING is the hard part!

Super fan and fan filmmaker Glen L. Wolfe stepped forward to handle the move, paying the costs up front for trucks and gas and driving the 6-hour (one-way), 333-mile distance back and forth himself…and it was more than just one trip (five actually!).  The hope was that $3,500 could be raised from donations to a GoFundMe campaign to reimburse Glen his out-of-pocket expenses…’cause Glen ain’t exactly part of the 1%.

That $3,500 goal was reached on December 30, just as the last of FIVE TRUCKLOADS of set pieces were being loaded for a December 31 journey to Mountain Home, Arkansas.  So STARBASE STUDIOS got out in time, funded its move, and all the set pieces arrived safely in their new home.

So what’s next?

Continue reading “STARBASE STUDIOS completes move to ARKANSAS and reaches $3,500 funding goal!”