News – Page 67 – Fan Film Factor

STALLED TREK is back with a brand new KICKSTARTER! (interview with MARK LARGENT, part 2)

Yesterday, I turned the spotlight on a brand new Kickstarter campaign for STALLED TREK: “CITY ON THE EDGE OF FORECLOSURE.” The Kickstarter had an initial goal of $600 to cover the cost of pressing 250 Blu-ray discs to be used as perks. In an amazing show of immediate support, dozens of backers blew through that $600 goal in less that 8 hours!

This wildly hilarious Star Trek parody fan film will feature 3D animated puppets of the TOS crew and is the sequel to the 2012 fan parody, Stalled Trek: “Amutt Time.” If you haven’t watched it yet, take a few minutes to enjoy this MUST-SEE fan film below…

Now at more than double that initial goal, creator / writer / director / animator / jokester MARK LARGENT has announced stretch goals, including a special behind-the-scenes feature at the $2,000 level, and HD remasters of “Amutt Time” and his “The Wobbling Dead” parodies at the $4,000 and $6,000 levels.

Those extras will be added to the Blu-ray perks that will be sent out to all donors at $25 or above. Supporters contributing less will get access to those extras (and “City…” of course) as HD digital download files. In the first part of my interview, Mark explained that the distribution of Star Trek parodies via Blu-ray perks is totally kosher since parodies qualify for Fair Use protection under copyright law.

And speaking of interviews, let’s get back to our discussion with Mark…

Continue reading “STALLED TREK is back with a brand new KICKSTARTER! (interview with MARK LARGENT, part 2)”

STALLED TREK is back with a brand new KICKSTARTER! (interview with MARK LARGENT, part 1)

STALLED TREK. The name alone is enough to induce waves of confused ignorance and disinterested apathy to all but the most hard-core fan film aficionados.

But to those who know, those who have seen, heard, and experienced this Star Trek parody masterpiece, the name Stalled Trek is enough to bring outbursts of laughter and cries of “MORE! MORE! MORE!”

The Stalled Trek characters are all 3D animated puppet versions of the TOS crew, and writer/director/animator MARK LARGENT squeezes every drop of humor from each gag he presents. The first episode of Stalled Trek, “Amutt Time,” was crowd-funded in one of the first Star Trek fan film Kickstarters with 106 supporters donating $2,200. Rather than just reading about it, why don’t you just take a look for yourself at this MUST-SEE parody fan film…

Pretty hilarious, right? Well, that was all way back in 2012. And while Mark Largent did do another Stalled Trek short film in 2016, Prelude to Ax’d-We-Are (along with some blogger named Lane co-writing and co-producing), that was a parody of Prelude to Axanar and the infringement lawsuit filed by CBS and Paramount. It featured all new animated puppet characters rather than the original TOS crew of the USS Second Prize.

But some of us wanted to see the original crew again.

It’s been six years, but Stalled Trek is back with a Kickstarter for an all-new episode: “The City on the Edge of Foreclosure.” With an initial goal of $600, Mark blasted through that total in less than 8 hours! He’s now up to about $1,400 (as I type this), and has set stretch goals at $2,000 (for a new director’s commentary video pointing out all of the inside jokes and giving behind-the-scenes info), $4,000 (remastering “Amutt Time” in HD and adding it as a digital download and also to the Blu-ray for donors at the $25 level and above), and $6,000 (adding a remastered copy of “The Wobbling Dead,” which was Mark’s other puppet parody).

So let’s check in with the puppet-master himself…

Continue reading “STALLED TREK is back with a brand new KICKSTARTER! (interview with MARK LARGENT, part 1)”

Some troubling news from STARBASE STUDIOS (audio interview with KENT “WORDS” EDWARDS and VANCE MAJOR)

Starting in 2010, when Trek fans heard the words STARBASE STUDIOS, they thought of the 360-degree TOS bridge set (originally used for the second Starship Exeter fan film), rescued from a barn in Texas, brought to Oklahoma City, and restored for fans to use essentially for free. Over the years, countless fan films were shot on that bridge and, later, on the transporter, sickbay, briefing room, and other sets added into that small Oklahoma warehouse.

In 2017, however, everything changed…and not necessarily for the better. Forced to relocated when their free-rent warehouse was sold to a new owner, the sets were moved to Arkansas. An ownership struggle ensued that eventually gave way to a lawsuit and many months of discussions. When the dust settled, an agreement was signed between GLEN WOLFE (50% ownership) and SCOTT JOHNSON and GLENN MILLER (25% ownership each).

A previous owner, KENT “WORDS” EDWARDS, divested himself of any ownership of the sets but continued to operate a business entity known as Starbase Studios, LLC. Kent brought on VANCE MAJOR to help run the company, which was (and is) now acting to help fan filmmakers find resources to produce their projects…including sources of props, costumes, equipment, production team members, and sets to shoot on.

No longer limiting themselves simply to the TOS sets in Arkansas, Starbase Studios, LLC now works with a number of different set owners, including RAY TESI who owns the Stage 9 Studios TOS sets (formerly used by Star Trek Continues) in Georgia and RANDY LANDERS who built modified movie-era sets for Potemkin Pictures in Alabama.

Starbase Studios, LLC had fully intended to keep working with the owners of the Arkansas TOS sets…even shooting a commercial for their services there a back in May. However, last month, “Words” and Vance announced that they would no longer be referring fan filmmakers to the Arkansas sets.

Naturally, with such a major (and troubling) development, I reached out to “Words” and Vance and asked if they would care to go on the record to explain what had happened to trigger this significant decision on their part. You can listen to our 3-way discussion below…

Vance Major and Kent “Words” Edwards of Starbase Studios, LLC

Oh, the answers I boldly got…about the DR. SEUSS/STAR TREK mash-up! (interview with GLENN HAUMAN)

Have you ever given a few bucks to a street performer? Maybe it was a guy juggling bowling balls while riding a 10-foot high unicycle…or a woman playing seven different musical instruments at the same time. The reason you might drop a few coins or dollars into their hat is that these folks entertain you. They’re talented, and they use those skills to bring some fun and joy into your day…and maybe show you something you probably don’t get to see very often (if ever).

What does any of this have to do with the proposed Oh, the Places You’ll Boldly Go! illustrated book mashing up Star Trek with Dr. Seuss? As you probably know, an infringement lawsuit was filed by Dr. Seuss Enterprises (DSE) against creators DAVID GERROLD, TY TEMPLETON, and ComicMix, which intended to publish the book. (To learn more about the lawsuit, read my latest update from a couple of weeks ago.) Recently, ComicMix launched a GoFundMe campaign to raise money to help pay the costs for their legal defense.

Obviously, the goal of Oh, the Places You’ll Boldly Go! is to bring some joy and fun into YOUR day…entertainment for Trek fans that will certainly never happen if the verdict in this lawsuit goes against ComicMix and “Team Mash-up.” But to make things even more entertaining, ComicMix’s own GLENN HAUMAN wrote the whole GoFundMe description ENTIRELY IN RHYME. (Seriously, check it out…it’s pretty amazing!)

But Glenn’s not done rhyming yet…!

Continue reading “Oh, the answers I boldly got…about the DR. SEUSS/STAR TREK mash-up! (interview with GLENN HAUMAN)”

MELBOURNE’s “Storm Front, Part 2” fan film is finally released!

Back in April of 2017, I interviewed VANCE MAJOR about his newest fan film release, MELBOURNE. The previous month, Vance and his long-time friend JEREMY MINARD (yes, Minard…like the character from Vance’s other fan films) had just released their first Melbourne fan film, the 11-minute “Storm Front, Part 1.” Unlike Vance’s other prolific fan project, the Minard saga—consisting of more than 30 individual fan films about the life and career of Engineer (and later Captain) Erick Minard—Melbourne would focus on an entirely different set of characters on board the USS Melbourne.

The scenes for both parts of “Storm Front” were filmed entirely on the Starbase Studios TOS sets when they were still in Oklahoma in 2016. In fact, Melbourne was one of the final two fan projects to film there before the sets were moved to Arkansas at the beginning of 2017.

With all of the footage “in the can,” as they say, it didn’t seem like it would be long until “Storm Front, Part 2” was released to complete the story. In fact, in Vance’s April 2017 interview, I asked him when he thought the conclusion might be available, and he answered:

Definitely this summer. I’m just waiting on my special effects guy, Craig Fray, to finish up with our CGI. Right now, he’s working hard on Valiant‘s next episode, “The Ties That Bind.” As soon as he’s done with them, he shifts over to us.

But instead of the summer of 2017, part two wasn’t released until the summer of 2018, about ten days ago. You can view it here…

So why the delay? I asked Vance that question a few days ago…

Continue reading “MELBOURNE’s “Storm Front, Part 2” fan film is finally released!”

SPACE COMMAND Kickstarter takes in $33K before it even STARTS!

Wow, that was quick!

The latest Kickstarter for the long-awaited fan film SPACE COMMAND hadn’t even launched to the general public yet when it took in more than $33K of its $45K goal in barely 24 hours earlier this week!

How did they manage this feat? Easy…they had an “early bird special” for existing donors to have first crack at some limited-item perks, and over 500 of those prior donors pledged even more money to this latest campaign.

Why all the excitement? To answer that question, you need to understand the history of this not-so-little endeavor.

Imagine a major fan film project with Star Trek and sci-fi veteran actors cast in it, and a team of Hollywood professionals lined up as the production crew. Imagine one of the earliest Kickstarter campaigns bringing in six figures in donations, and then a second crowd-funder bringing in another six figures. Now imagine those funds going into not only set construction and filming but also the creation of an actual studio intended to be used not only for this production but also to be rented out to other fan film projects.

Now imagine years and years going by with no finished fan film delivered. Oh, there’s been some short scenes released, some VFX, lots of updates by the show-runner assuring donors that, yes, this project is still on track. But no actual film. In fact, to finish the film, donors were informed that it’s going to take even more contributions from fans.

You’re imagining Axanar, aren’t you? Well, stop it! This is the history of Space Command, folks…

Continue reading “SPACE COMMAND Kickstarter takes in $33K before it even STARTS!”

It’s time to enter YOUR fan film into a real FILM FESTIVAL!

There are a lot of film festivals out there, but very few of them have a category specifically for FAN FILMS where you only compete against other fan films. That “levels the playing field”—at least a little bit—as a fair amount of independent films are made by people with more experience (and often more funding) than your typical fan film.

Last year, two film festivals stepped forward to offer categories exclusively for fan films to enter. One was the Berlin Sci-fi Filmfest (open to English-language fan films). That one was extra special for me personally, as the fan film I co-wrote and co-produced, Prelude to Ax’d-We-Are, actually won for best fan film! (Somehow, we even beat out Prelude to Axanar, which we were parodying, along with a South African Blade Runner fan film with some great acting, and an all-in-French Star Wars fan film with awesome visual effects).

The other film festival with a specific “fan film” category is the the IndieBOOM! Festival, where the film that gets the most views on their website and ROKU app actually wins $500 in cash! (Last year, among many independent films, the winner was a Star Wars fan film from Mexico!) There is also a jury-selected film that gets a prize, and all entries with the most votes/views in their category will get a one year non-exclusive streaming contract with Brooklyn On Demand for a worldwide audience!

So get your fan films entered TODAY!

HOW TO ENTER

Click here to enter the Berlin Sci-fi Filmfest by August 1st (regular deadline) for $30. Enter by September 10 for the late deadline fee of $40. Maximum run-time: 60 minutes. There is no restriction for what year the fan film was released or whether or not it was on YouTube. All are welcome.

Click here to enter the IndieBOOM! Festival by August 10th for an early bird discount of $35. Enter by September 10 for the normal $45 fee. Maximum run-time: 40 minutes. There is no restriction for what year the fan film was released or whether or not it was on YouTube. All are welcome.

Good luck!!!

Has the STAR TREK/DR. SEUSS mash-up lawsuit become a CHESS GAME? (update)

Last time, I discussed the new GoFundMe campaign implemented by ComicMix, LLC to assist in paying legal fees associated with an infringement lawsuit filed by Dr. Seuss Enterprises (DSE) back in late 2016. The lawsuit has been a very active one, with 13 notices, 14 motions, 7 responses, 6 replies, 28 judicial orders, and 1 amended complaint (so far)…and the date of trial isn’t until next spring! The lawyers on both sides have been VERY busy…which is mainly why this lawsuit is costing so much.

Things are going well for both sides at the moment, and it’s far from clear how this lawsuit will turn out once it goes in front of a jury (assuming it doesn’t settle, which isn’t looking likely at present…but who knows, right?)

Most recently, Hon. Judge Janis Samartino of the Ninth Circuit Federal Court in San Diego made two very significant rulings that will likely have a major impact on this case. One was clearly a win for the defense (“Team Mash-up” as I call them) and was actually covered by The Hollywood Reporter (and other media outlets) two months ago with the headline: “‘Star Trek’/Dr. Seuss Mashup Creator Beats Trademark Claims.” That made it almost sound like the case was over. Not even close! The “victory” by Team Mash-up was only partial, albeit important. I’ll explain that shortly.

Then last month, another ruling came down striking 11 affirmative defense claims that Team Mash-up intended to use to argue their case. That’s the legal equivalent of taking 11 arrows away from an archer going into battle who only has 37 arrows to begin with. So this time, it was a victory for the plaintiff…although, again, only a partial one.

This lawsuit—a very important case that could set a significant precedent in the emerging art form of the “mash-up”—has turned into a fascinating game of chess. And as I’ve done before on this blog, I’d like to translate all the boring legalese into enjoyable English so you folks who are interested can get a layperson’s update on this fascinating case.

Continue reading “Has the STAR TREK/DR. SEUSS mash-up lawsuit become a CHESS GAME? (update)”

Oh, The Places You’ll Boldly GoFundMe!

Mash-up mess-up! Seuss sues! Tricky Trekkies find fans to fund!

…or at least that’s the short form of the story so far. As I’ve covered in a series of blogs over the past year, copyright and trademark precedent is being made right under our very noses, and Star Trek is right smack dab in the middle of it! But this time, it’s not a fan film in the thick of things but an unpublished attempt to mash-up Star Trek and Dr. Seuss into a fun (but allegedly not entirely allowable) illustrated book intended to be titled Oh, The Places You’ll Boldly Go!

Written by Star Trek‘s own DAVID GERROLD (creator of the tribbles) and illustrated by TY TEMPLETON (Eisner award-winning mainstream comic book artist), this project was going to be crowd-funded through Kickstarter and managed to raise $30,000 in September of 2016. But Dr. Seuss Enterprises (DSE) asserted their intellectual property rights, and Kickstarter elected to shut down the campaign. On November 10, DSE sued Gerrold, Templeton, and ComicMix (the company running the campaign) for both copyright and trademark infringement.

It’s now nearly two years later, and this case is nowhere near done. In fact, the trial isn’t scheduled to begin until next spring, and the lawyers on both sides have been VERY busy (more on that tomorrow)! But in the meantime, the legal bills are piling up. This isn’t as much of a problem for DSE, which makes money every time someone buys Green Eggs and Ham or The Lorax, not to mention royalties on all the movie remakes of classic Seuss stories. ComicMix, on the other hand, is a much smaller company…and apparently, their cash bucket isn’t nearly as deep. And unfortunately, unlike a certain fan production we all remember, ComicMix didn’t find attorneys willing to work for free.

And so ComicMix has launched a GoFundMe campaign with a $25,000 goal. So far, they’ve managed to get about 9% of the way there.

“Why is this worth donating to?” you ask. I’ll tell you…

Continue reading “Oh, The Places You’ll Boldly GoFundMe!”

STAGE 9 STUDIOS announces a new PATREON, OPEN HOUSE, and an awesome WALK-THROUGH VIDEO!

Would you pay $1, $5, $10, or $25/month to keep the lights on for the only full TOS sets to be completely open to the fan film community? Right now, 11 people are already doing that, giving STAGE 9 STUDIOS in Kingsland, GA a combined $100/month (or thereabouts) in guaranteed financial assistance to pay for rent, electricity, and maintenance.

With rent estimated at about $3,000/month, a hundred bucks a month might not seem like much. But Stage 9 Studio only just recently launched their new Patreon, and owner RAY TESI is currently paying all expenses out of his own pocket from retirement savings. So donating even as little as a dollar a month will be a welcome help.

For those not familiar with Patreon, it’s similar to Kickstarter and Indiegogo in that anyone can set up a campaign, anyone can contribute, and there can be perks. The difference is that, while the latter two are designed for a one-time contribution, Patreon is set up so that supporters (patrons) donate monthly, a recurring contribution charged to their credit card or transferred from their bank account until the donor says otherwise. Patreon is designed for ongoing endeavors rather than one-time projects, so it’s perfect for something like Stage 9 Studios where the expenses from rent, utilities, and maintenance are ongoing.

And what happens if the Patreon generates more per month than it costs to “keep the lights on.” (What a great problem to have, right!?!) Simple. Additional funds will be used to improve the studio (like adding air conditioning, perhaps?) and maybe even to build more sets. As the Patreon page clearly states:

STAGE 9 STUDIOS is NOT a money-making enterprise, but an opportunity to share the passion that millions of STAR TREK fans have for the series!

But that’s not all that’s happening with Stage 9 Studios. Would YOU like to see these amazing sets in person…for FREE???

Continue reading “STAGE 9 STUDIOS announces a new PATREON, OPEN HOUSE, and an awesome WALK-THROUGH VIDEO!”