Why one AXANAR detractor is now a FORMER Axanar detractor! (audio interview)

Some call them “haters.”  I call them “detractors.”  Any way you slice it, though, they are the Captain Ahabs and Khans of the fan film community.  They will chase ALEC PETERS ’round the moons of Nibia and ’round the Antares Maelstrom and ’round perdition’s flames before they ever let go of their anger and resentment for him and his fan project AXANAR.

And their wrath and indignation aren’t simply reserved for Alec himself but also for anyone who supports him and his production, anyone who stands up to defend him, and in fact anyone who has any connection to him and Axanar whatsoever…real or perceived.

Sometimes, the detractors just insult people, call them names, and/or create a few snarky memes.  Sometimes it’s angry tweets and posts on Facebook.  But occasionally it goes beyond that to attempts to sabotage people in social media through reports to Facebook and the like, online threats, or even interfering with people’s livelihoods.  Such a thing happened the week before last…and I wouldn’t have even known about it had not a member of Carlos Pedraza’ AXAMONITOR Facebook group contacted me privately to share his newfound concerns and disgust for the group.

I personally stopped visiting the Axamonitor Facebook group (and any other lingering detractor echo-chambers) many, many months ago.  It was a waste of my time, as the petty nastiness and cruel vulgarity in those groups was frankly nauseating.  And it wasn’t just the insults against Alec (or me).  These guys often turned venomously on each other, and the moderators had to frequently warn members to be respectful of other members (just not respectful of any Axanar supporters).

So when JOES DIAZ sent me an IM request on Facebook on Superbowl Sunday morning, I had no idea who he was or what had happened in the Axamonitor group.  When I found out, I was pretty disgusted myself…although not entirely surprised.

As we messaged back and forth, I asked Joe if he felt strongly enough about this incident, and about his fellow detractors, that he might want to do an interview to share his story.  He said yes, and the next day, we had the following very eye-opening discussion…

I can imagine how the detractors will react to this interview.  But maybe, just maybe, a few of them might hear Joe’s words and begin to realize that hating on Axanar and Alec Peters won’t solve anything…and perhaps it’s finally time to just settle down and move on.

VANCE MAJOR completes the MINARD Saga! (interview, part 2)

Yesterday, we began discussing the many fan films of MINARD saga with their creator, VANCE MAJOR.  Nearly three dozen different episodes make up this rich and expansive tapestry telling the story of Chief Engineer Erick Minard of the USS Valiant, who goes on to live a life that spans over 100 years of Star Trek time.  During that life, Minard serves under Captain Christopher Pike, marries, suffers loss, gets a command of his own, fights the Borg, meets his counterpart from the Kelvin timeline, and even battles his Mirror Universe doppelgänger.

And it all happens in series of short fan films made for little to no budget, purposefully told out of chronological order and thereby creating a viewing experience unlike anything else in the world of Trek fan films.  The Minard saga isn’t for everyone, but for fans who appreciate the storyline and the effort and dedication that went into producing it, a very rewarding journey (or should I say trek?) has just been completed with the release of Vance’s final 2-part, 25-minute episode The Best Things.

You can view ALL of the Minard episodes here in their order of release.

Later in this interview (below), Vance will introduce each of his final seven episode, and I’ll link to them from here.  But right now, let’s pick up with the conclusion of this great interview…

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VANCE MAJOR completes the MINARD Saga! (interview, part 1)

Even the best things must come to an end…and so it is for the MINARD saga.  Depending on which films you count officially as part of this tapestry, the character of Erick Minard has appeared or been referenced in about THREE DOZEN different fan films!

More than thirty of these were written and produced by VANCE MAJOR (who plays the character of Erick Minard along with his mirror and Kelvin-verse alter-egos).  Minard has also appeared  in multiple episodes of Starship Valiant and Dreadnought Dominion.

Vance Major’s Minard films have ranged in length from 30-second parody vignettes to the full 15 minutes allowed by the fan film guidelines. His last episode, The Best Things, premieres today as a 2-part 25-minute finale.

With only a shoestring budget, Vance has done action, romance, comedy, suspense, quiet introspection, and even surreal dream sequences. He’s produced episodes featuring full casts of ten or more characters and other episodes with just two actors or even just one.  At one point, Vance released SEVEN Minard fan films in just SEVEN DAYS!  A couple of months later, Vance released another SIX Minard episodes in a SINGLE MONTH!

Vance’s Minard films range from Trek eras pre-Kirk to post-DS9…and they were NOT released chronologically.  This allowed viewers to jump around the century-long life of Erick Minard, experiencing a tapestry of moments that ultimately come together like puzzle pieces into a finished image.

You can view ALL of the Minard episodes here in their order of release.

Fan films can be the great equalizer when all one wants to do is simply tell his or her story without all the dazzle.  And that’s exactly what Vance Major has done…in a truly remarkable way.

I did an audio interview with Vance last summer (which is worth a listen), but he’s released nearly TWO DOZEN more fan films since then!  So to celebrate the successful conclusion of this ambitious fan series project, I decided to bring back Vance for a final 2-part print interview…

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STARBASE STUDIOS settlement reached!!! (amen!)

When last we left STARBASE STUDIOS…aw heck, just read the blog, folks!  But long story short, VANCE MAJOR and I had worked tirelessly (and I mean that) for months trying everything we could to get these two parties—GLEN L. WOLFE on one side and SCOTT JOHNSON and KENT “WORDS” EDWARDS on the other—to compromise and reach a place where they could reasonably settle their lawsuit over the ownership of the Starbase Studios sets.

It was like pulling teeth…from a Klingon targ!

Every time we thought we had a settlement ready to sign, another problem seemed to crop up.  But then, by the middle of January, we finally had an agreement that everyone could live with.  Glen was taking it to his lawyer to review, but he was planning to sign it, send it along to Scott and Kent, and finally Starbase Studios could heal and move forward, once again becoming a place where fans could create amateur Star Trek film projects on professional-looking TOS sets.

That agreement was never signed.

So why the headline saying that a settlement has finally been reached?  Well, folks, it’s been an…interesting…three weeks!

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Is DISCOVERY the “STAR TREK SHOW ABOUT NOTHING”? (editorial review)

Spoilers, there’ll be a few…but then again, too few to mention

I touched on the question last week: What is STAR TREK: DISCOVERY about?  The original Star Trek and Next Generation were about exploring strange, new worlds and stuff.  Deep Space Nine was about healing the spiritual, cultural, and environmental wounds of a decades-long occupation…both of a race of people and also of a space station that were suddenly thrust into a role of prime importance in the Alpha Quadrant.  Voyager was about getting home.  And Enterprise was about exploring the final frontier for the first time.

But what is Star Trek: Discovery about?

If you watched the first episode of Discovery, it initially appeared that the show would be about Michael Burnham getting ready for her first command.  That went out the window quickly when she attacked her captain.  By the end of the second episode, Burnham was in chains and a war had started with the Klingons.

The third episode establishes Burnham as a pariah, brought aboard Discovery because, well, because she’s awesome?  Because she deserves a second chance?  Who knows?  It’s still early.  So okay, now we’ve got a show about an “awesome” officer who’s been flung down into the abyss of life and is slowly clawing her way back up the Starfleet Jeffries Tube to a place of respect.  Fine…except the show abandons the “pariah” part pretty quickly.  Burnham makes a best friend, becomes a useful part of the crew, and even gets a boyfriend.  Heck, by episode 5, she’s even giving Saru Captain Georgiou’s old telescope and having a “moment” with him.

So, no, the show isn’t about Burnham’s redemption, as she’s pretty much redeemed by a third of the way through the season.  Hmmmm, maybe the show is about Burnham’s voyage of internal, um, discovery and learning to forgive and love herself the way others have.

Nope, way too much else going on in the show for that to be it!

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STAR TREK CONTINUES transfers OWNERSHIP of their TOS sets!

Ever since STAR TREK CONTINUES released its 11th and final episode last November, fans have been asking, “What will happen to those amazing TOS sets???”  They can’t be turned into a Star Trek set tour because there’s already one of those in upstate New York, and James Cawley’s license with CBS is exclusive.  And despite some fans suggesting the sets just be sold/donated to a museum or to CBS itself, there are use too many set pieces to make relocating them anywhere near practical or cost effective.

The challenge for VIC MIGNOGNA, the showrunner for STC, is that the sets are currently housed in a building in Kingsland, GA that costs about $5,000 a month in rent (according to their 501(c)(3) non-profit filing from 2015).  As much as Vic wants to keep the sets open and intact, $60K per year is a LOT to ask any Trekker to pay to keep those sets open.

Enter: RAY TESI.  Ray will be the new owner of the TOS sets that were used by STC.  Ray is the executive producer behind STARSHIP REPUBLIC, which released its first fan film vignette, the 9-minute “Serpent of Yesterday” almost one full year ago.  I interviewed Ray here on Fan Film Factor when he was trying to generate funds through an Indiegogo campaign to complete their first episode.  The plans were to shoot the scenes on the Starbase Studios sets in Arkansas.  But with the current uncertainty regarding those sets, Ray wasn’t certain he’d be able to rely on Starbase to film his fan project.  Now he’ll film in Georgia instead.

Ray has decided to keep the name STAGE 9 STUDIOS, which is what STC decided to call their facility (named after the location of the original TOS sets on the Paramount lot back in the late 1960s).

Obviously, there’s more news to come on this (including plans to restart Starship Republic later this year).  I’ve requested an interview with Ray, but right now, here’s the press release that was just circulated by Star Trek Continues

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The making of STAR TREK: DECEPTION II (feature, part 2)

Last week, after releasing the 8-minute TNG-era fan film STAR TREK: DECEPTION in 2013,  British fan filmmaker LEO TIERNEY announced in April of 2015 that he intended to make a sequel.  But first he needed to find a place to construct his sets.  A year later, Leo showed fans his new “studio,” a small garage in an unassuming English village…

With limited space (man, is THAT an understatement!), Leo spent the next several months constructing physical set pieces that could be used as a bridge for BOTH an Excelsior-class starship and a Klingon bird-of-prey.  Leo first installed Klingon-style graphic prints on the consoles and readout screens.

As the weather got colder, Leo spent less time in the unheated garage and more time at his computer adjusting the color (well, he spells it colour) balance to make the lighting look dark and red as a Klingon bridge should.  Now he faced the challenge of making the bridge look like it wasn’t some tiny and cramped garage.  And later on, Leo needed to take those same sets and somehow make them look like the bridge of a Federation starship!

Would he be able to do it?  Read on…

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THIS is what happens when you ask JONATHAN LANE for a FAN FILM FAVOR!

On December 8th, I received an instant message on Facebook from VANCE MAJOR, the creator of the MINARD Saga of fan films.  Vance needed a favor from me.

Vance and I have become pretty good friends over the past year or so…divided only by the distance between southern California and Kansas, but united by our love for fan films and Star Trek, as well as our shared experiences as fathers to wonderful little boys.

Oh, and we’re both fan filmmakers.

Granted, Vance has done waaaaaaay more in that genre than I ever have, and I truly respect his work.  And that’s why I happily agreed to the favor he asked me.

For a few of his final productions, Vance wanted to include brief video clips of some of his closest friends from the fan film community.  One of these was a fan film titled Change (which was released last Friday).  All I needed for the short headshot clip was to look into the camera and say something like, “Comm secure, standing by…” or “Channel encrypted, go ahead…” and then stare at the screen for the next 15-20 seconds.  Then I would upload the video file to Vance who would do the rest, editing the various clips he received from folks into his final production.

Vance said he preferred a late 24th century uniform (final seasons of DS9), but if I didn’t have that style of uniform, I could just wear a black T-shirt and he’d composite my head onto a proper uniform.

Do I have a late-season DS9 uniform!?  Is the Pope Catholic???

(Actually that particular uniform was custom made for me about 15 years ago by none other than GABE KOERNER—yep, the same guy who does VFX for The Orville and just declared that he no longer thinks Alec Peters is a willful criminal.  Hi, Gabe.)

So I went out and bought a blue-colored matte board to serve as a makeshift blue screen background, came home, put on the uniform, set up some lamps, stuck my camera on a tripod, and recorded Vance’s 20 seconds of footage.

I also recorded something else for him—something that, um, well…

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JASON ISAACS says fans who said DISCOVERY wasn’t STAR TREK were right! (editorial review)

IT’S SPOILIN’ TIME!!!!

Last week, I wrote a blog that started with a few paragraphs drawing comparisons between CAPTAIN GABRIEL LORCA and DONALD TRUMP.  Let me be perfectly clear: I WAS KIDDING!!!  But apparently, no, I wasn’t…at least as far as the STAR TREK: DISCOVERY writing team was concerned!

In what was probably the most obvious and direct reference to a political issue since Bele and Lokai were each colored half-black and half-white, LORCA/TRUMP says the following things during the most recent 13th episode, “What’s Past Is Prologue”…

I’ve watched for years; you’ve let alien races spill over the borders, flourish in our backyard, then have the gall to incite rebellion.  The Terrans need a leader who will preserve our way of life, our race.

…we together will make the empire glorious again.

Here’s the full scene:

My wife Wendy, who normally doesn’t watch the show with me but just happened to be in the living when this line was delivered, asked me, “Are the writers always this lazy?”

Now that Lorca is the established bad guy, let’s draw a direct line from him to Donald Trump.  It’s not that Wendy and I like Donald Trump or anything.  But seriously, was this kind of dig really necessary?  Should Star Trek be used to take cheap political shots?

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CHANCE ENCOUNTER creators announce NEW Star Trek fan film: THE HOLY CORE!

I love Brits who make Trek fan films!  A year ago, writer / director GARY O’BRIEN and co-writer PETER LAIGHT released their first-ever Star Trek fan film CHANCE ENCOUNTER…and fans were blown away.  Superb acting, touching story, well-directed, fantastic costumes and VFX, perfect music, and even custom-built shuttlepod and turbolift sets—it’s a MUST-SEE fan film well worth 20 minutes of your time to watch if you haven’t already.

This entire magnificent production was funded for just £1,862 (about $2,700) raised through a Kickstarter.  And now, Gary and Peter have just announced a NEW crowd-funding campaign (coming in March) to try to raise £7,000 – £8,000 (about $10,000)…well within the $50K limit set by the fan film guidelines.

Speaking of the guidelines, I asked Gary about film length and crowd-funding perks:

We are structuring the script to split in half at the 15-minute mark, and so we are aiming for an overall run-time of 30 minutes for the story. We have yet to decide whether to make that two separate uploads of 15 minutes or not.  That choice will be made much later in the process I think.

As for perks, we will probably only offer wallpapers, scripts, etc.  Our hope is that anyone who donates does so to see the film get made.  The simpler the perks, the more money we can put on screen!

Like Chance Encounter, the new film, The Holy Core, will be set in a time period about midway through TNG, likely 2368 or thereabouts, with a cast of all new characters.  And while Chance Encounter was basically a love story, Gary says…

This time we will touch on several themes, such as scientific pursuit, the roles of religion, and a little hint of romance, too.

The new campaign will start up around March 1 and run through the end of that month.  Filming will likely happen over the summer (once sets are built and cast members selected), and the finished film(s) will likely debut in late 2018 or early 2019.  Obviously, a lot can happen before then, but Chance Encounter stayed pretty much on schedule all though production.

So start saving your pennies (or pence) for a very exciting crowd-funder coming in just five more weeks.  And here’s something to get you in the donating mood…