Joshua Irwin – Page 4 – Fan Film Factor

DOOMSDAY quickly becomes the most popular TALE FROM THE NEUTRAL ZONE! (interview with RAY TESI and JOSH IRWIN, part 2)

Last week in Part 1, we learned how, in March of 2021, RAY TESI from NEUTRAL ZONE STUDIOS had asked JOSHUA IRWIN from THE AVALON UNIVERSE to make the half-day drive from northeastern Arkansas to southeastern Georgia to be the director of photography for the newest TALES FROM THE NEUTRAL ZONE fanthology film “DOOMSDAY.” Josh was happy to help out, and the completed production has quickly become the most watched of all three of the Neutral Zone releases, nearly doubling the views of the previous two offerings, THE LOOKING GLASS (released in June of 2019) and ENDOSYMBIOSIS (February 2021) in only a couple of weeks.

Take a look…

We had just learned that, after arriving at the studio on the day of shooting, Ray had gotten buried under other studio-related tasks he needed to do. And so he asked Josh if he would mind taking over as director in addition to being director of photography (two VERY different jobs). Josh is used to dealing with the unexpected on film sets, working in the film industry himself professionally, and so he agreed to the challenge.

Of course, this gave Josh essentially no time to prepare as director, and so I asked him the following question…

DREADNOUGHT DOMINION’S “MOM” debuts on Mother’s Day…of course! (interview with GARY DAVIS)

Ya just gotta love the folks at DREADNOUGHT DOMINION. Well, you don’t have to love them, but it’s hard not to! They spread such fun and joy through their fan films.

You would think that a fan series set on board a three-nacelled dreadnought-class starship would involve lots of battles and intense, serious action. And you would be wrong. Out of all of the most active ongoing Star Trek fan series, Dominion is one of the ones that takes themselves the LEAST seriously. Although they have had a handful of dramatic releases, they’ve also had a whole bunch of good, wholesome, fun-for-the-whole-family style episodes that just make you want to laugh and smile.

And what could be more wholesome than the captain’s mother visiting her son on the bridge of his starship? And what could be more family-friendly than releasing an episode titled “MOM” on Mother’s Day? Are you ready for something adorable…?

Seriously, how cute was that??!

Yeah, I know. Nothing like that would REALLY happen on a Federation dreadnought starship …or any starship, most likely. And the repercussions of a cloaked Klingon scout ship deep within Federation space could lead to interstellar war. And to that I say: “Stop complaining and go call your mother and tell her that you love her!” (My apologies to any out there who have lost their mothers, but if you know any mothers in your life, send them a link to this wonderful vignette and put a smile on their face.)

Speaking of smiles, I just couldn’t wait to ask GARY DAVIS, longtime Dominion showrunner and Captain Jason Brousseau himself, some things about this precious piece of production positivity…

DOOMSDAY quickly becomes the most popular TALE FROM THE NEUTRAL ZONE! (interview with RAY TESI and JOSH IRWIN, part 1)

NEUTRAL ZONE STUDIOS in Kingsland, GA is the only place on the planet where fans can shoot TOS-era Star Trek fan films on a full range of TOS-era sets including the bridge, engineering, sickbay, briefing room, transporter room, auxiliary control, captain’s quarters, turbolift, and a full range of corridors. WARP 66 STUDIOS in Arkansas has some, but not all, of these sets for fans to film on. And while JAMES CAWLEY’s TOS sets in upstate New York feature all of the rooms listed above, his sets are now an official licensed tour and are no longer available for shooting fan films.

Originally, STARSHIP FARRAGUT and STAR TREK CONTINUES were shot on these sets in Kingsland. After STC wrapped in 2018, VIC MIGNOGNA sold the sets to RAY TESI, who then opened them up to any fan film or series that wished to use them—including DREADNOUGHT DOMINION, the AVALON UNIVERSE, CONSTAR, LET OLD WRINKLES COME, TO HAVE BOLDLY GONE, and a bunch of others.

But Ray Tesi and Neutral Zone Studios also have their own fanthology series called TALES FROM THE NEUTRAL ZONE. Their first episode, THE LOOKING GLASS, was released in June of 2019 and has had about 28K views on YouTube so far. Their second episode, ENDOSYMBIOSIS, was hit YouTube in February 2021 and is currently over 15K views.

Their third release, DOOMSDAY, premiered just last month on April 5 (“First Contact Day”) and is already up to a staggering 81K views!!! Why the immediate popularity? Well, it could have something to do with the telling of the long-speculated tale of how Commodore Matt Decker and the crew of the U.S.S. Constellation first encountered the Planet Killer device and wound up the way Kirk and the Enterprise crew found them at the beginning of the TOS episode “The Doomsday Machine.” Take a look…

No too shabby, huh?

One of the most intriguing aspects of this fan film isn’t simply what went on in front of the camera but also who was standing behind it. Fan filmmaker JOSHUA MCHAEL IRWIN (who is also a professional filmmaker) is based in Arkansas and typically shoots his Avalon Universe productions at WARP 66 Studios. He did film Avalon‘s first release, GHOST SHIP, at Neutral Zone, and he later shot their 2021 release COSMIC STREAM there, as well. And although Josh was the director of photography for INTERLUDE (filmed at ARES STUDIOS in Lawrenceville, GA), nobody in the fan film world ever associated Josh with Tales From the Neutral Zone.

Until now, that is.

Josh served as director, DP, and film editor for Doomsday while Ray served as executive producer. Apparently, that was a winning combination, as the film has proved extremely popular on YouTube.

So how did this pairing happen? And what went into the production of this new fan film? I decided to interview both Ray and Josh together…

INTERLUDE wins the GRAND PRIZE in the 5th annual IndieBOOM! Awards!

For the third time in the last five years, a Star Trek fan film has won the Grand Prize in the annual IndieBOOM! Film+Music Festival…and this year, the winner was my AXANAR Universe fan film INTERLUDE! The previous two winners were (in 2019) “The Equinox Effect” and (in 2020) “Mask“—both from THE FEDERATION FILES anthology series.

Actually, when I say “my” fan film, I really mean OUR fan film…because this was a labor of love and dedication from more than 50 people. And the two most important individuals in that group were my directors, VICTORIA FOX and JOSHUA IRWIN. Technically, Victoria was listed in the credits as “director” and Josh as “director of photography.” But as far as I’m concerned, they EACH deserve the highest accolades, which is why I submitted the film with both of their names listed—and here’s the official certificate that was just e-mailed to me yesterday…

Although entered in the Fan Film category, Interlude received more views and viewing hours than any other selection in any category. I was told by IndieBOOM! festival co-founder ANTHONY DEVITO that Interlude was viewed more than 2,600 times for a total of 488 viewed hours! As such, it was elevated to Grand Prize winner, allowing another fan film, Stegosaurus: A Jurassic Park Fan Film (directed by BARRY WILKINSON from the UK) to win the Fan Film category.

Another notable winner was the the music video STAR TREK IS REAL, written and performed by ILIA “PIXI NEREID” McNEAL, star and producer of the AVALON UNIVERSE fan series, which took the title of Winning Original Song and scored Pixi a $250 prize…yay, Pixi!

Continuing the Star Trek strength in the festival, Trek anthology series The Federation Files took the award for Best Series.

And finally, my composer for Interlude, KEVIN CROXTON, won in the category for Best Musical with his James Bond-inspired fan film starring the 4th and 5th graders whom he teaches: IN THE BLINK OF AN EYE (which is an amazing film in its own right and something you should definitely take ten minutes out of your day to watch).

You can see all of this year’s winners here.

Now, some folks on Facebook have complained that choosing winners based on views and viewing hours turns IndieBOOM! into little more than a competition to see who has the most followers on social media and who can “turn out the vote” most effectively. Maybe so, but those are the rules. Other film festivals work differently, but IndieBOOM! has decided that this is the best way to let the viewers make their choices known. And so those of us who submit our films do what we can to reach out to friends, family, donors, fans, etc. and ask them to vote for us by viewing. In that way, it’s kind of like crowd-funding: the more interest and support you can generate from people, the more successful you’ll be.

And speaking of crowd-funding, the Grand Prize Winner for the IndieBOOM! festival receives $500. As soon as it arrives, I am going to donate it directly to the Avalon Universe crowd-funder!

Three positive COVID-19 tests among AVALON UNIVERSE cast and crew delay film shoot!

In a video interview that we did during the end of December, JOSHUA IRWIN of the AVALON UNIVERSE fan series was excited for a film shoot they had scheduled for early January. That shoot was supposed to be this weekend, but three significant members of the cast and crew have each, separately, been diagnosed with COVID-19 this past week, necessitating the delay of the shoot at least until February.

This was a major shoot for their next fan project, “The Needs of the One.” The story deals with a Vulcan crew member going through pon farr, similar to the beginning of the TOS episode episode “Amok Time.” But the similarities end there, as this crew member doesn’t simply accept the ancient traditions of the Vulcan culture where Vulcan females are “promised” to males as children. This episode turns all of that on its ear…or so I’m told.

This isn’t the first time a fan film has needed to delay a shoot due to COVID. Indeed, an earlier release from Avalon, AIR AND DARKNESS, had a COVID delay in late 2020, just as the pandemic seemed to potentially be receding a little (yeah, that didn’t happen).

Interestingly, it isn’t just Avalon that had to cancel a Star Trek-related film shoot this week. On Thursday, production on STAR TREK: PICARD season three had to be suspended when more than 50 members of the production crew (out of a total of 450) returned from the holiday break testing positive for COVID. SIR PATRICK STEWART was, thankfully, not among those reported to be sick. Filming restarted on Friday with COVID-negative replacements.

And it’s not just here in America where COVID is interfering with production. British Earl of CGI, SAMUEL COCKINGS, has already lost three shooting days for TREK SHORTS due to last-minute COVID infections. Sam has tried to make lemons from lemonade, though. During shoots when a single actor has had to cancel because of a positive COVID test or exposure to someone with COVID, Sam used the opportunity to either shoot scenes for alternate films or else write entirely new shorts with the actor or actors who did show up. You can read about one of those incidents in this blog about the origin of the bonus fan film HOURS AT WARP.

Three additional shooting days for Sam were affected by non-COVID illnesses (bloke can’t catch a break!) But because of costs to bring the actors in, travel and lodging, plus having to set up new shoots to replace the impacted ones, Sam no longer has the funds remaining to complete everything he promised donors. So Sam plans to launch an additional crowd-funding campaign. “There will be a LOT of new stuff to show,” Sam told me, “both to reveal what we actually did in 2021 but also all the new things we need help with finishing in 2022 and 2023!”

Please VOTE for INTERLUDE in the 5th Annual IndieBOOM! Film + Music Festival!

It was late 2017 when the IndieBOOM! Film Festival debuted with a category exclusively for “FAN FILMS”—one of the first major film competitions to do so. Created by the team at the award-winning Art of Brooklyn Film Festival, IndieBOOM! offers categories for filmmakers, musicians, and screenwriters working in all short-form formats and genres. In addition to Fan Films, their other categories include Comedy, Drama, Documentary, Horror/Sci-Fi, Experimental, Eusic Videos and Musicals, Animation, Series, Commercials, Dance, and Songs.

In 2019, the winner in the Fan Film category (and also the Sci-Fi category) was “Walking Bear, Running Wolf” from THE FEDERATION FILES. In 2020, the winning fan film was BATMAN: THE SCHEME IS SOUND, which (even though it wasn’t Star Trek) was written, directed, and produced by the man who composed the music for my fan film INTERLUDE: KEVIN CROXTON. And at the beginning of 2021, the announced winner in the category was a Star Wars fan film from Mexico titled JUNDLAND: NO MAN’S LAND.

Now, that we’re in 2022, I think it might be time for a Star Trek fan film to win again. What do you think?

This year’s official selections in the IndieBOOM! Fan Film category include two live-action Star Wars films (one from Australia and one from the USA), an animated Ghostbusters short from the USA, a live-action Jurassic Park fan film from the UK, a James Bond fan film from the USA with kids playing all the role, and two live-action Star Trek fan films from the USA. One of those is my fan film Interlude, and the other is an amalgamation of two fan films from The Federation Files (USA) released over the past two years.

Obviously, I’d like you to please vote for Interlude, although the choice is certainly up to you!

Voting is done by watching on Vimeo, and every view counts as one vote. So watch early, watch often! (Actually, if Vimeo works like YouTube, then each computer browser can log only one vote…so no cheating, I guess!)

Voting runs continuously from today through January 16. Here is the link to view and vote for Interlude…

https://www.indieboomff.com/interlude-star-trek.html

And maybe give it a like while you’re there, just so I know there’s someone out there watching Interlude.

The first prize for the most viewed film over all of the various categories wins $500. If Interlude wins (fingers crossed!), I intend to donate the prize money to the AVALON UNIVERSE GoFundMe so my DP and Film Editor on Interlude, JOSHUA IRWIN, can produce even more awesome Star Trek fan films. I fully expect to see him winning IndieBOOM! next year!

I encourage you all to check out each of the wonderful films selected as finalists. And if you do choose to vote for Interlude, I thank you.

AVALON UNIVERSE (re)releases AGENT OF NEW WORLDS…version 2.0! (video interview with JOSHUA IRWIN)

On Halloween, JOSHUA IRWIN, showrunner of the the AVALON UNIVERSE fan series, released the team’s latest full-length fan film, AGENTT OF NEW WORLDS. It marked the beginning of a new era for their fan series, introducing multiple new characters and jumping the story forward in time to the next captain and crew of the U.S.S. Excalibur, following the departure of former stars VICTORIA FOX and CHUCK MERÉ from the series earlier this past year.

The new release was a labor of love for all involved…in more ways than one. For some on Team Avalon, it meant dozens of hours of round-trip driving to remote outdoor filling locations…along with trips to the TOS sets at WARP 66 STUDIOS in Avalon‘s home state of Arkansas. For Josh himself, the total distance driven surpassed 5,500 miles!!! For an explanation of how that happened, along with a description of one of their most dangerous shoots, take a read through this blog from back in August.

Fast forward to Christmas Day (because, apparently, Josh really likes holiday releases), and Josh surprised the fan film community with a NEW cut of Agent of New Worlds. Apparently, “really good” wasn’t good enough for Josh, as he made about a dozen tweaks and improvements to the film. Take a look at version 2.0…

Amusingly, this wasn’t Josh’s only update of a previously-released fan film. A couple of weeks earlier, after working with me and composer KEVIN CROXTON for about four months, Josh released a third version of INTERLUDE. You can read all about that new edit, what was changed and why, and watch the new version on this blog page.

After watching the new version of Interlude, one of my readers commented that it might be fun to post the previous version and the newest version side-by-side so that fans could compare the two. Perhaps someday. But when it comes to Agent of New Worlds, I can do you one better right now!

Josh and I just finished a special interview that’s a bit different than my usual fare. This video chat focuses on each of the changes that Josh made—showing the “before” and “after” of each shot—followed by Josh explaining how and why he made the adjustment(s).

It’s a really fun and informative interview, especially if you’re interested in film editing. Josh is great at explaining both the philosophical side as well as the technical side without making your eyes glaze over. Also, there’s just a lot of enjoyable banter back and forth between us. I think you’ll really like watching this one…

Oh, and remember that the Avalon GoFundMe campaign is still active, and donations go directly into making really awesome fan films…

https://www.gofundme.com/f/zdn4p-AvalonUniverse2021

INTERLUDE Confidential #23: VERSION v3.0 is a hit with 25K VIEWS…time for FILM FESTIVALS!

It’s been a week since we debuted the newest release of INTERLUDE, our third version, and the response has been phenomenal. Already, there are more than 25K views on YouTube, 1.7K likes, and more than 200 comments. Here’s a small sample:

Real Star Trek again! Love it!
This is how you make a pre-Kirk Prequel. I rest my case.
So amazing. Great music too
this is incredible
MORE, MORE, MORE!!!
Outstanding!
This is real STAR TREK , Bless You All !
Ok, that rocked!! Nice appetizer as we await the main course.
Awsome! Your deflector shields are better than the TV shows.
I think Roddenberry would be proud!
This is terrible

Oops, that last one just kinda snuck in there. Actually, I included it because, for the first six days, it was literally the ONLY negative comment out of the hundreds we’ve received so far. We’re now up to two negative comments.

What JOSHUA IRWIN and I have found most shocking is how quickly the views have gone up considering that the previous versions already have over 200K views between the releases to the AVALON UNIVERSE YouTube Channel plus the releases to the AXANAR YouTube Channel. Obviously, 25K views in the first week would be understandable on the Axanar channel, as they have 108K subscribers. But version 3.0 is only up on the Avalon channel at the moment…and that one has only 13.7K subscribers.

So right now, Interlude v3.0 has TWICE as many views as Avalon has subscribers!

One of those views came from an Interlude donor who posted the following comment: “I just watched Interlude for the first time. Terrific work all around! It’ll definitely be something that I come back for repeat viewing.”

Wait, for the FIRST time??? But he donated! I asked why he hadn’t watched Interlude when it first came out back in April. Turns out he just never got around to it, and when I sent an e-mail update to my donors about the release of v3.0, he decided to watch it on his lunch break right then and there.

Anyway, I just wanted to share a few bits of news with you all. The first is that I’ve finally started entering Interlude into film festivals. I just made the cut-off deadline for the annual IndieBOOM! festival, which was one of the first and only competitions to include a category exclusively for Fan Films. And as of yesterday, Interlude is an OFFICIAL SELECTION for IndieBOOM! (More on that news in January!) And then I decided to take a crack at the L.A. Sci-Fi and Horror Festival because they also have a Fan Film category.

Wish us luck!

INTERLUDE Confidential #22: Presenting INTERLUDE version 3.0!!!

Geez, Lane! How many times are you going to re-do your frickin’ fan film???

Back in April, we premiered a version of my AXANAR Universe fan film INTERLUDE with PAUL JENKINS playing the chief engineer of the ill-fated U.S.S. Artemis. At the time we shot those engineering scenes, Paul was still directing the Axanar sequels and had been a great help behind-the-scenes advising my directors JOSHUA IRWIN and VICTORIA FOX along with myself on ways to work collaboratively on finishing up the production. Giving Paul a small role in Interlude seemed like a fun way to acknowledge his generous help, and Paul was happy to appear in our film.

Then things soured between Paul and Axanar producer ALEC PETERS—Paul was no longer director, lawsuits were filed, fire and brimstone came down from the skies, rivers and seas began boiling, forty years of darkness, earthquakes, volcanoes, the dead rising from the grave, human sacrifice, dogs and cats living together, mass hysteria. (Wait, that was Ghostbusters…who here loved Afterlife?)

Anyway, just as we were about to release our just-completed Interlude fan production on April 5, Paul informed us that he no longer wished to appear in the film and demanded we remove his footage. There wasn’t time to replace his scenes before the big premiere (he contacted us just a couple of days prior), but thanks to some scrambling and about 22 hours of round-trip driving from Arkansas to Georgia and back by Josh and his good friend TYLER DUNIVAN, we were able to get Interlude version 2.0 out just two weeks later, with Tyler replacing Paul as the engineer. You can watch that release here…

A couple of months later, while I was making a video about the editing process of Interlude, Josh asked me if I’d be okay if he created a special version of Interlude just for himself using a different transition between the first portion of the film (the battle sequence) and the epilogue documentary. You can watch the transition that we used at the 6:37 mark in the above video.

But Josh had always wanted to do a different transition using an alternate take of Garth where the camera slowly zooms out from a close-up. Victoria, as director, wanted to go a different way, but now that Interlude had been released, Josh was curious how the other transition would have turned out.

And so was I!

Truth to tell, I was never all that crazy about the transition that we ended up with and never even knew that we had an alternate take available. Josh said the new transition would be closer to what I’d initially had in the original comic book version of Interlude…a direct cut from the younger Garth to the older Garth as though he were emerging from a recollection of a haunting memory.

“Make it so!” I told him. A few hours later, I watched the new alternate transition for the first time.

My friends, it looked amazing! Such a small change, and yet it felt so much more impactful. And then I had a thought…

‘Tis the season for GIVING…to FAN FILMS!

When folks come to me for advice on crowd-funding their fan projects, I always tell them the same thing: DON’T LAUNCH YOUR CAMPAIGN DURING THE HOLIDAY SEASON!!! Ever since 2015, I’ve noticed that fan film crowd-funders that try to raise donations in November and December often struggle to reach their goals or even fail outright. The holiday season seems to be a “donation desert” for fan films.

It makes total sense. Nearly everyone is buying Christmas (or Hanukkah or Kwanza or Festivus) gifts for friends and family. And before COVID, people used to take expensive vacations during the holidays to visit family or just get away—remember when that used to happen? Charities, of course, usually choose this time to appeal to that ol’ spirit of giving and approach (hopefully) generous donors to give a little sumthin’. And soon Christmas bonus checks are spent before they even get cashed, and bank account balances do their impression of the Titanic.

I get that…not the time for fan films to ask for money.

But this past Monday, I received a bunch of e-mails from various places informing me that “Giving Tuesday” was here. So now we apparently have Black Friday, Cyber Monday, and…Giving Tuesday? When did that become a thing? Actually it started in 2012 at New York City’s famous 92rd Street Y (where I went to summer camp back in 1981) and has grown into an international movement to encourage a little healthy philanthropy among the manic bargain-hunting.

I wasn’t able to write a blog in time for this year’s Giving Tuesday because I just had cataract surgery early this week, and it took away my ability to see the text on my computer screen for a couple of days. Today is the first day I’ve got reliable sight back enough to compose a blog.

I’d actually been meaning to post something reminding folks about the ongoing Fan Film Factor Patreon to cover my annual expenses for keeping this blog site running. Currently, I’m taking in enough in monthly donations to cover the costs of domain registration and hosting, technical support, and security services.

But last month, I added a new annual expense: a $160/year Pro Account for Zoom. You might have noticed that I’ve been doing more video interviews with fan filmmakers lately. Zoom is an easy way to reach multiple people and record the interview calls. And Zoom is free as long as your call is less than 45 minutes or has only one other person on it. But my interviews go 60-90 minutes, and I often have multiple people on at the same time.

So with “Giving Tuesday” happening, even though we’re in the middle of the “fan film donation desert,” as I call it, I thought this might be a good time to post a little reminder about my Patreon…

I’m looking for monthly contributions of $1, $2, whatever folks can spare to help cover the annual expenses of Fan Film Factor…

PATREON link: https://www.patreon.com/fan_film_factor