Fan Film Features – Page 49

Deep Space 9 documentary WHAT WE LEFT BEHIND gets picked up by SHOUT!

Sometimes it pays off to get backlogged on blogging! On March 1st, I received a donor update from IRA STEVEN BEHR on the current status of the crowd-funded Star Trek: Deep Space Nine documentary WHAT WE LEFT BEHIND. Although they held three theatrical screenings late last year in New York, Los Angeles, and London—where select donors and supporters got to see an early “final” cut of the film—things weren’t quite finished yet. In fact, they weren’t even close!

The delays in completion stemmed from a noble cause, however. Additional crowd-funding (over and above their initial $650K from fans) was generated to pay for remastering all of the 20 minutes of footage from the seven seasons of DS9 into digital HD quality to be shown in the documentary. Since CBS has no plans to remaster DS9 or Voyager or Enterprise (as they did TOS and TNG), this could be fans’ only opportunity to see any of DS9 in high definition. Here’s an example of the difference in quality…

The digital transfer process began with massive amounts of time in the CBS vault sorting through seemingly endless rolls of 35mm film reels looking for the footage they needed. Then a request was sent out to deliver 400 of those reels to CBS Digital, who would then digitally scan in the film into high definition for Ira and his team to color adjust, enhance, and edit into the final cut. At the time Ira posted the following video on March 1, about three-quarters of the requested film reels had been sent to CBS Digital for logging in and scanning…

I’d planned to share that update here, but in the last 13 days, I’ve published 9 other blogs (and two of those days were spent at Disneyland). So the DS9 news was pushed to the bottom of my “to do” list until this week. No big deal—updates about the DS9 documentary are not very frequent anyway. The news could certainly wait a week or two, right?

But then the BIG news broke…

THE ROMULAN WAR releases newest WAR STORIES: “THE FIGHTING FOURTH”!

A week and a half ago, I reported that MARK NACCARATO, who is completing the fan film THE ROMULAN WAR (due out in the next few months), was about to release the fourth of his WAR STORIES vignettes: “The Fighting Fourth.” That happened for the general public this past weekend, and I have to say that this was my favorite War Story so far! (And since I starred in the third one, you know I’m being sincere.)

Before continuing, I just want to remind everyone to please donate a few bucks to their Indiegogo campaign. Although they surpassed their original goal, additional footage for the main film was shot by AARON VANDERKLEY in Australia, and Mark needs to reach $14,000 to cover Aaron’s additional expenses. He’s $980 short…can you help him out?

Anyway, this latest release is another “enhanced” audio drama, although I think I’d call this a full-on fan film! The difference is that “The Fighting Fourth” actually features a video recording of the main character, not simply the audio recording of log entries “enhanced” with display readouts and various animations. The footage features actor CHEWE NKOLE playing crewman Evander Littlejohn, and the African actor (now living in western Australia) turns in a very strong performance.

Also worth mentioning is sensational CGI effects done by everyone’s favorite British invader, SAMUEL COCKINGS of Trekyards. So we’ve got what I believe is the first-ever Star Trek fan film produced on three different continents (North America, Australia, and Europe), and a really fun and well-crafted 5-minute look at yet another intriguing aspect of The Romulan War… delaware fake id

You can watch the other War Stories vignettes here.

AVALON LOST is released as a new INDIEGOGO is launched! (audio interview with JOSHUA IRWIN and VICTORIA FOX)

It’s here! The first new 2019 Indiegogo campaign for a Star Trek fan film is now live and taking donations. Why should YOU donate? Lemme tellya…

THE AVALON UNIVERSE kicked off its debut last Halloween with a complete surprise for most fans: the 2-part GHOST SHIP, a sort of “Star Trek meets The Walking Dead” hybrid fan film that quickly went viral and now has a combined 280K views on YouTube!

Filmed both in Kingsland, GA on the old Star Trek Continues TOS sets and also in the new WARP 66 Studios in Arkansas, Ghost Ship looked amazing. Lighting, make-up, directing, editing, music, VFX, acting…everything came together flawlessly to present fans with one of the most polished-looking set-based fan films in a long time.

The only thing fans found a little odd were the uniforms worn by the Starfleet crew: a mix of the first two Kelvin-verse styles with Star Trek Beyond and TOS uniforms, all in a classic TOS setting. Even the USS Excalibur looked somewhat strange with a blue glow on the nacelles.

But then fans discovered that this was yet another alternate universe, the Avalon Universe, where things are a little different. (Avalon was the island on which King Arthur’s sword Excalibur was forged.) Fair enough; Trekkers are used to alternate universes by now.

Then, on February 2, the second Avalon Universe fan film, AVALON LOST, premiered., and it’s already up to nearly 35K views! This time, it was a one-parter with a very unexpected ending. Before you listen to my audio interview with the two Avalon show-runners at the end of this blog, I invite you to watch their most recent offering because there WILL BE SPOILERS in there interview…

Pretty awesome, right? I love that shuttlecraft! Anyway, I chatted with Josh and Victoria about their latest fan film, their new Indiegogo campaign, and their plans for future episodes from the Avalon Universe. Enjoy…

Click here to donate to their Indiegogo Campaign.

Latest AXANAR Production Update video gets 4K views in fifteen hours!

Some folks ask why I give so much coverage to ALEC PETERS and AXANAR. The answer is simple: because there’s so much to cover! And trust me, if there were any news out of other major “in development” fan projects like Pacific 201 or Starship Farragut, I’d be covering them, too! In fact, last week I had a FANtastic interview with the production designers helping to put the finishing touches on the soon-to-be-released First Frontier.

Anyway, even though full production on the two remaining Axanar fan films hasn’t begun yet, Alec and the team are doing anything BUT resting resting on their laurels. Those who claim Axanar will never be made obviously haven’t been paying attention to how much time and effort are going into getting everything ready to launch this project. If the fan film is never going to be made, someone needs to tell all those hard-working folks in Lawrenceville, GA!

And Alec himself continues to be one of the hardest workers, now doing two regular livecasts on YouTube each week to generate donations to Ares Studios. Along with the Patreon (which is currently up to 198 donors giving $1,811/month…or nearly $22,000/year) the YouTube channel, with over 77K subscribers, is upping the total to more than $3,000 a month in contributions and revenue to help pay rent and utilities on the studio.

Alec posted his latest Production Update late Tuesday night, and it’s already been watched by more than 4,000 people. Among the items covered are how the Ares bridge is nearing completion and now will DEFINITELY appear in the Axanar films, how Ares Digital 3.0 is nearly complete (I’m one of the beta testers) and patch perks will ship soon, and plans now call for shooting to begin this summer. Alec’s and his team’s enthusiasm are clearly evident on the update video. Check it out…

Also, if you haven’t visited the Axanar YouTube Channel, now vould be a good time (as Chekov would say)! It’s up to more than 40 videos in categories including trailers, VFX sequences, donor updates, studio updates, production updates, convention appearances, and of course the weekly REEL TREK and AXANAR CONFIDENTIAL podcasts which usually have really interesting guests (including me at one point!).

There’s also a new playlist called “Fan Film Focus” which includes some exclusive behind-the-scenes content about other Trek fan productions. Like the rest of the channel, content for that section will expand over time.

NETFLIX now actively considering buying SPACE COMMAND fan series!

Late last year, writer/director MARC SCOTT ZICREE traveled to London where he met with NETFLIX to see if he could interest them in buying his independent, fan-funded sci-fi series SPACE COMMAND. Of course, there’s no guarantee of anything yet, but according to Marc in a recent mailing to donors:

Netflix is now actively considering Space Command! And if they buy it, they minimally would order an entire season – twelve hour-long episodes!

But we’re not resting on our laurels. We’re now actively working to set meetings with Amazon, Apple and many other networks and VOD platforms that might give Space Command a good home.

This news came right on the heels of the public release of the second half hour of the two hour pilot episode, “Redemption,” starring (among others) DOUG JONES (yep, that Doug Jones); ROBERT PICARDO (from Voyager) ; and MIRA FURLAN, BRUCE BOXLEITNER, and BILL MUMY (from Babylon 5). Each turns in amazing performances. And in upcoming episodes, we will see even more famous faces.

Space Command got its start waaaaaaay back in 2012 with an early Kickstarter that brought in a staggering $212,000 from more than 2,000 donors. It then took five years for the project to reach post-production, where a second Kickstarter raised an additional $108,000 that would help complete the first hour of the 2-hour pilot episode “Redemption.”

The first half-hour segment of the pilot premiered last summer at San Diego Comic cons and debuted on YouTube for fans in August. Then a third Kickstarter raised $102,000 more for post-production on the second hour of the pilot. Marc is also selling individual $7,500 shares in the venture for supporters looking for a return on investment if/when the series sells.

A fourth Kickstarter is on its way soon, funding production on the second hour-long episode, “Forgiveness” (40 minutes of which has already been filmed). There is also now a VERY impressive first issue of the Space Command Comic Magazineposted online…check it out!

In the meantime, Marc released the completed first hour in January. It’s REALLY worth watching—especially for the captivating performances of Doug Jones, Robert Picardo, and Mira Furlan…truly some of their best work! It includes bookend commentary updates from Marc along with scenes (at the end) from upcoming episodes. Take a look…

And as an added bonus, below is the first half-hour that was released last August. I’m including it here for comparison/contrast. Y’see, Space Command is a work-in-progress, and VFX and color correction are an ongoing process. For example, after the release of the first half-hour, some folks noticed that in the scene where two characters are driving in a convertible (originally shot against a green screen), neither actor’s hair is moving in the wind! So that was fixed in the second release…along with many other little and not-so-little tweaks. So if you want to test your “eagle eye,” here’s your chance…

THE ROMULAN WAR fan film is now being made on THREE CONTINENTS!

One of the fan productions I’m most looking forward to at the moment is MARK NACCARATO’s project focusing on the battles and strategies of THE ROMULAN WAR with Earth. Presented as a war documentary (similar to Prelude to Axanar), Mark’s stories will pick up where Star Trek: Enterprise frustratingly left off: just BEFORE the ware between the Coalition of Planets and the Romulan Star Empire began.

Leading up to the planned May 2019 premiere of the full fan film, Mark has released a series of short “enhanced” audio dramas called WAR STORIES. They typically present personal logs or subspace correspondence made by someone involved in the war, usually recorded by a trained voice actor reading the script. (I say “usually” because I am definitely not a trained actor, but I recorded one myself!) The releases, while available in audio format for listening only, are ALSO available on YouTube with added VFX and other graphics to look like Starfleet archival footage. They’re REALLY cool.

For anyone who hasn’t seen and heard these War Stories releases yet, you can view them all on this YouTube playlist. They are only 17 and a half minutes total, so it’s not even that much of a time investment. In fact, anyone who says you can’t tell a decent fan film story in 15 minutes or less NEEDS to watch these four productions, as they each do it in under five minutes! (Well, one is a two-parter.)

This is one of the few fan projects set in the NX-era. Another is the series of amazing and powerful short films produced by AARON VANDERKLEY in Australia. If you haven’t watched them yet, you should check them out.

Now Mark Naccarato and Aaron Vanderkley have joined forces for the latest War Stories production, “The Fighting Fourth.” So that’s America and Australia teaming up for the first time. BUT! Let’s also add in a third continent—Europe—as Britain’s own SAMUEL COCKINGS, the hardest-working Trekpert in geek fandom, has lent his talents with some amazing CGI animation. Just take a look at this trailer…

“The Fighting Fourth” will be released first to donors very soon. So if you’d like to see it early, contribute a buck or three to the still-active Indiegogo campaign (now funding post-production costs).

Behind-the-scenes on STAR TREK: FIRST FRONTIER! (a MUST-SEE interview with MATT GREEN and SCOTT LYTTLE)

The era of the “big” professional-looking Star Trek fan films is NOT yet over, folks! In fact, fans are still awaiting four major productions that predate the guidelines of nearly three years ago: Axanar (of course), Pacific 201, the series finale of Starship Farragut (with a cameo by the late-great Stan Lee), and Star Trek: First Frontier. And one of those four fan films is about to cross over from post-production to release…and it’s just weeks away!

I’m sure you’ve already guessed from the title of this blog that it’s STAR TREK: FIRST FRONTIER, a professional-quality fan production that was first conceived back in 2013 by writer/show-runner KENNY SMITH. The story features the first captain of the USS Enterprise NCC-1701, Robert April, and his crew on their maiden voyage. The actors are trained professionals, the uniforms and sets constructed to look pre-Pike era (TOS, not Discovery), and the production crew were mostly industry folks with experience. I know the guidelines preclude most of the above now, but all of the production footage was “in the can” nearly a year BEFORE the guidelines were ever announced.

After an aborted 2015 Kickstarter that only raised $30K of a $130K goal, Kenny decided to fund the production himself, filming scenes using a mix of practical sets and green screen shots later that year. Originally planned for a September 2016 release to celebrate the 50th anniversary of Star Trek, and even though all the live action scenes were filmed, post-production would end up taking three times longer than anticipated!

But they had a very good excuse! The production decided NOT to use traditional CGI animation and instead built a physical 11-foot model of April’s Enterprise (estimated materials and labor cost $30,000) and filmed the VFX the old fashioned way…in a studio in front of a giant green screen!

But they didn’t stop there…

After shooting that gorgeous starship model in early 2017, they next went on to construct an equally-amazing 1/24th scale hangar deck and shuttlecraft for a number of VFX scenes that take place in that area of the ship. Photos of their incredible miniature shuttle bay have only just begun to circulate, and fans’ jaws are dropping left and right!

Fortunately, the two gentlemen in charge of the construction of these incredible models took pictures and videos along the way…hundreds in fact! And I’ve got most of them to show you in this exclusive Fan Film Factoraudio interview with a special video montage “bonus.”

Ladies and gentlemen, I present to you MATT GREEN and SCOTT LYTTLE, the men behind Captain Robert April’s Enterprise and hangar bay…

DREADNOUGHT DOMINION finally launches with “TECHNICAL DIFFICULTIES”

DREADNOUGHT DOMINION didn’t set out to be a tongue-in-cheek Trek fan film parody…and it doesn’t plan to be one for much longer. But for the last ten months, GARY DAVIS and RANDY WREN have taken this passion-driven fan production in some very quirky directions.

Back in 2015 when the first two episodes (“Haunted” and “Anchors Aweigh“) were released, Dreadnought Dominion was actually pretty serious. Those two episodes set up the backstory of the main characters as the USS Dominion prepared to launch. But then the show-runner and lead actor, Frank Parker, Jr. (playing Commodore Samuel Grissom) left the series, leaving Gary and Randy to pick up the pieces and move on.

In late 2016, Dreadnought Dominion did a cross-over fan film with Starship Valiant called “Chain of Command.” With Dominion still waiting to launch Gary’s character of Captain Jason Brousseau takes command and makes Randy’s Commander Stephen Denson his XO.

The following summer, a Mirror Universe version of the same episode, this one titled “Command and Conquer,” showed the same scenes taking place in the Terran Empire. It was a fun little project, and both fan films featured MICHAEL L. KING from Starship Valiant and VANCE MAJOR playing his fan favorite character of Erick Minard.

And Dominion still hadn’t left drydock!

This past summer, Gary and Randy became the first fan filmmakers to shoot a project at Stage 9 Studios (now renamed THE NEUTRAL ZONE), site of the former Star Trek Continues sets in Kingsland, GA and now available to all fans to use. (Support the Patreon for The Neutral Zone by clicking here.) They released two back-to-back vignettes, “Reality Check” (which purposefully broke the fourth wall) and “Silent Acknowledgement” (featuring the first deaf character and actress in a fan series). You can read a great two-part interview with Gary and Randy here.

And yet, after six complete fan films, Dominion was still in drydock!

Acknowledging the ridiculousness of the situation, Gary and Randy created one final script to get them on their way: “Technical Difficulties.” They scheduled filming for the same weekend that owner RAY TESI opened up his TOS sets in Kingsland free to visitors for a Fan Appreciation Weekend. It was a huge success, but it also afforded the Dominion folks to go somewhere only one Trek fan project (“Walking Bear, Running Wolf”) had ever gone before: they filmed before a live studio audience!

ERIC L. WATTS of the fan film Bjo Awards pointed out, “It’s worth noting that the producers of this episode took advantage of the presence of several attendees…who happened to be in TOS costumes and casting them as background characters, particularly in Engineering, which gave those scenes the unexpected benefit of looking like the ship had a full crew complement aboard.”

The result, as you’ll see below, is a fun and original fan film, full of gags and laughter, that has the added benefit of finally—after some technical difficulties—getting the dreadnought Dominion out of drydock and finally on to her missions in space…

STAGE 9 STUDIOS is now THE NEUTRAL ZONE…and its PATREON has hit WARP SPEED!

After STAR TREK CONTINUES completed its run of eleven amazing fan films shot on an awesome array of TOS sets, those sets sat unused in an industrial space in Kingsland, GA for many months. The sets were subsequently purchased by avid Trekker (and really nice guy!) RAY TESI, who renamed the facility STAGE 9 STUDIOS. Ray also took over paying the rent, utilities, and maintenance. Thanks to comparison sites that offer the likes of Business Gas package rates and other utilities, Ray isn’t spending an obscene amount to keep the studio up and running.

Ray opened up the sets to fans to come see and film on. Already, numerous fan projects have been shot there, including multiple episodes of Dreadnought Dominion, the upcoming Constar Chronicles, the wildly popular Ghost Ship which premiered last Halloween, and even a few others. The sets are being offered FREE to fan filmmakers as long as they pay for the electricity used during filming. It’s a great deal!

Unfortunately for Ray, though, what’s “free” for fans is still costing him money each month, which is coming out of his retirement savings. Granted, Ray is happy to spend his own money to keep the dream alive, but he is also asking for help from fans out there like you and me.

At this point, many people in Ray’s position would have turned to a fundraising platform like GoFundMe. Not only is it possible to crowdfund using the platform, there is also lots of help and advice for people who are in a position where they need to raise funds. For example, there is evertyhing you need to know about helping to pay rent and other utilities at https://www.gofundme.com/c/blog/emergency-rental-assistance. Ray, on the other hand, had a different idea.

Last June, he launched a Patreon campaign to raise donations—given monthly by supporters in increments as low as $1/month or as high as $100/month (the average is about $15/month per donor). After an initial spike, the next six months of the Patreon were fairly flat in the range of about $150/month (approximately 5% of the monthly rent).

Last week, however, everything changed!

First of all, Stage 9 Studios was renamed THE NEUTRAL ZONE (for reasons that will be explained below). At the same time, Ray used the name change to start promoting the campaign much more robustly. The result, as you can see below, has produced eye-popping results in just 7 days! The number of patrons has nearly doubled while the amount donated per month has nearly tripled to almost $500…!

This brings Ray about 15% of the way to covering his monthly rent, so there is still a ways to go. Bu if YOU would like to help keep fandom’s TOS dream alive, please click the link below (or at least share it with others)…

https://www.patreon.com/neutralzonestudios

In the meantime, Ray has some other news to share with fans. Take it away, Ray…

Remastered CHASING THE INFINITE SKY debuts on first AXACON spotlight interview with ALBERT MARTINEZ!

Back in the summer of 2016, ALBERT MARTINEZ debuted a new fan film consisting primarily of breathtaking CGI visual FX inspired by the Kelvin-verse style of starship design. CHASING THE INFINITE SKY quickly went viral with hundreds of thousands of views on YouTube. One of those viewers was ALEC PETERS of Axanar, and he quickly fell in love with this beautifully crafted fan film, talking it up every chance he could.

Skip ahead two years, and Alec invited Albert to be a guest at AXACON last November. Albert was honored to attend and drove all the way from Texas to Georgia with his wife for the event.

Also in attendance was yours truly, as I had agreed to be a panelist for the mini-con. I knew Alec was planning to record all of the sessions on video to debut later on YouTube, with myself and KEITH M. SEDOR as hosts and interviewers. However, I wasn’t expecting for Keith and I to be put to work immediately on day one…when when everything was just a tour of Ares Studios and not even at the hotel yet! Alec, however, had hired a three-camera video crew plus sound engineer to record right there at the studio…and I was given almost no time to prepare to interview multiple guests, beginning with Albert. Geez, Alec, no pressure!

Usually, my interviews of fan filmmakers are simply audio or text (’cause I can’t afford camera crews!). But today I present to you a special VIDEO interview. At the end, the video also includes a new REMASTERED higher-quality version of Chasing the Infinite Sky. (By the way, Albert Martinez has now joined the Axanar VFX team.)

The following video has been available for the past few weeks to donors who’ve signed up for the ARES STUDIOS PATREON. If you haven’t signed up yet, just a couple of bucks a month will get you early access to videos like this one (as there’s over 22 hours of amazing interviews and panels that will be edited and shared). Also, you’ll help keep Ares Studios open so that fan filmmakers and students and even professionals can shoot scenes on that amazing USS Ares bridge!

I’d just like to give a quick shout-out to BRIAN T. ALEXANDER, who shot and compiled the video, and to JOHN STREKIS, who did an amazing job editing it. All of the Axacon videos are being lovingly preparing by a small, dedicated team of editors and sound people to look as good as possible. Here is the first one…