Fan Film Factor – Page 69 – Exploring the world of Star Trek fan films.

Now crowd-funding: “TO HAVE BOLDLY GONE” – a unique fan film from a unique fan! (interview with LARRY FLEMING)

Okay, now that you guys have stepped up to help fund the Avalon Universe fan film “Demons,” as well as Neutral Zone Studios and Ares Studios…guess what? Yep, another fan project needs your help!

This time, it’s a very unique production from a very unique fan. LARRY FLEMING has been working in the world of Star Trek fan films for nearly a decade, having begun back in 2010 with an early episode of the long-running fan series Star Trek: Natures Hunger. Since then, he’s produced, done set decoration for, done stunts for, and acted in numerous fan productions including Starship Farragut, Trek Isolation, Exeter Trek, Starship Republic, Minard, Dreadnought Dominion, Melbourne, and various releases from Potemkin Pictures. Now it’s time for Larry to write, direct, produce, and star in his own fan film!

What’s so unique about his latest project, TO HAVE BOLDLY GONE? Glad you asked. While many details remain unknown, the general plot-line appears to merge our own Trekker/Trekkie fan reality with the universe of Star Trek in a new and creative way. The following is from his current Indiegogo campaign page:

Prepare to go where no fan production has gone before!

Fan films are dreams come true, wish-fulfillment fantasies realized through the miracle of video production. But what if it all happened for REAL? What if you were suddenly on board the USS Enterprise and Captain Kirk and his crew needed YOUR help? Would you know what to do? After all, you’re the ultimate Trekkie, right? But this isn’t just a show anymore, and those Klingons are really shooting at you!

Meet Peter Warren, a “get-a-life” Star Trek fanatic who wakes up on the bridge of the USS Enterprise in his Captain Kirk pajamas…only to discover the ship is empty, the crew displaced in time, and an unstoppable foe from the future has a plan that is futile to resist. Can a Trekkie in his pajamas possibly save the Federation all by himself?

Cross the threshold between reality and fantasy as the two become one in the upcoming fan film “To Have Boldly Gone.” With your generous donations, you can help turn this fantasy into a wonderful reality for fans everywhere to watch and enjoy!

Sounds pretty cool, huh? Well, that’s only half the story. Y’see, the fan behind this film have been a Savior on The Walking Dead and will appear in Avengers: Endgame (if they don’t cut his scene). In fact, he’s been in numerous movies and TV shows, but his true love is fan films.

Let’s meet him…

ARES ASSEMBLE! – AXANAR volunteers put together GARTH’S QUARTERS in Ares Studios! (interview with ALEC PETERS)

When ALEC PETERS reluctantly shut down Industry Studios in Valencia, CA and moved to the current ARES STUDIOS location in Lawrenceville, GA, he took with him as much as he could fit into the trucks. This included the various pieces of the amazing USS Ares bridge set, costumes, props, equipment, patches, and a second set designed and constructed by DEAN NEWBURY: Captain Garth’s Quarters. Initially intended to be used for certain scenes in the full 90-minute AXANAR fan film (which will, sadly, never be completed and released), the Captain’s Quarters was disassembled for transport, and the “flats” (pieces of the set) were stored in the new facility.

While the Ares Bridge set has taken center stage (rather literally) over the past almost-year as it neared completion, the pieces of the Captain’s Quarters sat humbly off in the corner, waiting for someone to come along and put them back together.

That finally happened this past weekend when Alec and a small number of volunteers got together to reassemble the pieces for the first time since they sat in Industry Studios in California. The initiative was led by and JOHN “Stoggy” STREKIS , who has been producing the many, many videos that have been posted to the Axanar YouTube Channel (if you haven’t been watching those videos, you really should check out a few). John was visiting Georgia from new Jersey, saw the bridge pieces sitting there unused, and suggested (rather strongly) that they finally be reassembled so Ares Studios would have more sets to offer filmmakers wanting to shoot at the facility.

Joining Alec and John were volunteers DAN WAGNER and DALE SIMPSON, who are local and have already been taking point on completing the Ares Bridge, plus CHRIS WEUVE, a guest who was also down in Georgia visiting the sets. Together they worked for a couple of hours trying to figure out how to arrange the various flats (they weren’t marked, and they weren’t necessarily laid out in a four-wall square…more of an angled “W”) before Dana took a screwdriver and locked the pieces together.

I thought this might be a good time to interview Alec and get an update on all things Axanar (well, most things)…

WARP 66 STUDIOS expands its TOS sets…with the help of JOSH IRWIN from Avalon!

Before we get to WARP 66 STUDIOS, a quick update on the Indiegogo campaign for the third AVALON UNIVERSE fan film “Demons.” With less than 15 hours left(!!!!), they are at $6,290 from 97 backers…plus another $500 directly from a special backer. That means that the campaign has reached nearly 80% of its $8500 goal. Can they get the rest of the way before tonight’s deadline at midnight? If you haven’t donated yet and want to, here’s the link:

https://www.indiegogo.com/projects/demons-a-star-trek-fan-film–2

Okay, on to WARP 66 Studios. Named after its founders GLEN WOLF and DAN REYNOLDS (Wolf And Reynolds Productions) followed by the year of the premiere of Star Trek (1966), their TOS sets are located in northern Arkansas on property owned by Dan and other property owned by Glen. Already, they and their team have constructed a partial Constitution-class bridge and the cockpit of a shuttlecraft, both of which were used in the recent fan films THE FEDERATION FILES: “Galaxy Hopper” and and AVALON LOST.

Unlike the TOS sets at Neutral Zone Studios in Kingsland, GA, WARP 66 Studios is not necessarily open to any fan film, nor is it exclusive only to Glen and Dan’s Federation Files projects. Glen explained:

Currently, the sets are for The Federation Files and friends of the production group. Basically, if a member of our crew whats to make his/her own film, they may use our sets. We are in no way “competition” for The Neutral Zone or James Cawley’s Fan Film Academy. We are building sets for specific shoots, all of them can be considered temporary aside from the bridge.People may contact me, but due to the fluid nature of the sets, I can not promise any particular piece would be available.

This past weekend, Avalon Universe co-showrunner JOSHUA IRWIN (who also lives in Arkansas) spent a full day helping with the construction of a partial sickbay set, a briefing room, and an extended corridor that will be used as part of the USS Excalibur in the upcoming Avalon fan film “Demons.” Josh had this to say about the experience of working to help create the new sets…

It’s honestly a dream come true to spend the day building a space ship to film on. 14-year-old me would be very jealous of what 38-year-old me did today.

Remember to make a donation to Avalon’s Indiegogo before the end of today (if you haven’t already and are so included) or at least spread the link via social media. And in the meantime, enjoy these photos that Josh took over the weekend at WARP 66 Studios…

The SHIPS hit the FANS on STAR TREK: DISCOVERY! (editorial review)

SPOILERS ARE JUST MY WAY OF SHOWING LOVE!

At first, I was thinking of titling this blog “The Big Good-bye” or “The Long Good-bye” or “We Get It Already—Everybody Is Saying Good-bye!” I also considered, “That’s Not Orange, Dammit; It’s Red!” But in the end, I didn’t want to sound harsh because it implies that I didn’t think this was a good episode.

The penultimate 13th episode of STAR TREK: DISCOVERY‘s second season, “Sweet Sorrow,” wasn’t a bad episode…far and away not! It finally showed us a redesigned bridge of the USS Enterprise NCC-1701 that didn’t feel like an Apple Store. In fact, I wanted to grab a Klingon time crystal, take this bridge back to 2007, kidnap J.J. Abrams, and shout: “THIS!!!!” In fact—looking at the uniforms, the handles in the Enterprise turbolift, the sounds of the bridge and the photon torpedoes, etc.—it might not be a bad idea to take a time detour to 2016, kidnap Bryan Fuller and whoever was the original production designer on Discovery, and shout, “THIS!!!!” even louder.

So yes, I liked the Enterprise and the people in it. And I just signed the Change.org petition to CBS trying to convince them to do a new CAPTAIN PIKE series on the Enterprise in pre-TOS. Serious no-brainer, CBS: don’t let Anson Mount get away!!!

But this episode also suffered from a number of weaknesses…many of them stemming from the fact that the season was originally set to be 13 episodes and, early on, a decision was made to stretch the finale into two parts. And there’s no doubt that the last episode will be an amazing, budget-blowing WOW!-fest. And about half of this episode was equally stunning. But there was also a lot—a LOT!—of filler. And ultimately, this episode felt (to me, at least), like being the passenger with a student driver who is constantly accelerating and then hitting the brakes hard and then repeating the process.

So for the next-to-last time this season, let’s dive into my thoughts on an episode of Discovery…

Can the Klingons help AVALON get $500 in donations in 4 days???

Currently, the Indiegogo campaign for the third AVALON UNIVERSE fan film, “Demons,” stands at $5,500 from 86 backers (64% of the way to their $8,500 goal). Actually, there’s an additional $500 donation that came in that didn’t get recorded (read more about that glitch here), so they’re really 70% of the way there!

Last week, show-runners JOSHUA IRWIN and VICTORIA FOX extended their campaign for 8 more days, trying to attract a few extra dollars, if possible. So far, it’s worked to get them to where they are, but there’s still a way to go. It’d be great to reach their goal, but if that’s not possible by Monday, Josh and Victoria are hoping for at least another $500, which will make a really big difference for the production.

So I’m doing my part in sharing the following three videos they’ve released showing the quality of the visual effects being done by the wizard of speed and time, SAMUEL COCKINGS. These are only pre-visualizations (rough animations to establish motion), but they show what some of the Klingon ships will look like in the Avalon Universe, which is similar to the prime universe but also slightly different in fun and fascinating ways. It gives the producers a bit more creative freedom than fan films that hew more closely to Trek canon usually get with ship and costume design.

Anyway, take a look at these three short videos, because they’re really cool…

Excited? Well, the live action scenes are just as well-produced, as Joshua and Victoria are both industry professionals in their “real” lives. You can listen to a great interview I recently did with them here… Jackpot Jill: https://onlinecasinos-australia.com/jackpot-jill-casino.html

$500 in 4 days…and you can help make it happen! Or if you can’t, maybe a fan friend of yours can. So please share the link and, if you’re feeling generous, help these fan producers make more Star Trek for the rest of us to enjoy…

https://www.indiegogo.com/projects/demons-a-star-trek-fan-film–2

Major CONTROVERSY for NEUTRAL ZONE STUDIOS in Kingsland, GA – the bad, ugly, and the good…

Over this past weekend, two fan films that were scheduled to shoot on the TOS sets at NEUTRAL ZONE STUDIOS in Kingsland, GA (formerly used by Star Trek Continues and Starship Farragut), made major announcements based on some unexpected new pricing policies implemented by the studio at the last minute. It wasn’t pretty.

Previously, Neutral Zone Studios, purchased last year by RAY TESI, had followed the lead of the now-defunct Starbase Studios in Oklahoma and (later) Arkansas of charging fans only for the cost of electricity and utilities but otherwise allowing the use the sets for free for any fan production to film on. Of course, nothing is really “free,” and the costs for rent and upkeep had to be paid by someone…and in this case, it’s been Ray Tesi.

Just this past month alone, Ray had to write $6,000 in checks for rent, utilities and his annual insurance on the facility and sets. In a typical year, Ray’s out-of-pocket costs—just to keep the sets from winding up in the dumpster—is about $42,000!

To try to help with expenses, Ray launched a Patreon campaign almost a year ago seeking small monthly donations from fans. While it’s doing modestly well—currently taking in about $800 a month from 64 backers—that still leaves Ray with nearly $33,000 in annual expenses. For a guy who is paying for this venture out of his retirement fund , this is a significant commitment. And frankly, I personally think more fans need to step forward and help Ray cover his costs…because if Ray runs out of money, these sets really will wind up in a dumpster.

But more on that in a moment. First, let me tell you about what happened this past weekend—both the bad, the ugly, and the good…

DS9’s WHAT WE LEFT BEHIND is finally COMPLETE – will debut exclusively to backers in April and in theaters for one day in May!

It wasn’t even four weeks ago that I posted the HUGE news that the crowd-funded Deep Space Nine documentary WHAT WE LEFT BEHIND had been acquired by distributor SHOUT! STUDIOS. But now the news is even huger (yes, that’s a word!).

Shout! Studios opened up a whole new realm of resources and opportunities for both completing the production as well as exposing more of the fan community (and general public) to this high-quality look back at the history of Star Trek: Deep Space Nine and into the minds and hearts of the people who made it all happen.

With Shout! on board, it was announced this week that the documentary has finally been completed and delivered. The recent delays had been mainly due to a decision made by show-runner IRA STEVEN BEHR and director ADAM NIMOY to digitally remaster into high definition all 20 minutes of footage from various episodes rather than only about 25% of the footage, leaving the rest in lower quality standard definition. Additional crowd-funding beyond the $650K raised from Indiegogo backers was necessary to acquire and remaster the footage, but Ira has assured everyone that the difference in quality is worth it. You can check out the comparison below…

The other major announcement(s) concerned when the completed documentary would be shown both to backers and to the general public. With Shout!‘s connections in theater distribution, in partnership with Fathom Events, What We Left Behind will be showing in over 800 theaters across the US for one screening on Monday, May 13th at 7:00pm. Fathom will be providing giveaway 11×17 posters at the door while supplies last, and this one-night event will include exclusive content with a new roundtable discussion following the film. You can order tickets here.

Of course, backers at levels of $15 or more were promised an early sneak peek, and so they shall get it! On Thursday, April 25th at 9:09pm EST, eligible backers will be able to stream the full documentary from home or on a mobile device for the following 99 hours. (Hmmm, there’s an awful lotta 9’s…oh, I get it!)

Backers will still have many more chances to watch the documentary when they receive their DVD/Blu-ray combo sets. More details for backers (instructions for how to stream, planned shipping dates, etc.) will be coming soon.

For now, the documentary team has just released this FANtastic new trailer. I challenge you not to tear up while you watch it (I got goosebumps)…!

DISCOVERY’s twelfth episode: very watchable, but was it GOOD? (editorial review)

WE HAVE SPAM, SPOILERS, EGGS, SPOILERS, BAKED BEANS, AND SPOILERS!

As I watched the 3-minute teaser and opening scene of act one of “Through the Valley of Shadows,” STAR TREK: DISCOVERY‘s twelfth episode of season two, I was dreading having to write another critical blog. It’s not that I have anything against (of for) being negative about Discovery; I just don’t like having to sit through weak or boring episodes that don’t live up to the potential of the series.

We open on Michael Burnham (of course!) whose review of her mother’s time-logs is interrupted by a call from her adopted mother, Amanda Grayson. Yay, I thought! I love Mia Kirshner‘s portrayal of the character. But my hopes were quickly dashed as I saw Burnham yet again falling into self-pity and blaming herself for everything that goes wrong in the universe.

Amanda gets to complete her second short line of dialog just as she is interrupted by a Spock-knock at the door. Still not in uniform, Spock apologizes for the interruption, but the captain needs them. Amanda gets nine more words, and then the scene that began with such potential is over 63 seconds after it began. Sigh…

Then it’s a cut to a briefing—again! What episode this season hasn’t kicked off with some kind of briefing? But at least this one wasn’t interrupted by Tillybabble. In fact, Mary Wiseman doesn’t appear in this episode at all (she wasn’t available the week of filming)…and to be honest, I didn’t really miss her. The episode felt more “grown up” without Tilly stealing her scenes. The briefing itself wasn’t bad, although every time I hear Tyler or another Klingon say “Kay-lesh” (Kahless), I cringe. Worf managed to get through two different Star Trek series pronouncing it “Kay-less”—is it really that hard for this show to be consistent with canon???

Then we come back from the opening credits with a scene between Burnham and Tyler that, as usual, showed almost no chemistry between the two actors and characters. Some quick exposition, a passive-aggressive zinger from Tyler, and then Tyler hears a beep that starts the real episode.

And that’s when everything started getting really good (and not so really good)…

Mysterious INDIEGOGO glitch almost cost the AVALON fan filmmakers a $500 donation!

If you donated to the AVALON Indiegogo, please read this blog

First of all, you’ve got until THIS SUNDAY to donate to the Indiegogo campaign for the third AVALON UNIVERSE fan film: “Demons”…so hurry up and click on the link below (or at least share it with friends):

https://www.indiegogo.com/projects/demons-a-star-trek-fan-film–2

Currently, the total shows the campaign at $4,615 from 70 backers, about 54% of the way to their $8,500 goal. But as it turns out, there’s a $500 donation MISSING (more on that in a moment), meaning the total is really up to $5,115, or about 60% of the goal.

So how did a $500 get lost? No one knows exactly—not even Indiegogo. But here’s what we do know…

Bad news turns into good news for STALLED TREK!

By far, one of the funniest and most beloved of the fan-produced Star Trek parodies is STALLED TREK, the hilarious CGI-rendered puppet characters from the comedically brilliant mind of MARK LARGENT.

Mark’s first Stalled Trek fan film “Amutt Time” was released in 2012 and followed the adventures of the crew of the USS Second Prize when its first officer, Mr Spott, began going through heat and needed to return to his home planet of Vulcanine to mate. It’s a MUST-SEE fan film.

After doing this blog interview with Mark back in 2016, we collaborated on a parody of Prelude to Axanar, which was really a parody of the Axanar lawsuit. Called Prelude to Ax’d-We-Are, it featured the same puppet-style of characters and was just as funny as Mark’s first offering.

Then, last summer, Mark announced a new Stalled Trek: “The City of the Edge of Foreclosure.” This time, he would be returning to a parody of the TOS characters, and he successfully funded a Kickstarter with $4,181 (over an initial $600 goal) from 114 donors.

It was time to start animating! Well, kinda. As Mark informed donors along the way, animation was a slow, tedious process, as he was rendering on a single Macintosh computer, using a 3D application called Animation:Master. Although it’s a great, affordable all-in-one app (according to Mark)—and he’d been using it reliably for the last 12 years—a single frame could take 3-5 minutes to complete.

With 30-frames-per-second being the accepted norm, each second of Mark’s fan film could easily take 2 hours to render…or more ominously, each minute could take 120 hours of non-stop computer render time! And of course, a single glitch in the rendering of any scene would require starting all over from zero.

This was why Mark told me that “The City on the Edge of Foreclosure” might be his last Stalled Trek. But to make matters worse, a few weeks ago, the makers of Animation:Master announced that their application would no longer be supporting the Macintosh platform…and Mark didn’t have the funds to buy a new PC with the power necessary to render frames of animation at any speed where he could realistically finish in months, possibly even years!

Was this the end of the road for Stalled Trek???